Movie Review: Ben is Back

Ben is Back (2018) 

Directed by Peter Hedges 

Written by Peter Hedges 

Starring Julia Roberts, Lucas Hedges, Courtney B. Vance 

Release Date December 7th, 2018 

Published December 4th, 2018 

Ben is Back is a day in the life drama about a family dealing with one member's drug addiction. It's about a mother and a son and the lifetime’s worth of trauma that can be inflicted in such short amounts of time because of drugs. Writer-Director Peter Hedges has trod upon this ground before with difficult relationships between parents and children with the wonderful Piece of April being a strong example of his talent. 

Ben is Back stars Lucas Hedges as Ben and Julia Roberts as Ben’s mom, Holly. Ben has been in rehab for about three months and has much more time left there but he’s somehow arrived back home. The tension is immediate as Ben’s sister, Ivy (Kathryn Newton) is alarmed to see him out of rehab. Holly, however, could not be happier to have him home. It’s Christmas and Holly is overjoyed to have her oldest son home, especially after he passes an at home drug test. 

As excited as Holly is to have Ben home she nevertheless hides all of the prescription drugs and valuables. Ben has a history of having broken into the home in the past to steal things to sell for drugs. Holly’s husband, Neil (Courtney B. Vance) is suspicious and thinks Ben should go back to rehab. After some guilty feelings however, he relents to let Ben stay the night and attend a Christmas play that his younger siblings are in at church. 

When the family gets back from church, they find the house has been broken into and their dog is gone. Ben knows who did it and wants to get him back. The film then follows him into a tour of his past misdeeds as he searches through his own history for the person who took the family dog. Mom chases after, concerned that the search could lead him back to drugs, a concern that grows deeper as the hours pass. 

Ben is Back takes place over a single day, Christmas eve. The story is tightly contained and well told. Each of these actors is exceptionally well cast with Julia Roberts giving her all as the grieving, terrified mother. Lucas Hedges continues to be one of our most compelling young actors. He makes smart choices and here, working with his father, Peter Hedges, he delivers a deeply affecting performance. 

Ben is Back is melodrama, to be sure, but it is solid and well meaning melodrama. As this day passes we can’t help but get caught up in the lives of these characters and the small signifiers of their lives together. I really loved the performance of Kathryn Newton whose mixture of fear and hope for her brother is palpable. Newton’s Ivy has the perspective that her mother lacks and she’s a terrific counterpoint to Vance’s character as well as she’s willing to give Ben more of a chance while reserving a good deal of suspicion and fear. 

I have no experience with drugs personally. I have never used drugs or helped anyone obtain them. There is a reason for that: have you seen the places people go to get and use drugs? Honestly, crack houses and dirty cold riversides are the spots in Ben is Back along with a dangerous looking neighborhood and a very shady looking pawn shop. I can’t understand how anyone would want to go to places like these. 

Ben is Back is certainly effective in setting, reminding us of the places that drugs can take even someone like Ben who had every advantage and still could not stay clean. The film doesn’t spend much time analyzing Ben, it’s more about observing Ben and his family and their dynamic and how this one day is unfolding. That tight focus works for the movie and the day in the life style is absorbing. 

Ben is Back is being released in time for the Academy Awards and you can sense that this has the aim of an awards drama. That said, Lucas Hedges is much more likely to get attention for his role as a young gay man forced into gay conversion therapy in Boy Erased than he is here. The Oscar hopes of Ben is Back likely fall on Roberts who hasn’t had this kind of spotlight on her since Eat, Pray, Love. It would come as no surprise to see her name called on nomination day. 

Movie Review Pieces of April

Pieces of April (2003) 

Directed Peter Hedges 

Written by Peter Hedges 

Starring Katie Holmes, Patricia Clarkson, Derek Luke, Isaiah Whitlock, Allison Pill 

Release Date October 17th, 2003 

Published October 24th, 2003 

It's been a terrific year for first time directors. Artists such as Catherine Hardwicke (Thirteen), Fernando Meirelles (City of God) and Peter Sollett (Raising Victor Vargas) made their debuts in exciting and memorable fashion. The same can be said of Peter Hedges whose debut feature Pieces of April is a guerrilla-style DV feature made with the catering budget from one days shooting on The Matrix. A visually unspectacular character piece that works because of a smart script and the acid tongue acting of Patricia Clarkson.

The title character is April Burns (Katie Holmes), the black sheep of her upstate New York family who ran away at an early age to New York City and has never looked back. After years of aimless drifting and a tenuous relationship with her family, April is finally in a stable enough situation to reconnect. With the help of her new boyfriend Bobby (Derek Luke), April has invited the family to her tiny apartment for Thanksgiving.

April's family isn't all that excited about the holiday excursion to the big city. Joy Burns (Clarkson) has little interest in reconciling with her oldest daughter of whom she claims to have no positive memories. Youngest daughter Beth (Allison Pill) can't stop complaining about the trip, her and April are far apart in years and have had no contact since April left. Timmy (John Gallagher Jr.), April's little brother, has little interest in anything outside the purview of his camera and the haze of pot smoke. April's dad Jim (Oliver Platt) is the only one in the family who has maintained any contact with April. Agreeing to go to April's for Thanksgiving seems to be entirely his effort and he holds the trip together over the loud protest of his kids and the biting wit of Joy.

There is far more to this story than a daughter trying to reconnect with her family. The impetus for the attempted reconciliation is revealed in an episodic way with a little bit of information leaked out as the focus shifts back and forth from the family road trip to April's failing attempts at cooking, including some especially humorous encounters with her neighbors. With a busted oven, April is forced to run from door to door, soliciting help from anyone who will listen. 

Finally April is aided by an African-American couple, Evette (Lillias White) and Eugene (Isiah Whitlock Jr.), who take their cooking far more seriously than April. Also helping, in a way, is Wayne (Sean Hayes) who allows April to use his oven when Evette and Eugene need to use their own for their dinner. Wayne turns out to be way too weird and flaky and April is finally helped by an elderly Asian family who don't speak English but luckily have a visiting family member who does. April's aborted attempts to explain Thanksgiving to them are funny and a few of Holmes's best scenes.

Patricia Clarkson's much praised performance is unquestionably the film’s centerpiece. Her ascorbic wit and spitefulness is explained by the fact that Joy is dying of breast cancer and that this will very likely be her last Thanksgiving. The last thing she wants to do is spend it with the daughter who has been such a painful disappointment, especially since the dinner will more than likely be another disaster to add to the list. Clarkson's performance is painful to watch as she says horrible things about April who does not deserve most of the jibes. We are forced to forgive Joy her mean spirit because she is dying and we do but it makes her jabs at April and her attitude towards all of her family all the more disheartening.

Director Peter Hedges, who received a much deserved Oscar nomination for his adapted screenplay for About A Boy, writes a story sketch for Pieces of April and then turns loose his terrific group of actors to make something of it. With a seemingly bare bones sketch of dialogue, the actors make some obvious improvisations that make the film feel real.

That effect is also brought out by the handheld DV camera and minimalist locations. The minimal lighting, ambient soundtrack, and miniscule budget are straight out of the Dogme 95 movement. While it's not nearly as accomplished as anything by Lars Von Trier and his Dogme crew, Pieces of April invokes a sort of Americanized version of Dogme. It incorporates the realities of American filmmaking that simply won't allow a filmmaker to follow the rigid Dogme rules.

Pieces of April is in spirit a Dogme film and the attempt to subvert the usual Hollywood style of filmmaking is a welcome sight. The film is also an affecting, funny family drama with terrific acting and writing that marks a terrific directorial debut for Peter Hedges. I hope that he will continue to be as interesting with a film that has a budget bigger than the cost of Peter Jackson's morning latte.

Movie Review: Dan in Real Life

Dan in Real Life (2007)

Directed by Peter Hedges

Written by Pierce Gardner, Peter Hedges

Starring Steve Carell, Dane Cook, Juliette Binoche, Dianne Wiest, John Mahoney, Emily Blunt

Release Date October 26, 2007 

Published October 25th, 2007 

Peter Hedges' film  Pieces Of April was a funky little indie feature about family and togetherness, secrets and lies. The visual style was risky in how disjointed and even at times ugly and stylishly amateur it was. Now, Peter Hedges is moving up to big time mainstream filmmaking and it seems that the move to the studio has taken away his flair for the risky and the funky. His latest, Dan In Real Life, could not be less risky or funky. A straight laced genre romance, Dan In Real Life is a warm but extraordinarily dull little mainstream sitcom, something of a disappointment for a rising star director.

Steve Carell stars as Dan Burns, an advice columnist raising three daughters. Dan lost his wife years ago and is convinced that he is done with relationships. That changes on a family trip to Rhode Island where his parents (Diane Wiest and John Mahoney) live in a lovely beach house where the entire extended family gathers for a week every year.

While getting away for a few hours from his daughters, each of whom are upset with dad for different reasons, Dan meets Marie (Juliette Binoche). The two spark a conversation about books that leads to coffee and scones and eventually to Marie giving Dan her phone number, despite the fact that she is town with her boyfriend and is meeting his family. What a shock then, that the boyfriend happens to be Dan's brother Mitch (Dane Cook). Now Dan must decide whether he should risk everything and pursue his brothers girl or deny the first new love he's felt since his wife passed away.

Nearly everything about Peter Hedges' charming directorial debut Pieces of April is missing from the machine like Dan In Real Life. Churning through the required scenes of a romantic comedy, Dan In Real Life feels forced throughout. The fake vibe of the whole enterprise rises to levels of smarm that are nearly stomach turning.

If Steve Carell and Juliette Binoche weren't such terrifically lovable actors Dan In Real Life would be an absolute chore to sit through. As it is, Carell and Binoche have almost zero chemistry together but just enough likability for us not to be entirely bored by them. Without resorting to mugging or cuteness, Steve Carell still manages to squeeze a couple of laughs out of this story but not nearly enough to make Dan in Real Life worth watching.

As for Juliette Binoche the lovely French actress coasts on her talent in a role she could have performed in her sleep. There is nothing really challenging in this script, unless you consider pretending to want Dane Cook, a challenge, and some might. Dan In Real Life throws highly typical romantic comedy roadblocks in front of Binoche and Carell and both actors go through the motions of not being together before the inevitable and obvious conclusion.

Director Peter Hedges is far more talented than this sitcom in movie clothing suggests. I can't help but feel that Dan In Real Life and not Pieces of April is the anomaly of his career. Pieces of April was smart and funny and a little risky in both the storytelling and style. Dan in Real Life is the antithesis of risky. Nothing could be less risky than this puppy dog romantic comedy made from the leftovers of several other dull, forgettable romances.