Movie Review: The Unborn

The Unborn (2009) 

Directed by David S. Goyer 

Written by David S. Goyer 

Starring Odette Yustman, Gary Oldman, Meagan Goode, Cam Gigandet, Idris Elba

Release Date January 9th, 2009 

Published January 10th, 2009

The Unborn is one of the more challenging moviegoing experiences I have had in my less than a decade as a film critic. It's not the films content that was challenging, the content is far too goofball to be challenging. No, the challenge was trying to keep a straight face as the desperate, sad cast made their paces through this slog of utterly ludicrous horror cliches.

Odette Yustman, one of the last people killed in J.J Abrams 2008 hit Cloverfield, stars in The Unborn as Casey, a pretty but bland teenager haunted by visions of a ghostly child. One night, as she is babysitting for a neighbor, the little boy she is watching bashes her over the head with a small mirror and tells her that Jumby (Yes, that isn't a typo, JUMBY) wants to be born now.

Jumby was the nickname that mom and dad gave to the twin who died in the womb next to Casey when she was born. Casey was unaware that she was supposed to be a twin and while that could be intriguing or dramatic, I was left wondering what Casey's embarrassing nickname was? Bumby? Tumby? That question is more interesting than any question posed in The Unborn. 

Casey comes to find that her grandmother also had a twin brother who died at Auschwitz, oh yes they drag the holocaust into this goofy plot. According to family lore, that twin died and was replaced by an evil spirit, a Dybbuk, a Jewish legend about an evil spirit. Granny killed her brother after his possession and the spirit has haunted her ever since.

Now the evil spirit wants Casey and she pins her hopes on an exorcism to save her. Gary Oldman plays a skeptical Rabbi who takes up the exorcism after he is visited by Spuds McKenzie, the former beer spokesman, only his head is upside down and he's lost that ridiculous Hawaiian shirt. You have to see it for yourself perhaps, but I assure it's as funny as my description of it. 

The Rabbi calls on a priest friend played by Idris Elba for help and several cannon fodder volunteers who will helpfully die on command once the spirit is unleashed. We know these characters are DOA at the exorcism because they don't even get names, they may as well have victim 1, victim 2 and so on, written on name tags.

Cam Gigandet, an actor who betrays fratboy douchebaggery with his every douchebag mannerism in both Never Back Down and Twilight brings that malevolent maleness to the good guy role of Casey's boyfriend who may as well also just line up as potential victim number 4. I'm being harsh about Gigandet, I can assume he is a nice person. His performances however, lead me to my insulting conclusions about his characters, if not the man playing them. 

The Unborn was written and directed by David S. Goyer who wrote the script for the first 2 awesome Blade movies and then directed the abysmal 3rd one. He co-wroter script of The Dark Knight. Can you see the pattern? Maybe Mr. Goyer should stick with the pen and leave the directing to someone else? Then again, even the writing stinks in The Unborn. 

The evil spirit inhabits a neighbor child, a friend, an upside down headed dog, the priest, and several others in the film but for some reason beyond explanation, the evil spirit cannot get his hands on Casey. This is purely due to Goyer's inability to come up with a logical reasoning behind any of the decisions he makes in this movie. Leaving the audience asking too many questions is a surprisingly typical writing failure from a usually more talented writer. 

Unwelcome logical question number 1: If the evil spirit can inhabit anyone it wants, why does he need Casey? Number 2: If he gets her, what does he do then? I realize these questions are entirely unwelcome, especially in a movie where the director is more interested in his choice of creepy looking bug -potato bug instead of the traditional cockroach, for those of you scoring your horror cliches at home- than in actually crafting an engaging horror thriller.

Watching The Unborn, it was a chore to keep from bursting out into gales of laughter at the ill logic of the terrifically awful staging and most unfortunately at the performance of Ms. Yustman who amounts to little more than a pout and a hair style. Yustman is not a bad actress, she's just unfortunately stuck in this silly, poorly thought out plot that undermines anything good she might bring to this movie. 

The Unborn is a movie that the folks at the sadly defunct Mystery Science Theater would have loved. It has that perfunctory B-list star, the slumming Gary Oldman, and the overall air of attempted atmosphere and self seriousness that Crow T. Robot and company so successfully took the air out of. The Unborn will make you long for The Crawling Eye or This Island Earth with its awfulness. By the way, I'm told that members of MST3K have new incarnations of the MST brand online. Maybe someone can sneak them a copy of The Unborn. One can only wish.

Movie Review Ghost Rider Spirit of Vengeance

Ghost Rider Spirit of Vengeance (2012) 

Directed by Neveldine and Taylor 

Written by Scott M. Gimple, Seth Hoffman, David S. Goyer 

Starring Nicolas Cage, Ciaran Hinds, Johnny Whitworth, Idris Elba, Christopher Lambert

Release Date February 17th, 2012

Published February 17th, 2012 

Johnny Blaze (Nicholas Cage) is back in "Ghost Rider Spirit of Vengeance 3D." Almost abandoning any relation to the 2009 blockbuster "Ghost Rider," "Ghost Rider Spirit Vengeance" re-launches the comic book hero by rehashing his deal gone wrong with devil, the nature of his curse and his quest regain his soul. All of this info is delivered in an entertaining opening cartoon sequence that launches us right into Johnny's latest adventure.

Sadly, "Spirit of Vengeance" is far too goofy and campy to sustain the momentum from the opening credits. Once Johnny is informed of his latest mission, by the oh-so helpful Moreau (Idris Elba, slumming in this sub-B-movie), Johnny is set on a quest to get his soul back by saving the life of a child who happens to be the target for Satan's (Ciaran Hinds) next form on earth.

Standing in Ghost Rider/Johnny's way is a thug named Carrigan (Johnny Whitworth) who is oddly un-phased while facing down a flame-headed, un-killable demon. Karrigan's complete lack of surprise continues even after he gets his own disturbing super-natural powers from the lord of evil. I like Johnny Whitworth, I have since his charming turn in "Empire Records" but he's really terrible as the Devil's top henchman in "Ghost Rider Spirit of Vengeance."

Nicholas Cage is unquestionably the most bizarre actor on the planet. Sure, Johnny Depp has his ticks and quirks but even Depp at his most unusual cannot match the crazy vibe emanating from Cage. In "Ghost Rider Spirit of Vengeance" Cage truly lets his freak flag fly by chewing and spitting dialogue that would make Christopher Walken blush. There are actors in Roger Corman movies who may find scenes in "Ghost Rider Spirit of Vengeance" beneath their talent.

The biggest problem that "Ghost Rider Spirit of Vengeance" has however is a lack of a sense of humor. The film is deathly serious about the goofball nuttiness it delivers and seems to expect audiences to eat what it's dishing out without question. This leads to uproarious confusion as bizarre, laugh out loud scenes arrive that the filmmakers did not intend to be laugh out loud funny.

Mark Neveldine and Brian Taylor suffered from a similar lack of self-awareness in their "Crank" movies starring Jason Statham. Both of the "Crank" movies were wildly funny without ever intending to be. It's not that the directors want to deliver Oscar caliber drama but rather that they intend on their movies being gripping, thrilling, action movies and not the bizarre unintentional comedies that they are.

There is entertainment value in the strange disconnection from reality that all involved in "Ghost Rider Spirit of Vengeance" suffer from but you have to have a slightly mean sense of humor to find it. Laughing at the undoubtedly hard-working folks behind "Ghost Rider Spirit of Vengeance" is like laughing at someone who trips over their own feet; it's not intended to be funny and you shouldn't laugh but you can't help it.

As Nicholas Cage started 2011 with one of the worst movies of that year, "Season of the Witch," Cage begins 2012 with a movie just as likely to be not so fondly remembered at the end of 2012.

Movie Review: Blade 2

Blade 2 

Directed by Guillermo Del Toro

Written by David S. Goyer

Starring Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela, Norman Reedus

Release Date March 25th, 2002 

Published March 24th, 2002

Back in 1998, Blade modernized the tired vampire genre with pure balls to the wall adrenaline and Pre-Matrix quality fight scenes. Forget the brain-dead script and Stephen Dorff's screen chewing, Blade was awesome, pure entertainment and nothing more. Now comes the sequel, and it far surpasses the original. It's bigger, dumber, and even more entertaining.

Blade 2 reintroduces us to our hero, half-vampire, half-human, all-vampire hunter Blade, played by the ultracharismatic Wesley Snipes. He is searching for his mentor, Kris Kristofferson, who we believed to be dead in the first film. We come to find out that he is alive and has been turned into a vampire. Blade finds his mentor and rehabs him with a special serum. Whether the serum worked remains in question for the balance of the film, providing some fun suspense.

But that’s just the beginning. The vampire nation has offered Blade a truce and wants a face-to-face meeting to discuss a plague worse than vampires. It seems there is a mutated vampire virus called the Reaper strain that mutates vampires into stronger, more volatile beings, who feed on both humans and vampires. Blade realizes the reapers are a bigger threat than vampires and agrees to lead a team of vampires known as the Bloodpack, highly trained vamps who had been trained to hunt Blade but now must take orders from him. 

Thankfully, we are spared introductions to each member of the pack save for Reinhardt (Ron Perlmen) and Nyssa, played by the gorgeous Leonor Varela. Norman Reedus rounds out the cast as Blade's lackey and gadget guy. The film is stylish and sly with a fantastic soundtrack of rock-rap claptrap that hits all the right notes, always spiking right as Blade snaps someone’s neck or breaks someone’s limbs. The film is ultraviolent but in a completely cartoonish way, it’s a nod to its comic book roots.

Director Guiermillo Del Toro keeps the pace up and the plot to a minimum providing a perfect balance between gory violence and dark humor. The film never takes itself seriously and never asks the audience to do so either and it is that element that makes this film easier to enjoy than say Resident Evil or Tomb Raider. Blade doesn't care too much about story or character development, it relies on star Wesley Snipes to make the action credible and entertaining. Snipes exceeds expectation, oozing charisma and a dark sense of humor that the character lacked in the first film.

Blade 2 is endlessly entertaining though probably not for everyone. It definitely worked for me and I think it's one of the best films I've seen this year.

Movie Review Jumper

Jumper (2008) 

Directed by Doug Liman 

Written by David S. Goyer, Simon Kinberg, Jim Uhls 

Starring Hayden Christensen, Jamie Bell, Rachel Bilson, Kristen Stewart, Michael Rooker, Anna Sophia Robb, Diane Lane, Samuel L. Jackson 

Release Date February 14th, 2008

Published February 13th, 2008

David Rice (Hayden Christensen) can be anywhere he imagines in a moment's notice. Surfing in Hawaii, lunching atop the sphinx, or across his apartment without having to step around the coffee table, David has the ability "Jump" anywhere. It's a cool talent to have. David uses this unique talent to rob banks. Don't fret, he leaves IOU's. That is the premise of Jumper the latest from director Doug Liman starring the perpetually quivery Hayden Christenson.

As a teenager David Rice fell through the thin ice of a lake and was nearly killed. At the last moment he imagined the local library and was transported there. Slowly coming to grips with this new ability to go anywhere he wants with a single thought, David starts by using his new ability to escape his angry bitter father (Michael Rooker). Needing a getaway location, David takes off for New York and is soon robbing banks to finance a comfortable lifestyle. It is then that he meets Roland Cox (Samuel L. Jackson) who is some kind of supernatural cop. Roland explains the plot, David is a Jumper and Roland is a Paladin. Paladin's hunt Jumpers and kill them.

Narrowly escaping his paladin encounter, David meets a fellow Jumper named Griffin (Jamie Bell) and is warned that Paladins will kill everyone he has ever known in their attempt to find him. This leads David back home and to the girl who he left behind, Millie (Rachel Bilson). While David watches out for the Paladins, he and Millie rekindle their childhood romance. Once the Paladins arrive however, it kicks off a worldwide war between Jumpers and Paladins. 

It's not a bad comic book premise really. The problem is it's underdeveloped as a movie. The rules for Jumpers and Paladins are vague and are sloppily made up as the movie goes. along. Rules then are disregarded when the plot requires them to be. The idea is merely a hanger on which director Doug Liman and his effects team can hang a number of huge special effects shots and a travelogue of worldwide locations from Tokyo to London to Rome to whatever other touristy location a majority of the audience might recognize. The effects aren't bad, for the most part, but who cares. If I wanted to watch the world go by I would watch the Travel Channel.

Find my full length review at Geeks.Media 

Movie Review: Batman Begins

Batman Begins (2005) 

Directed by Christopher Nolan 

Written by Christopher Nolan, David S. Goyer

Starring Christian Bale, Katie Holmes, Cillian Murphy, Ken Watanabe, Liam Neeson, Gary Oldman

Release Date June 15th, 2005 

Published June 14th, 2005 

Joel Schumacher has committed a number of cinematic sins. His destruction of Andrew Kevin Walker's darkly brilliant script for 8mm or last years 3 hour tin-eared musical Phantom Of the Opera come immediately to mind. But without a doubt Schumacher's most damnable sin is his destruction of the Batman film series. Batman Forever and Batman and Robin are atrocious examples of a director completely bent to the will of marketing executives. A director more interested in creating synergistic toy products and fast food tie-ins than in making entertaining movies.

Eight years after Schumacher killed it, and through three years of torturous development Batman has risen from the ashes once again and in the hands of director Christopher Nolan, an artist and auteur of the highest regard, Batman is not merely back, the D.C Comics franchise is better than ever. Rivaling Raimi's Spiderman and Singer's X-Men, Nolan's Batman Begins is a visionary comic book film worthy of the icon status of the character.

Batman Begins is an origin story that brings fans into the mind of Bruce Wayne (Christian Bale) before Batman and shows us why a millionaire playboy would put on a bat suit and fight crime. Locked away in some far off Asian prison a scruffy but handsome American certainly sticks out. Battered and bruised Bruce Wayne has fought everyday he's been in this prison but his latest battle against several large thugs at once brings him to the attention of another handsome westerner, Henri Ducard played by Liam Neeson.

Ducard is a representative of Ra's Al Ghul (Ken Watanabe), leader of the League Of Shadows, a thousand year-old order dedicated to vigilantism. The League Of Shadows fancy themselves ninja crime fighters and in Bruce Wayne they see an asset both physically and otherwise. The League is preparing to raze Gotham City, purging the city of its criminality and anything else that might be in the way. Bruce has a choice: join the League and destroy Gotham or return alone to defend the innocent people of the city.

Returning to his home in Gotham City (Chicago standing in, not New York in this version) Wayne finds the metropolis in ruinous poverty. Crime rules the streets led by mob boss Carmine Falcone (Tom Wilkinson). Among the few good people of Gotham are Bruce's butler, Alfred (the superb Michael Caine), and his childhood friend, Rachel Dawes (Katie Holmes), who works as an assistant prosecutor fighting a losing battle with corruption.

Bruce's fortune is intact, the family business is under the control of a corrupt executive played by Rutger Hauer and working in the shadows is a former family friend, Lucius Fox (Morgan Freeman), whose work on various military projects for the company will certainly come in handy when Bruce Wayne is ready to transform into the caped crusader. It is Lucius Fox who creates the suit, the gadgets and the new military style Batmobile, even cooler than the sports car version from Tim Burton's Batman.

The film plumbs the depths of Bruce's past, the biggest factor to his becoming Batman. A childhood accident bred in him a fear of bats. It's a fear that is also linked to the death of his parents in a mugging outside a theater when Bruce was eight years old. A taste for vengeance is what led Bruce to his Asian adventure and the teachings of Ducard are what lead to his taking his fear of the bat as his symbol when he finally decides to take a stand against crime.

It's an extraordinarily detailed and logical story that fits perfectly into the dark atmospheric universe that director Christopher Nolan and writer David S. Goyer, of Blade fame, have created. This Gotham City is in part the vision of Frank Miller's Year One graphic novel balanced with the Auteurist vision of Nolan who nods to Miller but makes the look and feel of the film his own.

Christian Bale is the perfect blend of movie star handsome and brooding maniac, the essence of the Bruce Wayne-Batman dichotomy. Though Batman holds the typical moral values of a superhero-- he captures but does not kill-- he has a definite weird streak.  As Bruce himself points out, "A guy who dresses up as a bat clearly has issues". Those 'issues' are given a thorough and complete examination in Batman Begins and as played by Mr. Bale, they are given the depth and emotionality that the character has lacked in his former movie incarnations.

The supporting cast is exemplary, especially Gary Oldman as "Sgt." Gordon who we all know will someday be Police Commissioner Gordon. This is his origin as well and, with Oldman in this pivotal role, we have a solid basis for further great stories to be told. Katie Holmes is much better than expected in the role of Bruce's childhood friend and adult love interest. She looks too young and innocent for the position of District Attorney fighting the worst of the worst criminals but she has an unexpected steeliness to her that sells the character.

The villains, the most obvious weakness from the Schumacher films, are given a similar comic book realism to that of Batman. Based more in the reality and logic of the story, the villains in Batman Begins are not super villains with grand schemes of mass murder or world domination but logical extensions of the established corruption of Gotham City. Cillian Murphy is terrific as Dr. Jonathan Crane whose alter ego, the Scarecrow, is no psycho du jour but a functionary of a larger, more logical and ordered plot.

Obviously Nolan's Batman Begins cannot help but be compared with the lofty achievements of Bryan Singer's X-Men and Sam Raimi's Spiderman and it is without a doubt worthy of the comparisons. Batman Begins ranks only behind Raimi's Spiderman 2 as the best comic book adaptation I have seen. An awesomely entertaining and involving action packed feature, Batman is back and better than ever in Batman Begins.

Movie Review The Invisible

The Invisible (2007) 

Directed by David S Goyer 

Written by Mick Davis, Christine Roum 

Starring Justin Chatwin, Margarita Levieva, Marcia Gay Harden

Release Date April 27th. 2007 

Published April 26th, 2007 

The Invisible is one of the more abused Hollywood releases of the last year. The teen centered, metaphysical thriller was to be released in late 2006. It was then dumped into the mire of early January. Then, with little notice, the movie was bumped to April. How little care was taken with this latest rescheduling? Trailers for The Invisible ran, even a week before the film's April 27th release, touting the film's January release. Ouch!

Released without being shown to critics, another unkind cut, The Invisible is a sad case of a studio that did not know what it had. This is a smart, thoughtful, spiritual thriller with a star making performance from Justin Chatwin and from director David S. Goyer. Star making; had the studio not screwed things up so badly.

Nick Powell (Justin Chatwin) is a privileged teen who has every material comfort he could want. Smart, good looking and popular, Nick is even on his way out of the country having been accepted into a prestigious English writing school. Unfortunately, before he can board the plane for London; Nick is involved in a case of mistaken identity.

A group of thugs led by the troubled and abused Annie (Margerita Levieva); through a misunderstanding, come to believe that Nick has turned them over to the cops after they were busted for a robbery. Seeking him out late at night on a dark empty street they drag him into the woods with the intent of just beating him up. They end up beating him to within an inch of his life and hiding the body.

Nick is not dead but he's also not alive. Emerging from the forest seemingly unscathed; Nick arrives at school and finds that no one can see or hear him; he is Invisible to the living. After some soul searching, Nick realizes that he may still have a chance to live if he can convince Annie to help him find his body and save his life.

Directed by David S. Goyer, the writer behind the Blade movies and Ghost Rider, The Invisible is a surprisingly thoughtful and involving melodrama. Spiritual, though not religious, The Invisible unfolds a metaphysical mystery that explores human nature, compassion and forgiveness in the guise of an average teenage ghost story.

Justin Chatwin, who played Tom Cruise's son in War of the Worlds, looks and carries similar mannerisms to a young Tom Cruise. It is uncanny; the ways this kid evokes Cruise circa Taps, The Outsiders and up to The Color of Money, his pre-scientology phase. The kid is charismatic, handsome, and carries that indescribable star magnetism that should make him a big star.

Chatwin brings a thoughtfulness to Nick that is unexpected from a character in a b-movie teen ghost story. But then, thankfully, nearly everything about The Invisible defies expectations. It's supposed to be another teen horror movie from the marketing. It's supposed to be a B-movie because it has no recognizable stars and it's supposed to stink because the studio didn't show the film to critics ahead of time. The Invisible turns all of these expectations on their ears and comes out a smart, meditative and immersive moviegoing experience.

Based on a novel by Swedish writer Mats Wahl, The Invisible is; not surprisingly, an existentialist meditation on the philosophy of existence. Nick falls into the cracks between life and death and is forced to examine why he wants to live and take action to save his own life. Annie on the other hand is uncertain about her wanting to exist. She has lived in the shadows of life; going unnoticed, in her own way; Invisible, unless she was crossed. She confronts her dark existence in dealing with Nick and finds the meaning of her own life.

Heavy stuff for what was expected to be just another teen movie. That is what is so great about this picture, the way director David S. Goyer and screenwriters Mick Davis and Christine Roum never settled for just a ghost story, just a horror movie or just a mystery. The Invisible has a rich inner life, a subtext that is so often missing from modern, mainstream Hollywood movies.

The Invisible is a thoughtful, entertaining, even exciting movie that defies all expectations. Hollywood Pictures, the Disney subsidiary that released The Invisible, may have had no confidence in the film but no matter. The Invisible thrives despite its studio indifference. The movie thrives on smart storytelling, good action and terrific direction from rising filmmaker David S. Goyer.

Don't judge a book by its cover and don't judge The Invisible by its studio indifference. This is a terrific movie that deserves your attention.