Movie Review The Big Sick

The Big Sick (2017) 

Directed by Michael Showalter 

Written by Emily V. Gordon, Kumail Nanjiani 

Starring Kumail Nanjiani, Zoe Kazan, Ray Romano, Holly Hunter

Release Date June 23rd, 2017 

The Big Sick broke my heart into a million little pieces and slowly pieced it back together throughout its gentle, sweet and very, very funny 120 minutes. Featuring an unconventional but brilliant lead performer, a radiant love interest and two of the best possible supporting players anyone could ask for, The Big Sick is, thus far, the best movie of 2017.

Kumail Nanjiani stars in the mostly true story of his love story with real life wife Emily Gordon, who also co-wrote the screenplay for the film with Kumail. The unconventional love story finds Kumail struggling to balance the demands of his traditional Pakistani born family with his desire to live outside the strictures of religion and in a more conventional style of American, big city life.

Still discovering who he is and what he believes in, Kumail stumbles into a romance with Emily, played by Zoe Kazan, equally thoughtful and searching young person. While each playfully and sarcastically discusses their unwillingness to become attached to the other the attraction becomes something neither can deny as they discover in each other pieces of themselves that they didn’t know existed.

Click here for my review of The Big Sick at Geeks.Media 

Movie Review The Grand

The Grand (2008) 

Directed by Zak Penn

Written by Zak Penn

Starring Cheryl Hines, David Cross, Richard Kind, Woody Harrelson, Ray Romano 

Release Date March 21st, 2008 

Published May 5th, 2008 

Zak Penn crafted the detailed and clever scripts for the X-Men flick directed by Brett Ratner. A comic book nut, Penn was in his element and will hopefully show the same talent in his script for the upcoming Incredible Hulk redux. Moving into the realm of directing, his talent seems somewhat less pronounced. The new comedy The Grand features an exceptional comic cast but too often feels like something Christopher Guest thought of and cast aside.

The Grand is a mockumentary that follows the progress of several different players in a 10 million dollar Las Vegas poker tournament called The Grand. Jack Faro (Woody Harrelson) is a legend on the Vegas Strip. Not for his card playing or the fact that he owns a casino, the Rabbit's Foot, but rather for his copious consumption of drugs and alcohol.

Oh and I neglect to mention Jack's 75 ex-wives. Sprung free from a two year stint in rehab, Jack needs 7 million dollars or he loses his casino to mogul Steve Lavish, an eccentric billionaire played by Chris Guest regular Michael McKean.

Facing off with Jack in the tournament are a collection of veterans, sharks and internet novices with their own unique histories and agendas. Lainie Schwartzman (Cheryl Hines) is a champion player looking to win The Grand for the first time. With her nebbish husband Fred (Ray Romano) and their three kids in tow, Lainie is a favorite to win. As is Lainie's brother Larry (David Cross). Though Lainie has more often than not beaten her brother, he remains a top player. Together they have weathered the creepy, intense competitiveness of their father (Gabe "Mr. Kotter" Kaplan) that has left them both a little emotionally crippled but great card players.

Then there are the legends. Dennis Farina looks every bit the Vegas veteran who longs for the days when mobsters busted knee caps and poker victories came with complimentary hookers. His old friend, The German (Werner Herzog, yes THE Werner Herzog) is an equally ruthless player who travels with a cadre of small animals, one of which he murders everyday to keep his instincts sharp. The wildcards in this multi-million dollar tourney are an internet poker amateur named Andy Andrews (Richard Kind) and a socially inert savant named Harold (Chris Parnell).

6 of these players will be at the final table playing for the big prize and we are told by director Zak Penn that the game being played is for real. The Grand is credited as written by Penn and pal Matt Bierman but according to Penn the actors improvised all of their dialogue based on character sketches and a barebones plot. The final card game is in fact a real game with the outcome determined by actual hands of cards between the actors. Each of the actors then delivers on whatever is expected of their character according to what the cards do for them. It's a unique idea and lends a bit of suspense to scenes that could have been quite predictable.

Other than that final hand however, The Grand remains nothing more than a clone of Christopher Guest only slightly more subdued. A talented crew of comics and actors fumble their way toward jokes, occasionally finding them, more often earning a laugh for the fumble as for the found humor. The Grand isn't bad really. The actors are fun and the poker setting is strong even as the competitive poker trend ticks down its 15 minutes of fame. I can give it a partial recommendation on the strength of a really good cast but keep your bets low on this hand.

Movie Review Ice Age The Meltdown

Ice Age The Meltdown (2006) 

Directed by Carlos Saldanha

Written by Jim Hecht

Starring Ray Romano, Denis Leary, John Leguizamo, Josh Peck, Seann William Scott, Queen Latifah

Release Date March 31st 2006, 

Published March 30th, 2006 

When it comes to computer animation, if it's not Pixar it's not brilliant. The fact is -despite the success of Shrek, Shark Tale or Ice Age - no company creates computer animated films like Pixar. All others are merely pretenders feeding at the trough built by Steve Jobs and his company. Because of the empire Pixar created, movies like 2002's Ice Age were made and met with great success. Such success has bred a sequel to that pleasant if unmemorable prehistoric cartoon about ancient animal species coming together to become lifelong friends and learning to survive.

Ice Age: The Meltdown brings our friends Manny The Mammoth (Ray Romano), Sid the Sloth (John Leguizamo) and Diego the saber tooth tiger (Denis Leary) back together on the eve of the end of the Ice Age. While enjoying what they believe is a delicate spring warm up in their little valley, Manny and company discover the glaciers that surround their idyllic home are melting and soon the whole valley will be underwater.

They must lead their tribe of disparate creatures from their home to a mythical ark somewhere in the woods where they can float to safety on higher ground. Poor Manny is dealing with the sad fact that as far as he knows there are no other mammoths in the world. If he dies, his whole species dies with him. Manny however has a big surprise waiting for him.

As the group begins their trek they come across a couple of wiseacre possums (Sean William Scott and Josh Peck) who, while irritating the heck out of Diego, accidentally lead to the discovery of Ellie (Queen Latifah) a beautiful female mammoth with one unfortunate defect. After years of living with possums she has come to believe she is a possum. Manny must lead this new group to safety and along the way try and convince Ellie that she is actually a mammoth like him. He also must learn to come out of his gloomy shell if ever the effervescent free spirited Ellie is going to help him rebuild the mammoth species.

Ice Age 2 plays like a multi episode arc of a cartoon series including commercial breaks. However, instead of commercials we have Scrat the prehistoric squirrel who's sisyphean quest for the ever elusive acorn is by far the films strongest source of comedy. Scrat steals the entire movie with his little 2 and 3 minute segments during which he gains and loses his precious acorn. Scrat likely would not work in a film of his own but in small doses Scrat is minimalist brilliance. Film scholars and philosophers could muse for hours on Scrat's never ending quest for that acorn and the innumerable ways it eludes him.

The final grail-like quest in which Scrat nearly gains the ultimate acorn is a brilliant device that ties Scrat to the main characters. The rest of Ice Age: The Meltdown is pleasant but not all that memorable. The central story is sweet and good natured. The voice actors all do solid work. There is unfortunately nothing that sets Ice Age apart from any other product aimed at children.

The script by Peter Gaulke and Gerry Swallow is not all that clever or original. The gags with Scrat have their unique genius but only in small doses. The animation of Ice Age: The Meltdown is pretty standard stuff for the genre although I am told that animating as much water as is featured in the film was quite an impressive task in terms of the amount of work it took.

The animation pales in comparison to the elegant artistry of just about every film Pixar has ever produced. Trying to compare Ice Age 2 to anything Pixar is like comparing a velvet Elvis to the Mona Lisa. There is literally that much of a noticeable difference between what Pixar does and what everyone else in the computer animation genre is doing.

The bottom line on Ice Age: The Meltdown is that it is inoffensive and easy to watch. Exactly what parents are looking for on a Saturday afternoon with the kids. You won't find anything controversial or really all that memorable about Ice Age The Meltdown. Which is a good thing if you're looking for an electronic babysitter but not so good if, like me, you're looking to be moved intellectually or emotionally.

I recommend Ice Age: The Meltdown to the undiscerning audience. For those of you looking for true stimulation in kids entertainment go back to your Incredibles DVD or Finding Nemo or Toy Story, or.... well you get the point.

Movie Review: Welcome to Mooseport

Welcome to Mooseport (2004) 

Directed by Donald Petrie 

Written by Tom Schulman 

Starring Gene Hackman, Ray Romano, Marcia Gay Harden, Christine Baranski, Maura Tierney 

Release Date February 20th, 2004

Published February 19th, 2004 

The transition from TV to the big screen is never without its growing pains. Jennifer Aniston endured films like The Object of My Affection before finding success in The Good Girl. Helen Hunt endured Twister before her Oscar nominated role in As Good As It Gets. For comedian Ray Romano, his growing to big screen stardom begins by enduring the comedic misfire Welcome To Mooseport. On the bright side, at least he got to work with Gene Hackman.

In Mooseport, Romano plays a small-town handy man named Handy. Handy owns a hardware store where a group of local oddballs hang out. His girlfriend is a veterinarian named Sally (Maura Tierney), who he's romanced for six years without mentioning marriage. Handy has also just landed a very lucrative gig fixing the bathroom of the summer home of the now former President of the United States.

Gene Hackman is Monroe Eagle Cole, the most popular former President in history, having left office with an 80 percent approval rating. This is despite the fact that he was the first President to divorce while in office. The former first lady, played by Christine Baranski, took everything but his former title and his summer home in Mooseport.

At a party celebrating the President's arrival a group of town elders asks the President if he would like to run for mayor. The current mayor has passed on and there is apparently no one else running. The President was going to say no until he meets Sally who suggests it would be a good idea. In an attempt to impress her the President takes the gig. Unfortunately, there is one other person who has decided to run. Handy.

This sets up what should be an interesting comic idea. A small town guy running for mayor against the former leader of the free world is a rich comic idea. Throw in the President’s two aides Grace (Marcia Gay Harden) and Bullard (Fred Savage) and it gains even more potential. However, director Donald Petrie (How To Lose A Guy In 10 Days, Miss Congeniality) is more interested in the romantic triangle between Romano, Tierney and Hackman and misses the endless opportunity for political satire.

Ray Romano is attempting to break loose from his TV persona and forge a career on the big screen. This role sadly will not help his case. Romano is stiff and often lifeless opposite a pro like Hackman who blows him off the screen. Hackman shows once again how great and underappreciated he is as a comic actor. He was the best part of the con-woman comedy Heartbreakers and he is by far the best thing in Welcome To Mooseport. Of the actors who have played the President of the United States onscreen, Hackman may be the most credible. Hackman has the persona, the gravitas that makes it very easy to believe he's the President. Not that it really matters in a film as dull and lifeless as this one.

Director Donald Petrie is another of those directors that delivers mediocre test screened comedies that studios love because they are inoffensive and more often than not cheap to produce. Welcome To Mooseport reeks of a film that was greenlit with the hope that it might be good but if it isn't, the studio can toss it on to the February schedule and watch it die a slow death before selling it on DVD and TV to cover the expenses. I hope they got their money's worth because that is apparently all that matters.