Movie Review Joyful Noise

Joyful Noise (2012) 

Directed by Todd Graff

Written by Todd Graff

Starring Queen Latifah, Dolly Parton, Keke Palmer, Kris Kristofferson

Release Date January 13th, 2012

Published July 12th, 2012

So much cheese, ugh. "Joyful Noise" is wall to wall cheese from the casting of Dolly Parton opposite Queen Latifah to the awesome cheese of gospel pop music. Camp drips from every line of dialogue and every shouted exaltation in "Joyful Noise." But is it fun cheese? That depends on how much you love gospel music.

Hey look there goes Kris Kristofferson!

In a small Georgia town the economy has taken its toll on local business. With many people out of work or under-employed the hopes of the town are channeled into the local church choir which has competed in a number of national competitions and come close to winning in the past.

Unfortunately, the latest competition was the last one for the choir director, Bernard Sparrow (Kris Kristofferson), who suffers a heart attack in mid performance. Bernard leaves behind his wife G.G (Dolly Parton) who assumes that she will become the new choir director; not only is she Bernie's wife, she's the church's main benefactor.

A Fish Out of Water Story

G.G is surprised when the pastor (Courtney B. Vance) chooses Vi Rose (Queen Latifah) as the new choir director. The fact that Vi Rose is the mother of the choir's young star Olivia (Keke Palmer) and holds a strict adherence to old school gospel standards are likely factors that gave her the edge over G.G.

G.G is not helped any by the arrival of her hoodlum grandson Randy (Jeremy Jordan), a runaway with a criminal past. Randy immediately sets his sights on Olivia and their budding romance is the main subject of the middle portion of "Joyful Noise," in between a whole lot of gospel performance.

If you LOVE Gospel Music...

You really have to love the gospel to enjoy "Joyful Noise." Take away the music and the film loses most of its appeal. This is a very by the book movie with predictable arcs and colorful if not all that compelling characters. "Joyful Noise" as a movie is really an advertisement for a soundtrack that includes a gospel take on Michael Jackson's "Man in the Mirror" and a churchified take on Usher's "Yeah" that is outright embarrassing unless you really love gospel.

I can't say that I am a fan of gospel music. The earnestness of gospel makes me uncomfortable and while I appreciate the authenticity of the feelings of these characters their constant sunny-ness while performing is campy but not fun camp; I don't know what to feel about these performers. I'm happy that they're enjoying themselves but I'd be lying if I said I was entertained by them.

One Authentic Scene

There is one scene in "Joyful Noise" that stands out for me. One truly human moment emerges from the molasses of schmaltz and good intentions that is at the heart of "Joyful Noise." It is a scene between Queen Latifah and Keke Palmer as mother and daughter at each other's throat. There is no one in the world that can hurt you as much as someone who loves you and this is a scene about a mother and daughter out for blood.

There is an authenticity to the choice of words; the areas of attack are so very personal that only someone who truly knows you could know to go there to hurt you. It's a very moving scene and in a better movie it would be deeply resonant. Keke Palmer and Queen Latifah are very effective actresses who deserve a better movie in which to showcase their talent.

Sadly, "Joyful Noise" isn't a very good movie. There is a good nature to the film and a likable cuteness to everything but beyond that there isn't much of a movie here. As I said earlier, you have to love gospel to like "Joyful Noise" and if you're not a fan there is no reason for you to see "Joyful Noise."

Movie Review: Akeelah and the Bee

Akeelah and the Bee (2006) 

Directed by Doug Atchison

Written by Doug Atchison

Starring Keke Palmer, Laurence Fishburne, Angela Bassett, Curtis Armstrong

Release Date April 28th, 2006

Published April 27th, 2006

On the surface Akeelah and The Bee is the inspirational tale of a young girl overcoming the odds to make it to the national spelling bee. However, the real driving inspiration for the film is the continuing educational strife in the inner city that see's gifted students, like the one portrayed in the film, being left behind in schools ill suited to nurture their gifts.

Akeelah and The Bee may indeed play a little like an After School Special on steroids but its deeper message gives the film depth and the lead performances of stars Keke Palmer as Akeelah and Laurence Fishburne as her coach help Akeelah and the Bee become more than the sum of its plot. Akeelah Anderson (Palmer) is an 11 year old overachiever in the Crenshaw school district in Los Angeles. Having been skipped ahead a grade, she is expected to be the schools star in terms of academics.  Unfortunately, Akeelah is floundering. She has been missing classes and is failing.

Things begin to turn around for Akeelah when her principle, Mr. Welch (Curtis Armstrong), forces her to enter the school spelling bee. Mr. Welch has invited his friend Dr. Joshua Larabee (Fishburne), a professor at USC and former spelling champion, to observe the bee and especially Akeelah. When Akeelah wins the bee she is offered the chance to train with Dr. Larabee in hopes of making it to the national spelling bee.

At home Akeelah is living with the loss of her father, he was killed when Akeelah was only 6 years old, whose love of words drives her own love of words. Her mother (Angela Bassett) is hard working but absent. Her oldest brother Devon (Lee Thompson Young) has joined the military while her other brother Terrence (Julito McCullom) has joined a gang. The specter of violence is inherent in the neighborhood though not prominent in the film.

The inadequacy of her school curriculum has limited Akeelah's ability to learn. Worse yet, the prevailing attitude of the people in her life, that education is a fixed, white man's game, has infected her own attitude. She must discover her love of learning or she will not succeed.

Akeelah and The Bee addresses a real hot button issue in inner city schools by directly addressing the prevailing attitude among African American youths that education is a white mans game. Many young African Americans have come to believe that the game is fixed against them in terms of education, so why bother with schools. This is not an unreasonable attitude. In fact, it's supported by how little financial support appears to be given to inner city schools as opposed to schools with predominantly white attendance. 

That this attitude can prevail upon even someone as gifted as Akeelah is an issue that political and community leaders across the country, but particularly in the inner cities, must address and soon before another generation is lost. Every year it seems that the education budgets go up and yet inner city schools remain looking rundown and short on cash. Where is this money going and why isn't more money the answer as so many conservative critics have preached.

Akeelah and the Bee doesn't dig quite that deep into this issue. The requirements of mainstream filmmaking requires that the plot stay closer to its characters and their personal stories rather than becoming a documentary. The films accomplishment is raising the issue for you and I and everyone else to address and deal with..

Laurence Fishburne's performance as Dr. Larabee is a return to form for him after drifting through the Matrix sequels and Biker Boyz, simply picking up paychecks. His arrogant, authoritative performance, softened by Keke Palmer's Akeelah, captures the complex emotions of a man who has succeeded in the face of similar, if not more difficult circumstances than Akeelah. I call the character arrogant because he is, but it is the kind arrogance that one earns through achievement. Some people simply have the right to be a little arrogant and that is part of Fishburne's complicated and heavily shaded performance.

Fishburne's performance early in the film is so good that the backstory he is saddled with proves unnecessary in making this character, and the dramatic choices he makes later in the film, work. The backstory, I'm sure, was meant to further humanize Dr. Larabee but because it is so contrived and is used as such an obvious dramatic device it plays far too melodramatic.

The real key to Fishburne's performance may just be the performance of his co-star, 13 year old Keke Palmer. Giving a performance that is easily comparable to Keisha Castle Hughes Oscar nominated performance in Whale Rider, Palmer nails Akeelah's initial hopelessness and sadness as well as her feistiness and innate gifts. Akeelah is a sweetheart character but she is not above childish behavior and petulance and Palmer combines these traits into a fully formed young character.

Palmer and Fishburne develop terrific chemistry that carries us over many if not all of the films minor structural problems, including Fishburne's unfortunate backstory and a stretch of the picture that gets a little too into the uplifting vibe of a TV movie. The montage sequence of Akeelah inspiring her entire neighborhood is more than a little played out.

I think I may have made Akeelah and The Bee out to be heavier than it really is. Writer-director Doug Atchison is not merely using this film to preach, he leaves plenty on the screen for entertainment purposes. For instance, Akeelah gets a boyfriend, Roman (George Hornedo), who she meets along the way to the national spelling bee. The pre-teen romance is very charming and not overdone.

Also the films final minutes at the national spelling are so well put together that there is real drama. The scenes are perfectly paced and develop in surprisingly suspenseful manner. Akeelah and the Bee is far from perfect but as a conversation starter on very important issues and as an entertaining character piece, the film is more than worth the price of admission.

On a side note, Akeelah and the Bee is the first film from the Starbucks Film company. Yes that Starbucks, the coffee people. It is a little disconcerting when you first see that Starbucks logo pop up in the opening credits but no one in the film is seen drinking Starbucks coffee so the synergy is thankfully not blatant. It is nice to see a major corporation putting its cash to good use and not merely crafting a film as an ad for their product.

Movie Review Hustlers

Hustlers (2019) 

Directed by Lorene Scafaria 

Written by Lorene Scafaria 

Starring Jennifer Lopez, Constance Wu, Julia Stiles, Keke Palmer, Lizzo, Cardi B 

Release Date September 13th, 2019

Published September 12th, 2019 

On the one hand, the strippers of the new movie Hustlers are criminals, unquestionably, they are criminals. However, it’s fair to also state that they are not the villains of this movie either. Hustlers operate in a most amazing gray area where we are able to sympathize with criminals and lustily boo the victims who are stand-ins for the real criminals who tanked the American economy in 2007 amid the housing crisis. 

Hustlers capitalizes on some of the tastiest schadenfreude you can imagine by positing a story wherein: too rich for their own good Wall Street criminals get taken for thousands of dollars of the money they stole from others by those who would otherwise be on the other end of the economic spectrum, a diverse collection of women and specifically single mothers in J-Lo and Constance Wu’s characters. 

It’s hard not to take pleasure in watching these skeevy, criminal pigs get taken by the very people they intend to victimize with their ill-gotten gains. It’s not justice that would be found in creating a just and fair economic system free from the kind of thumb on the scale manipulation that these men have championed, but it’s a tasty bit of minor karmic retribution that feels good, like a cookie for the soul. 

Constance Wu stars in Hustlers as Dorothy or, on stage, Destinee. Dorothy is struggling to get by as one of the new girls at a high roller strip club in New York City. Her commute is barely worth the pittance in tips she walks away with after management and the rest of the support staff take their cut. Then, Dorothy meets the club’s Queen Bee, Ramona Vega (Jennifer Lopez). Ramona has the place wired to the point where she merely has to point her prominent backside in any direction and the room rains with money. 

Dorothy dreams of being like Ramona and after introducing herself, the two become inseparable. Ramona takes Dorothy under her wing, they perform together, and they begin making incredible amounts of money together. Dorothy and Ramona start living an extravagant life off of the money tossed at their feet by Wall Street jerks for whom such money is meaningless compared to the horrific lies they tell to earn it. 

Then, the housing crisis hit in 2008 and the gravy train came to a screeching halt. The club, once wall to wall with Wall Street money, is now nearly empty. Dorothy leaves to have a baby and get married, only to find her baby daddy is nearly as worthless as the Wall Street bros she once danced for and both she and Ramona are on the streets trying to find jobs in a real world that doesn’t exactly fit their very specific skill set. 

Then, Ramona hits on a plan: what if there were a way to get what’s left of the high rollers back to the club? Her idea? High end, designer drugs that ease the inhibitions and open the high rollers to suggestions such as allowing a stripper to run your credit card unmonitored. Using her vast connections, Ramona, with Dorothy in tow, recruits two other struggling dancers, played by Lily Reinhart and Keke Palmer, to drug rich men, carry them to the club, take their credit cards to the limit and send them home with the bill. 

That’s the premise of Hustlers but the payoff you will have to see for yourself. It’s not the destination that really matters in Hustlers, it’s the execution and the execution of Hustlers is top notch. Writer-director Lorene Scafaria has just the right touch for this material, lightly comic at times, self-serious when necessary, with just the right mix of dark comedy, sex and drama. It’s not a perfect movie, but it gets a strong point across. 

Jennifer Lopez has not been this great in a movie in years. Playing the heavy support to Constance Wu’s more meaty lead role, Lopez’s megawatt star power hasn’t been this notable since her pre-Gigli, pre-Jersey Girl, Jenny from the Block days. It’s refreshing to see Lopez so confident and relaxed on screen after suffering through years of her downplaying her remarkable beauty and presence in forgettable romantic comedies. 

Constance Wu, if she can get out from under her own ego,- note her tantrum over her TV show not being canceled and ugly demands on her place on the Hustlers promotional material- will be a big star one day. She has dramatic chops that can turn quickly and wittily comic. She’s a natural screen presence and quite a beauty when she gets out from under a bad wig. She’s overshadowed plenty by Lopez but few actresses would not be. That said, she doesn’t get lost in the glare of Lopez’s star power and proves herself as the dramatic lynchpin of this incredible and well told story. 

Hustlers is better than I expected from a movie that, in the wrong hands, could have been merely titillating. Instead, Hustlers is weighty, satirical, dramatic and quite funny, often within the range of a single scene. Don’t believe me? See Hustlers and watch the Usher Raymond cameo and you will get what I am saying about the remarkable range of this diverse and exciting movie. Hustlers is the great surprise at the movies in 2019.

Movie Review The Longshots

The Longshots (2008) 

Directed by Fred Durst 

Written by Nick Santora, Doug Atchison 

Starring Ice Cube, Keke Palmer, Dash Mihok, Tasha Smith, Matt Craven 

Release Date August 22nd, 2008 

Published August 21st, 2008 

"Zzzz" Zzzz" Huh, what. Oh. Right. I am reviewing The Longshots starring (Yawn) Ice Cube and Keke Palmer. "Zzzz" "Zzzz". Oh. Sorry. Even thinking about this sports movie snoozefest makes me nod off. It's not that The Longshots isn't appealing or well crafted, it's just not all that interesting. A girl quarterback is novel and the true story thing makes it more novel. Beyond that however, the film, directed by (I kid you not) former Limp Bizkit rocker Fred Durst, is a by the numbers sports movie filled with all of the uplift, pomp and circumstance typical to the genre.

Ice Cube stars as Curtis, a layabout former high school football stud whose life just didn't pan out. Now a neighborhood cautionary tale, Curtis is pushed by his sister to take an interest in his niece Jasmine. They have little in common. When one day Curtis tempts Jasmine into throwing the football with him he finds her surprisingly adept.

Curtis decides to nurture her talent and before long she is throwing with more power and accuracy than most boys her age. Curtis decides to get her a shot with a local pop warner team. Coach Warner (Matt Craven) is, not surprisingly, dubious of the girl's talent but is soon won over. The team stinks anyway, why not a girl quarterback. Jasmine gets a shot and whaddaya know, the team starts winning.

You can plot the rest of the movie in your head. There is a subplot with Jasmine's no good, deadbeat father. That plot, like the main sports story, plays out in just the same by the numbers fashion. Clearly, Fred Durst and writer Nick Santora have read their McKee books. They plot everything on a flow chart and never deviate. Predictability quickly gives way to boredom in The Longshots and boredom is a sin no film can survive.

Keke Palmer is a young actress with a very bright future. She however, needs to choose the right roles. Akeelah and the Bee, definitely the right role. The Longshots? Not so much. It's not that she doesn't perform well. It is rather that she is forgotten amidst the supremely dull presaged plot. No actress, no matter how engaging, can overcome a plot as rote and uneventful as that of The Longshots.

(Yawn) The Longshots is a devastatingly dull sports movie. Despite the very talented Keke Palmer and the likable Ice Cube, this movie was DOA. Director Fred Durst and writer Nick Santora doomed this project when they failed to find something more to do with this plot beyond adhering to every melodramatic, sports movie cliche in the book.