Showing posts with label Amber Tamblyn. Show all posts
Showing posts with label Amber Tamblyn. Show all posts

Movie Review The Grudge 2

The Grudge 2 (2006)

Directed by Takashi Shimizu

Written by Stephen Susco

Starring Arielle Kebbel, Jennifer Beats, Amber Tamblyn, Takako Fuji, Sarah Michelle Geller

Release Date October 13th, 2006

Published October 13th, 2006

Some say that Ju-On, Takashi Shimizu's 2001 horror flick is a Japanese horror classic. I've seen Ju-on and I was not that impressed. I was further unimpressed when Shimizu adapted his film for American audiences in 2004 and called it The Grudge. I missed Ju-On 2, sad for me, however I did see The Grudge 2. If the Ju-On sequel is anything like its American twin I'm sure I would have been just as unimpressed.

Sarah Michele Gellar briefly returns to the role of Karen in Grudge 2. If you recall, Karen was an American student attending school in Tokyo when she was cursed by entering a house where a brutal murder took place. Now Karen is in a mental institution because no one believes that the murder victim, now a ghost, is after her.

In Grudge 2 Karen's sister Aubrey (Amber Tamblyn) arrives to take Karen home but unfortunately she arrives just in time to witness Karen's seeming suicide. (If you are calling this a spoiler you haven't seen the film's trailer which features Karen's death). Of course, Karen's death was no suicide; something Aubrey finds out from a journalist named Eason (Edison Chen). Eason has been following the story of the murderous house and the deaths of the people associated with it and soon he has drawn Aubrey into the ghostly danger.

Meanwhile in another movie, I mean subplot, three teenagers arrive at the Grudge house on a dare and soon find themselves cursed by the house and followed by the deathly pale ghost of a dead woman and her dead son. While two of the teenagers disappear another takes the Grudge ghosts home to America with her where they begin to infect the inhabitants of a stately Chicago apartment building.

The Grudge 2 is what I like to call a 'BOO' movie. Essentially the film plods along with dull expository dialogue, then the eerie soundtrack kicks up, and the bad guy turns to the camera and says 'BOO'. Then more dull dialogue and another 'BOO'.

Director Takashi Shimizu does not know how to craft a creepy atmosphere. His use of gray offset at times by bright colors is interesting. Unfortunately, the atmosphere is the only interesting thing about The Grudge 2. The story of the movie is so convoluted and ludicrous that figuring out the plot is a lesson in futility. What is The Grudge? Is the creepy house called The Grudge? Does the house have a grudge against the people that walk inside it? Does the ghost have a grudge against the living?

I don't need the answers to all of these questions but some recognition of the confusion caused by this odd title is something it would not have killed the filmmakers to provide.


The PG-13 rating of The Grudge 2 takes most of the fun out of the scares. Blood and guts aren't absolutely necessary for a great horror film but the best of the genre certainly make good use of them. The Grudge and now Grudge 2 are pretty well bloodless and rely almost entirely on atmosphere, creepy music and 'boo' moments when something leaps out of the dark, perfectly timed to a screech in a music track.

My main point is this, if your film is so obviously devoid of scares then, at the very least you could spill a little blood, display a little carnage, show a little skin. This is the genre that toys with the senses, titillating in one moment, repulsing in the next. It's one of the things we go to a horror movie for, that push and pull of emotions, the manipulation of the fear response and the gag reflex. Without those elements a movie like The Grudge 2 is just dull.

BOO! can be scary when you aren't expecting it. When you buy a ticket for a horror movie however, you are expecting BOO!. Thus, a good horror movie needs more than BOO!. The Grudge 2 augments the BOO! with a creepy atmosphere but nothing more. That may frighten a two year old but not many two year old's will be attending The Grudge 2.

Movie Review Sisterhood of the Traveling Pants 2

The Sisterhood od the Traveling Pants 2 (2008) 

Directed by Sanaa Hamri 

Written by Elizabeth Chander

Starring America Ferrara, Blake Lively, Amber Tamblyn, Alexis Bledel 

Release Date August 6th, 2008 

Published August 5th, 2008 

Society dictates that a 32 year old man is not supposed to enjoy a movie called The Sisterhood of the Traveling Pants. And yet, there I was in 2005 watching four exceptional young actresses navigate the adolescent angst that only a teenage girl can truly understand and I was moved. The Sisterhood of the Traveling Pants was sweet and funny with a great big heart and I loved that about it.

For all of its melodramatic faults, it was a film of great understanding and warmth. The sequel, unimaginatively titled Sisterhood of the Traveling Pants 2, directed by Sanaa Hamri, is like the original filled with warmth, heart and humor and once again I was moved.

Picking up three years after where the original left off, the sisterhood is now split up at different colleges, in different cities. This hasn't stopped them from frequently returning home to visit and bond over the magic pair of jeans that fits all four of them and brings them good luck just when they need it. Leading the pants parade is Carmen (America Ferrara) who clings to the pants and the sisterhood as her chaotic family moves into a new home with her mom expecting a new baby with her new husband.

Pulling away ever so slightly from her sisters is Tibby (Amber Tamblyn). Off to New York for film school, Tibby is growing tired of the rituals of the pants, though has no less love for her sisters. Also adrift in her own angst is Bridget (Blake Lively) who passes on summer at home with her friends and single dad, for a trip to Turkey and an archaeological dig. There she meets a professor (Shohreh Aghdashloo) who reminds her of the mother she never had.

As for Lena, freshly returned from another trip to Greece, she has broken up with her long distance boyfriend Kostos (Michael Rady) and moved on to a fellow art student named Leo (Jesse Williams). Their meet cute provides Bledel with her funniest scenes. Of course if you think Kostos goes away quietly, clearly you haven't seen the trailer which shows all four girls in Greece.

Though divided, the sisterhood is strong and you are never under the impression that they will be apart for long. Director Sanaa Hamri, taking over for Ken Kwapis who directed the charming first film, does a tremendous job of balancing a number of new characters, like Tibby's boyfriend Brian played by Leonardo Nam, and still finds plenty of time to tell each girl's individual stories.

Sometimes it is the simplest pleasures that are the greatest of pleasures. The Sisterhood of the Traveling Pants is very simple. This is formula melodrama at its most obvious yet entertaining and engaging. Sure, there is nothing here you haven't seen before but it's done better here, with more care and skill and with a great deal more heart than similar formula movies.

Arguably the most engaging and moving scenes involve Blake Lively the young star of the new TV hit Gossip Girl. Lively was less of a presence in the original where her character was defined by being whiny and sexually precocious. A few years on and Lively has flowered into a strong beautiful, talented young woman and the character of Bridget reflects that.


As the closed minded dismiss The Sisterhood of the Traveling pants 2, I appeal to you to see the movie for the scenes between Lively and the formidable Blythe Danner alone. These scenes are some of the most moving moments in any movie this year. I kid you not, the circumstances involved combined with the skills of these two wonderful actresses will move many audiences to unexpected degrees.

The Sisterhood of the Traveling Pants 2 will not be mistaken for great cinema but as fun, entertaining, even moving, melodrama it's pretty terrific. Four exceptional young actresses, the future of Hollywood, and a rising star director craft a movie that hits its marks perfectly and nails every formulaic scene necessary to propel the audience where it wants to go.

Nakedly manipulative? Maybe, but what modest melodrama isn't. If the manipulation is this pleasant and heart warming, who cares? 

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