Showing posts with label Brett Ratner. Show all posts
Showing posts with label Brett Ratner. Show all posts

Movie Review: X-Men The Last Stand

X-Men The Last Stand (2006) 

Directed by Brett Ratner 

Written by Simon Kinberg, Zak Penn 

Starring Hugh Jackman, Halle Berry, Patrick Stewart, Kelsey Grammer, Elliot Page, Shawn Ashmore

Release Date May 26th, 2006

Published May 25th, 2006 

Director Brett Ratner is a hack. That is the reputation he has earned over a career of nine features including two Rush Hour films (and soon a third), Red Dragon, The Family Man and After The Sunset. Each of these are examples of the basic mainstream formula pictures that few would call innovative or relevant. Ratner is a mainstream showman who works only from studio approved genre templates and thus, the label of hack, is appropriate. 

Ratner's style is safe, conventional and boring. So it was quite understandable that when Ratner was hired to direct the third film in the X-Men series, X-Men The Last Stand, longtime fans gnashed their teeth and prayed to whatever mutant god that controls such matters that Ratner not be allowed to screw up their beloved franchise too much. The fans prayers have been answered, for the most part. Though X-Men: The Last Stand has plot holes you could drive a truck through and cringe inducing moments unsuitable to the franchise, Ratner has not screwed the thing up too bad. Actually it's not that bad at all.

X3 turns on the idea that a wealthy industrialist has discovered a cure for the mutant X gene. It's a revelation that rocks the burgeoning mutant community at a time when a tentative peace had come between mutants and humans. The President of the United States (Josef Summer) even has created a dept. of mutant affairs headed up by a mutant, Dr. Hank McCoy aka Beast (Kelsey Grammer). The cure while good for some mutants is a divisive and even deadly issue for others.

Standing against the cure is Magneto (Ian McKellen) who, with his brotherhood of mutants, including Mystique (Rebecca Romijn) and Pyro (Aaron Stanford), plans to use the cure as a rallying cry for mutants to renew the war against humanity. Then there are our heroes the X-Men. Conflicted and confused, most are opposed to the idea that mutants are in need of a cure but against any kind of war with humanity, the X-Men are caught dead set in the middle.

In the midst of the controversy the X-Men face an even bigger crisis. Jean Grey (Famke Janssen), thought dead after the last major X-Men conflict, is alive but she is no longer the Jean Grey the team once knew. Her near death experience has released her secondary personality known as the Phoenix, a being of unimaginable and uncontrollable power and rage. With war on the horizon and Jean Grey an even greater danger than that war, X-Men The Last Stand is bursting at the seams with plot. 

Throw in the introductions of several long awaited X-Men characters and you can understand the herculean task that Director Brett Ratner endured in making X-Men The Last Stand. That X3 is as coherent as it is with all of that plot and so many characters is a credit to Ratner. Not that I can let him off the hook completely for the films many flaws but even the biggest Ratner hater out there must cut the guy some slack for the sheer massiveness of X-Men The Last Stand.

Where Ratner succeeds in X3 is in crafting some serious blockbuster action scenes. A fight with Wolverine (Hugh Jackman) and Storm (Halle Berry) facing down Magneto's brotherhood, including Pyro and new members including the super strong Juggernaut (a massively muscled up Vinny Jones) and the empathic speed demon Callisto (Dania Ramirez), is terrific, fast paced action and a terrific lead up to the films most shocking moment.

The ending is the films strongest moment as Wolverine is forced to face off with Jean Grey/Phoenix as she prepares to destroy the entire planet. The scene is exciting and emotional incorporating massive special effects and the entwined histories of these two characters into one powerhouse scene. Predominant amongst the films flaws however, are the younger X-Men, especially Shawn Ashmore as Iceman. The dewey eyed teenage Iceman is an emotional cypher who lacks power and presence. Iceman's main plot function is as the opposing element to Aaron Stanford's Pyro but since Stanford is also an underwhelming presence their time together onscreen is forgettable at best.

The less said about Iceman's romantic triangle subplot with Anna Paquin's Rogue and Elliot Page's Kitty Pride (the girl who can run through walls) the better. I could go on for several more paragraphs picking apart the flaws of X-Men The Last Stand even though I honestly believe that the good outweighs the bad. Brett Ratner's work is not exactly a masters class in direction but it is competent and professional and even thrilling when it really needs to be. The performances of the leads Hugh Jackman and Halle Berry are as good as they have been in the first two films with Jackman's wit becoming more prominent each time out. His work here makes talk of a Wolverine stand alone franchise something to look forward to.

Kelsey Grammer even cuts a surprisingly strong action hero figure as Beast. Fans of the comics have long looked forward to seeing the blue haired monster Dr. Hank McCoy with his unique combination of super strength, agility and erudite intelligence. Embodied by Kelsey Grammer, Beast has the gravitas of Dr. Frasier Crane combined with agility and strength of a classic comic book character. If you can put aside the flaws and concentrate on the terrific performances and often exceptional action scenes and shocking surprises of X-Men The Last Stand you will have a great time. X-Men The Last Stand is big time summer blockbuster entertainment.

Movie Review: After the Sunset

After the Sunset (2004) 

Directed by Brett Ratner 

Written by Paul Zbyszewski, Craig Rosenberg 

Starring Pierce Brosnan, Salma Hayek, Woody Harrelson, Don Cheadle, Naomie Harris

Release Date November 12th, 2004 

Published November 11th, 2004 

Director Brett Ratner has a flair for escapist action junk.  He is the man behind the Rush Hour series. His latest escapist mainstream popcorn fare is After The Sunset, a heist comedy that is lacking a good heist and some comedy but does feature a supremely hot Salma Hayek in various stages of undress. Sometimes even bad movies have a bright side.

Pierce Brosnan stars as Max, a master thief with a particular affinity for the very rare Napoleon diamonds. What he seems to enjoy even more than the diamonds however is humiliating FBI agent Stan Lloyd, (Woody Harrelson) who is guarding the diamonds and who was held responsible when Max lifted the first one. As the story requires, Max once again humiliates Stan in a convoluted little plot with remote control cars, cat and mouse antics at a basketball game, and finally a gunshot wound for Max, though nothing serious enough to keep him from the diamond. 

The heist would not be possible without Max's better half Lola (Hayek) who runs important interference on the heist and even gets to wear a neat costume. It is Lola who decides that they are now retired and she who chooses their retirement home on a gorgeous unnamed Caribbean tourist trap island. She's happy but Max is miserable with no loot to steal and no agent Lloyd to mess with.  He is bored stiff.

Then out of the blue pops agent Lloyd and a cruise ship that just happens to be carrying the third Napoleon diamond, the only one Max hasn't stolen....allegedly. Can Max resist the temptation of the complicated and once again convoluted and over-wrought pilfering opportunity and another chance to show up Stan or will he follow Lola's admonition that they are retired and it's not worth the risk. Whether he steals the diamond or not he is guaranteed to be involved because of a local gangster (Don Cheadle) who threatens to kill him if he won't help lift the diamond.

Pierce Brosnan is trying hard to settle into post-Bond  life, though he still has one more Bond yet to come. Sadly Brosnan once again misfires on his image makeover. Brosnan is a stiff and casting him as a colorful thief in colorful surroundings only serves to show off his weakest qualities. He's charming and handsome and so very, very boring when compared to his co-stars and even the sunrise of the title is far more interesting than anything Brosnan brings to this film.

If they really wanted to have some fun with After The Sunset they should have switched a few of the roles around. Have Cheadle play the thief, Harrelson the American gangster running the island and Brosnan the straight-laced FBI guy. That at least would give Don Cheadle something more to do than just show up when the plot needs him to look mean. For some reason I can really imagine him sparking with Salma Hayek as well, something Brosnan fails at miserably.

For his part Director Brett Ratner is his calculated mainstream self. Always well aware of what test audiences are looking for, Ratner ratchets up the formula story, the recognizable faces and the entirely "lowest common denominator" plot that only few will find complicated or surprising. I will say this for Ratner, his camera loves Salma Hayek and finds new and wonderful ways of capturing her magnificent form.

As the plot clicks away through poorly executed buddy humor and lazy action setups with little if any payoff the one thing that is clear about the making of After The Sunset is that everyone on the crew must have gotten a nice tan and plenty of umbrella drinks. Otherwise there isn't much reason for this film to exist at all. This is a vacation for all involved, a chance to go to paradise on a studio dime. Can't say I blame them for living it up but would it have killed them to make a halfway decent film while they were sunning themselves?

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...