Movie Review Skinamarink

Skinamarink (2023) 

Directed by Kyle Edward Ball 

Written by Kyle Edward Ball 

Starring Lucas Paul, Dali Rose 

Release Date January 13th, 2023 

Published ? 

Skinamarink is some kind of endurance test for the modern attention span. This buzzy Canadian horror film tests the patience of audiences via a series of stylish cuts, whispered dialogue, and intriguing ideas that go absolutely nowhere. I have a theory; I think Kyle Edward Ball is an excellent filmmaker who decided that he wanted to test audiences. Thus, he made a movie that is artfully crafted but intentionally nonsensical. Skinamarink is really a taunt and how you react to that taunt is how you react to Skinamarink. 

Providing a plot description for Skinamarink is... really not that hard. Two kids are trapped in their home and their parents are either not home or acting strange and actively staying hidden. Kevi n and Kaylee are four-year-old siblings who have awakened in the middle of the night. They can't find their parents and it appears, to them, that their home no longer has doors or windows through which they might escape. These very young children have some basic survival skills, they eat cereal and watch cartoons on TV and generally listen for whatever instruction an adult, be it their parents or some demonically possessed voice gives them. 

All the while, as Kevin and Kaylee pass the time, occasionally searching for mom or dad or investigating various intriguing noises, the camera cuts from one piece of architecture to another. The camera will sit static for a length of time, perhaps something moves in the frame, mostly you, the audience, simply search around the frame looking for something to happen and then nothing does happen. This is intentional, you assume, because it must be setting up for when something in the frame does finally happen, when something does finally move. 

This goes on for nearly 100 minutes. From time to time, you catch a snatch of dialogue. Early on, you hear the father, apparently on the phone, talking about how someone may have been injured and taken to the hospital. Was it mom? Was it another, unseen sibling? We will never know, and dad is never actually seen on screen, as far as I can remember. Mom is seen, briefly, I think. The movie plays with darkness in an interesting way as it mirrors the way the human mind tries to make sense of something it can only kind of see. 

Find my full length review at Horror.Media linked here. 

Movie Review: Edge of Madness

Edge of Madness (2002) 

Directed by Anne Wheeler

Written by Charles K. Pitts, Anne Wheeler

Starring Brendan Fehr, Caroline Dhavernas, Corey Sevier, Paul Johansson

Release Date January 1st, 2002 

Published May 27th, 2003

Have you ever seen a film that you would describe as remarkably average? It's an odd experience watching a movie that is so inoffensive yet so dull that you have literally no opinion of the film whatsoever. For someone like myself who writes about movies, it is a far stranger experience. How can I write about a movie that I have no opinion of? It's not a good movie but it's not a bad movie either. This is the quandary I find myself after viewing the mystery Edge Of Madness, a remarkably average thriller starring Brendan Fehr.

Set in 1850 in Manitoba Canada, Edge Of Madness is the story of a strange woman named Annie (French TV star Caroline Dhavernas) who arrives at county jail claiming that she has murdered her husband. The county constable, Henry Mullan (Paul Johannsen), is skeptical of her story, as she seems to have lost her mind. Nevertheless he takes her confession and places her in jail for the night. The next day when Annie becomes conscious and realizes where she is, the constable is surprised to hear her stick to her story about having bludgeoned her husband with a large rock.

In flashback, Annie explains how she met her husband, Simon Herron (Brendan Fehr) when he came to her orphanage and selected her to be his wife. Annie is excited to get out of the orphanage but she quickly realizes that her new husband is no savior. Rather, he is a brutal abusive man who doesn't want a wife but rather a sexual servant who can cook. On the bright side, Simon's brother George (Corey Sevier), a kind, sensitive soul befriends Annie and the attraction is so obvious that even dunderheaded Simon picks up on it. This causes Simon to fly into a jealous rage and abuse not only Annie but also his brother.

All of this leads up to Simon's death, and the film’s mystery surrounds who killed Simon. Annie or George? Did Annie claim she did it to protect George or was it as George claimed, an accident? To be honest, by the time the film began to unravel it's mystery I was already drifting off. It's not a bad movie but for short segments it grows a little dull. There were moments when I would look at the time, wonder what was on cable, and think of how much laundry I had to the next day. At one point I even took a short call on my cell and didn't bother to pause the movie. That may seem unprofessional but hey, if the film were more engaging I would have at least paused it.

Edge Of Madness is a well-made, well-acted period piece with interesting actors and interesting performances. Alas, it's easily forgettable at the same time. I admired the professional look of the film. It's well polished for a direct-to-video movie but the story simply isn't compelling enough to hold your interest. It makes for a good movie to fall asleep to because you can nap, wake up 20 minutes later and you haven't really missed anything. It's the absolute definition of an average film.

On a side note I must take issue with the film’s title, a cynical attempt by its marketers to fool people into thinking it's a horror film. On IMDB it's listed under the title A Wilderness Station, a title that makes more sense in the context of the film (Ed. Note - Wilderness Station was the Canadian title), but not nearly as cool sounding as Edge Of Madness, which sounds like the title to an Ozzy Osbourne album.