Movie Review: Fame

Fame (2009) 

Directed by Kevin Tancharoen

Written by Allison Burnett

Starring Debbie Allen, Kelsey Grammer, Charles S. Dutton, Megan Mullally, Asher Book

Published September 25th, 2009 

Published September 27th, 2009

In the first 10 to 15 minutes of Fame I was reminded of another movie about young artists and their art, Robert Altman's daring and ingenious Ballet observation The Company. That film exists really only as an excuse for the master Altman to indulge his love of ballet. The story was utterly meaningless to him. He likely failed to find funding for a straight up documentation of a ballet performance so instead filmed the ballet as part of what was supposed to be a movie.

That film has Neve Campbell and James Franco as the center of a romantic plot but Mr. Altman doesn't care in the least about that. Ms. Campbell is trained in ballet and her performance and practice scenes are observed with far more care and concern than the romance subplot on which Mr. Altman can barely keep his camera still, as if he were searching for ballet somewhere in the corner of the scene being played.

That may not interest you, it didn't interest much of the mainstream audience that ignored The Company in it's 2002 release. For me however, I found the film's anti-structure daring and Mr. Altman's antsy direction is mesmerizing for it's energy and life. It's as if he was telling his actor's 'not now, somewhere there is art happening, let's find it'.

The first few scenes of Fame have this feeling. The camera wanders the halls of the legendary Performing Arts High School in New York City searching for and quickly finding art in progress. In one room actor's deliver monologues and are critiqued by the great Charles S. Dutton. In another, piano's moan with the work of Mozart or Beethoven under the knowing ear of Kelsey Grammer. In another room singers sing and in still another Dancers leap and glide across the floor.

These scenes are intoxicating and a director with the boldness of Mr. Altman might have stuck with this energy. Bring in a few characters at the periphery but keep the camera roaming from room to room taking in the energy. Sadly, Director Kevin Tancharoen is no Altman. Bowing to convention and studio marketing concerns, Mr. Tancharoen cranks out what amounts to High School Musical crossed with  episodes of So You Think You Can Dance and American Idol.

7 relatively inconspicuous characters adopt high school movie types and play out the string of a very typical charmless plot. If you want the good version of this movie rent the indie flick Camp. Writer Director Todd Graf's 2003 musical set inside a camp for aspiring artists has all of the daring of Altman mixed with a plot with ten times the life of Fame and characters whose problems and joys resonate far beyond the character types played by the actors in fame.

But even before you rent Camp, maybe consider The Company. As I suffered through Fame, my thoughts kept falling back on this forgotten masterpiece from the late master Altman. It's a remarkable movie and one that was too quickly dismissed and forgotten. In a just world movies like Fame are the one's that get dismissed and forgotten.

Movie Review Legion

Legion (2010)

Directed by Scott Stewart

Written by Scott Stewart

Starring Paul Bettany, Adrianne Palicki, Willa Holland, Kevin Durand, Charles S. Dutton, Dennis Quaid

Release Date January 22nd, 2010

Published January 22nd, 2010 

When a movie's opening voiceover narration intones that God lost faith in humanity because 'he got tired of all the bullshit' you have to lower your expectations. Unfortunately, there just are not expectations low enough for a post-apocalyptic thriller as dopey as Legion. Paul Bettany, one of my favorite actors, stars in Legion as the archangel Michael, a General in God's Army. As God has lost faith in humanity, God sends Michael to earth with a mission. Michael however, is not going to obey orders. Seems God has ordered Michael to exterminate humanity.

Instead Michael travels to a diner in the middle of nowhere New Mexico where a disparate group of people sits patiently waiting for the plot to kick in. Among them are the diner's owner Bob (Dennis Quaid), his son Jeep (Lucas Black), Bob's old army buddy Percy (Charles S. Dutton), A WASP couple (Jon Tenney and Kate Walsh) and their bitchy daughter (Willa Holland).

Most important in this group is Charlie (Adrianne Palicki) who is with a child from some anonymous hookup but by some luck happens to be the savior of all mankind. As Michael informs Charlie, and us, if the baby is born he will lead humanity out of the darkness. Before the baby comes they must fight off God's Army of Angels led by Michael's long time friend and fellow Angel Gabriel (Kevin Durand).

The Archangel Michael is mentioned only once in the Hebrew Bible. It is said that he will stand for the people of Israel at the end of days. Not that the movie Legion gives a crap about the biblical arcana from which its main character came from. Director and co-writer Scott Stewart merely uses Angels and Archangels as a device for apocalypse. Legion exists only to place Paul Bettany in fetish wear, long leather coat, bandoleer, and lots and lots of guns, and watch him shoot people. He and the cast pile up a few bodies and then die in a particular order until the screen time runs out. Nothing much of interest happens and certainly nothing you cannot anticipate without seeing the movie.

Dennis Quaid continues a sad, pathetic career decline. It's hard to recall the last time Quaid was in a film worth watching. In Legion the most notable aspect of Quaid's performance is his dopey lopsided haircut. Yes, he gets a big moment near the end but by then you won't really care.

Paul Bettany is not the typical idea of a lead in an action movie. He brings a different energy to the role than your average action movie star might but sadly little more than looking cool in a leather jacket holding two giant machine guns is required of him. We’ve seen him do more, we want him to do more and we just don’t get it in Legion.

Little more than an idea, Legion drones and wheezes through a series of violent scenes briefly interrupted by mindless expository dialogue before reaching its violent and predictable end, Legion should be mindless fun but instead is just mindless. Remember the opening narration I mentioned about God giving up on humanity because God got tired of all the bullshit, I think I know how God might feel watching Legion.

Movie Review Secret Window

Secret Window (2004) 

Directed by David Koepp 

Written by David Koepp 

Starring Johnny Depp, John Turturro, Maria Bello, Charles S. Dutton, Timothy Hutton 

Release Date March 12th, 2004 

Published March 11th, 2004

In an interview with Time Magazine, Secret Window writer-director David Koepp wondered aloud why Johnny Depp had chosen to star in his movie. He was grateful but said it's hard to be certain what motivates Depp, it's possible he just wanted to play a guy named Mort. That’s a statement that perfectly captures Depp's unique approach to Hollywood. An actor who does things his own unique way, Depp makes Secret Window a strange and unique Hollywood thriller.

Depp is Mort Rainey, a successful mystery writer whose life is upended when he finds his wife in bed with another man. Cut to six months later and Mort is living in a cabin on a lake in some nondescript small town. The solitude should help him working on his next novel but it's more helpful in providing time for his long naps and general malaise.

The solitude is interrupted by a menacing stranger named John Shooter (John Turturro), an oddball farmer from Mississippi who claims that Mort stole one of his stories. Shooter's story is definitely similar to one Mort wrote years earlier called Secret Window, but Mort is sure he can prove the story is his own. Shooter meanwhile sets about making Mort miserable, including killing his dog and threatening Mort's ex-wife Amy (Maria Bello).

Eventually Mort figures out that there is far more to this story than mere plagiarism and he begins to suspect his wife's new boyfriend, Ted (Timothy Hutton), may have put Shooter up to it. In fear, Mort hires an ex-police officer (Charles S. Dutton) to watch his back. When the cop turns up dead, Mort is on his own in the scary old cabin.

It's a very conventional thriller setup that sounds predictable but David Koepp, the writer of Panic Room, and the director of the underrated Kevin Bacon thriller Stir Of Echoes, has something up his sleeve. Employing camera moves he must have lifted from working with David Fincher, Koepp sails his camera around the tiny cabin in ways that some might call showy but I would say are just cool. He's helped greatly by a classic Philip Glass score and most of all…

…by his star Johnny Depp.

What Johnny Depp does in Secret Window is difficult to describe. It's so delightfully odd and yet perfectly sensible that it defies description. Mort spends the first third of the film essentially in solitude, napping and laying about, talking to his dog or to himself. There is one fascinating inner monologue, darkly humorous, witty, angry and frustrated. Watch the way he reacts while talking to his wife on the phone.

In some scenes you can see that Depp is finding actorly motivation where none is called for, such as a scene where he hides his cigarette from his cleaning lady. There is no reason why Mort would hide his smoking except that Depp assumed that the character would do that. In another scene, Depp and Charles Dutton exchange dialogue while hitting a chess clock as if marking who's turn it is to talk. It's the kind of character shorthand that most writers and actors neglect.

It's as if while the supporting cast was making a typical Hollywood thriller, Johnny Depp was jamming to some totally different vibe. Depp is riffing like a jazz combo and the film is forced to bounce along to his beat. It's safe to say that much of what Depp does in the film wasn't in the original script and certainly not in the Stephen King novella on which the film is based. That it works is a testament to his considerable skills.

Movie Review Gothika

Gothika (2003) 

Directed by Mathieu Kassovitz 

Written by Sebastian Gutierrez

Starring Halle Berry, Robert Downey Jr, Natasha Lyonne, Charles S Dutton, Penelope Cruz 

Release Date November 21st, 2003 

Published November 21st, 2003 

The title Gothika seems curious even after you've seen the movie. Only after looking up the film’s website and consulting my dictionary for the definition of the word 'Gothic' does the film's choice of a title become clear. It relates in fiction writing as a horror mystery and in architecture as dark imposing stone structures, buttresses, arches and high ceilings. The title has a double meaning related to the film’s story and its choice of locations, but mostly it just sounds cool. In fact, everything about Gothika from it's super hot star to it's indie credible director sounds cool. Sadly the film never meets its cool potential.

Halle Berry stars in Gothika as criminal psychologist Miranda Grey. Dr. Grey works in a prison for the criminally insane treating female patients under the watchful eye of her husband Dr. Douglas Grey (Charles S. Dutton), the hospital's administrator, and alongside her good friend Dr. Peter Graham (Robert Downey Jr.). Dr. Graham seems to be harboring a rather obvious crush on Miranda.

After working late on a dark and rainy night, Dr. Grey is driving home when she swerves off the road to avoid a young woman standing in the middle of the road. When Miranda goes to help the girl, played by an almost unrecognizable Natascha Lyonne, the girl bursts into flames but not before touching Miranda's face. The next thing Miranda knows, she is locked up in her own hospital being treated by her own staff and her husband is dead.

What else can Miranda do in this situation other than break out of the hospital and investigate the situation herself in hope of finding out whether she actually did kill her husband and why she's being haunted by this ghostly girl? Mostly though, Miranda wants to know for herself if she really is crazy. There is also mystery surrounding her connection to one of her patients, Chloe (Penelope Cruz), who is also being haunted by a dark spirit that may be more real than Miranda's ghost.

Halle Berry is a terrific choice for Miranda because she quickly earns our sympathy and her understated performance early on perfectly sets the stage for her brief meltdown and finally for her more rational approach to accepting her situation and solving her problem. She plays her intelligence on her face with her eyes and her perfectly controlled emotions. Even as the film goes off the rails around her, you never question Ms. Berry's commitment to the role, she damn near saves the movie.

Sadly, no one in the supporting cast has much of an opportunity to make an impression. Robert Downey Jr. continues to be a welcome presence even in an underwritten role. I wished Downey Jr. had more to do in the plot. Mostly, he’s concerned about his friend and nurses his unrequited crush. He has a brief hero moment but the role is otherwise far too bland for someone as talented and charismatic as Robert Downey Jr. 

A big failure of Gothika is how director Matthieu Kassovitz and writer Sebastian Guttierrez never establish the rules for the film. Obviously a film with ghosts isn't playing straight with logic but in a horror film, the filmmakers must establish film logic, a set of rules that govern the film’s created universe. In A Nightmare On Elm Street, Freddy could only come out of a dream if Nancy held onto him and woke up. 

In the recent horror flick, Darkness Falls, you were only a target of the killer if you looked at her. That film repeatedly violated its own rules and thus failed. Gothika doesn't establish its own logic and without it, the story never feels grounded. Why, if the ghost can open doors and manipulate objects, does it need to possess a body? Why use Dr. Grey to begin with? Was it just because hers was the car that happened by at that moment? There are many more questions but they are spoilers. See the movie and see if you can answer those questions. A game might make the movie more interesting. 

There is one moment in Gothika where I was willing to forgive the film’s lack of story logic. It comes when Dr. Grey herself questions the necessity of logic. It's a very funny line of dialogue because it’s a haphazard comment on this moment in the movie and about the movie itself. It’s not an intentional joke, but it is one moment when the need for story logic didn’t matter and I didn’t mind being subjected to Gothika, an oasis of unintentional charm in a desert of horror atmosphere and murky motivation. 

Director Kassovitz does have the other important elements of filmmaking in place. He is terrific at manipulating the camera. The way he keeps the camera moving is hypnotic and unlike David Fincher in Panic Room, the camera moves never seem flashy. In the few moments when the camera isn't moving, Kassovitz finds interesting angles and visually interesting backgrounds.

Gothika makes excellent use of its gothic location though I would hope a prison for the criminally insane doesn’t look so frightening, the people inside are frightening enough.

Gothika has been compared with The Sixth Sense and The Ring but I found it had most in common with the Kevin Bacon ghost thriller Stir Of Echoes. Both films are about normal people driven to mental breakdown by ghosts. Both are about the mystery surrounding the deaths of the ghostly characters. The difference between the two movies is that Stir Of Echoes has the established film logic that Gothika lacked as well as stronger supporting characters. In addition, Stir Of Echoes has the Rolling Stones’ Paint It Black in a prominent role in the film. Gothika, on the other hand, features an awful cover of The Who's Behind Blue Eyes by Limp Bizkit. Ugh! 

Then, as the movie was mercifully coming to an end, they teased a sequel. As if what came before wasn’t misguided enough, this nakedly commercial, ‘just in case this movie makes money,’ sequel tease is a rotten cherry on the rancid sundae that is Gothika.