Showing posts with label Ryan Reynolds. Show all posts
Showing posts with label Ryan Reynolds. Show all posts

Movie Review The Hitman's Bodyguard

The Hitman's Bodyguard (2017) 

Directed by Patrick Hughes 

Written by Tom O'Connor 

Starring Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Gary Oldman, Richard E. Grant 

Release Date August 18th, 2017 

Published August 17th, 2017

The Hitman’s Bodyguard is a very divisive film. Not because it has any challenging themes but rather because it is both a laugh riot and quite a bad movie. At once, The Hitman’s Bodyguard is very, quite intentionally, funny and quite poorly directed. I call the film divisive not because audiences will either love or loathe the film in equal measure but rather because I am divided personally by the fact that I repeatedly laughed quite loud during the film and by the fact that the film’s green screen effects, storytelling, and casting are so shoddy that at times I physically wretched.

Ryan Reynolds and Samuel L. Jackson co-star in The Hitman’s Bodyguard, with Jackson as the hitman and Reynolds as the bodyguard (the too clever by half poster parodies the Whitney Houston-Kevin Costner movie). Jackson is the world’s most wanted hitman, Darius Kincaid. He’s been captured by Interpol after they arrested his wife, Sonia (Salma Hayek) and threatened to hold her in prison until he turned himself and testified against world renowned terrorist and Belarussian dictator Vladislav Dukovich (Gary Oldman, so bored of this role he can barely keep his terrible makeup job from falling off from his obvious, repeated eye-rolling).

When Interpol is compromised by the single most obvious mole in history, played by Joachim De Almeida, who might as well walk around with TRAITOR tattooed to his forehead, Agent Amelia Roussel (Elodie Yung) calls in her ex-boyfriend, Michael Bryce (Reynolds) to take Darius to court. Naturally, this court happens to be all the way across Europe and the two mismatched pals must road trip through Vlad’s terrorist gang to get to their destination.

Yeah, this plot is terrible, ludicrously, painfully obvious and extremely played out. The Hitman’s Bodyguard is forced, clichéd, and predictable to the point of torture for anyone who’s seen more than one movie in their lifetime. Director Patrick Hughes then makes matters worse by topping his bad plot with even worse direction, including special effects that make the rear-projection in Saturday Night Live skits look great by comparison.

Find my full length review at Geeks.Media 



Movie Review Spirited

Spirited (2022) 

Directed by Sean Anders 

Written by Sean Anders, John Morris 

Starring Will Ferrell, Ryan Reynolds, Octavia Spencer, Sunita Mani, Tracy Morgan 

Release Date November 11th, 2022 (Apple TV) 

Published November 11th, 2022

Imagine that the three ghosts that visit Ebenezer Scrooge in A Christmas Carol, are part of an elaborate business that specializes into scaring bad people into good people, all while singing very on the nose show tunes, and you have the movie Spirited starring Will Ferrell and Ryan Reynolds. This musical comedy posits that Ebenezer Scrooge (Will Ferrell) became the Ghost of Christmas Present after his life ended. Now, Scrooge along with his old pal Marley (Patrick Page), the Ghost of Christmas Past (Sunita Mani), and the Ghost of Christmas Future (Tracy Morgan), works to redeem those in needing redemption. 

For their latest case, the Ghosts and Marley are targeting a big fish, a so-called 'unredeemable' human being named Clint Briggs (Ryan Reynolds). Briggs is a bad guy. We meet him as he is making a presentation to owners of Christmas Tree Lots and he is encouraging them to demonize those that don't use real Christmas trees as hating Christmas. Briggs' job is all about creating chaos and division in order to sell narratives that protect brands and rich elite jerks. Marley is convinced that Briggs cannot be saved. Scrooge however, sees some of himself in Briggs and emotionally links his own redemption story to that of this awful jerk. 

From here we watch as Scrooge and company stage the life of Clint Briggs. They recreate his childhood home and bring his late sister to life. Clint has a lot of guilt and complicated feelings about his late sister, a saint who took care of him as a kid while their mom was a comical jerk. When the sister dies, Clint refused to take on her daughter, instead leaving the daughter to stay with his loving but bumbling younger brother, Owen (Joe Tippett). Naturally, Scrooge will use this moment to tug on Clint's heart strings but as happens throughout Spirited, Clint is not an easy nut to crack. 

For his part, Clint sets about sewing chaos in the meticulous plot to redeem him. He starts by seducing the Ghost of Christmas Past and then by twisting Ferrell's Ghost of Christmas Present/Scrooge into knots with endless questions about his past, why what he does is necessary and why Clint himself is happy to be seen as Unredeemable. Of course, we all know where this is headed. There is no surprise o be found in Spirited and thus the movie has to rely on gags, comical songs, and the strength of the cast to sell this overly complicated and yet predictable story. 

Spirited kind of works. This is undoubtedly Will Ferrell's best performance since 2010's The Other Guys, the last time he earned really big laughs on screen. In the last decade, Ferrell has made some of the worst movies going and thus I was happy to be able to laugh with him again. I've missed the Will Ferrell that wasn't a desperate, flailing, sweaty mess. His Scrooge is a strong combination of his Elf persona with his dramatic, adult performances in Stranger Than Fiction and Everything Must Go. The wistfulness and longing in this character give a genuine quality to his energetic, desperate for the joke side and that goes a long way toward making the performance tolerable and even entertaining. 

Ryan Reynolds sparks well with Ferrell as Scrooge. Reynolds' playful approach to being a massive jerk provides a strong arc for the character, even as it is a supremely predictable arc. Reynolds is funny, charming, angry, and rounds into genuine kindness in a real and enjoyable fashion. Strange as it seems for such a broad comedy, it's among the most genuine and enjoyable performances from Reynolds in some time. Somehow, getting to sing has enlivened Reynolds after several recent rather bored performances. 

Click here for my full length review at Geeks.Media. 




Movie Review The Change Up

The Change Up (2011) 

Directed by David Dobkin 

Written by Jon Lucas, Scott Moore

Starring Jason Bateman, Ryan Reynolds, Leslie Mann, Olivia Wilde

Release Date August 5th, 2011

Published August 5th, 2011 

Body switching comedies were all the rage in the 1980's. Back then George Burns became Charlie Schlatter, Judge Reinhold became Fred Savage and Dudley Moore became Kirk Cameron. Why anyone would think they could improve out on that genre gold is beyond me and yet, we have The Change Up in which Ryan Reynolds become Jason Bateman and vice versa.

Dave (Bateman) is a family man who's grown tired of his routine of diaper changes and no sex with his beautiful wife Jamie (Leslie Mann). Mitch (Reynolds) is an overgrown child who sleeps with any woman who looks at him and spends his days getting high when he isn't acting in softcore porn movies.

When the two life long friends get together for a beer and a game they end up confessing how they envy each other's lives. Unfortunately, they happen to be urinating in a magic fountain when they make their mutual confessions and the next morning they wake up with their bodies switched.

Now, Dave has to pray Mitch can go do his job at his law firm well enough to secure his promotion to partner while not neglecting his life at home with Jamie and their three kids including twin babies. Mitch, meanwhile, has nothing whatsoever at stake for Dave to screw up save for his regular Tuesday night sex-fest which Dave refuses to honor for reasons that you must experience for yourself.

The Change Up was directed by David Dobkin the director of The Wedding Crashers, a film that brought a little bit of heart to a very R-rated premise. Dobkin attempts to bring the same amount of heart and low brow humor to The Change Up but it simply doesn't work; Jason Bateman and Ryan Reynolds lack the magical chemistry of Vince Vaughn and Owen Wilson.

The problem is the character of Mitch who is such an unredeemable dirtbag he makes it impossible to care about his story arc. We are invited to empathize with him but we are never given a good reason to actually offer that empathy. It's hard to feel sorry for a guy whose biggest problem is a bad relationship with his father; played by Alan Arkin, a bad relationship that is clearly his own fault.

The R-Rated gags of The Change Up are kind of funny here and there; especially funny is Reynolds who finds himself in the worst possible situations with women. After the body switch poor Dave has to avoid cheating on his wife with one of Mitch's women and has to fight off sex with Olivia Wilde, which is a Herculean task.

I'm not going to tell you that The Change Up isn't funny; there are a number of big laughs spread throughout the film. The problem is a story that requires you to sympathize with a character, Mitch, who is not sympathetic and who, when played by Bateman, is an idiot and a jerk without being a funny idiot jerk.

X-Men Origins: Wolverine

X-Men Origins: Wolverine (2009) 

Directed by Gavin Hood 

Written by David Benioff, Skip Woods

Starring Hugh Jackman, Liev Schreiber, Danny Huston, Ryan Reynolds, Dominic Monaghan

Release Date May 1st, 2009 

Published May 4th, 2009 

Arguably the most revered of all superheroes, among the hardcore comic book fans, Wolverine has long deserved his own place in the comic book movie world. Nothing against the X-Men movies which were of varying but often superior quality but Hugh Jackman's Wolverine always seemed to strain against the convention of the superhero team. Granted, some of that was by design, the character has always been a lone wolf, so to speak.

But more than the design of the character, Wolverine and Hugh Jackman were simply bigger than the X-Men, as the character really has always been. Thus, there is a great deal of pressure on this Wolvie movie X-Men Origins Wolverine. The pressure to live up to an outsized reputation and the pressure to live up to beyond outsized fan expectatons.

Origins traces the life of young James Logan from the day he found out he was a mutant who could grow claws of bone through years of work as a mercenary alongside his mutant brother Sabretooth (Liev Schreiber) in the US Army, to the day he tried to leave mercenary work behind and live a life of peace and normalcy.

For a time Logan worked with a team of mercenaries assembled by General Stryker (Danny Huston). Along with his brother, Logas fought alongside shooting expert Agent Zero (Daniel Henney), Swordsman Wade 'Deadpool' Wilson (Ryan Reynolds), Chris 'Bolt' Bradley (Dominic Monaghan), John Wraith (Will I Am) and Frederick The Blob Dukes. Together this team committed what Wolverine comes to believe are atrocities, hence why he walked away.

Of course, if they had just let Logan retire we wouldn't have much of a movie. Living in Canada, Logan has met a woman, Kyla Silverfox (Lynn Collins) and is living an idyllic life when General Stryker arrives with a warning, someone has begun killing the team. It's Sabretooth and he wants to make his brother pay for walking away.

With Stryker's help, Logan undergoes a procedure intended to give him the ability to not merely fight his brother but do something no conventional weapon could do, kill him. With the use of out of this world technology that bond unbreakable metal with all of Logan's bones, he becomes the indestructible Weapon X, Wolverine.

Directed by Gavin Hood, X-Men Origins: Wolverine has some terrific action and some seriously goofball stuff. The good stuff is watching Hugh Jackman and Liev Schreiber go claw to claw. The good stuff is Ryan Reynolds as Deadpool taking out room full of armed men with just two swinging swords.

The goofball stuff is the stuff from the trailers and commercials for Wolverine. The flying from an exploding car to a helicopter to walking away in slow motion as the copter explodes. We've seen goofball stuff like this before and have become immune to the point of kitschy laughter at how cheesy they seem and how self satisfied filmmakers seem with these scenes.

The mythology stuff, all of the back story, the Origins of the title, will appeal only to the hardcore fans who will search for their other X-Men favorites among a group of child mutants rescued by Wolverine late in the film. Hardcore fans who can name the real name of Agent Zero without having to look it up. Those fans will no doubt be stoked by the high level of efficacy or terribly disappointed by whatever inaccuracy they can seize upon. Even in the nitpicking they will find pleasure. Those not in the cult however may be a little put off by the thickness of the plotting, especially since so much of the action doesn't deliver enough distraction from the plot.

Still, what works for Wolverine is Hugh Jackman whose cut physique and cigar chomping charisma perfectly capture the elemental badass nature of Wolverine. He was the perfect choice for this role in the X-Men movies and he has only grown more comfortable and capable as the character has progressed. Wolverine gets us past alot of the troubled, overly dense plotting of X-Men Origins.

Mostly for the hardcore fan, X-Men Origins: Wolverine is sub-par by the standard set by The Dark Knight, Spiderman and Iron Man. On it's own, away from the lofty comparison, it succeeds with Hugh Jackman's performance, as a summertime filler that should please the faithful.

Movie Review: Chaos Theory

Chaos Theory (2008) 

Directed by Marcos Siega 

Written by Daniel Taplitz, Kathy Gori

Starring Ryan Reynolds, Stuart Townsend, Emily Mortimer, Sarah Chalke

Release Date April 11th, 2008 

Published October 15th, 2008

Ryan Reynolds carries himself as a man who knows he is a star. Reynolds has Confidence just short of arrogance and a real sense of self onscreen, Reynolds, at times, evinces the earnest friendly quality of Tom Hanks and crosses it with a Johnny Depp-like aversion toward anything to conventional. Don't be mistaken, Reynolds makes conventional movies but like Depp he plays his part in a way that gives convention a noticeable tweak. For his latest movie, the conventional romantic dramedy Chaos Theory Reynolds plays his characters tics and fears as physical expressions and gives a performance of grave irritation.

In Chaos Theory Ryan Reynolds stars as Frank Allen, efficiency expert. Frank gives seminars on time management and lives his life with swiss watch precision. That Frank managed to find a woman willing to put up with his maddening lists and schedules is something of an only in the movies miracle. Emily Mortimer is Susan, a wife of infinite patience. The two were friends for years before she decided of the group of male friends she had amassed, Frank was the one she could see herself with permanantly. That was seven years ago, they have a lovely young daughter now and a life of ease and elegance.

Things change drastically and by chance when a finally snapping Susan decides to push the clock ahead 10 minutes. The result is Frank missing his ferry to the city and having to sheepishly reschedule a talk on time management. If you think being late to work is tough, try being a time management guru and show up late.

Nevertheless, Frank powers through the presentation and meets his pal Buddy (Stuart Townsend) in the lobby. They hit the bar and while Buddy chases skirts Frank drinks a little too much, drowning his inefficient sorrows, and ends up back in his hotel room with Paula (Sarah Chalke, Scrubs) trying to keep from cheating on Susan.

Making a run for it, Frank is involved in a car accident with a pregnant woman. He rushes her to the hospital and a couple of misplaced signatures have him mistaken as the baby daddy. When the pregnant girl disappears the next day, leaving the baby behind, a befuddled Susan receives a call to 'return to the hospital and her baby'. Frank has some explaining to do.

The theory of Chaos Theory is that Frank being late, missing his ferry, sets off a series of chaotic events that leave his marriage in trouble. Had Frank been on schedule perhaps, if he had made it to his ferry and given his talk in time, things could have been different. Now, however, because he was later, he is forced to confront the random, uncontrollable forces of fate.,

Director Marcos Siega and writer Daniel Taplitz start from an interesting place but as the chaos sets in on Frank's life so does it set in on a script that is too uncertain of itself. Is it comedy? Is it drama? The balance is even between the two but without a true perspective a vacuum of ideas develops and Chaos Theory becomes a dramatic/comedic void.

The idea of chaos and order fate and chance, are ideas that many filmmakers have explored with relative success. Siega and Taplitz unfortunately bring no depth or substance to the discussion. Chaos theory, chance, fate, all of these are merely building blocks to a mediocre comedy drama with no real driving dramatic force.

Movie Review: Definitely, Maybe

Definitely, Maybe (2008) 

Directed by Adam Brooks

Written by Adam Brooks 

Starring Ryan Reynolds, Elizabeth Banks, Rachel Weisz, Isla Fisher, Abigail Breslin, Derek Luke, Kevin Kline

Release Date February 14th, 2008 

Published February 13th, 2008 

In his first mature leading man performance Ryan Reynolds becomes a star before our eyes in the terrific romance Definitely, Maybe. Call it his Sleepless In Seattle moment, Reynolds becomes the new millennium answer to Tom Hanks as he establishes his romantic leading man street cred opposite not a single Meg Ryan but three tremendous young actresses on three completely different star tracks.

There is the capital A actress Rachel Weisz, already a hairs breath away from Oscar. Elizabeth Banks, the comic character actress. And then there is Isla Fisher, who is still too young to know where her career is headed. Reynolds sparks with each and makes you believe that indeed one man could get that lucky in his life.

Definitely, Maybe stars Reynolds as Will Hayes an ad exec who has just received his divorce papers. He's been headed for divorce for awhile it seems. Will see's his daughter Maya (Abigail Breslin) on Wednesdays and Fridays and is on his way to pick her up as the opening credits wrap. On this particular Friday Maya's school is abuzz. Today the kids took a surprise sex education course and all are bursting with questions. All of this talk of sex has Maya wondering where she came from, not necessarily the technical details, she learned all too much of that, rather about how mom and dad met and how they are where they are today.

Dad is not so hot on telling the tale and thus devises the story as a romantic mystery, leaving Maya to guess which of three women from his past is her mother. There is Emily (Elizabeth Banks) not her real name, who was his college sweetheart. They split up when he went to New York. It's more complicated and messy than that but that comes later. Then there is the copy girl aka April (Isla Fisher). She makes copies for a living in the Bill Clinton for President campaign office where Will has come all the way from Wisconsin to work. Politics of the early to late 90's play a big part in Definitely, Maybe.

And finally there is Summer Heartley (Rachel Weisz), a woman from Emily's past who Will meets when he delivers a present to her from Emily. What that present is has all sorts of surprises attached. Summer is an aspiring journalist sleeping with her esteemed professor (Kevin Kline) when she meets Will. They bounce around each other a little before the girly crush on the professor passes and Summer wants to get serious. She and Will share a relationship with many twists and moments you will not see coming.

So which girl is really mommy? Which girl is also the ex? That is the mystery and the secret charm of Definitely, Maybe.

Writer-director Allan Brooks isn't teasing the audience or screwing with us just to keep us off track. What he devises, structurally and with these terrifically charming and smart characters, is a romantic mystery that in-trances and enchants.This seemingly typical romantic comedy defies convention by mixing three different romances and allowing us to guess, take sides, and hope for our favorite to win out. Leading the guessing game is 12 year old Oscar nominee Abigail Breslin. In yet another devastatingly cute performance, Breslin charms us into a romantic journey that would be lonely and a little dreary without her hopeful, doe eyed presence.

The humor of Definitely, Maybe is warm and comfortable. It emanates naturally from these characters without the force of set ups and punchlines. The skill of Brooks' script may not occur to you until much later when you realize just how invested you are in the outcome of this mystery. Listen for the subtle ways Brooks uses politics as an undercurrent of Will's emotional state. His optimistic investment in President Clinton's promise of hope in 1992 juxtaposed against his disillusionment with his love life and the scandal that engulfs Clinton's presidency. This sets up a final moment in the movie so subtle; blink and you'll miss it. It's a minor scene but it means so much if you follow the context of the film as a whole.

Definitely, Maybe doesn't necessarily break the mold of the traditional romantic comedy. Rather, like the best of the gentrified genre lot, it takes the typical and improves upon it. The formula is familiar, it's just better performed, filmed and crafted in Definitely, Maybe. Rather than limiting himself to what is expected of the romance genre, Adam Brooks goes in slightly off kilter directions. He tweaks the formula, changes the expectations and, by creating wonderful characters with just the right actors, he changes the dynamics of the formula romantic comedy, bends it to the will of his story and creates something special.

Indeed, Definitely, Maybe is something special in the romantic comedy genre.

Movie Review: Waiting

Waiting... (2005) 

Directed by Rob McKittrick

Written by Rob McKittrick 

Starring Ryan Reynolds, Amy Faris, Justin Long Alanna Ubach, Dane Cook, Luis Guzman

Release Date October 7th, 2005 

Published October 6th, 2005

There is an art to low or crude humor that makes it work. The brother directing duos of the Weitzs (American Pie) and the Farrellys (There's Something About Mary, et al) have mastered the formula of lowering the level of humor to childish levels but still delivering very funny movies. The formula works only when the lovable natures of characters and the pathos they bring from the audience is equal to the level they degrade themselves to.

The new movie Waiting..., written and directed by first timer Rob McKittrick, goes to new lows to achieve its humor but without characters we love and feel for it's an exercise in both crudity and futility.  

Shenaniganz is one of those cloned chain restaurants that pervades the parking lots of mini-malls around the country. Inside, its staff are the kind of wage slave drones biding their time until they graduate college, get fired, or end up in prison. Justin Long stars as Dean, a 22 year old finally confronting his arrested development. While high school friends are graduating from University and getting high paying, real life, jobs, Dean is wrapping up a general arts degree at Community College and contemplating the chance of becoming assistant manager of the restaurant.

Ryan Reynolds plays Dean's best friend and roommate, Monty, who is defined by his raging libido and rapid fire wit, essentially Van Wilder kicked out of college. Monty's job on this day in the life of Shenaniganz is to be our narrator without actual narration. Monty is training Mitch (John Francis Daly) which gives him the opportunity to introduce the rest of the cast and set the stage for all of the seriously low humor to come. It's a clever gimmick that removes the need for a third person narration and sets the stage for the films main running gag 'the penis game'.

Waiting... features a huge cast of well known and recognizable characters that include veterans Luis Guzman, David Koechner and Chi McBride; newcomers Dane Cook, Andy Milonakis and Kaitlin Doubleday; a couple of "Hey where have I seen them before?" types in Robert Patrick Bennett and Alanna Ubach; and established stars Reynolds and Anna Faris, the only members of the cast to have toplined a feature before.

Waiting... suffers the typical pitfalls of such a large cast, the main one being the loss of continuity caused by trying to find time for each character. The main story seems to be Justin Long's Dean struggling to grow into an adult but he is too often shuffled offscreen for his storyline to take hold. The only consistency in Waiting... comes from its series of running gags about sex, genitalia and the classic urban legend of the food service industry: What are they putting in the food?

Waiting... revels in the juvenile humor that the Farrelly brothers made safe for the masses in Dumb and Dumber and that was furthered by the Weitz's in the original American Pie which brought low humor to a whole new mainstream blockbuster generation. Unfortunately for Waiting... it lacks the elements that elevates low humor from mere shock for shock's sake to transcendentally funny. Where the Farrellys humanize the craziness with pathos and the Weitz brothers humanize it with lovable characters, Waiting... simply has no time for either. You never feel for the characters in Waiting... because you simply don't get to know them well enough and some of them you don't want to know at all.

There is something to be said for the economy of characters.  American Pie, for example, focused on four main characters and worked to establish each before delivering the humorous humiliations. These characters were familiar, the actors made them lovable and pathos is borne of that. Waiting... is simply too crowded to establish its characters beyond stereotypes and placeholders and thus we could care less when they are hurt or triumph.

The women of Waiting... especially suffer from the lack of characterization. Each of the ladies fall into types: the girlfriend type, the best friend type, the bitch type and the less pervasive lesbian type.  None of the woman break the mold of their character.  Even Faris, who gets marginalized early on, is given only one scene, a verbal showdown with Reynolds where she shows the comic chops that made the Scary Movie series so funny.

Another big problem with Waiting... is its look. The film looks as if it was shot through a bad lens. The look of the film is grainy and distracting. There is very little visual imagination in Waiting... which is damning because of the colorful setting which lends itself to creative set design. The film never takes advantage of either the restaurant setting or the condo set of Monty and Dean's apartment which also contained strong possibilities.

The best films combine the creative and technical aspects of filmmaking. Waiting... is in the hole from the outset because little care is taken for the look of the film and the various other technical aspects of film craftsmanship, lighting, camera work and especially set design.

Do not under any circumstance see Waiting... before you go out to dinner. Waiting... does for the restaurant kitchen what Psycho did for the shower, what Jaws did for the ocean, and what Silkwood did for nuclear waste. Heed the films warning; never send it back. The scenes portrayed in the kitchen in Waiting... are not for the weak stomach. They are also only rarely funny. A perfect example of the film's hit and miss humor, the kitchen scenes are either riotously funny or a complete strikeout.

With all of the things wrong with Waiting... it's still often quite funny. Even the lowest of all of the running gags in the film has its moments and of course I'm talking about the penis game. Not wanting to be too detailed because the film goes into way too much detail itself, the penis game consists of finding sneaky ways of getting co-workers to look at your exposed genitalia. Points are assigned for the various different kinds of exposure and punishment is assigned for those who fall for it.

As outrageous as it seems I know guys who could do this. Listening to the game as it is explained and watching it unfold I feared for the fact that I could ever witness such a thing, because I actually could. Uggh! Still I cannot deny that I laughed a few times at the horrifying ways that director Rob McKittrick worked this running gag.

The unfortunate part of this gag, however, is the homophobia inherent in its conception. Part of the rules of the game, as part of the punishment, is calling the victim a fag and the punishment is punishment for falsely perceived homosexuality. Though I know that this is not meant to be harmful, it is undeniably homophobic and plays to the basest of stereotypes. Attempts to excuse homophobia by acknowleging it only serve to affirm it. Am I being too politically correct? Maybe, but the joke is so excessively homophobic that at some point it goes beyond good natured ribbing.

The cast is a group that could really make a very funny movie but not this movie. The film's charismatic lead actors Long, Reynolds and Faris required more screen time in order to pull the film into the mold of a real movie as opposed to the stop and start episodic piece that is this finished product. The producers of Waiting... simply could not resist the stunt casting of hot comic Dane Cook and MTV star Andy Milonakis. Neither one does a particularly poor job but taking time out for them pulls the focus of the film away from telling a coherent story. 

Even with all of deficiencies in Waiting... I see little standing in the way of this film becoming a cult classic. Among its target audience of frat boys and service industry drones the film was a hit from its trailer to its commercials. There are just enough laughs in Waiting... that the core fans are likely to be satisfied and will scoop the film up on DVD.

The setting is so ripe for this type of sendup that it was very difficult for this film to miss completely and it doesn't. It does miss though and where it misses is in creating characters we identify with and care for. Without those characters all you have are a group of talented funny actors creating a hit and miss gag reel of grossout jokes, not a funny movie.

Movie Review Green Lantern

Green Lantern (2011) 

Directed by Martin Campbell

Written by Craig Berlanti, Michael Green, Marc Guggenheim, Michael Goldenberg

Starring Ryan Reynolds, Blake Lively, Peter Sarsgard, Mark Strong, Angela Bassett, Tim Robbins

Release Date June 17th, 2011 

Published June 16th, 2011 

"Green Lantern" is the latest superhero story to hit the big screen following the spring adventures of "Thor" and the summer spectacular that was "X-Men: The First Class." "Green Lantern" however, is the first of these superhero flicks to feature a big star as the big hero. Ryan Reynolds, long on the road to superstar status, plays the heroic Green Lantern and while the casting is alright there was little any star could have done to improve the rather limp story.

Hal Jordan, Our Hero

Hal Jordan is a bed-hopping, test-pilot with serious daddy issues. So serious, in fact, are Hal's unresolved issues with his late father, that he nearly crashes his plane as he distractedly recalls his dad's death. Naturally, Hal comes through the crisis alright but not without angering his best friend, and would be love of his life, Carol Ferris (Blake Lively.)

Putting aside Hal's daddy and romantic issues, he is a special guy and we know this because a purple alien guardian from another world carrying a very powerful green ring and a green lantern tells us so. Of the billions of people on earth Hal Jordan has been chosen as humanity's protector, the newest member of the universal force known as the Green Lantern Corp.

The Green Lantern Corp

Soon, Hal has a special suit and mask that are made from -- well we aren't quite sure what. The suit seems to generate directly from Hal's own skin and the fewer questions asked about the suit's (ahem) functionality (?) the better. Through his alien ring and lantern Hal can now create anything he wants using only his mind.

If we go with Hal to his training on a distant planet we are just asking for this plot description to grow far too unwieldy and since the plot isn't great to begin with let's just leave it at special voice appearances by Geoffrey Rush, Michael Clark Duncan and go to bad guy Mark Strong as sort of a good guy.

Peter Sarsgard is creepy

Back on earth Hal will have to defend humanity against a former colleague and friend, Dr. Hector Hammond (Peter Sarsgard) who has contracted an alien infection that somehow managed to make him even creepier than the massively foreheaded, dweeby, community college professor he already was.

There is also a good deal of nonsense related to a giant monster cloud of what I believe is fear energy combined with some all powerful alien creature. Honestly, I stopped caring so early on in "Green Lantern" that I tuned out whatever wasn't Ryan Reynolds being cute and Blake Lively flashing her beautiful, "Gossip Girl" half smile; truly is there a woman in the world who is so attractively bemused?

Fanboys Only

"Green Lantern" was directed by Martin Campbell who is an immensely talented director. Here, however, Campbell hits the wall with far too much fanboy nonsense and not nearly enough stuff that's interesting to people who aren't in fealty to the D.C Comics legend. I assume, because I am not familiar with the comic, that much of the stuff I found goofy and nonsensical was some kind of homage or nod to the faithful? How else do you explain it?

The thing about a great superhero movie like "Batman Begins" and "The Dark Knight" or "Spiderman 1 & 2" or the "Iron Man" movies is they were good movies first and comic book movies second. The best of the genre add the fan touches on the sides in the periphery. "Green Lantern," like "Thor," places the comic book stuff first and in doing so leaves the non-comic fan distracted and waiting for the actual story to kick in.

Not Recommended for General Audiences

When the story never really kicks in it only serves to magnify why the filmmakers included all of the comic book stuff, they didn't have enough of a compelling original story to push the fanboy stuff to the sides. I liked Ryan Reynolds and Blake Lively and the voice of Geoffrey Rush, as some kind of muscled up alien fish, but in the end that is not enough for me to recommend "Green Lantern" to a general audience.

Now, if you are a fan of the comic book Green Lantern, I do recommend the movie. You are going to get it on another level. You will enjoy the stuff I found goofy and or needless. You will get the stuff that I found distracting. You, Green Lantern fan, may just really enjoy this movie and bully for you. Enjoy.

Movie Review: Buried

Buried (2010) 

Directed by Rodrigo Cortes 

Written by Chris Sparling

Starring Ryan Reynolds 

Release Date September 24th, 2010 

Published November 19th, 2010 

Ever since it debuted at Sundance in 2010 audiences have been clamoring to see “Buried” the buzz-heavy buried alive thriller starring budding superstar Ryan Reynolds. More than a year later the film arrived on DVD with so little fanfare that many film fans may not have even known it was there. How did Lionsgate, the company that produced and distributed “Buried” manage to screw up the release of this unbelievably good movie? I will tell you how; it's your fault.

Ryan Reynolds stars as Paul Conroy, a truck driver working for a civilian contractor in Iraq. Though we never actually see the attack we eventually learn that Paul was driving near the end of a convoy delivering supplies when it was attacked. Paul was knocked unconscious and now finds himself awake buried in a wooden box somewhere in the desert.

That is the set up of “Buried;” the execution involves a cell phone, a lighter and Ryan Reynolds's considerable talent for fearful breathing, screaming and general freaking out. Director Rogrigo Garcia puts us in the box with Reynolds and the feeling is shockingly claustrophobia inducing considering that we can just turn off the DVD and walk away.

As the camera roams around as if making room for Paul to squirm around us, his fellow captives, we squirm and breath shallow breaths and desperately hope whatever oxygen is left will be enough. We leap when the cellphone he's been given in order to arrange ransom rings and we feel every bit of Paul's rage at the series of functionaries and fools who attempt to placate and pacify the buried man.

Most of all we feel Paul's anguish as calls to his wife go unanswered and a call to his mother offers the saddest of all results. The harsh voice of the kidnapper is a muffled, thickly accented growl that offers no hope of reprieve even if outrageous demands of millions of dollars are met. Any outward sound, explosions or even the sound of the Muslim call to prayer, somehow heard through the dirt offer as much hope as terror.

Buried is a triumph of a cinematic technique from the ways in which Garcia induces claustrophobia within the audience through classic film techniques in lighting and editing to the exceptional makeup and especially the well measured terror of star Ryan Reynolds who shakes off all of his natural charm to expose a man in pure terror and what that experience might be like for anyone.

So, why did “Buried” bomb so badly? It's our fault. As filmgoers we say we want different and challenging movies and we talk a good game about wanting to see “Buried” as the buzz was building but when it comes along we tend toward avoiding it. Take for instance another much more famous claustrophobic experience in fear, Best Picture nominee “127 Hours.” Despite near universal acclaim and Oscar nominations audiences have stayed away and the film has barely broken a meager 20 million dollars at the box office.

The makers of “Buried” pushed the film out to a few theaters and while critics raved, audiences stayed away and sought more familiar and safer movies. For heavens sake “Piranha 3D” made more than both “Buried” and “127 Hours” combined in its first week at the box office! This is your fault!

Never mind that “Buried” has more honest terror in 10 minutes of it's  95 minute runtime than a million “Piranha 3D's” or “Hostel's” or whatever other garbage Eli Roth types slap their name on, Americans want their movies dumb and ugly not exceptionally crafted and truly terrifying. That's why “Buried” is languishing in obscurity on Netflix and gathering dust in Redbox's across the country. It's YOUR FAULT!

You can make up for your lack of taste however. Rent “Buried” today. Give some love to a movie that deserves it and will pay it back with a movie watching experience more honest and compelling than anything you have seen other than maybe “127 Hours” or maybe a handful of other film's released in the last year.

Movie Review Pokemon Detective Pikachu

Detective Pikachu (2019) 

Directed by Rob Letterman 

Written by Dan Herdandez, Rob Letterman, Benji Smart, Derek Connelly 

Starring Ryan Reynolds, Justice Smith, Kathryn Newton, Suki Waterhouse,Bill Nighy 

Release Date May 10th, 2019 

Published May 8th, 2019 

Pokemon Detective Pikachu is some hardcore fan service. In fact, if you are not immersed in the universe of Pokemon, you aren’t likely to find much to enjoy beyond the occasional Ryan Reynolds quip. Reynolds himself is a kind of Pokemon fan service as giving this franchise the voice of one of the world’s most popular and charismatic actors is akin to one of the cool kids passing up the cool kid table in the cafeteria so he can sit with the A.V Club and they can absorb some of his aura. 

Pokemon Detective Pikachu opens in pure, visual chaos. A car is escaping from a mysterious lab facility while being chased by a powerful Pokemon called a Mewtoo. The Mewtoo appears to blow up the car, knocking the vehicle over the side of a bridge. The driver appears to have been killed but the swirling vortex of CG chaos makes it impossible to know what happens and since this is our introduction to the story, we are at a loss to care much for what is happening. 

The film slam cuts from the car crash to a field in a small, vaguely Asian town. Tim Goodman (Justice Smith) is one of the few people in his small town who doesn’t have his own Pokemon, a tiny, animal-like creature, who people capture using a special ball that opens up to capture the Pokemon, but only if the Pokemon likes and trusts its new owner or master or trainer? I’m not familiar with the terms and the movie is less than forthcoming for newcomers. 

Tim’s lack of interest in Pokemon is a reaction to his father’s dedication to Pokemon, as a law enforcement officer with his own Pokemon partner named Pikachu. Work took his father away and Tim resents Pokemon for his dad not being around when his mom died. Tim is soon thrust back into his father’s world however when he receives a message that his father was in a deadly car accident. 

Tim must travel to his father’s home in Rhyme City, the rare place where Pokemon and humans live in harmony together. Everyone has their own Pokemon and peace reigns as the two species live in harmony under the watchful leadership of Howard Clifford (Bill Nighy). Howard created Rhyme City as a utopia for Pokemon and humans alike. Naturally, however, there are snakes in Eden and Pikachu is on the lookout. 

Pikachu was believed to have died in the crash that killed Tim’s father so when the two come face to face in Tim’s father’s apartment, they nearly kill each other. In what we are told is a completely unfathomable anomaly, Tim has the ability to hear Pikachu speaking English. No one else on the planet has the ability to communicate with a Pokemon directly and this will not be used in any useful way beyond quips, lots of quips, mildly amusing, inoffensive, only occasionally funny, quips. 

Together, Tim and Pikachu will team with ace junior reporter Lucy Stevens (Kathryn Newton) to find the source of some strange Pokemon behavior. This strange behavior harkens back to the days before humans and Pokemon became friends and it is the key to finding out who is behind Harry’s disappearance, the dangerous Mew-Too and the apparent intention to create a rift between Pokemon and humanity. 

Rob Letterman directed Pokemon Detective Pikachu and he has packed it full of stuff that Pokemon fans will adore. There are Easter eggs on top of Easter eggs with appearances by fan favorite Pokemon doing fan favorite Pokemon things. Characters from the longtime Pokemon cartoons make cameos, I am assuming, special attention is paid, ever so briefly, to a character even I recognized from years of cultural osmosis. Fans will be excited and the inclusion could hint at a wider Detective Pikachu-Pokemon cinematic universe. 

Or so I assume, only Pokemon fans will be able to tell me if I am right or wrong about that. The bottom line issue that I have with Pokemon Detective Pikachu is with the remarkable amount of fan service. The movie is very bland and basic in its general storytelling and so the only thing left in terms of making Detective Pikachu special would either come from making it funny, which it really isn’t or in making it so packed with Pokemon stuff as to render story unnecessary for the hardcore devotees. The makers of this movie went with the second option and left non-Pokemon fans scratching our collective heads waiting for Ryan Reynolds to get funny.

The story takes elements of the mystery genre and mushes them up into a highly predictable story arc. The opening scene is meant to provide a mystery that will play out over the course of the movie but the story cheats this opening repeatedly throughout the movie to fit the narrative. This particular narrative feels as if it was altered numerous times, something strongly indicated by 6 credited writers for Pokemon Detective Pikachu. 

If you can’t tell who the bad guy is from the cast list you aren’t really trying. It’s glaringly obvious throughout where the movie is headed, albeit the actual endgame of the story is a tad bizarre, but by then it was hard to care. In fact, a lot of fans might really have liked what the movie plays as an evil scheme, but that’s an odd digression for another, spoiler filled time. Weird ending aside, there isn’t a story beat in Detective Pikachu that will surprise you from the mismatched partners, the convenient bouts of amnesia, to a third act separation that is so perfunctory the screenwriters should step on screen to introduce it while thanking and giving credit to every screenplay guide ever written.

But, as I stated earlier, I am not the audience for this movie. I am not a Pokemon fan. I have nothing against Pokemon, I know plenty of people who find Pokemon delightful. I am just not into it, it doesn’t do anything for me and since the movie isn’t very funny, even Ryan Reynolds is missing that classic Ryan Reynolds wit, there isn’t much for me to invest in. Fans of Pokemon will likely flip for all of the neato Pokemon stuff in Detective Pikachu but if you are not part of the cult of Pokemon, you’re better off sitting this one out. 

Movie Review Harold and Kumar Go to White Castle

Harold and Kumar Go to White Castle (2004) 

Directed by Danny Leiner

Written by Jon Hurwitz, Hayden Schlossberg

Starring John Cho, Kal Penn, Neil Patrick Harris, Ryan Reynolds, Anthony Anderson, Malin Akerman

Release Date July 30th, 2004 

Published July 29th, 2004 

I can’t be the only one for whom the words “From the Director of Dude Where’s My Car” are not reassuring. That said, you can’t judge a filmmaker by his only film. Director Danny Leiner deserves a chance to make a second impression. However, when I heard that his Dude follow-up was called Harold and Kumar Go To White Castle, I was less than enthusiastic. From the depths of low expectations can spring something amazing and Harold and Kumar Go To White Castle is amazing for the fact that it doesn’t suck.

Harold and Kumar are your typically mismatched pair of lifelong friends. Harold (John Cho) is a neurotic investment banker who is constantly put upon by his co-workers. Kumar (Kal Penn) has a high IQ and the test scores to go to any med school in the country, but he’d rather live off of his dad’s money and smoke some weed.

Well Harold and Kumar have that in common, they both smoke weed and when a White Castle commercial pops up on television they know exactly where to cure the munchies that accompany smoking the chronic. Kumar thinks he knows where the closest White Castle is but you know this is a buddy comedy road movie so this will not be that easy.

On the way to White Castle, Harold and Kumar encounter a group of skinhead extreme sports guys, a backwoods hick with a taste for group sex, an escaped leopard, racist cops and Neil Patrick Harris. Yes, that Neil Patrick Harris in the best of numerous cameos that also include Jaime Kennedy, Anthony Anderson and an unrecognizable Christopher Meloni as the previously mentioned backwoodsman.

The unique thing about Harold and Kumar is the smart satirical way it treats race. Harold is Korean, Kumar is Indian, but neither is defined by their ethnicity. They face racism at every turn and eventually they fight back in funny anarchic fashion, stealing cars, breaking into and out of prison, riding a leopard (see it for yourself).

Cho and Penn are a pair of terrific comic actors. Great chemistry, timing and charm. These two are really likable and you can’t help but cheer for them every humiliating, degrading step of the way. The few scenes they share with Neil Patrick Harris in a cameo as himself are absolutely hysterical. We have seen this type of career send up before, The Simpsons are famous for tweaking an actor’s past persona for ironic laughs, this time it’s somehow fresh and smart. That is because Harris is so committed and Cho and Penn sell the jokes so well.

Director Danny Leiner still has a way to go before we start praising his technique but this is unquestionably an improvement over Dude Where’s My Car. Of course, ninety minutes of blank screen would be an improvement over that film, but I’m trying to pay the guy a compliment. Harold and Kumar is a stoner comedy with all the stoner comedy beats and expected jokes. It’s juvenile and wades into the muck of gross out humor that genre does best.

Harold and Kumar would be valuable for just providing the rare starring role for a Korean guy and an Indian guy. It transcends that because those guys are actually very funny.

Movie Review Smokin' Aces

Smokin' Aces (2007) 

Directed by Joe Carnahan

Written by Joe Carnahan 

Starring Ryan Reynolds, Jeremy Piven, Ben Affleck, Chris Pine, Ray Liotta, Alicia Keyes, Taraji P. Henson, Andy Garcia, Jason Bateman

Release Date January 26th, 2007

Joe Carnahan was getting his ass kicked. On his first blockbuster assignment, Mission Impossible 3, Carnahan was dealing with a restrictive studio, a demanding star in Tom Cruise, and an unwieldy script that just never made sense for Carnahan’s style of filmmaking. While it would have been a dream project for anyone in Carnahan’s position, leaving Mission Impossible 3  was a blessing for Carnahan who went back to his own work. With the blockbuster behind him, Carnahan was able to make Smokin’ Aces a movie that is perhaps the purest distillation of Carnahan’s style of filmmaking. 

Smokin' Aces is the result of Carnahan's studio movie frustrations. An ultra-violent, multi-character action pic with a final act that kicks the doors down. Smokin' Aces crosses a dash of Tarentino with a hint of Guy Richie and a little Scorsese. But this is no mere homage to other filmmakers. The final act of Smokin' Aces is all Carnahan, an operatic denouement that turns a jaunty exercise in major film violence into a grand guignol of violent drama and revenge fantasy.

Simply put, Smokin' Aces kicks ass.

In a penthouse hideout in Lake Tahoe, Buddy 'Aces' Israel (Jeremy Piven) is hiding out, waiting for the feds to finish his deal. Buddy is turning state's evidence against the mobsters who made him a star lounge act on the Vegas strip. However, do not make the mistake of thinking Buddy is just another snitch. This move comes after his attempt to transition from lounge act to gangster nearly got him killed.

While Buddy hides out his old mob buddies have thrown a one million dollar bounty down on his head and every top hitman in the world wants a piece. Converging on Lake Tahoe are some of the most bloodthirsty cutthroats in the business of cutting throats. Worst of this lot are the Tremor brothers (Chris Pine, Kevin Durand, Maury Sterling), crazed terrorists with no fear of killing in broad daylight, in front of thousands of witnesses. Throwing bombs, literally, the Tremors are as subtle as a jackhammer but they are efficient killers.

On the slightly more subtle side, Georgia (pop star Alicia Keyes) and her girl Sharice (Taraji P. Henson) plan on stealth but carry a 50 caliber machine gun in case things get nasty. On the international front, Pasquale Acosta (Nestor Carbonell) is an efficient killer who specializes in the quiet kill. Assimilating himself to any situation he gets up close and personal with his victims and kills with icy determination.

The most underestimated and lethal killer is a shape-shifter named Lazlo Soot (Tommy Flanagan). No one has ever seen his real face, he specializes in masks and various torture techniques. Standing against this evil menagerie are a pair of FBI agents, Carruthers (Ray Liotta) and Messner (Ryan Reynolds) who have no idea just how bad things are about to get as their boss (Andy Garcia) works on Buddy's witness protection deal.

That is just a thumbnail sketch of the plot of Smokin' Aces which also makes room for roles filled by Ben Affleck, Common, Jason Bateman, Martin Henderson and Peter Berg. These roles may or may not be essential to the film's finale but they all combine for one of the funniest, gaudiest and largest  ensembles of any movie ever. Smokin’ Aces featured stars who would go on to dominate much of the next decade as blockbuster leading men. It’s a testament to how much people believed in the vision of Joe Carnahan back in the day. 

Joe Carnanhan made a killer debut with the movie Blood Guts and Octane back in 2000 and Narc in 2002. But with Smokin' Aces, Carnahan affirmed his directorial chops with a slick, stylish modern thriller that while it evokes many comparisons, in the end, it's all Carnahan After two acts of snarky, over the top violence, the third act of Smokin' Aces becomes a hardcore drama in which Ryan Reynolds' FBI agent steps forward and takes over the picture.

Reynolds had never been known as an action hero or a great dramatic actor before Smokin’ Aces 2006 release but in the final scenes of Smokin' Aces, Reynolds matured before our eyes and quickly showed the ability to take over and dominate a scene with something other than snappy one-liners. The former Van Wilder is a true badass in Smokin’ Aces, an early example of the full power of his superstar charisma. 

Smokin' Aces is a high octane violent spectacle. A superstar ensemble cast brought together by a then rising star director made for one seriously cool movie that has somehow become lost to history over a decade and a half later.. Many considered Smokin' Aces derivative at the time and that perception perhaps lingers, but for me, the cool factor is just undeniable and that goes a long way to redeeming whatever elements may feel overfamiliar today. 

And then there is that killer third act which takes Smokin' Aces from just another ultra-violent modern thriller into a whole other realm of high cool. Smokin Aces is so cool that it’s no wonder that Carnahan has never been able to recapture the magic of it. Carnahan has floundered over the last decade doing punch ups on terrible movies and delivering some of the most forgettable directorial efforts of the last decade and a half. It’s a shame but at least he will always have Smokin’ Aces as a reminder that at his best, Carnahan made one heck of a great action movie. 

Movie Review National Lampoon's Van Wilder

National Lampoon's Van Wilder (2002) 

Directed by Walt Becker

Written by Brent Goldberg

Starring Ryan Reynolds, Tim Matheson, Todd Black, Tara Reid, Simon Helberg, Aaron Paul, Kal Penn, Tom Everett Scott

Release Date April 5th, 2002 

Published April 4th, 2002 

Another college comedy, how original, I mean we haven't seen that in what, a week? 2 weeks? Oh, but this college comedy is from National Lampoon, the people behind Chevy Chase's career meltdown and a long list of tremendously unfunny comedies. Save for the 1977 masterpiece Animal House ironically also a college based comedy.

Van Wilder (Ryan Reynolds) is the big man on campus at fictional Coolidge College and has been for 7 years. Unfortunately for Van, his father (Animal House star Tim Matheson) is no longer willing to pay for his tuition. This means Van and his wacky sidekicks must find a way to pay for Van to stay. This leads to plots, schemes, parties, topless girls and drunken mayhem, as if you could make a college comedy without those things. The film, having covered the college comedy requirements, now must add a love interest and a nemesis. Enter Tara Reid as a journalism major doing a story on Van and her evil frat-guy boyfriend (Todd Black).

I have spent the better part of this review running this movie down when in actuality there was a lot about it I liked. The film’s star, Ryan Reynolds, is amazingly charismatic with impeccable comic timing and a unique way of delivering a line. Even if what he's saying isn't meant to be funny it still makes you smile. Tara Reid may not be the most believable journalism major but as the subject of every man's lust she perfectly fits the bill.

In the legend and lore of college comedy, Animal House and the little seen PCU run as the best of the genre, and the recent Sorority Boys, falls as the absolute worst. I would say Van Wilder falls somewhere in the middle with Rodney Dangerfield's Back To School. It's not great but it's not horribly unwatchable. On a side note, Van Wilder is not for the squeamish. A scene with a character masturbating a dog is rather disgusting but its aftermath may drive some of you out of the theater.

Is Van Wilder worth seeing? Yes, but wait for the DVD, which will likely come within the next 3 or 4 months.

Movie Review: Adventureland

Adventureland (2009) 

Directed by Greg Mottola 

Written by Greg Mottola 

Starring Kristen Stewart, Jesse Eisenberg, Ryan Reynolds, Bill Hader, Matt Bush, Kristen Wiig, 

Release Date April 3rd, 2009 

Published April 2nd, 2009 

When one thinks of Superbad, the hit 2007 comedy from director Greg Mottola, the first word that comes to mind is not thoughtful. That word however, provides a strong description of Greg Mottola's two other directorial efforts. The Daytrippers, the film that brought Mottola to the attention of Hollywood decision makers, was a thoughtful and gentle comic road trip. Now comes Adventureland which, like Daytrippers, is thoughtful as well as gentle nostalgic, sentimental and romantic in its offbeat way.

Jesse Eisenberg stars in Adventureland as Brennen a soon to be New York college student who was  planning for a trip to Europe for the entire the summer before college. That was before his dad lost his job and Brennen lost his funding. Now, even college in New York is in question unless Brennan can start raising money on his own.

Being more of a thinker than a laborer, Brennen finds there is not much out there in the unskilled labor market. Thankfully, an old friend, Frigo (Matt Bush), is able to land him a gig at a local amusement park, Adventureland. Brennen will be in the games section where every contest is rigged and no one, NO ONE is allowed to win a big ass panda. These are the rules laid down by the park manager Bobby (Bill Hader) and his wife Paulette (Kristen Wiig).

With only the goal of making money on his mind, Brennen is shocked when he meets Em (Kristen Stewart) a thoughtful outcast not unlike himself. The two spark some romantic chemistry quickly but there are any number of complications that will keep them apart, not the least of which is Brennen's virgin status and Em's shall we say 'experience'. This isn't so much a boundary as a truth. You will find throughout this wonderful movie that truth is a default setting for these characters no matter how complicated that truth is.

Click here for my review

Movie Review: The Nines

The Nines (2007) 

Directed by John August 

Written by John August 

Starring Ryan Reynolds, Hope Davis, Melissa McCarthy, Elle Fanning 

Release Date August 31st, 2007

Published November 14th, 2007 

Gary (Ryan Reynolds) is an actor on a big time cop show and he has just hit rock bottom. After his girlfriend left him he decided to burn all of her things in the back yard. He ended up burning down his house. While the house burned Gary hit the streets and bought some crack and shared it with a prostitute in a fleabag hotel. When the cops caught up to him he was on the phone with 911 operators asking why he didn't have a belly button. This being Hollywood however, Gary's criminal meltdown was more like a minor PR problem. Sentenced to 30 days of home arrest, Gary's publicist Margaret (Melissa McCarthy) has set him up in the house of a friend of hers, a writer, out of town writing a pilot.

Soon Gary strikes up a friendship with his next door neighbor, Sarah (Hope Davis), a bored housewife and fan of Gary's. She listens to his odd ramblings about the house being haunted and eventually she even seems to believe him and offers evidence of a conspiracy to confine him to the haunted house. Is she just as crazy as Gary or is there more going on? Meanwhile, there is the writer whose house Gary is borrowing. His name is Gavin, also played by Reynolds, and he has just signed on for a reality TV show that documents the behind the scenes happenings on the new show he hopes to put on the fall schedule. 

The show stars Melissa McCarthy as a mother to an oddly prescient, mute child played by Elle Fanning. Gavin's liason at the network is Susan (Hope Davis). Is this an alternate reality? It must be if Gary is Gavin and Margaret is Melissa and so on but then how is the actor aware of the writers reality as if it were happening at the same time and how does Gavin know that some actor was staying in his home while he was gone.

It gets weirder folks as one more reality emerges, that of the characters on Gavin's TV show where Gabriel is the husband of Mary, McCarthy's character. This time Sara/Susan is Sierra some force of evil who attempts to lead Gabriel away from his family. Or is the real dimension and what Sierra tells Gabriel about humans and his real self are true? Bizarre, cryptic and oddly fashioned, The Nines never plays out as you think it might and that is what makes it so fascinating. Unpredictable in the strangest ways, this film from writer-director John August, who wrote the multi-narrative feature Go for director Doug Liman, is a serious mind-fuck that will keep you guessing throughout.


Ryan Reynolds is better known as a comic actor but when he wants to he can bring it dramatically. He definitely brings it in The Nines delivering three distinct and captivating characters. Melissa McCarthy has the unique challenge of playing herself for a segment and brings the challenges of a working actress in Hollywood to light in just the briefest of roles. She is less interesting in the other two realities but effective enough to maintain the film's strange charms. As for Hope Davis, you keep waiting to get more from her and she recedes. There is no doubt that this is Ryan Reynolds' vehicle but a little more for Davis and The Nines could go from recommendable to must see.

As it is The Nines is a strangely fascinating sci fi trip. Ryan Reynolds is one of the more engaging young actors working today and he proves it with not one but three excellent performances in The Nines.

Movie Review: The Proposal

The Proposal (2009)

Directed by Anne Fletcher 

Written by Peter Chiarrelli 

Starring Ryan Reynolds, Sandra Bullock, Betty White, 

Release Date June 19th, 2009 

Date Published June 18th, 2009

It's the definition of a hackneyed premise. An immigrant desperate to stay in the country enters into a sham marriage in order to pull a fast one on the government. Good movies, bad movies and trite sitcoms have bounced this premise around for years. Thus, the new comedy The Proposal doesn't exactly excite those looking for some original laughs. Oh how I love to be surprised. Yes, the premise is hackneyed beyond belief, but with talented stars and a smart director, The Proposal turns this cliched premise into a wonderfully fresh and funny comic romance.

Sandra Bullock stars in The Proposal in the role that is traditionally given to a man in movies like this, a high powered New York executive. Bullock is Margaret a publishing magnate who is hated and feared by her subordinates. Ryan Reynolds is Andrew, Margaret's desperately put upon assistant anointed with the ugly tasks of being Margaret's everyday punching bag.

Margaret happens to be Canadian and in the country on a visa. She has put off renewing her visa so often that she has accidentally allowed it to expire and she is about to be deported. That is when she gets an idea, she will just tell her boss's and the American government that she is in love and is marrying Andrew. For his part, Andrew is desperate for a raise and a promotion and this is just the opportunity to get ahead at this company. 

If Andrew agrees to marry Margaret she gets to stay in the country and he gets what he wants, the chance to move up the corporate ladder. It's also quite motivating that if Margaret goes, Andrew is likely to get fired. In order to convince the government they are a real couple they agree to travel to Alaska for a weekend of meeting all of Andrew's relatives including his mother (Mary Steenburgen), father (Craig T. Nelson) and Gammy (Betty White).

If, from the above description, you cannot figure out that the hard hearted exec will be won over by the wacky Alaska clan, then you are just not trying. However, what's great is how she is won over and how well she fights it off... for a little while anyway. Director Anne Fletcher, who charmed her way through the equally formula charmer 27 Dresses last year, deftly works the typical into something unexpected and terrifically funny.

Take for instance Margaret's secret love of rap music or the clever use of the great Betty White not for awkward laughs but honest warm, unexpected belly laughs. A character like White's Gammy would, in a lesser movie, be used to score cheap points with inappropriate humor or oddly sexual asides. There are some iffy jokes sent Gammy's way and batted right back, but White is so winning that things never enter that uncanny valley of ungainly vulgarity.

White is a scene stealer but even she loses a couple scenes to one Oscar Nunez. Best known for his quiet, dignified gay man on TV's The Office, Nunez plays Ramone a ubiquitous presence in the lives of Andrew's family who takes an immediate liking to Margaret and delights in shocking her with his ability to be seemingly everywhere.

As for the leads, Bullock hasn't been this good since While You Were Sleeping yet the characters couldn't be more different. Where Sleeping's heroine was all cuddly insecurity, Margaret is a real ballbuster. Blustery and bossy with a steely manner concealing an honest slightly wounded soul, Bullock's Margaret is the rare romantic heroine whose inner life fuels her outward action.

The care taken to give life to Margaret beyond the plot and the obvious character type is what sets a movie like The Proposal apart from other formula romances that rely on the premise to invent the character. The same could be said of Reynolds' Andrew whose daddy issues and innate good nature fuel his actions toward Margaret and make believable the idea that he could in the course of a plot that unfolds in three days, fall for Margaret in ways that make us want them together.

Even with its trite premise The Proposal is fresh, funny and joyous. Sandra Bullock is the Sandra Bullock she was always supposed to be before bad choices like Miss Congeniality 2 and a couple ugly looking thrillers knocked her off of stardom's path. Ryan Reynolds is only a box office hit away from establishing his star presence. With last year's exceptional Definitely Maybe and now The Proposal his chops are unquestionable.

The Proposal may be the best romantic comedy of the year.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...