Showing posts with label George Hickenlooper. Show all posts
Showing posts with label George Hickenlooper. Show all posts

Movie Review The Man from Elysian Fields

The Man from Elysian Fields (2001) 

Directed by George Hickenlooper 

Written by Phillip Jason Lasker

Starring Andy Garcia, James Coburn, Julianna Margulies, Mick Jagger, Olivia Williams 

Release Date September 27th, 2002 

Published May 24th, 2003 

Woman: Are you the man from Elysian Fields?

Man: Is it that obvious?

Just what is this Man From Elysian Fields? Well it's a rare breed of well written, charming, intelligent filmmaking that respects the intelligence and wit of its audience. A film of great wit, that is not afraid to be adult and doesn't compromise itself to the marketplace. Essentially, it's the kind of film I wish there were more of.

The film stars Andy Garcia as Byron Tiller, a down on his luck novelist who spends his free time in bookstores enticing people to buy his novel, a lame thriller called Hitler's Son. Saddened by the fact that after less than a year his book is in the bargain bin, Byron is finally finishing up his second novel. His wife Dena (Julianna Marguilies) is supportive but money is getting tight while she waits for him to finish.

Unfortunately, Byron's publisher doesn't like the new book, which Byron says is about migrant workers. Without a publishing deal, Byron begins searching for a job but finds no one is hiring out-of-work writers.

With no real prospects, Byron finds himself approached in a bar by a stranger named Luther Fox (Mick Jagger. Yes, that Mick Jagger. Is there any other?). Luther claims to have the solution to Byron's problem and gives him a business card for something called Elysian Fields.

Elysian Fields is the cover name for an escort service that pairs men with lonely women to escort them to events when their husbands aren't available and on some occasions sleep with them. Of course, this isn't anything Byron would ever do because he's happily married but when Luther tells him he doesn't have to sleep with the women, he agrees.

After lying to his wife, saying he was spending late nights with hi editor, Byron escorts a gorgeous woman named Andrea Alcott (Olivia Williams) to the opera. Why does a woman as beautiful as Andrea need an escort? Because her husband is dying of diabetes and has agreed to allow her to date. Andrea's husband Tobias (James Coburn) also happens to be an award-winning writer whom Byron has idolized. He doesn't find this out until he is caught sleeping with Andrea and is introduced to the couple’s arrangement.

The set up sounds forced and convenient, only in my feeble explanation. The real joy of The Man From Elysian Fields is in its dialogue and characters, all of whom are well inhabited by one of the best ensemble casts I've seen in a long time. Forget what you think of Mick Jagger as an actor, he gives a stellar performance here as the narrator and devil on Byron's shoulder that slowly becomes his conscience.

Andy Garcia is becoming one of the most reliable actors in Hollywood, consistently seeking out and finding great roles and great scripts. Garcia is aided greatly by a wonderfully sympathetic performance by Julianna Marguilies.

In his final performance before his death in 2002, Oscar winner James Coburn is magnificently witty and gruff. His love story with Williams is tender and believable as written by screenwriter Philip Jayson Lasker. Though some of Coburn's dialogue borders on being too well written Coburn reigns it in with the glint in his eye. It is a little strange to watch the late Coburn portray a character that is dying but the performance is so good that it feels like the perfect coda for his career.

There really is little to complain about in The Man From Elysian Fields. Director George Hickenlooper so elegantly crafts this film that even when it’s at times breezy, it’s acceptable. It's just so well written. It's not laugh out loud funny but intelligently witty. It reminded me of the kind of film Hollywood made during its glory days of the 1950's, though with a story that likely couldn't have been made in the days of the Hays code.

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