Movie Review Furiosa A Mad Saga

Furiosa A Mad Max Saga 

Directed by George Miller

Written by George Miller, Nico Lathouris

Starring Anya Taylor Joy, Chris Hemsworth, Tom Burke

Release Date May 24th, 2024 

Published May 27th, 2024 

Furiosa rocks. It's a really great movie. I have been struggling with writing this review for a few days because, I wasn't sure I had much to add to the Furiosa discourse. It's a killer movie and most critics have already told you that. So, to try and make my review a little difference, I am just going to pick a part of the movie I like and use that to illustrate why Furiosa: A Mad Max Saga is so good.

So, a brief plot description and set up. As a child, Furiosa, yes that's her actual name, it's not something she adopted like a nickname, get over it. As a child, Furiosa was kidnapped by marauders. Her mother gave chase and nearly rescued her. Mom gets killed and child Furiosa begins a banger of a revenge arc. She will spend the rest of her life trying to find and kill the leader of these evil marauders, Dementus (Chris Hemsworth).

Years later, Furiosa gets traded to Immortan Joe. It's part of a deal with Dementus who has captured the kingdom of Gasland, where all the gas in this post-apocalyptic wasteland is produced. Dementus gives Furiosa to Joe as a gesture of peace. Soon after, Furiosa escapes and becomes a slave of the Citadel, pretending to be a boy to prevent being a wife of Joe. After years of this, she gets her chance to escape after she helps build the prototype of the War Rig, Immortan Joe's most important vehicle, a truck that carries supplies in trade for gas and bullets.

The best scene in Furiosa: A Mad Max Saga has Furiosa tagging along on the first run of the War Rig. She's hidden herself beneath the rig with a motorcycle tied to to the bottom. When the rig stops, she will escape on her motorcycle and try to find her way back to her childhood realm, a place of abundance that her mother died to protect. Furiosa's bold escape plan is foiled when the War Rig is attacked by marauders who deal some damage to the rig and Furiosa is forced to defend the rig to save herself.

Find my full length review in the Geeks Community on Vocal. Find my full length review in the Geeks Community on Vocal. 

Movie Review Living

Living (2022) 

Directed by Oliver Hermanus 

Written by Kazuo Ishiguro 

Starring Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke 

Release Date December 25th, 2022 

Published December 9th, 2022 

Living stars Bill Nighy as Mr. Williams. His name is kept very formal as a reflection of how he's lived his entire life by the standards of formality. Mr. Williams is the head of a non-descript Public Works office in a big English city, never identified. He's known among his employees as a quiet yet authoritative man. He manages the office efficiently, never makes waves and just tries to keep his part of this bureaucracy from gaining any kind of attention. 

Mr. Williams' arrival at work everyday is like clockwork, as is his end of the day routine. He rides the train to and from work but stays apart from his employees so as to maintain his authority. He appears to have done this job all his life without ever making much of any impact. Stacks of papers top every desk, each a request that Public Works kicks from one part of bureaucracy to another, as if their product were making sure nothing ever changes. 

Naturally, the life of Mr. Williams is about to change drastically. In an uncharacteristic moment, Mr. Williams rises from his desk one day and announces that he will be leaving early. We will come to find out that this is do to a doctor's appointment. At this appointment, Mr. Williams is told that he has maybe six months to live. The following day, Mr. Williams' clockwork arrival at work doesn't happen. He tells no one and simply doesn't show up. 

Instead, Mr. Williams has removed his life savings from his bank and has traveled to a seaside location in order to find someone who can teach him how to live. Encountering a drifter cum author, Mr. Sutherland (Tom Burke), Mr. Williams tries out a night of debauched partying and what happens from there will reveal a great deal about both Mr. Williams and Mr. Sutherland. This sequence is lovely and sad and brilliantly revealing. It's a bravura sequence in a terrific movie. 

Two more characters exist in this story and their story underlines the story of Mr. Williams. Alex Sharp plays Mr. Wakeling, a new man in Mr. Williams' department.  The name ,Mr. Wakeling, it's as if his name is intended to demonstrate that he lingers in the wake of others, carried along by the tide. Not a bad metaphor for a for a young man at the start of a new and confusing journey. Sharp gives Mr. Wakeling a wide-eyed eagerness that soon mellows into a healthy competence at his job and a general good nature. 

Mr. Wakeling stands out as he is immediately taken with a fellow co-worker, Miss Harris (Aimee Lou Wood). Miss Harris has also caught Mr. Williams' eye though it's not a creepy infatuation. Mr. Williams admires the life he's witnessed from Miss Harris, her positive attitude and warmth. She makes the office a little brighter and in her he sees someone else who might be able to help teach him what it is like to be alive after having spent so many years merely functioning. 

That's the magic of Living. Bill Nighy's performance is about learning to live and choosing the people who can guide you on that journey. It's a somber reminder of the ways you make an impression on people whether you are aware of it or not. Miss Harris made the world a little brighter without knowing she did it and, even from his cloistered space a functioning cog in a bureaucratic wheel, Mr. Williams noticed it, admired it, and comes to praise it with hopes of learning more from it. 

That's a beautiful idea and it is well explored in the patient and thoughtful direction of Oliver Hermanus and the insightful script of Kazuo Ishiguro. Hermanus adopts a look for Living early on that evokes 1950s Hollywood, and the work of director Nicholas Ray, that incredibly humanistic director, brilliantly known for his interior dramas. Like Ray, Hermanus uses interiors to reveal his characters. For instance, Mr. Williams' well dressed and mannered persona juxtaposed against the rowdy, grimy, seaside pubs, home to the debauched and delightful, Mr. Sutherland's of the world. 

Click here for my full length review at Geeks.Media