Fantastic Mr. Fox (2009)
Directed by Wes Anderson
Written by Wes Anderson, Noah Baumbach
Starring George Clooney, Meryl Streep, Jason Schwartzman, Wallace Wolodarsky,
Release Date November 25th, 2009
Published November 24th, 2009
Is the Wes Anderson genius wearing thin? After loving Rushmore and, the even more brilliant The Royal Tenenbaums, I seem to have lost my taste for Mr. Anderson's low key, off-kilter charm. The Life Aquatic with Steve Zissou was strong on production design and short on story. Darjeeling Limited was a patience testing observation of exceedingly low key, mannered behavior. Now, for Mr. Anderson's latest overly precious, affectedly quiet effort he has turned to stop motion animation. The result is elegant in production, eye popping even, but yet again a test of the patience of those tiring of Wes Anderson's brand of twee storytelling.
Based on the Children's book by the legendary Roald Dahl, The Fantastic Mr. Fox tells the story of Mr Fox (Voice of George Clooney), a chicken thief turned newspaper man. Mr. Fox gave up his animal nature, stealing chickens, to focus on raising a family with Mrs. Fox (voice of Meryl Streep). Together they have a son (Voice of Jason Schwartzman) who is quite odd and for a time the family is joined by a cousin named Kristofferson (Eric Chase Anderson).
The story hinges on Mr. Fox's covert move back into the stealing biz, against Mrs. Fox's wishes. Enlisting the help of his pal Kylie, an opossum voiced by Wallace Wolodarsky, Mr. Fox intends to steal from the three meanest, nastiest farmers in the land; Boggis, Bunce, and Bean. He's quite successful at first, but it doesn't take long for the evil farmers to find about the thieving Mr. Fox and when they do, it's war.
The old fashioned, stop motion animated style of Fantastic Mr. Fox is warm and inviting and at the same time a technical marvel. These creatures have astonishing life in their exaggerated features, right down to the shine on Mr. and Mrs. Fox's coats. The production design is flawless and really steals the show from director Anderson's exceptionally low key storytelling.
With his characters modulated to just over a whisper, Wes Anderson turns Fantastic Mr. Fox from a child's adventure story into one of his monotone, pretentious character observations. In the past I have enjoyed observing the behavior of Mr. Anderson's just left of center characters but as his style has aged, it hasn't evolved. Fantastic Mr. Fox is the same blend of absurd quietude and quirky characters as was his Rushmore only without the charm of being something new.
Where Rushmore had an indie, hipster edge and Royal Tenenbaums had airy refinement bordering on arrogance, Mr. Anderson's three succeeding features have become cute and overly precious. His style has become an affectation, an artificial exercise in style. It's an eye catching, often well produced style but with each picture there is less and less substance to back it up. Though the production design is first rate in Fantatic Mr. Fox, the movie as a whole comes up short as little more than an exercise in style. Wes Anderson's ever more affected filmmaking is taking his career in the wrong direction.
