Seabiscuit (2003)
Directed by Gary Ross
Written by Gary Ross
Starring Tobey Maguire, Jeff Bridges, Chris Cooper, Elizabeth Banks, Gary Stevens, William H. Macy
Release Date July 25th, 2003
Published July 24th, 2003
The first trailers for Seabiscuit came in late January/early February and were not well received. They looked kind of dopey and sappy, like every other horse movie ever made. It didn't help that Tobey Maguire evoked the same winsomeness that made The Cider House Rules so relentlessly dull. It also didn’t help that the film was directed by the same guy who made Pleasantville a beat you over the head message movie, Gary Ross.
Subsequent trailers have managed to rehab the film’s image into that of the first Oscar contender of the year and that is somewhat accurate. Despite a number of reservations, I wouldn't be surprised to see Seabiscuit come roaring down the stretch in late February at the Oscars.
Adapted from Laura Hillenbrand’s surprise best seller, Seabiscuit relates the rise of a racehorse with the resurgence of an America in the wake of The Depression. Tobey Maguire stars as Red Pollard, a jockey and part time boxer who was sold by his parents to a horse stable after his parents lost everything in the market crash. Red grew up bouncing from race track to race track working in stables and riding in races while at night getting his butt whooped in bar room brawls. In one fight in Mexico, Red is beaten so badly he loses sight in one eye.
Parallel to Red's story is that of a bicycle salesman named Charles Howard who moved out west to find his fortune selling bikes in mining towns. One day a man asks Charles if he could fix a car, and though he's never done it before, Howard is ingenious enough to figure it out and in so doing found his true calling. Seeing the rise of the automobile, Howard opens the very first Western car dealership and becomes a millionaire. Though Howard was one of the lucky people who survived the market crash, his life was not immune to tragedy. While working at his dealership one day, Howard found that his young son Sean had died after borrowing one of dad's cars to go fishing. The death of his son was also the end of his first marriage.
Looking for ways to cope with these dual tragedies, Howard heads to Mexico where he meets a strange old horse trainer named Tom Smith. An old time cowboy, Smith still sleeps under the stars and trains horses not just to run races. He simply loves horses regardless of their abilities. Howard and Smith then look for a horse to run in races and find a real nag. An undersized, intemperate sire of a Triple Crown winner, named Seabiscuit. For a jockey they find the only man who wasn't afraid to ride the angry Seabiscuit, Red Pollard, and soon the too short horse with a too large jockey is running and winning every race.
The main story arc of the film is Howard's attempt to entice the owner of Triple Crown winner War Admiral into a match race with Seabiscuit. While the film posits the match up as a David and Goliath story, I couldn't help but see it as an ego contest between two rich guys at a time when people were starving. Call me cynical if you like, but as the owner of War Admiral and Howard negotiate the terms of the big race while sitting in a New York country club, I couldn't help but imagine the number of people in line for soup just down the road from them. I couldn’t help but think how truly insignificant a horse race is.
I realize that the race was in reality very inspiring to poor Americans coming out of The Depression but in reality, they were watching one massive ego battle between two rich guys. I guess I can't feel sorry for the number of poor people who threw in their last quarter to sit in the infield to watch the match race, they gave their money willingly. However, at a time of such poverty should there have been a charge to see this race, especially when the money raised all went into the pockets of the already very rich owners? I realize politics has no place in this film’s glossy repainting of its period but if you're going to tie your story to the rebirth of the country, it's fair to take a more realistic look at this idealized story.
All that said, Seabiscuit from a filmmaking standpoint is a very competent professional production. Ross may present a glossed over version of reality but it's a beautiful rendering of said gloss. Seabiscuit is visually very well produced and far better than Ross' previous effort, the annoyingly overwrought message picture Pleasantville.
The performances in Seabiscuit are where its award chances are, especially the supporting performance from William H. Macy as the cartoony comic relief race announcer Tick Tock Mcglaughlin. As always, Jeff Bridges is outstanding and once again shows why he is the most underappreciated actor in Hollywood. Of course, Tobey Maguire is the film’s lead and though I find his dewy-eyed innocence routine somewhat grating, I don't think it's entirely his fault. The script betrays him in the hero department, painting Red as an innocent kid even as he grows into a man living in Mexico, dallying with prostitutes and fighting in bars.
Chris Cooper delivers yet another solid performance and though it may not be as memorable as his Oscar winning turn in Adaptation, it underscores his amazing range. Finally, some praise for real-life jockey Gary Stevens who plays Red's best friend and rival, George Woolf. Stevens delivers a very relaxed and real performance and his riding ability of course is well showcased in the film’s very well orchestrated racing scenes.
There are a number of good things about Seabiscuit, especially its acting. However, the falseness of the re-imagined reality of the period continues to nag at me and thus the impact of the film’s centerpiece, the match race between Seabiscuit and War Admiral, felt hollow to me. I just can't cheer what amounts to an ego contest between two rich guys no matter how athletic and beautiful the horses may be.
