Movie Review: Devil

Devil (2010)

Directed by John Erick Dowdle

Written by Brian Nelson

Starring Jacob Vargas, Matt Craven, Bokeem Woodbine Geoffrey Arend

Release Date September 17th, 2010 

Published September 17th, 2010

 A month ago as I sat patiently awaiting the start of a movie that I barely remember and the trailer for “Devil” popped up. Near the end of the trailer a line showed up on the screen 'from the mind of M. Night Shyamalan' and the previously indifferent audience suddenly burst out in laughter, boos and insulting catcalls.

This was in the wake of Shyamalan's box office success with “The Last Airbender” which made plenty of cash but was mostly despised by audiences, as evidenced by the laughter, boos and catcalls at his name. “Devil” has now arrived in theaters and while it may have sprung from same mind that thought “The Last Airbender” was a good idea, “Devil” is a far better and more satisfying thrill ride than that kid flick debacle.

”Devil” stars Chris Messina as a cop fresh from 60 days sobriety and a meeting with his sponsor. Called to the site of a suicide; the handsome Detective Bowden has actually stumbled on a case that will change his life. While Bowman and his partner Markowitz (Joshua Peace, Cube Zero) are investigating the suicide a situation is unfolding inside the building from which the suicide, literally, sprang.

Five strangers have entered elevator number 6 and find themselves trapped. While security guards Ramirez (Jacob Vargas) and Lustig (Matt Craven) look on these five strangers face blackouts that lead to violence and eventually death. With detectives and security foiled in trying to get the elevator moving, Ramirez begins pitching an idea that there is nothing that can be done; the Devil has chosen these five and only accepting their fate can bring an end to the torture.

”Devil” is said to be part of a trilogy thought up by Producer M. Night Shyamalan in concert with directors Drew and Erick Dowdle, the minds behind “Quarantine” and the cult hit “The Poughkeepsie Tapes” and writer Bryan Nelson, best known for the terrific script for the not so great vampire flick “30 Days of Night.” Indeed, “Devil” does set some stakes for a small scale biblical battle to come yet, on its own manages to be entertaining without cheating ahead for sequels.

The Dowdle Brothers are the ideal directors for “Devil.” Both “Quarantine” and “The Poughkeepsie Tapes” are clever, small scale thrillers that make use of clever camera tricks and low watt effects to sell their scares. With a slightly bigger budget, the Dowdle's have the best cast they've had so far in their careers and make terrific use of their horrified glares, terror filled eyes and abundant sweat glands.

The Dowdle's often keep the camera uncomfortably in the face of their subjects and the move aids the audience in feeling the heated, claustrophobia and paranoia that slowly consumes the five strangers that include actors Geoffrey Arends, Bokeem Woodbine and Logan Marshall-Green and actresses Jenny O'Hara and Bojana Novakovic.

As strong as the strangers are, Chris Messina is twice as good as Detective Bowman. In a number of tiny supporting roles, in movies like the wonderful “Away We Go” and the likable “Julie and Julia” -as Amy Adams put upon husband- Messina has made a good impression in underserved roles. In “Devil” Messina gets to show what he's really got and one can only hope he gets more big roles, the guy has got It.

Messina's performance in “Devil” stands right next to another breakout character actor's performance in a low budget, low watt horror/thriller, Patrick Fabian in “The Last Exorcism.” Both performances underplay their genre, draw the audience to them through charm and competence and both are actors of unexpected force and charisma.

”Devil” isn't quite as ingenious as “The Last Exorcism” but it's along the same line, a horror/thriller that smartly tweaks the horror formula to deliver something that seems fresh amid the flotsam of the genre.

Well cast and cleverly directed, “Devil” is a welcome surprise in a month when Hollywood tends to be taking it easy. Sure, the name M. Night Shyamalan isn't likely to earn cheers again anytime soon, especially if he's still planning another ‘Airbender’ movie, but he's on to something with the so called “Night Chronicles.” Here's hoping he and his collaborators can capitalize on the promise of “Devil.”

Movie Review Overlord

Overlord (2018) 

Directed by Julius Avery

Written by Billy Ray, Mark L. Smith

Starring Jovan Adepo, Wyatt Russell, John Magaro, Bokeem Woodbine 

Release Date November 18th, 2018 

Published November 17th, 2018

Overlord stars Jovan Adepo as Boyce, an infantry soldier, completely out of his depth when he’s dropped behind enemy lines in France during World War 2. Boyce, along with a group of 20 or so other soldiers have the task of destroying a German stronghold where a radio tower stands. The soldiers must destroy this communication tower, inside an old French church before the troops hit the beach at Normandy, the famed D-Day raid, and keep the Nazis from being able to radio for help. 

The plan requires men jumping from a plane over heavily guarded German territory and while the infantrymen are fooling themselves as best they can, they know that of the 20 or so on the plane, only a handful will survive the drop and be able to try and complete the mission. Boyce has an antagonistic relationship with many in his squad but the movie is smart not to linger over this with exposition, we will get around to that. 

The plane gets shot at and is about to crash when Boyce gets tossed out by his Sgt. On the ground, after nearly drowning in a lake, Boyce meets up with the few men who survived the drop. These include the commanding Corporal Ford (Wyatt Russell), the bullying Tibbet (John Magaro), an AP cameraman and soldier named Chase (Ian De Caestecker) and one other soldier who is not long for the movie. 

You will recognize the dead meat guy pretty quickly as he is the first and only one of the soldiers to spend time talking about what he plans to do when he gets home. He may as well have a wife with a baby on the way and a sign that says shoot me. The character is kind of a parody of the classic trope about the innocent lamb being led to the slaughter of war, but Overlord is not meant to be a parody.The film's modest sense of humor appears tacked on.  

Here we make the turn away from the plot and into a discussion of the movie as a conception. Overlord appeared to be, from the trailer, a wild-eyed zombie soldier movie that would be a rollicking ride. It is not quite that, not exactly. Instead, Overlord is a surprisingly straightforward World War 2 thriller that takes on elements of science fiction via historical speculation about the Germans experimenting on Jewish people, captured soldiers and their own dead soldiers. 

There is history to back up the idea that the Germans were committing horrific atrocities in the name of science. In fact, you might not want to dig too deeply into how some of the medicines of the day today came to be via what monstrous German scientists did to a lot of innocent people. I won’t cite a specific example here so as not to get bogged down in conspiracy theories, I mention this only to provide an insight into where the makers of Overlord are coming from. 

The intention here is to make an entertaining thriller with elements of science fiction and horror in the midst of the genuine, human drama of war. This is not a movie to be taken seriously but Overlord is a movie that surprisingly earns a little bit of self-seriousness that I know I wasn’t expecting from what I assumed would be a World War 2 zombie movie. There are elements of that zombie idea, but the story actually appears more at home in the world of speculative science fiction than the braindead horror genre. 

Speaking of horror, the best element of Overlord is the body horror element. The special effects at play in Overlord, especially the makeup effects, are superb in how they turn stomachs. One particular soldier's gruesome death is preceded by a transformation from man to God knows what kind of monster, featuring some truly gut wrenching visuals. Director Julius Avery may be a newcomer to big budget horror but he has a tremendous vision for terror, a mastery of creepy imagery that should bode well for his career. 

Overlord is tense and fun, a tad slow at times, and rather conventional given the zombie premise, but I do recommend the movie. Overlord is a terrific piece of war-time suspense and speculative science fiction. German scientists did horrible things to people in the name of war and Overlord is the rare movie to push the boundaries and look closer, even from the pop sci-fi perspective, at the horrors of Nazi scientist war crimes. 

Think of Overlord like a thought experiment that goes to the most broad and even ludicrous lengths regarding speculation over  what Nazi scientists were willing to do to those they deemed inferior to them. There is real life evidence to suggest that German scientists may have experimented on dead bodies and reanimation of corpses. That’s not me saying that Overlord has a basis in fact, it doesn’t, but I don’t see the harm in taking the idea of what Nazis may have done to people to an extreme conclusion. 

The World War 2 backdrop gives Overlord an unpredictable and chaotic bit of suspense that really works and keeps us in the audience aware of the constant  danger, not just from monstrous reanimated corpses, but from the Nazis who make a great villain. 

Overlord is in theaters nationwide now and is worth a look. Even if you wait for DVD and Blu Ray, if you’re a fan of horror movies, you will enjoy Overlord.