Showing posts with label Max Records. Show all posts
Showing posts with label Max Records. Show all posts

Movie Review: Where the Wild Things Are

Where the Wild things Are (2009) 

Directed by Spike Jonze 

Written by Spike Jonze, Dave Eggers

Starring Max Records, James Gandolfini, Mark Ruffalo, Catherine Keener, Lauren Ambrose

Release Date October 13th, 2009

Published October 13th, 2009

"It is above all by the imagination that we achieve perception and compassion and hope." Ursula K. Le Guin

The movie Where the Wild Things Are is, of course, an adaptation of Maurice Sendak's legendary children's book. However, the movie by director Spike Jonze lives the quote at the top of this page from sci-fi writer Ursula K. Le Guin.

In taking us on a journey through the wild imagination of Max in the wake of a fight with his mother and a disappointment from his older sister, we come to understand Max as he comes to understand himself. It's one extraordinary, revealing journey.

Max (Max Records) is an introverted little guy who longs for the days when he and his sister still played together. When he tries to recapture that feeling and is rebuffed in favor of boys with a car, Max turns his frustration into destruction.

His guilt matched with the kind, understanding and patient reaction of his mother (Catherine Keener) offers the first of a few perfect scenes in Where the Wild Things Are. The peace between mother and son is soon undone, mom has a male visitor of her own, leading Max to run away.

In a departure from Maurice Sendek's wonderful pictures, pictures in which Max's bedroom melts away and slowly builds into a forest, Spike Jonze has Max run through the streets, wearing his favorite wooly footie pj's with wolf ears, finally taking refuge in a forest.

From there we aren't sure where Max really is. In his imagination an ocean opens before him and a small sail boat waits to take him far, far away. He arrives on an island and there he meets the wild things and learns lessons of family, community, love and compassion from the denizens of his sub-conscious.

It is at time a dark journey and credit Spike Jonze and screenwriter Dave Eggers for not shying away from the scarier moments. Everyone has dark places in their mind, even kids. For a child that dark place in their minds is even darker, mystical and terrifying.

The Wild Things, voiced with wondrous vulnerability and heart by James Gandolfini, Lauren Ambrose, Forrest Whitaker and Catherine O'Hara, amongst others, are an impressive combination of old school effects and modern CGI. It's been a while since we've seen classic people in giant costume effects and the old school approach is perfect.

The CGI used to bring life to the faces of the Wild Things fit perfectly on the giant costumes giving a real impression of life. Gandolfini's Carol is especially well rendered as he has the most complex and expressive role of of all the Wild Things.

It is very easy to label the Wild Things as different aspects of Max's psyche, the various ways he see's the people in his life, so I will save the list. Let's just say that Director Jonze does a tremendous job of not laying the psychology on too thick. The film is more immersive and observant than sharp or incisive about Max's mind.

Where the Wild Things are is a marvelous revelation of the mind of a child, capturing all the joy, wonder, confusion anger and longing that every child experiences and how the imagination is the most effective way for a child to deal with these developing emotions.

I return to the quote at the top, perception, compassion and hope.

. Max creates these qualities within himself before our eyes in Where the Wild Things are and it is a remarkable thing to see.

Movie Review: The Sitter

The Sitter (2011) 

Directed by David Gordon Green 

Written by Brian Gatewood, Alessandro Tanaka 

Starring Jonah Hill, Sam Rockwell, Max Records, A.J Graynor, J.B Smoove 

Release Date December 9th, 2011 

Published December 10th, 2011 

Jonah Hill's comic appeal isn't much different from that of Will Ferrell; both are an acquired taste. Just as not everyone enjoys Ferrell's outlandish schtick not everyone enjoys Jonah Hill's foul-mouthed, raging-Id routine. For those who do enjoy them however, their films are a treat. Count me in as a fan of Jonah Hill and thusly someone who really loved "The Sitter."

Meet the Sitter

Noah (Hill) is a shiftless layabout with both daddy and mommy issues. That said he's not an altogether bad guy. When his put upon, far too indulgent mother (Julie Hecht) is about to lose out on chance at a night on the town Noah begrudgingly agrees to babysit for the family friends who are setting his mom up on a date.

Meet the Kids

This is, of course, a fateful choice; Noah is in for the night of all nights. First, we meet the kids. The oldest is Slater (Max Records) who's obsessed with his anxiety medication. Slater's little sister Blithe (Landry Bender) is quite a handful; she wants to be a celebrity and acts as if she may be a lost Kardashian child. And then there is Slater and Blithe's adopted brother Rodrigo (Kevin Hernandez) who's talent for destruction is a catalyst for much unexpected action in "The Sitter."

But first, it's Noah who gets the ball of bad choices rolling. Noah has been spending time with Marisa (Ari Graynor) a horrible girl who uses Noah for, shall we say, sexual favors. And tends not to return the love. When she calls Noah and promises sex in exchange for cocaine, Noah's libido overrides his good judgment and the story of "The Sitter" kicks in.

'Adventures in Babysitting'

There are a number of parallels between "The Sitter" and the 80's teen classic "Adventures in Babysitting" including a lost and damaged minivan and an escape from a black nightclub that culminates with our hero winning respect and a helpful group of new friends.

The similarities end there however as "The Sitter," directed by "Pineapple Express" auteur David Gordon Green, is a gloriously filthy movie that well earns its R-Rating. The opening moments of "The Sitter" feature oral sex and things only get better from there in terms of the exceptional lowbrow humor that is Jonah Hill's forte from "Superbad" to "Knocked Up" through "Funny People" and elsewhere.

For Fans Only

You have to be a big fan of Jonah Hill to get past the many plot contrivances and conveniences but if are a fan, there is a lot to enjoy here. Hill is a funny, sympathetic and charismatic comic whose comic sensibilities really connect with those of us who enjoy him. For those that don't enjoy Jonah Hill; there is any number of other movies out there for you; "The Sitter" is for fans only.

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