Movie Review Something New

Something New (2006) 

Directed by Sanaa Hamri 

Written by Kriss Turner 

Starring Sanaa Lathan, Blair Underwood, Simon Baker, Donald Faison

Release Date February 3rd, 2006

Published February 2nd, 2006 

Sanaa Lathan's career hasn't blown up into the full blown stardom that I predicted it would after her luminous performance in 2000's Love & Basketball. She was well reviewed in the TV movie Disappearing Acts opposite Wesley Snipes and deserved more attention for her silky, sexy performance as a music journalist in 2003's Brown Sugar.

Her career hit a sad bottom with her attempt at action stardom in Alien Vs Predator. Back in her comfort zone, in the romance genre, Lathan essays yet another smooth, confident and sexy performance in Something New an interracial romance that is as much about race as it is about romance, a combination that similarly themed films can rarely pull off.

In Something New Sanaa Lathan stars as Kenya, a corporate lawyer with little time for a personal life. She is on the fast track to becoming the first black female partner at her law firm. Just because work dominates her life doesn't mean she doesn't think about the things she wants in a man but her standards are far too high for the average man she might meet in a club while hanging out with her friends.

Kenya's romantic life is upended in the most unexpected way when she decides to hire a landscaper. The landscaper is Brian Kelly, a ruggedly handsome outdoors type who goes nowhere without his yellow Labrador retriever. Brian is the least likely love interest Kenya has ever met, and did I mention he's white. Nevertheless, from the moment he began work on her backyard he had his eye on her and she in turn had her eyes on his chiseled biceps.

Naturally, race plays a role in this romance as Kenya's friends and family treat the romance as a fling or passing interest. Kenya's brother Nelson (Donald Faison) is rather horrified by the idea of his sister and a white guy, and even goes as far as to set up a more suitable date for Kenya. Blair Underwood plays Mark and it's a credit to his skills that he takes an underwritten, eye candy role and gives it some depth.

Directed by music video director Sanaa Hamri, in her feature debut, Something New strikes a strong balance between its racial politics and its romance. Sanaa Lathan and Simon Baker have a fiery, sexy chemistry that puts the racial aspect of the relationship in the background. When two actors are so sexy together; their complexion quickly becomes secondary to the voyeuristic pleasure of watching them together.

The film takes the racial aspects of the story head on, confronting the African American perspective on interracial dating which is far more complex than the simpleminded hatred attributed to white people. The feeling of betrayal and a history of negative stereotypes weighs on an interracial couple and while this never becomes the over-arching subject of Something New, the film does a good job of demonstrating the issues.

Part of the fun of Something New is the strong female perspective of the film. Written by Kriss Turner and directed by Sanaa Hamri, with a strong performance by Sanaa Lathan, Something New oozes strong femininity that goes beyond mere girl power. Something New is thoughtful and humorous in its examination of its female characters, not just Lathan but also the wonderful Taraji P. Henson as Lathan's best friend Nedra.

There are no simple stereotypes of women, or men or, more specifically, black women in Something New. The last is a very specific mention because the stereotypes of black women in movies, with examples like Phat Girlz and just about any inner city drama, are becoming cartoonish and offensive. Something New blows away those stereotypes by crafting female characters who are unique individuals and not merely an assemblage of typical characteristics.

There is another fun aspect of Something New and that is how the men of the film are treated like eye candy in ways usually reserved for women. Often when it comes to sexuality in movies the titallation is meant for male audiences. Something New offers a rare slice of beefcake as director Sanaa Hamri uses her camera to leer longingly at both Simon Baker and his rival Blair Underwood.

There is something almost feminist about the ogling of male eye candy In Something New, a sexy statement of equality, if you will.

Sanaa Lathan has seemingly given up on being a star on the big screen. Taking a regular gig on the TV geek show Nip/Tuck, Lathan seems content to make her mark on the small screen. Here's hoping that she will occasionally come back to the big screen for strong romantic parts like the one in Something New. Yes, these are niche roles with no promise of big time success or stardom but she is just so good in these roles. It would be a shame if she gave them up.

Something New is a romantic comedy with brains and a heart and a strong libido. The film deals with race and feminism with light hearted romantic comedy touch. It's not an Oscar worthy drama but as genre pictures go, I wish more films had the care and thoughtfulness of Something New.

Movie Review: The Ring 2

The Ring 2 (2005) 

Directed by Hideo Nakata

Written by Ehren Kruger 

Starring Naomi Watts, Simon Baker, David Dorfman, Elizabeth Perkins, Gary Cole and Sissy Spacek 

Release Date March 18th 2005 

Published March 17th, 2005 

When The Ring was released in 2002 and became a nationwide sensation with 129 million in box office sales and there was no doubt that there would be a sequel.  Hell, the Japanese version of the film spawned multiple sequels so there was even material from which to borrow for a new movie if necessary.  The real question was whether the story they told in the sequel would matter to viewers, not that it mattered much to marketers who had the poster mocked and approved on The Ring's second weekend atop the box office. Unfortunately there is no more story worth telling, or if there is the producers of Ring Two failed to locate it.

A quick recap of the original concept: The Ring was founded on the idea of a crazy looking videotape that, when viewed, left the viewer with seven days to live. A girl trapped in a well used the supernatural powers of the videotape to escape and claim anyone who watched the tape. Naomi Watts starred in The Ring as a journalist named Rachel who saw the tape while searching out a story about the urban legend surrounding it, a legend that may have claimed the life of her young niece.

Rachel is back in Ring Two with her preternaturally creepy son Aiden (David Dorfman). The two have escaped the tape's supernatural curse by running off to a small town somewhere in Oregon where Rachel has taken a job as a reporter for a small town paper run by Max (Simon Baker). How location could prevent a supernatural being from finding victims is a logical question that the film fails to address, among many other failures in logic and works of luck and chance that would be forgivable were they not so numerous.

Unfortunately for Rachel and Aiden, the tape has been traveling with a new legend attached to it. Teens are passing it around under the pretense that if you can get someone else to watch after you the curse is transferred from you to them. This theory fails a teenager who tries to pass it off on an unsuspecting girl. This is in the opening ten minutes and for some reason is the last time in the film we will hear about the killer video.

From there the film changes the supernatural elements, losing the videotape and randomly deciding that Samara, the killer chick in the video, can attack by possessing Aiden, Exorcist style. This leads Rachel back to that well in the basement of Samara's house and to Samara's real mother, an institutionalized woman played by Sissy Spacek. None of this leads to any satisfying conclusion though to the film's credit there is no overt set up for another sequel.

Ring 2 is shockingly bad. Truly shocking considering the talent of director Hideo Tanaka whose original Ringu is terrifically stylish and suspenseful. Ring director Gore Verbinski skated by in the original by being visually inventive and taking advantage of the films unique premise. Ring 2 abandons the original premise and even much of the strong visual aspects, replacing them with what amounts to a series of rip-offs of other horror movies.

Ring 2 is the perfect example of what I have called 'sequelitis.' It's a film that exists solely as a concept, a poster, a series of demographic marketing numbers and never anything resembling a real film.