Showing posts with label Elissa Matsueda. Show all posts
Showing posts with label Elissa Matsueda. Show all posts

Movie Review: Dog Days

Dog Days (2018)

Directed by Ken Marino

Writen by Elissa Matsueda, Erica Oyama

Starring Tone Bell, Vanessa Hudgens, Nina Dobrev, Adam Pally, Rob Corddry, Eva Longoria

Release Date August 8th, 2018 

Published August 10th, 2018 

Dog Days is an ensemble, family comedy, part-time romance, about people and the dogs who love them. It’s cheesy as the day is long but there is a particular charm to the direction Ken Marino brings to the film. That charm emanates from his terrific cast of comedy veterans toning down their act for the family set. People such as Tig Notaro, Lauren Lapkus, and Jessica St. Clair, make cameo appearances in Dog Days, and not just cameos, they have killer jokes to go with those cameos.

The plot centers on a universe of people beginning with Elizabeth (Nina Dobrev), the host of a popular daytime TV show. Elizabeth is so close to her dog that she leaves her TV on while she’s not home so her pup can laze around and watch mom on TV. Sadly, the dog is there when Elizabeth catches her boyfriend cheating on her and is apparently so broken up about the break up that he has to go to doggy therapy.

Elizabeth would like to be alone but that’s not going to happen as she is then given a new co-host for her talk show, Jimmy played by Tone Bell. Jimmy is a former football player and fellow dog lover who credits his pooch with saving his life after his football career ended abruptly. His style of winging it on the job flies in the face of Elizabeth’s buttoned up, very prepared style. Naturally, this means they are meant to be together.

There are four parallel plots in all in Dog Days. The next biggest involves Vanessa Hudgens as a coffee shop worker who begins volunteering at a dog shelter. Initially, she’s trying to impress a handsome but vacuous veterinarian but soon she begins to find purpose in working with the animals. This leads to a friendship and budding flirtation with the shelter owner, Garrett, played by the always awkward John Bass, last seen embarrassing himself deeply in Baywatch the movie.

Next up are Rob Corddry and Eva Longoria as a married couple who have adopted a young girl named Amelia. The child is sullen and distant despite the attempts of the couple to soften her up but things change when they find a lost pug. The pug becomes Amelia’s best friend and she begins to warm up to the new parents who’ve given her the dog. Unfortunately, we know where the dog came from, plot strand number 4.

Plot number 4 involves Stranger Things star Finn Wolfhard as a pizza delivery boy with a bad attitude. When he delivers a pizza to an elderly man, played by Ron Cephus Jones, the elderly man’s dog gets out of the house only to be rescued by Amelia and her new family. The old man is kind and the dog belonged to his late wife. The emotional pull of this part of the story is surprisingly strong, even as it is quite admittedly pulling hard on the heartstrings.

Did I say there are four plots in Dog Days? I meant 5, there are 5 plots in Dog Days. Adam Pally plays a shiftless wannabe rocker who is tasked with dog-sitting for his pregnant sister, played by the brilliant Jessica St. Clair and her husband played by Thomas Lennon. Not allowed to have pets in his apartment, Pally is saddled with a running gag about hiding his dog inside an music equipment box and people thinking he’s transporting a body or a kidnapped person.

It’s not a particularly good gag, it earns mostly groans, though the payoff physical gag isn’t bad. Pally is terrific at playing a slothful layabout, a moocher with charm to spare. His part here is mostly as filler to the other plots but Pally is likable enough and his big puppy is cute enough that the plot doesn’t get in the way of anything and kind enhances the charm of Dog Days thanks to Pally’s inherent appeal.

There is a whole lot of plot here but it works for the most part. Many have, rather unfairly compared Dog Days to the work of the late hack Garry Marshall with his sprawling cast and nebulous plotting but that’s a rather significant insult to this movie. Marshall’s cloying, manipulative, holiday-based dreck were sloppy and earned a consistent series of ever-deepening groans before sloughed off the screen in a heap at their laugh-free conclusion. Dog Days is tighter, smarter and has actual laughs, something the Garry Marshall films only dreamed of having.

I did not expect much of Dog Days and it’s that low bar that likely has us here right now with me recommending the movie. That said, rather backhandedly, I do recommend this movie. The cast is charming and funny, the dogs are cute and it has legitimately big laughs in more than one scene. Given the landscape of modern comedy, Dog Days is a minor miracle as it provides a modern PG comedy with real laughs that don’t all require the sacrifice of one’s dignity via pratfall or bodily function humor. I personally want to give Ken Marino an award of some sort for this modest achievement but I am in the minority of positive opinions of Dog Days.

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