Classic Movie Review Rosemary's Baby

Rosemary's Baby (1968) 

Directed by Roman Polanski 

Written by Roman Polanski 

Starring Mia Farrow, John Cassavetes, Ruth Gordon, Ralph Bellamy

Release Date June 12th, 1968 

Published September 10th, 2017 

Rosemary’s Baby is one of the most sneakily ingenious psycho-dramas ever made. Director Roman Polanski, a quite correctly demonized figure today, was a masterful director in his day. In Rosemary’s Baby, arguably his finest film, Polanski uses film technique and his unique sensibilities to take seemingly normal and mundane things and use our perceptions of those things against us. The most obvious and blatant of these mundane things is using the elderly as the film’s villains, especially the grandmotherly Ruth Gordon.

Rosemary’s Baby is set in New York in 1965. Rosemary is an aspiring housewife to Guy (John Cassavetes), an actor looking for a big break on Broadway while making a living as an actor in commercials. Rosemary and Guy have just landed a beautiful new apartment in a venerated old building with a very creepy history. According to a friend, the building was the home to several disturbing deaths and rumors of occult activities.

This, however, does not put off Rosemary, at least not until she meets the neighbors. Minnie (Gordon) and her husband Roman (Sidney Blackmer) seem like the doting grandparent types by the look of them but when they begin to force their way further and further into the lives of Rosemary and Guy we completely understand why Rosemary feels as uncomfortable as she is. Roman, by some luck, is a producer and when Guy begins spending more time with him his career begins to turn around.

Meanwhile, the couple is trying to get pregnant and here is where Polanski pulls off a really neat and disturbing trick. In what seems as if it could be a dream, Rosemary finds herself slowly beginning to pass out and dream that she is on a yacht with friendly people having a nice time. However, the edges of her dream seem to be tearing away and a bizarre sort of reality is seeping into the fantasy, a dark disturbing reality that finds a nude Rosemary tied to a bed in a room full of nude old people and her freaked out husband. She is then raped by the Devil himself, a cloven hooved demon who climbs on top of her while the old folks chant creepily.

Find my full length review in the Horror Community on Vocal. 

Movie Review The Ex

The Ex (2007) 

Directed by Jesse Peretz

Written by Michael Handelman 

Starring Zach Braff, Jason Bateman, Amanda Peet, Mia Farrow, Charles Grodin, Donal Logue, Amy Adams, Paul Rudd 

Release Date May 11th, 2007 

Published May 11th, 2007

The tortured history of the movie The Ex is almost too much to explain in this space. The film began life as a workplace comedy about four guys trying to get ahead in business. That film was called Fast Track. Somewhere along the line that film disappeared and in its ashes rose The Ex, a romantic comedy with just a touch of workplace stuff from the original script.

Gone from the movie, aside from cameos, were stars Paul Rudd and Josh Charles. In are supporting performances from Charles Grodin, acting for the first time in over a decade and former Oscar nominee Amy Adams in an absurdly small and underwritten cameo. The film was purchased by the Weinstein company and released as Fast Track back in January.

For whatever reason the film was pulled from that platform release and pushed into theaters with little fanfare five months later.

Tom (Zach Braff) is about to become a father for the first time. Unfortunately, he just lost his job. With his wife Sofia (Amanda Peet) having already given up her law practice to take care of the baby, Tom is forced to accept something he never wanted to accept. Tom must move his family back to his wife\'s hometown in Ohio where he will take a job working for her father (Charles Grodin).

The job, at a new agey marketing agency, has Tom working alongside his wife\'s ex-boyfriend Chip Sanders (Jason Bateman), a parapelegic who really has it out for Tom, likely because he still carries a torch for Sofia. Chip makes Tom\ 's work life difficult, sabotaging his presentations, stealing his ideas; and he gets away with it because of everyone\'s sympathy for his handicap. Chip hopes his devious plan will drive a wedge between Tom and Sofia.

Directed by Jesse Peretz, The Ex is an occasionally funny mess. Stars Zach Braff and Jason Bateman have a natural chemistry that makes for a few really big laughs. Those laughs however, are random and not necessarily organic to this plot. The film falls back on physical humor often to cover lapses in the plot. Thankfully, both Braff and Bateman are game physical comics, they manage to sell the silly slapstick regardless of the plot constructs.

The Ex wants to be a black comedy about an evil parapalegic. It also wants elements of lighthearted romantic comedy, and there are still elements of the workplace comedy that the film used to be. It\'s a complicated mix that is likely why the film, though often laugh out loud funny, is so disjointed and confoundingly edited.

Jason Bateman would have made a terrific villain for a Farrelly Brothers comedy about a Machiavellian paraplegic. That is sort of the character he plays in The Ex, or it would be if the film had a more consistent tone. As it is, Bateman does what he can with a one note villain role that just happens to be a guy in a wheelchair.

Zach Braff is one of the most likable comic actors working today. Those of you missing his work on TV 's Scrubs are missing the biggest laughs on any sitcom on television. In The Ex, Braff uses that likability to sell a difficult and confused plot and helps to smooth over many of the bumps created by the films tortured rewrites and reshoots.

The behind the scenes story on The Ex may likely make for a funnier dark comedy than anything that is left on the screen in The Ex. Still, this is not a terrible film. A terrific cast delivers a few pretty solid laughs and works hard to help you overlook the many odd shifts in tone and focus. Zach Braff has bigger, better and funnier movies ahead of him, while Jason Bateman is assured a future as the go to supporting actor in a comedy. Together in The Ex they turn a potential disaster into a minor, forgettable trifle.

Movie Review The Omen (2006)

The Omen (2006) 

Directed by John Moore 

Written by David Seitzer 

Starring Julia Stiles, Liev Schreiber, Mia Farrow, David Thewlis, Michael Gambon 

Release Date June 6th, 2006 

Published June 5th, 2006 

666 is the number of the beast. It's also the number hiding somewhere on the body of five year old Damien Thorn. You see, Damien is not in fact the son of Robert and Katherine Thorn, played by Liev Schreiber and Julia Stiles. On the day his son was to be born Robert Thorn arrived at a religious hospital in Rome to find his son had died at birth. The doctors waited till Robert arrived before telling his wife Catherine (Julia Stiles). There was however a secondary motive to not telling her. A small child was born simultaneously in the hospital to a mother who died while giving birth.

The priest in charge of the hospital makes a deal with Robert to adopt this child in secret and raise him as his own. If all of this sounds rather convenient, you have no idea how right you are. Cut to five years later and young Damien is a slightly creepy looking five year old with no outwardly sinister ambitions until his birthday. At the party Damien's nanny suddenly decides to hang herself in front of the entire crowd of children and parents. Only young Damien seems unaffected by this scene.

Following this disturbing event Robert is visited by a crazed priest, Father Brennen (Pete Postlethwaite). Babbling about how Robert needs to accept Christ as his savior, Father Brennen wishes to explain to Robert that his child Damien is actually the son of the devil. Upon Father Brennen's ghastly death a photographer (David Thewlis) makes a terrifying discovery that will lead he and Robert across the globe to uncover his sons true nature. Meanwhile young Damien and his new nanny Mrs. Baylock (Mia Farrow) set there sights on poor Katherine.

At first The Omen 2006 is a slavishly devoted retelling of the original story. However, director John Moore eventually finds his own way of making The Omen his. Through the use of some exquisite art direction, location shooting and cinematography, The Omen develops a steadily chilling atmosphere that grows exponentially more shocking and genuinely scary as the movie progresses.

John Moore's first film was a forgettable remake of the Jimmy Stewart flick Flight Of The Phoenix. That film never gave any indication that Moore had this kind of directorial talent. His eye for visual splendor in The Omen is exquisite here, where it was desperately muted in Flight of the Phoenix. Moore draws genuine scares not from the usual bait and switch histrionics of cats leaping from the shadows and music stabs but from crafting atmosphere and artful misdirection.

The film evokes the original The Omen with stars Schreiber and Stiles bringing echoes of Gregory Peck and Remick to live but never surpassing the legends from the original. Only Mia Farrow as Mrs. Baylock truly stands apart from the original film. That is mostly because of the oddity of her casting. Ms. Farrow is well known as the mother of Satan's child in 1969's Rosemary's Baby. Her casting in The Omen is a terrific inside joke for horror fans.

Because so little is changed from the original The Omen is a directorial revelation. Only John Moore's direction provides the opportunity for updating this material and that is a challenge that Moore meets and surpasses. The Omen 2006 is a visual horror nightmare that improves on familiar material with directorial flourish worthy of masters class. I never would have expected this from John Moore but after The Omen I cannot wait to see what he could do with original material.