Ultraviolet (2006)
Directed by Kurt Wimmer
Written by Kurt Wimmer
Starring Milla Jovovich, Cameron Bright, William Fichtner
Release Date March 3rd, 2006
Published March 6th, 2006
After the government uses genetics to create a race of super soldiers, a blood-borne virus is created and infects the population. Turning everyday Americans into vampire hybrids, the virus is kept under control by the same government scientists who created it through any means necessary. A war between the infected and non-infected is at hand after a weapon is created that allegedly kills all vampires. Hired to obtain the weapon is an infected female assassin named Violet (Milla Jovovich). Little does Violet know that the weapon is in the form of a small child whose blood was engineered to kill vampires.
Cameron Bright plays the kid, Six, a clone of the government's top scientist and bad guy Daxus (Nick Chinlund). He wants his clone back and the vampires dead. The vampires want the kid dead and the only thing standing between the warring factions is Violet, whose protective mothering instincts kick in at the worst possible moment. William Fichtner takes on the role of Violet's only ally, Garth, a scientist and weapon-maker who also nurses a long-suffering crush on Violet. Garth believes the kid could be the key to curing the vampires.
The plot of Ultraviolet is not exactly as clear-cut as my description might make it seem. The whole vampire virus thing is muddled and confusing, as if writer-director Kurt Wimmer could not decide if a virus or vampire would make a better story. Nick Chinlund, as the bad guy of the picture, has his motivation for his evil deeds shift with the wind. That might explain why Chinlund goes all-out chewing the scenery, he can't keep the plot straight so he acts every moment to the back of the room in hopes of distracting us from the confusion with pure bombast.
Milla Jovovich is an effective lead actress. The same action heroine chops she showed in the two Resident Evil pictures serve her well here but, like those failed efforts, Ultraviolet is never good enough to deserve her hard work. Sexy and dangerous, Jovovich gives a performance reminiscent of Uma Thurman in Kill Bill gone sci-fi. She is fluid and deadly with a samurai sword and swift with double-barreled weapons. The plot lets Jovovich down by not providing a compelling context for the action she so lithely and athletically brings to the screen.
Ultraviolet is a step backward for director Kurt Wimmer, whose Equilibrium was a brilliant, but little seen, sci-fi kung fu movie. Wimmer and his stunt people created a new form of martial arts for Equilibrium that they dubbed Gunkata. This combination of martial arts and heavy artillery is once again on display in Ultraviolet but seems tamed somehow.
Ultraviolet has an amped-up body count but is relatively bloodless. There are a number of bodies sliced and diced, but very little blood is shed. In what was ultimately a vain attempt at a teen-friendly rating, the film keeps the bodies piled high but the blood to a minimum in a strangely unsatisfying combination. With so much action and so many bodies falling, bloodlust is a natural reaction. It's a little disappointing to watch a samurai sword in action and never see its aftermath.
The biggest problem with Ultraviolet, however, may not be its confused plotting or wimpy violence but rather the visual components that were supposed to be the film's calling-card. Using the camera technology that only George Lucas had previously employed for his last three Star Wars pics, Ultraviolet lacks the crisp, vivid, textures of Star Wars and instead takes on the milky aesthetic of a bad video game.
Whether it was a lack of experience with the technology or some kind of post-production snafu, the look of Ultraviolet is often out of focus, to the point where I asked the projectionist if there was a problem with the print. There wasn't. The faces of the actors are over exposed causing shadows or trailing; the colors go from vivid to filmy, often within the same scene.
It now seems like no surprise that Ultraviolet was held frin critics until opening weekend--they did not want this information about the film's look getting out.
The one reliable draw of Ultraviolet is star Milla Jovovich, who is quickly becoming the action heroine that Angelina Jolie was supposed to become with the Lara Croft movies. Granted, Jovovich has yet to take the lead in a really good action movie, but she has shown the chops of an action hero in everything from her supporting role in The Fifth Element, to both of the Resident Evil disasters, and now Ultraviolet. Through hard work and, yes, a killer body, Jovovich has managed to place herself above the subpar material and help you forget that she was in some pretty bad movies.
After Equilibrium became a fanboy favorite on DVD, director Kurt Wimmer could write his own ticket for his follow-up and, while Ultraviolet is a failure, you have to respect the risks he takes. Using a technology that neither he nor cinematographer Glen MacPherson knew how to use properly, Wimmer took a risk to create a new look for Ultraviolet and failed spectacularly. You have to respect the attempt, it made for one killer trailer.
Ultraviolet is a disappointment on a number of levels. From failing to give proper life to Milla Jovovich's well-crafted hero to director Kurt Wimmer's squandered potential. However, both will be back and here's hoping they try again together. Ultraviolet may not be successful, but its failure showed the potential a pair of risk-takers like Wimmer and Jovovich have of doing something great in the future.
