Showing posts with label The Other Boleyn Girl. Show all posts
Showing posts with label The Other Boleyn Girl. Show all posts

Movie Review: The Other Boleyn Girl

The Other Boleyn Girl (2008) 

Directed by Justin Chadwick 

Written by Peter Morgan 

Starring Natalie Portman, Scarlett Johansson, Eric Bana, Kristen Scott Thomas, Mark Rylance, David Morrissey 

Release date February 29th, 2008 

Published February 27th, 2008 

Where most period pieces rely on class and pomp and circumstance The Other Boleyn Girl, from director Justin Chadwick, and based on the bestseller by Phillippa Gregory, indulges modern soap opera crossed with crackling dialogue, dark humor and an all star cast. It works to create a devilishly entertaining period piece that may just reach beyond the typical fans of the period. In The Other Boleyn Girl Scarlett Johanssen, Natalie Portman and Eric Bana spice up period piece stuffiness with a sexy vibe that even overwhelms the constraints of the PG-13 rating.

King Henry the 8th (Eric Bana) needed a son to continue to project his power. Unfortunately, his wife Catherine of Eragon (Ana Torrent) has once again miscarried and will likely never bear children. This news leaks to the Duke of Norfolk (David Morrissey) who senses an opportunity for advancement. Visiting the family of his sister Lady Elizabeth Boleyn and her husband Thomas, Norfolk has a dangerous proposition. He will entice King Henry to visit the Boleyn home. While he is there the eldest Boleyn sister Anne (Natalie Portman) will find her way to his bed and become his mistress. If she is able to bear him a son, the Boleyn family will be set for life.

The plan goes awry however when the king fails to fall for Ann and instead falls for the slightly younger and recently married Mary Boleyn (Scarlett Johannson). Bringing the Boleyn's to the royal court, Henry makes Mary his mistress while banishing her husband (Benedict Cumberbatch) to the outer reaches of the kingdom. Unfortunately for Mary, the king's affections are fickle. Her crowning achievement, becoming pregnant, becomes a problem when the king's eye begins to wander. Now the family turns to Ann. Recently banished to France after a rash, unarranged wedding that the Duke has narrowly been able to cover up, Ann returns changed, more mature and ready to take the king for herself even as her task is to keep his attentions on Mary.

Ann's ambition and cunning beguiles the king and he is ready to tear the country to shreds just to satisfy her. As the king and Ann battle over her wish to be queen, there is still the matter of the current queen as well as Mary and her newborn son, now treated as a bastard and an outcast. And what of Ann's relationship with her brother George (Jim Sturgess) and his marriage to the busybody Jane Parker (Juno Temple).

A great deal of palace intrigue unfolds with all of the sexy twists and melodramatic turns of a great television soap opera writ large for the big screen. Director Justin Chadwick, working from a screenplay penned by the books author Phillipa Gregory, gives this material life by populating it with great actors, biting dialogue, and high stakes chicanery. The Boleyn men, exceptionally played by Mark Rylance and David Morrissey play a high stakes game with these two supposedly teenage girls. The risk is their heads on spikes, dealing with an oafish impetuous king who has already spiked his closest friend for reasons only he understood and called treason.

The future of the Boleyn family rides on these teenage girls ability to manipulate an impulsive, unpredictable and desperate king well played by Eric Bana. With subtle genius, Eric Bana brings about a King Henry the 8th who is both commanding in the presence of men and yet just naive enough to be taken in by the scheming Ann. We learn early on that his true turn on is subservience as he falls for the respectful and bowing Mary. However, he is drawn to Ann by the reflection of his own power. As she becomes the first to deny him anything, he cannot help but wish to conquer her. The plan backfires on all involved and precipitates great melodrama all around.

The Other Boleyn Girl is an exceptional example of the way great melodrama can win over an audience by at once indulging in bad behavior and then standing in judgement of it. The prudishness of Mary is exposed in her falling for the king and then punished when she is forced to watch her sister steal him away. Ann's abhorrent behavior in double-crossing her sister is devilishly fun to witness but just as fun is watching her get what she has coming to her. Portman is better than you might expect as a temptress while Johansson plays the virginal Mary with an edge of sultry sexuality that few actresses could wring from this role.

The Other Boleyn Girl is not a great movie but for pulpy modern soap opera Ala the best of Desperate Housewives, only much smarter, it is top notch entertainment. 

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