Showing posts with label Judge Reinhold. Show all posts
Showing posts with label Judge Reinhold. Show all posts

Classic Movie Review Beverly Hills Cop 3

Beverly Hills Cop 3 (1994) 

Directed by John Landis 

Written by Steven E. de Souza 

Starring Eddie Murphy, Judge Reinhold, Hector Elizondo, John Saxon, Theresa Randle

Release Date May 25th, 1994

Published May 27th, 2024 



Screenwriting 101: if you want to establish that your character is heroic, show them doing something heroic. For instance, in the movie Beverly Hills Cop 3, Eddie Murphy hops aboard the Spider ride at Wonder World. The baddies want the ride stopped so they can snatch Eddie off of the ride. As they fight with the ride operator, the ride gets turned up to 11 and the machinery of the ride starts to break down. This causes one of the gondolas on the Spider ride, one carrying two young children, to come loose and begin to break off. 

Not missing a beat, our hero, Axl Foley (Eddie Murphy), leaps into action. Risking his own life, Axl climbs out of his gondola and begins leaping to the tops of other gondolas. As this happens, the ride begins to move again, nearly causing Axl to fall to his death. As Axl is climbing his way toward the broken gondola, after finding a conveniently placed length of rope, the ride stops and the chain holding the broken gondola begins to break further. Axl uses the rope to lower himself down to the door of the gondola. He pulls the kids out of the broken ride and, as he's climbing down the rope, the broken gondola finally breaks and begins to fall. Axl reaches the ground and narrowly gets himself and the kids to safety just as the gondola drops. 

The scene establishes that our protagonist is a selfless hero, a man willing to risk his life to save innocent children. Here's the problem though, this is Beverly Hills Cop 3. Two previous movies have already established that Axl Foley is a hero. We've seen Axl Foley perform heroic acts as a police officer in both Detroit and Beverly Hills in two different movies. Thus, spending a 7-to-8-minute scene re-establishing Axl's heroic nature is a gigantic waste of screen time. Sure, there's a chance that some of the audience hasn't seen the previous two Beverly Hills Cop movies before, they may not be aware of Axl's heroism. But they are seeing a movie called Beverly Hills Cop 3, they are probably aware that the main character of this third movie in a franchise is a hero in the movie they are watching. 

Bottom line, this scene is a gigantic waste of time. It's a bit of business and a not a particularly interesting one. There is no chance in hell that either Axl or the two children he's saving in this scenario, happening in the early portion of the second act, are going to die. We have no reason to worry or be tense about this moment. During this entire scene, Beverly Hills Cop 3 is spinning its wheels, it's going nowhere. We are watching a tension free action scene that has nothing to do with the plot of the movie. In fact, the movie has to place the plot on hold just to carry out this scene. The scene is deathless in length and since the outcome is assured, we have zero reason to be invested in this scenario. 

That scene I just described is a perfect microcosm of Beverly Hills Cop 3, a movie that is constantly spinning its wheels and going nowhere. It's clear from frame one to frame last that no one involved wanted to be part of this movie. Subsequently, we've learned from director John Landis and supporting actor Bronson Pinchot, that Eddie Murphy was completely checked out and had no interest in making the movie. According to both, a scene where Pinchot's character, Serge, delivers a comic monologue had to be played opposite John Landis standing in for Eddie Murphy, because Murphy could not be bothered to leave his trailer to do coverage or be there for his co-star. 

In fairness to Eddie, this monologue is entirely devoid of laughs and while it serves the purpose of introducing a weapon that Eddie will use later in the film, the weapon is a gag and not a very funny one. The weapon in question is used not in the final showdown of the movie, but as a brief, needless side quest where it malfunctions and then over-performs the task of taking out a random henchman. The gag is that the gun has a lot of needless features like a radio, a net that fails its function, and a radio that gets turned on. The song on the radio is meant to be a punchline but the song is so generic and forgettable that the joke doesn't land. 

The plot of Beverly Hills Cop 3 is not important. The movie reflects this by barely mentioning the plot. A vehicle gets stolen in Detroit and cut to Axle in Beverly Hills going to see his friend Billy Rosewood (Judge Reinhold). What made Axle go to L.A? The movie doesn't bother to tell us. It's fair to assume he was going there just from the title, but, at the very least, each of the previous movies gave Axle a reason to go to Beverly Hills via some sort of established link in the case he's investigating in Detroit. Beverly Hills Cop 3 is so lazy that the editor appears to have thrown up their hands and just cut to Axle in Beverly Hills and, oh by the way, the bad guys are here also. 

I don't need to over-egg the recipe here; Beverly Hills Cop 3 is a terrible movie. The only interesting aspect of the movie for me is related to a piece of backstage gossip. Apparently, Eddie Murphy and John Landis had a severe falling out during the making of the movie. On IMDB, they cite an interview in which Eddie Murphy said that he would work with John Landis again as soon as Vic Morrow works with John Landis again. If you know, you know, that is a dark joke and a truly sick burn You can follow this link to understand the context of that cutting insult. 

Beverly Hills Cop 3 is the subject of the newest edition of the I Hate Critics 1994 Podcast, a spinoff of the I Hate Critics Movie Review Podcast. Each week, I subject Gen-Z'er M.J and Gen X'er Amy, to a movie that was released in theaters 30 years ago that week. The goal is to examine how movies and popular culture have changed in just the last 30 years. You can listen to the I Hate Critics 1994 Podcast on the I Hate Critics Movie Review Podcast feed wherever you listen to podcasts. If you're wondering whether Amy, M.J, and I are aware of Beverly Hills Cop 4 coming to Netflix this summer? Yes, and we are significantly unexcited about it. 

Find my archive of more than 20 years and more than 2000 movie reviews at SeanattheMovies.blogspot.com. Find my modern review archive on my Vocal Profile, linked here. Follow me on Twitter at PodcastSean. Follow the archive blog on Twitter at SeanattheMovies. Listen to me talk about movies on the I Hate Critics Movie Review Podcast. If you have enjoyed what you have read, consider subscribing to my writing on Vocal. If you'd like to support my writing, you can do so by making a monthly pledge or by leaving a one time tip. Thanks! 

Movie Review: The Santa Clause 2

The Santa Clause 2 (2002) 

Directed by Michael Lembeck 

Written by Don Rhymer, Cinco Paul, Ken Daurio, Ed Decker, John J. Strauss 

Starring Tim Allen, Elizabeth Mitchell, Judge Reinhold, Wendy Crewson, David Krumholz 

Release Date November 1st 2002

Published October 31st, 2002 

How can a movie whose premise begins with a guy accidentally killing Santa Claus become a huge family hit? Have it star one of TV's biggest stars and slap that Disney label on it, that's how. Unfortunately for Tim Allen, his non-Santa roles have been like coal in a Christmas stocking. With the exception of his voice work in the Toy Story movies and the modest success of Galaxy Quest, Allan has yet to have a real blockbuster since he donned Santa's trademark clothes. So it only makes sense that Allan would once again put on the beard and the belly, what doesn't make sense is how a sequel could be so much better than it's original.

As we rejoin the man formerly known as Scott Calvin, now St. Nick, he is overseeing the creation of this year's toy supply with the help of his top assistant Bernard (David Krumholz) and Santa's top gadget elf, Curtis (Spencer Breslin). Everything is ship shape until Santa gets the naughty list and finds his son Charlie is on it. Charlie (Eric Lloyd) has been acting out in school, in part to get attention from a girl, but also to rebel against his school's Christmas hating Principal Mrs. Newman (the lovely Elizabeth Mitchell).

To make matters worse the elves have a secret to tell Santa. It seems there is another clause (ho ho) in the Santa contract called the Mrs. Clause. Essentially, Santa has to get married by Christmas Eve or he will no longer be Santa and there will no longer be a Christmas. So Santa must return to his old life as Scott, but before he goes he agrees to be cloned so that the elves won't be worried while he's gone. The clone unfortunately is a nut who threatens to give all the kids in the world coal. 

Scott doesn't know that though because he is back home dealing with Charlie as well as his ex-wife (Wendy Crewson), and her new husband (the ever goofy Judge Reinhold). With the help of his ex-wife he begins going out on a series of bad dates while feuding with Charlie's shrewish principal. If you need to be told what happens between Scott and the principal you might need to buy my new book, Genre Movies for Dummies.

Reminiscent of another recent genre film, the horror movie Ghost Ship, Santa Clause 2 isn't about where the story is going but about how it gets there. Garish sets and charming lead performances by Allen and Mitchell combine with a sweet, if entirely predictable, script for a film that is far better than the sum of it's parts. Considering that it took 5 credited screenwriters, and two more writers with Story credit, it's a miracle that The Santa Clause 2 is even remotely coherent, let alone entertaining. 

The script is surprisingly sharp especially the opening which parodies classic sub-movie clichés with the North Pole running full silent at Elfcon One as they avoid the sonar detection of a weather plane. Also funny is Santa's meeting with fellow legends Mother Nature (Aiesha Tyler), Cupid (Kevin Pollack), The Tooth Fairy (Art La Fleuer) and Father Time (Peter Boyle). These ace supporting players are having an absolute ball in this otherwise superfluous scene and I loved it. 

As I look back on Santa Clause 2, the holes in the plot grow bigger and the problems I ignored at first glance become more pronounced. Still I have to go with my initial gut reaction which was that I laughed a lot watching this film. For all of my irony soaked bravado about my indie movie loving credentials, I am forced to admit that I laughed a lot while watching a formula Disney holiday movie credited to FIVE screenwriters. Credit veteran TV director Michael Lembeck, in his feature debut, with creating a fun and lively atmosphere and allowing Allan's quick wit and charm to work around the script holes. Lembeck performed an absolutely incredible trick getting this shambles of a story into shape, smartly allowing a veteran cast to punch up the loose material with big laughs.

I would describe The Santa Clause 2 as a genre film guilty pleasure. A movie I am nearly ashamed to say I liked, but like it I did.

Movie Review Hell or High Water

Hell or High Water Review (2016): Chris Pine & Jeff Bridges Deliver Oscar-Worthy Performances Hell or High Water review, Chris Pine Hell...