Movie Review Happy Hunting

Happy Hunting (2017) 

Directed by Joe Dietsch, Louie Gibson

Written by Joe Dietsch, Louie Gibson 

Starring Martin Dingle-Wall, Ken Lally, Kenny Wormald 

Release Date September 22nd, 2017 

Published September 20, 2017 

Happy Hunting is one of the better horror movies of 2017. This Most Dangerous Game knock off takes the premise of hunting humans and puts a redneck, Mexican border setting to it and lets loose with a serious amount of blood and guts. The film reminded me a little of 2016’s brilliant horror-thriller Green Room which used a backwoods milieu to similar effect. That film is far better than Happy Hunting but that this film brings that one to mind says something about how good Happy Hunting really is.

Happy Hunting stars Martin Dingle Wall as Warren, a drunk drifter who gets invited to Mexico to pick up what may or may not be his child. The mother of the child has died and claims the child belongs to Warren but the only way for him to know for sure is to drive to Mexico. Broke and drunk, Warren needs cash so he concocts the worst batch of meth he could cook and tries to sell it to some meth-heads nearby. Needless to say, this doesn’t go well.

After narrowly escaping the meth-heads, leaving bodies in his wake, Warren finds himself in a small Texas border town that looks on the brink of death. Holing up in a motel with the meth-heads money, Warren, naturally stays drunk while he waits to be told where in Mexico he needs to go. Unfortunately, the town hunt is just getting underway and the hunters do not take kindly to visitors. While Warren briefly seeks solace at an AA meeting he meets Steve (Ken Lally) who wants to be his sponsor.

Steve, like everyone else in town, has a secret, he’s a hunter and seeing Warren new in town, he’s chosen him as the prize for he and his wife Cheryl (Sherry Leigh) to hunt down. After drugging Warren they drag him to the town square where he and four other men are set to go running off into the desert to run for their lives from an assortment of small town badasses who’ve become quite proficient at hunting human beings over the years.

Read my full length review in the Geeks Community on Vocal 

Movie Review: Footloose

Footloose (2011) 

Directed by Craig Brewer

Written by Craig Brewer, Dean Pitchford

Starring Kenny Wormald, Julianne Hough, Miles Teller, Dennis Quaid

Release Date October 14th, 2011

Published October 14th, 2011

Critics can tend to overthink a movie. In the case of "Footloose," that is a deadly pursuit. "Footloose" does not invite inspection. This candy coated musical is all about putting on a show with pluck and good humor and not about the mechanics of great filmmaking. The only intention behind Footloose is to make a quick buck off of nostalgia and if it happens to not completely stink out loud, that's an unintended bit of good luck. 

Ren McCormick (Kenny Wormald) has moved to Bomont, Tennessee from Boston following the death of his mother. Moving in with his Aunt Lulu (Kim Dickens) and Uncle Wes (Ray McKinnon), Ren finds himself not merely in a new home but seemingly a new planet. Bomont, Tennessee could not be any different from Boston. Foremost among the differences is a ban on public dancing put in place by a local crusading Preacher, Shaw Moore (Dennis Quaid).

The preacher's daughter, Ariel (Julianne Hough) immediately catches Ren's eye, setting up a pair of showdown's for Ren and the preacher as he intends to fight the dance ban and date Shaw Moore's daughter. Credit Dennis Quaid for bringing a seriousness and even gravity to "Footloose" that the movie needs in order to keep from tipping completely into parody. Quaid is so good opposite Hough and Wormald that he makes the novice actors better.

Of course, "Footloose" is not about acting or drama, it's about nostalgia, dancing and a good soundtrack. The soundtrack of "Footloose" is a rather bizarre stew of country, hip hop, and covers of tunes from the original movie. Blake Shelton's cover of Kenny Loggins legendary title track is as rousing and cheesy as the original while Deniece Williams' original "Let's Hear for the Boy" makes a welcome comic appearance in the same context it did in the original "Footloose," as Ren teaches his new pal Willard (Miles Teller) how to dance.

Other call backs to the original movie include a reprise of Quiet Riot's "Metal Health" and a cover of Ann Wilson and Mike Reno's cheeseball ballad "Almost Paradise." These nostalgic touches make clear that director Craig Brewer has as much respect for the original "Footloose" as long time fans do. Brewer even manages to keep Ren's angry dance solo dance in the empty factory. No Kenny Loggins in this version, a rather forgettable hip hop song is in its place, but the heavy cheese dramatics are still there in great, unintentional comic effect.

That's another interesting thing about "Footloose;" the film can be enjoyed on an earnest level or an ironic one. If you are inclined to pick away at the movie you can, and you can have fun doing it, the movie has a certain awareness of its place in the movie world but not so much that it ruins a proper ironic appreciation of it. Bottom line, "Footloose" is just plain fun; a terrifically cheesy pop culture dessert all sugar and calories and nothing remotely good for you. But it tastes so good.