Movie Review Columbus

Columbus (2017) 

Directed by Kogonada 

Written by Kogonada 

Starring John Cho, Haley Lu Richardson, Rory Culkin, Parker Posey 

Release Date August 4th, 2017 

The film language of Columbus is quite striking. Director Kogonada elegantly eschews expository dialogue in favor of allowing his camera to deliver essential information. The story of Columbus centers on a pair of lost souls, Jin, played by John Cho, and Casey, played by Haley Lu Richardson. Jin and Casey bond over the architecture in the city of Columbus, Indiana, which has a unique architectural history to it.

Architecture is a major theme of Columbus, as Kogonada puts the incredible designs in Columbus in the foreground but never at the expense of his characters. The architecture of Columbus compliments the characters and their evolving friendship, often marked by Casey’s list of her top five favorite buildings in Columbus. The architecture of the buildings is a great deal like the architecture of this budding friendship with its unusual foundation, and the use of glass, a hallmark of the city’s architecture, and a strong reflection of the growing transparency of emotion between Jin and Casey.

You may think from my description that you know where this story is headed, some sort of romance between Jin and Casey. You are not entirely wrong, but you are not entirely right either. I will not spoil it for you; I will only say that Columbus is much smarter and more thoughtful than some romantic comedy. This is a character study and Kogonada has constructed a pair of very compelling and complex lead characters.

That is enough of a description for you, so let us return to film language and highlight why I love Kogonada’s direction; especially considering this is his first feature and he demonstrates tremendous craft for a first-time feature filmmaker. Part of the story of Columbus concerns Jin’s father, having traveled from Seoul, South Korea to Columbus for a talk on architecture. While there, he falls ill and into a coma and this brings Jin from Korea to Columbus.

Find my full length review in the Geeks Community on Vocal. Find my full length review in the Geeks Community on Vocal. 

Movie Review It Runs in the Family

It Runs in the Family (2003) 

Directed by Fred Schepisi

Written by Jesse Wigutow 

Starring Michael Douglas, Kirk Douglas, Cameron Douglas, Rory Culkin, Bernadette Peters

Release Date April 25th, 2003

Published April 25th, 2003 

Kirk and Michael Douglas have been searching for years for a project to do together. So what made them choose this film? According to the younger Douglas, the combination of his father's stroke and the tragedy of September 11th made them both realize time is short. Unfortunately, that may have rushed them a little too much in the reading of the script for It Runs In The Family. They saw a workable father-son dynamic, what they missed was the story that surrounded them, a collection of hackney one scenes that wouldn't make it on the worst of sitcoms.

Michael Douglas is Alex Gromberg, an unsatisfied, unhappy corporate lawyer who lives in the shadow of his father Mitchell (Kirk Douglas), the founder of the law firm. As intimated by his co-workers, Alex only remains with the firm to satisfy his father. Unfortunately that doesn't seem possible. As the Gromberg family including Alex's wife Rebecca (Bernadette Peters). His youngest son Eli (Rory Culkin), his mother (Diana Douglas) as well as his no-good oldest son Asher (Cameron Douglas) assemble for Passover; they prepare for yet another family sparring match between father and son over just about everything.

Alex has trouble piling up all around him. At work he has taken on a pro bono case against one of the firm’s own clients. At his volunteer job at a soup kitchen there’s a young woman who can't keep her hands off of him. And of course at home his wife is suspicious of his fidelity and his sons won't talk to him.

That is the setup, abridged by this reviewer to make it coherent. For the plot description it was necessary for me to cut to the chase because the film itself is a series of stops and starts. Annoyingly episodic takes that go absolutely nowhere. So disconnected are some scenes that they could have been reedited into the film in any order.

It's easy to see where this film went wrong, it was bad from its conception. It Runs In the Family is a vanity project and as most vanity projects it plays as everyone knows it's no good but hey, let's finish it anyway. It's nice that Michael and Kirk Douglas got to work together finally and that they could incorporate Michael's son Cameron and Michael's mom. Working with Kirk's ex wife Diana Douglas must have been a real treat for the family but it's not much for the audience.

Director Fred Schepisi is competent and confident in his direction but the film’s script by Jesse Wigutow short circuits anything Schepisi might have accomplished. I doubt it was Wigutow's fault entirely as the script seems unfinished and with this being a vanity project it was probably changed significantly to fit the cast.

It was very nice to see Michael and Kirk Douglas on screen together and it's nice to see how lively Kirk still is at his advanced age. This film is not the coda his career deserves, though this is not necessarily his last film, but there are moments when his class and dignity raises the level of the film. There aren’t many of those moments, but they are nice nevertheless.

Movie Review Signs

Signs (2002) 

Directed by M. Night Shyamalan

Written by M. Night Shyamalan

Starring Mel Gibson, Joaquin Phoenix, Rory Culkin, Amanda Breslin

Release Date August 8th, 2002

Published August 4th, 2002 

I Can't Believe He Did It Again! Director M. Night Shyamalan, for the third consecutive film, has managed to twist audiences to his will with yet another twisted film that shocks and surprises. In Signs Shyamalan plays his audience like a violin and makes us like it in what is the best film of 2002.Taut, perfectly paced, and filled with breathtaking moments, Signs is yet another extraordinary signpost in the increasingly brilliant career of M. Night Shyamalan. 

Signs stars Mel Gibson as Father Graham Hess, or rather just Graham Hess. As we come to find out Graham has lost his faith in God and left the church. Now living on his farm with his two kids, Morgan (Rory Culkin) and Bo (Amanda Breslin) and his brother Merrill (Joaquin Phoenix), Graham seems to be slowly adjusting to life without faith. Then, not 10 minutes into the film we are thrust into a story involving the mythical urban legend: the crop circle.

To Graham it seems local idiots have vandalized his corn. It isn't until TV new coverage reveals that the crop formations aren't just in his cornfield, they are global. Interestingly enough the crop circles are merely the hook; the real story takes off well after we've seen our last crop circle.

Shyamalan adopts a sort of pop culture version of Hitchcock, aping the master’s style with his impressive film score that evokes some of Psycho and The Birds. Like Hitchcock, Shyamalan knows that the audience need not see anything to be scared, in fact, what the audience imagines is likely far scarier.

Mel Gibson is solid as always playing Graham with depth and feeling, never allowing the character to drift off into action hero mode but also not allowing him to be weak. Shyamalan once again shows his brilliant eye for casting children, with Rory Culkin proving to be the class of the Culkin family. And little Angela Breslin, whose wide-eyed deadpan delivery is used to both great dramatic and comedic effect.

One of the film’s most surprising elements is its sense of humor, which is perfectly timed and never takes away from the suspense. Shyamalan is beginning to show a pattern in his filmmaking style. A simplicity of storytelling that is so understated you barely notice it. He simply and artfully weaves together subtle realistic drama against outrageous backdrops. 

In the Sixth Sense it was ghosts, in Unbreakable it's comic book superheroes and in Signs it's.... no no, I am not going to be the asshole who ruins the fun. You will have to see it yourself in what may be the best film of the year.

Movie Review: The Night Listener

The Night Listener (2006) 

Directed by Patrick Sterner 

Written by Armistead Maupin, Terry Anderson, Patrick Sterner 

Starring Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh 

Release Date August 4th, 2006 

Published August 3rd, 2006 

In 2002 author Armistead Maupin, best known for the New York portrait Tales of the City, began a correspondence with a fellow author. This was, however, no respected colleague of Maupin's but rather, a teenager whose book was a chronicle of abuse and redemption. The author and the kid shared letters, then phone calls and eventually Maupin was promising the possibility of cash and gifts to help the kid and his adopted mother in their time of need.

Eventually however, cracks in the teens story began to show. Something began to nag at Maupin, who, along with his editor, began to suspect that this extraordinary teenage author did not exist. The hoax was later revealed to have taken in not only Mr. Maupin but a number of journalists and talk show host Keith Olbermann.

The story of the hoax became the source of a unique new novel from Mr. Maupin called The Night Listener, in which Maupin morphed the story of this child con-man, revealed to be woman in her thirties, into a thriller involving a national radio host and a hoax involving a teenage writer and his creeptastic caretaker. The Night Listener is now a major motion picture starring Robin Williams as radio host Gabriel Noone. Known for his storytelling, most often taken from his own life as a gay man in New York City, Gabriel has a national following that happens to include a young cancer patient and author named Pete Logand.

Through his book editor, played by the terrific Joe Morton, Gabriel begins a correspondence with Pete that begins with letters, progresses to long detailed phone conversations, and eventually the promise of money to help with the treatment of Pete's cancer. As in Armistead Maupin's real life experience, the cracks in the story begin to slowly emerge. Questioning Gabriel's intense commitment to his young unseen friend, Jess (Bobby Cannavale), Gabriel's ex-boyfriend, begins asking important questions that Gabriel had overlooked.

With his faith shaken by these questions and pressure to send help to the seemingly dying boy, Gabriel travels to where he believes the boy lives with his adopted mother Donna (Toni Collette), and what he finds begins the unfolding of a very compelling mystery thriller that never seems to go the way you think it will. Patrick Stettner directs The Night Listener outside the typical beats of a thriller. His interest is more in the story than in shocking audiences with bloody twists and turns. Allowing his story and characters to invent the tension, Stettner crafts a strong atmosphere and let's the thriller aspects of the film grow around the story organically.

Robin Williams delivers his best dramatic performance since his Oscar winning role in Good Will Hunting in The Night Listener. His Gabriel is a loving but wounded older man in just the perfect position to be taken in by this hopeful, worshipful young boy. Williams makes all of Gabriel's actions in the film feel natural and believable, never overplaying the shock or dismay that Gabriel encounters throughout the picture. 

Sadly, if there is a weak link in The Night Listener, it is Toni Collette's Donna who is something of a creepy cartoon in the film. Near the end, as the plot reveals itself, Collette has a scene that redeems much of her performance in just a few lines but overall, a dialing down of her persona throughout the movie would have helped the picture immensely.  There are little problems with The Night Listener, but thanks to the performance of Robin Williams and the sure handed direction of Patrick Sterner, in his second feature following 2001's The Business of Strangers, The Night Listener is an easy recommendation for anyone who enjoys a well acted, compelling mystery based loosely on a true story.