Showing posts with label Christian Slater. Show all posts
Showing posts with label Christian Slater. Show all posts

Movie Review Freelance

Freelance (2023)

Directed by Pierre Morel 

Written by Jacob Lentz

Starring John Cena, Alison Brie, Martin Csokas, Christian Slater, Juan Pablo Rana

Release Date October 27th, 2023 

Published October 30th, 2023

Freelance stars John Cena as an ex-special forces military man turned suburban-lawyer-dad. Miserable, and on the verge of divorce from his wife, played by Alice Eve, Cena's Mason Pettits' decides to re-enter the world of military security. With the help of his friend, played by Christian Slater, who Wikipedia credits as 'Mason's Boss,' Cena gets a 5 figure paycheck for what should be a cakewalk of a security job. Mason will accompany a disgraced journalist, Claire Wellington (Alison Brie), to some made up South American dictatorship and keep her safe while she interviews the legendary dictator Juan Venegas (Juan Pablo Rana). 

Venegas hasn't given an interview in 10 years and he hopes that this interview will allow him to show how his country is changing. Meanwhile, Mason is no stranger to this country. He was here some 10 years earlier when he and a few fellow soldiers were nearly killed doing a mission. Naturally, Mason assumes it was the dictator who killed several of his fellow soldiers so his role here is a little tense. He has a grudge against Venegas and now he will be in close proximity to him. And hilariousness ensues. 

Oh how I wish hilariousness would ensue. Freelance is a witless action comedy of a very stale variety. If you cannot predict every beat of this deeply derivative movie you have either never seen a movie before or you are just not paying attention. There is nothing remotely original or interesting in Freelance. Bad guys try to overthrow the government, Cena ends up protecting not only the journalist but also the dictator he hates. But surprise, the dictator isn't a bad guy. Indeed, it wasn't even him who ordered Cena's helicopter to be shot down 10 years ago. 

You might be thinking that here is where Christian Slater's character comes back but no. Instead, the movie employs Martin Csokas as the bad guy. Csokas is all sneering malevolence and zero fun as the leader of a rival mercenary gang. Freelance has some grand ambition of being about South American resources being stolen by corporate interests via private armies but it lacks conviction on the issue. The filmmakers simultaneously want credit for mentioning corrupt corporations while also defending the idea of private military contractors as being nothing but heroes picking up paychecks that may or may not be covered in the blood of the oppressed. 

Find my full length review at Geeks.Media



Classic Movie Review True Romance

True Romance (1993) 

Directed by Tony Scott

Written by Quentin Tarentino

Starring Christian Slater, Patricia Arquette, Gary Oldman, Samuel L. Jackson, Christopher Wallker, Dennis Hopper 

Release Date September 10th, 1993 

Published September 13th, 2023 

True Romance is a mixed bag. On one hand, it's an entertaining crime thriller. On the other hand, 30 years after its release, and despite coming out before Quentin Tarantino became one of the most iconic and influential writer-directors of all time, it has the feel of off-brand Tarantino. True Romance, 30 years later plays like one of several hundred movies that tried to be a Tarantino movie and failed. This is despite having Tarantino as the film's screenwriter of True Romance. Something about Tarantino's unique way with words coming out of characters being shaped by another director, makes everything feel just a little... off. 

True Romance stars Christian Slater and Patricia Arquette as a most unlikely pair of lovers. Alabama (Arquette) is a sex worker who has been hired to seduce Clarence (Slater) as a birthday present from Clarence's boss. It's clear to us, if not to Clarence, that she's too good to be true. She meet cutes with Clarence at a Sonny Chiba triple feature at a sleazy L.A theater. She's the only woman in the theater and is clearly going out of her way to meet Clarence. She flirts with the intensity of someone learning to be an actor in a bad romantic comedy. She even seems to listen intently as Clarence tells her about his favorite comic book. 

Nevertheless, the ruse works on Clarence and the two have a great time together. Alabama even had fun, even as she was faking just about everything. This leads her to guiltily confess that she was hired to be his date and show him a good time. When Clarence says he's not bothered by this revelation at all, Alabama tells him that she's in love with him and he responds in kind. Thus is born a marriage proposal as these two unlikely souls tie the knot and set about a life together. Nagging at Clarence however, is Alabama's past, which includes an abusive pimp that Clarence feels he must confront in a misguided attempt to defend her honor. 

Said pimp is a vicious killer named Drexl Spivey (Gary Oldman). Drexl is introduced having a deeply lascivious conversation about oral sex before he murders two of the men he's been chatting with, including a well-dressed Samuel L. Jackson in less than a cameo appearance. Drexl is not a man who plays nice, and Clarence appears completely out of his depth in confronting him. Nevertheless, Clarence manages to not only kill Drexl but also steal more than a million dollars worth of cocaine in the process. Rather than be put off by Clarence's multiple murders, Alabama says the act is the most romantic thing anyone has ever done for her and their fates are sealed. 

The remaining plot of True Romance shifts to Los Angeles where Clarence and Alabama hook up with an old friend of Clarence's, an actor named Dick (Michael Rappaport. Clarence assumes that because his old friend is an actor that he will know who in Hollywood will buy more than a million dollars in cocaine for a fraction of the price. That he turns out to actually have that connection in Hollywood is a very funny circumstance, one symbolic of the tone that Tarantino's script is going for, though not exactly in line with the strengths of director Tony Scott who seems to miss just how funny this coincidence is. 

Find my full length review at Geeks.Media 



Horror in the 90s Tales from the Darkside

Tales from the Darkside: The Movie (1990) 

Directed by John Harrison

Written by Michael McDowell, George A. Romero 

Starring Debbie Harry, Steve Buscemi, Julianne Moore, Christian Slater, James Remar, Rae Dawn Chong

Release Date May 4th, 1990 

Box Office Gross $16.3 million

Why don't more people talk about how great Tales from the Darkside The Movie is? I've seen Tales from the Darkside The Movie a few times but somehow, it wasn't until this viewing that it really clicked for me. This anthology of three horror movies, and one wraparound segment, combines the talents of Stephen King, George Romero and a powerhouse cast, across four stories, to deliver one of the most consistently entertaining horror movies of the 1990s. 

Let's begin with our wrap-around story. Tales from the Darkside: The Movie opens on a peaceful suburban milieu. A lovely looking woman has purchased groceries and is returning home to start dinner for a dinner party. This is classic horror movie stuff as perverting the pristine perfection of suburban life is a classic trope. The first signs of such perversions of norms only arrives once we are inside the home of that plain Jane woman and her groceries. 

We arrive in the home of Betty, played by rock icon Debbie Harry, before she does. While she's getting her groceries, the camera takes us into her home and a strange looking broom is propped against a wall. While we puzzle over the broom, which brings to mind a witches broom, we begin to hear a noise. The camera slowly reveals a door in the kitchen and someone struggling to open the door before fearfully retreating when Betty comes inside. The skillful visual filmmaking tells us everything we need to know, Betty is a witch and whoever is in that locked pantry, is her prisoner. 

Perverting things even further, Betty soon reveals her victim, tiny moppet with floppy hair and a crooked grin. This is Timmy (Matthew Lawrence) and we soon learn that Timmy is set to be that night's main course as Betty is bringing her witch friends over for a Timmy casserole. In a desperate attempt to keep himself alive, Timmy grabs a story book called Tales from the Darkside and offers to tell Betty a scary story as a reason to keep him alive. She agrees and we proceed with our first terrific story. 

The most star-studded of our three stories was not quite so star-studded at the time of release. Lot 249 stars a pair of stars before they became big stars. Steve Buscemi and Julianne Moore were at the beginning of what would be lengthy and critically acclaimed careers when they played academic rivals in Lot 249, the story of a man and his mummy. Christian Slater, already having become a leading man by 1990, is the best known of the cast which is rounded out by lesser known character actor Robert Sedgwick. 

Lot 249 is a tale of revenge as Edward Bellingham (Buscemi) is convinced that a rich idiot, Lee (Robert Sedgwick), has used his influence, and his equally rich and duplicitous girlfriend, Susan (Moore), to steal a lucrative scholarship from him. The loss may force Bellingham to have to leave school just as he is on the verge of an astonishing breakthrough in his research on ancient Egypt. Through nefarious circumstance, Bellingham has secured Lot 249, an ancient Egyptian sarcophagus that could be worth millions, depending on what he finds inside. 

Find my full length review at Horror.Media 



Classic Movie Review Untamed Heart

Untamed Heart (1993) 

Directed by Tony Bill 

Written by Tom Sierchio 

Starring Marisa Tomei, Christian Slater, Rosie Perez 

Release Date February 12th, 1993 

Published February 12th, 2023 

So... let's see if I understand this correctly. We are going to work this out together, you and me, dear reader. Christian Slater is a grown adult who still believes that when he was a child living in the jungle that his father stole magical rubies from a Baboon King to try and save Slater's characters life. When the Baboon King, who was trying to murder Slater's father, finds out that the rubies are for trying to save the child, the Baboon King tears out his own heart and puts it into the child Christian Slater's chest. He believes this story still, as an adult working at diner, that he tells this to the women he's been stalking/falling in love with. 

That's something that a human being wrote down and then made into a movie. Untamed Heart is a wild damn disaster of a romantic drama. It's a bizarre movie that appears to think it's perfectly normal for a grown man to rarely speak and believe that he has a baboon heart so thoroughly that he doesn't want to get a heart transplant that might prolong his life. And he's the romantic lead in this movie. No, he's not the little brother who suffered a head injury as a child that the actual romantic lead in the movie takes care of because their parents are gone, he's the actual lead in the movie. 

Okay, yeah, that's completely insane. Marisa Tomei is the actual star of Untamed Heart as a diner waitress named Caroline. While walking home late one night, Caroline is accosted by a pair of mashers, played by Kyle Secor and Willie Garson. Secor attempts to sexually assault Caroline but is thwarted by Adam (Christian Slater). He scoops up an unconscious Caroline and takes her home where he places her on a porch swing and spends hours watching her sleep. Yeah! 

By this point, it's been established that though Caroline and Adam have worked together for some time, he doesn't speak to her or really anyone if he doesn't absolutely have to. So, if they don't know each other, how does Adam know where she lives? Well, he's been stalking Caroline for weeks, perhaps months at a time. He says he just follows her home to make sure she gets there safe but later we will learn that he was also breaking into her house and watching her sleep. 

For her part, Caroline finds all of this incredibly romantic. The 90s were a goddamned mess. If you don't believe that women have spent most of their lives being gaslighted into thinking insane things are actually romantic, you haven't seen this nutzo movie that posits a stranger breaking into a woman's home to watch her sleep for weeks or months on end, as romantic devotion worthy of them spending the rest of their lives together. 

The scene were we find out that Adam has been following Grace comes when he breaks into her house and puts up a Christmas tree in her room, fully decorated. He did this while she and her entire family were sleeping. Her reaction to this is somehow not complete horror. Instead, she responds by saying thank you and 'I can't believe you remembered.' Remembered what? Christmas? Honestly, I wonder if they had Marisa Tomei's character act dumber just so she might seem like she would buy into Slater's Adam as a legit romantic partner. 



Movie Review Love Lies Bleeding

Love Lies Bleeding (2008) 

Directed by Keith Samples

Written by Brian Strasmann

Starring Brian Geraghty, Christian Slater, Jenna Dewan, Tara Summers, Jacob Vargas 

Release Date January 15th, 2008

Published February 10th, 2008

From the director of Single White Female 2 and the writer of 2, yes 2 Walking Tall sequels starring Kevin Sorbo, comes the gritty indie flick Love Lies Bleeding. Greatly removed from the Elton John classic or the Michael Winterbottom fave, this Love Lies Bleeding is a pale imitation of gritty, mainstream action movies with the gloss of being low budget and 'independent'. It comes from Sony's direct to video line and to complete the ugly package, poor misguided Christian "What Happened To My Career" Slater doesn't star but instead plays an unfortunate bad guy.

No, even more unfortunately, the wan and forgettable Brian Geraghty stars in Love Lies Bleeding as Duke, an Iraq war veteran with trouble coping with his return to America. Engaged to be married to Amber (Step Up Jenna Dewan), Duke struggles to find work after he spent time in prison on an assault charge not long after his return. Our heroes are quite down on their luck when some gang bangers make things worse by robbing them. Angry, Duke trades his car for a gun and plans a confrontation. What he gets instead is a sack full of fat cash.

Turns out the bangers had run afoul of some crooked DEA agents lead by Agent Pollen (Slater). The Mexican standoff that ensued left all but Pollen dead when Duke arrived. Seeing the bag of money Duke doesn't hesitate. Unfortunately, Pollen isn't dead and is soon on the trail of Duke and Amber who think they have won the lottery. Now the crooked cops want their money back and Pollen wants revenge and to secure their silence.

The first act of Love Lies Bleeding is a torturous 40 minutes of bland dialogue and casual racism as our two Anglo heroes face off against ethnic gang members at every turn. The blandness of it all compounded by a repeated monologue about Lime-Aid and life lived in a hammock. Don't ask. The second act becomes surprisingly compelling as director Keith Samples works his way around the bland dialogue and his overmatched young actors to create a compelling chase scene set inside a casino. The compelling part ends when the chase does and we are thrust back into this couple's dull romance.

On the bright side, there is a more interesting movie trapped in the margins. About half way through Love Lies Bleeding we are introduced to our one good cop, detective Alice Sands played by Tara Summers. The Boston Legal regular brings a quirky energy to this underwritten role. With unexpected humor, Summers applies the kind of skills one could only learn while working with James Spader and William Shatner. Acting while acknowledging the ludicrousness of it all with the glint in her eyes, Summers steals the few scenes she gets and leaves us longing for more time with her and her bumbling partner played by Jacob Vargas.

It's a shame the movie couldn't have been about the two New Mexico cops stumbling on the clichéd lovers on the run story. They could have regarded the story from afar with a disbelieving air and played the whole thing for comedy. I imagine Alice as apoplectic at the thought of such a ludicrous plot as this while her partner fumbles his words and plays the fool. That is the movie I wish this were, but it's not. Love Lies Bleeding is yet another faux indie pretending to be gritty and poetic while its only achievement remains being written and filmed.

That said, I really love Tara Summers. I can't wait to see more of her.

Movie Review Heathers

Heathers (1989) 

Directed by Michael Lehmann 

Written by Daniel Waters 

Starring Winona Ryder, Christian Slater, Shannen Doherty, Kim Walker, Lisanne Falk 

Release Date March 31st 1989 

Published March 31st 2009 

In the late 1980's, as the John Hughes boom began to wane, a film came along that exploded the teen movie genre and changed the way teen movies are seen forever. With it's twisted violence and sick humor, Heathers was a kick in the ass to any and all teen movies that came before it.Though it wasn't a huge hit in the moment, it worked to cement a budding legend in Winona Ryder while establishing Christian Slater as a heartthrob and a budding leading man in the Nicholson-Brando mold. 

The film stars Winona Ryder as Veronica, a member of the popular clique in her school, the Heathers, named for the other three girls in the group whose names were all Heather. Veronica, being the only member of the clique not named Heather, is a bit of an outcast leaving one to wonder why is she even in the group, a question she often asks herself. Veronica goes through the motions of watching her friends play cruel tricks on classmates and generally being obnoxious until she meets JD (Christian Slater).

JD is a misanthropic outcast with an intense dislike of the Heathers. Veronica falls for JD and the two set about avenging the misdeeds of the Heathers. Veronica's idea of vengeance is slightly different than JD's though. With Heather #1 (Kim Walker), Veronica just thinks they are going to make her sick with a combination of milk and orange juice, JD, however, wants to use Drano and various other household items. After eliminating Heather #1, Veronica and JD make Heather #1's death look like suicide.

Just how trendy are the Heather's, Heather 1's suicide makes the uber-bitch into a saint and makes suicide another trendy teen accessory. Veronica is horrified by what happened but equally horrified by the reaction of others to what happened. JD then convinces Veronica to undertake another staged suicide, this time it's two asshole jock football players who are dispatched as if they were a lovers suicide pact.

Once again the suicides turn the jerks into hero's and Veronica realizes JD's romantic notion of saving the school from the cliques and the jocks is actually a psychotic obsession. Winona Ryder is spectacular in what may be the best role of her career. Her delivery and timing is flawless, not to mention her chemistry with Slater who also swings for the fences and nails it. Slater's slow boil from broody boy-toy to Jack Nicholson in The Shining levels of kooky psychotic behavior is a dark comic delight. 

Heather's is cynical ironic and endlessly quotable. Nowadays, with political correctness being what it is this movie would be hard to make. That's not to say it can't be done but that it would take a great deal of savvy to find the right twisted buttons to push in this seemingly more sensitive time. Thankfully, Heathers exists as it is so who cares about whether it could be made again. The original is sharp, nasty, and completely hilarious today, yesterday and will remain so for years to come. 

Movie Review: Windtalkers

Windtalkers (2002) 

Directed by John Woo 

Written by John Rice

Starring Nicolas Cage, Adam Beach, Mark Ruffalo, Peter Stormare, Christian Slater, Noah Emmerich

Release Date June 14th, 2002 

Published June 13th, 2002 

War is hell and now so is watching war movies. The drive towards more realistic violence have made for some very hard-to-watch films. Saving Private Ryan set the standard, followed by films like Enemy At The Gates, We Were Soldiers, Black Hawk Down and most recently John Woo’s Windtalkers. Though it purports to be about Navajo Indian code talkers, Windtalkers as they were called, the film is actually about violence and war movie clichés. 

Nicolas Cage stars in Windtalkers as Joe Enders, a borderline crazy marine. When we are first introduced to Joe he is attempting to hold a position that is, to the rest of his platoon, already lost. Joe’s entire platoon is killed but he survives and returns to battle with a new assignment. Joe is to ship out to Saipan where he and his platoon will protect the military's new secret weapon, a pair of Navajo Indians whose native language is used as code to transmit Japanese troop movements without the Japanese being able to spy on it. 

The Navajo soldiers are Ben (Adam Beach) and Whitehorse (Roger Willie). Rounding out the platoon is your typical cast of recognizable character actors whose names become interchangeable though their faces are semi-recognizable. Christian Slater, Mark Ruffalo, Peter Stormare, and Noah Emmerich, amongst others, are the interchangeable soldiers.

Director John Woo is the absolute wrong choice to direct this film. With his penchant for stylistic violence, Woo forgets that the story is the code talkers and not video game style pyro technics. Adam Beach and Roger Willie get the short shrift from a story that would be better served by a smaller budget and a more centralized script. If the film would have focused more on the development of the code and the Navajo characters the story would be far more interesting. Of course it would have been far less commercial.

My guess is that the original story was about the code talkers but producers with dollar signs in their eyes got a hold of it, signed on big name star Cage and big name director Woo and put aside the real story in favor of one that played up Cage’s character. Once again, typical Hollywood greed ruins a good story. Navajo Code talkers were real, and the code they created helped the U.S win the war in the Pacific. There is a really good story to be told about them, Windtalkers is not it. -

Movie Review: Alone in the Dark

Alone in the Dark (2005) 

Directed by Uwe Boll

Written by Elan Mastel, Michael Roesch, Peter Scheerer 

Starring Christian Slater, Matthew Walker, Tara Reid, Stephen Dorff

Release Date January 28th, 2005 

Published January 27th, 2005 

German born Director Uwe Boll did not exactly set the world on fire with his first atrocious major motion picture, the horror video game adaptation House Of The Dead. Yet, because of the films low budget, success can be judged by lowered standards. Thus it's not entirely surprising to see Mr. Boll directing another low budget horror film based on a video game. What is a little surprising is that he was unable to improve on one of the worst films from any director in history.

Christian Slater, a long way from Heathers, stars as paranormal detective Edward Carnby, a former member of a secret government agency that fights the forces of evil. Now working freelance, Edward has just intercepted a rare Indian artifact and someone wants to kill him to get it. Turns out the artifact is part of a key that could unlock the gate to hell.

The bad guy chasing the artifact is Professor Hudgens (Matthew Walker) who, thanks to his assistant and Edward's ex-girlfriend, Aline (Tara Reid), has assembled all but one part of the key. The Professor has more links to Edward's past as well.  He was involved in some strange way with the disappearance of Edward and the entire population of his childhood orphanage.

The orphans, except Edward who escaped, were turned into zombie assassins who could be called only by Professor Hudgens. He calls when he is ready to open the gate to hell and it's up to Edward, his ex-girlfriend, and his former colleagues at that secret government group led by Stephen Dorff to kill the zombies and stop the Professor from opening the gate. There are also some demons from hell that are unleashed to provide some CGI carnage but God help me if I can remember why the hell they were in the movie.

Poor Christian Slater. He used to be so cool. Pump Up The Volume, Heathers even Broken Arrow, Slater had the calm sardonic cool that you can't teach. Even in a bad picture like 1992's cop comedy Kuffs Slater had the ability to bring charm to a charmless and idiotic plot. In Alone In The Dark, you sit and you wait for him to crack wise, to show how much smarter he is than the movie he's trapped in, but it never comes. Slater just looks tired, as if he has just given up and resigned himself to fate as a straight to video actor. That's a real shame.

The rest of the cast actually seems right at home in this awful material, especially Stephen Dorff who chews the scenery like a B-movie legend. Listening to Dorff bark his every line as if belting every word to the back of the theater is almost camp enough to be entertaining. Alas he can't resist taking himself and this ridiculous movie seriously as something that might actually scare someone. Like with his stolid performance in Fear Dot Com, Dorff earnestly believes he's making a good movie and that makes his performance more sad than laughable.

Director Uwe Boll is a hack, plain and simple. He is a directorial machine, built to transcribe bad scripts to filmed images. Whether those images coalesce into anything resembling a movie seems to be none of his concern.

Missing from the plot is any kind of motivation for Professor Hudgens to open the gate to hell. The professor has very little backstory for explanation, aside from turning orphans into future zombies, so the only explanation is that the professor has a case of the "movie evils". "Movie evils" occur when a movie character does something horribly evil only because the plot requires it. The professor does not benefit from opening the gate, and seems perfectly aware of what will happen if he does open it. If he has any demonstrable motivation it was left on the cutting room floor.

But hey, who needs character motivation or a coherent plot when you've got oodles of fake blood, dummie bullets and CGI demons. In a so-bad-it's-good movie that might be all that you need in order to provide some giddy cheap thrills. Unfortunately Alone In The Dark is much too dour and takes itself way too seriously for any real good camp, aside from casting Tara Reid as a scientist, HA! That's pretty funny, but they did not mean it to be a joke amazingly enough.

Watching Alone in the Dark makes me wonder-- with its imbecilic plot, bad special effects and dull witted characters, was it even a very good video game? A gamer friend of mine told me that there has not been a new Alone video game since Playstation 1 sometime in the late nineties. So why did this game get the big screen treatment?

Asking that question is as futile as asking why Uwe Boll continues to get directing assignments when clearly his real talent is inhumane torture. Or maybe it's Svengali-ism, how else to explain how he has convinced real life professional actors that he is a filmmaker.

I hate to ruin your appetite, movie fans, but indeed Mr. Boll will have another horror video game adaptation very soon. Bloodrayne stars Sir Ben Kingsley and will be in theaters early 2006. Just what we have done to deserve this I do not know but repenting our sinful ways might be a good idea before some other obscure video game receives a script commitment and comes knocking on ol' Uwe's door.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...