The Prestige (2006)
Directed by Christopher Nolan
Written by Jonathan and Christopher Nolan
Starring Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johannson, Rebecca Hall, Andy Serkis
Release Date October 20th, 2006
Published October 19th, 2006
Director Christopher Nolan's short career has been quite exceptional. His debut feature Following showed off a clever, if not accomplished young director. His follow-up Memento however, went beyond clever and into the realm of sheer directorial genius. Nolan came back to earth a little adapting the Icelandic thriller Insomnia for American audiences, showing that he is better off developing his own material.
Any questions about Nolan as a great director however, were answered when he took his first shot at the blockbuster brass ring, directing the franchise kickoff Batman Begins. One of the best films of 2005; Batman Begins raised the profile of Christopher Nolan and raised the stakes on his future success. His latest picture, The Prestige, became an instant buzzmaker with his involvement.
The Prestige, starring Christian Bale and Hugh Jackman as rival magicians, is a worthy effort for a director who is still feeling his oats as a major auteur. Clever and accessible, The Prestige is just smart enough to be a Christopher Nolan movie and just thrilling enough to be considered mainstream popcorn entertainment.
In turn of the century England magic is big business on the isle. Prestidigitation, legerdemain, and simple flim flammery are so popular that stages are eager to snap up the latest trickster. Into this world of con-men and showbiz folk, come two young men eager to learn the trade. Rupert (Hugh Jackman) and Alfred (Christian Bale) broke into the business together as audience plants for a hack magician (Mickey Jay in a minor cameo).
Their job is to wait patiently in the audience until volunteers are needed. They then eagerly head for the stage to take part in a very important trick. They are to tie the magicians assistant, Julia (Piper Perabo) who happens to be Rupert's wife, tightly and watch as she is lowered into a water tank and locked inside. The trick is that the magician will make her disappear.
The trick is pretty basic, the knots aren't very tight, the lock is tricked, Julia's escape is assured, though were something to go wrong the stage manager, Cutter (Michael Caine), is side stage with an axe. One night something goes horribly wrong. Unable to untie an overly elaborate knot, tied by Albert, Julia drowns. This begins a rivalry that is far more than professional jealousy.
Blaming Albert for his wife's death, Rupert saves his revenge for his ex-friend's first solo show as a magician. When Albert goes for his signature trick, catching a bullet from a tricked gun, he unfortunately picks out a disguised Rupert who fires a real bullet that takes two fingers from Albert's hand. The rivalry devolves from there to stealing tricks, trading women, one woman, Rupert's assistant Olivia (Scarlett Johannsen), and trying to one up each other with more and more complicated and dangerous illusions.
The magic of The Prestige however, is in the storytelling. Christopher Nolan, working from a script written by his brother Jonathan, toys with the time and space of his story in unique and often surprising ways. The movie begins with Albert in jail for having committed a murder. Then we are flashed back to Albert and Rupert's beginnings, as described above, and back and forth between the journals of both magicians, each written at the height of their rivalry.
The non-linear storytelling keeps us off balance for much of the picture, as in a good magicians trick; your looking one way as the trick happens the other way before being revealed and fooling you. The magic of The Prestige is not the staged theatrics which Nolan willingly explains and demonstrates, the magic is in the quiet misdirection and sleight of hand in the storytelling and direction.
Not all of The Prestige works. There are moments when you will easily be able to see what is coming next, the little sci fi twist late in the film is telegraphed, but the payoffs even on the most predictable twist are stunning and well crafted. The ending of The Prestige will confound some audiences but for those who have paid attention its a terrific jaw dropper.
Magic is big on the big screen this fall. The Illusionist starring Edward Norton has been one of the hottest indie features of the fall. Now The Prestige with an all star cast and a rising star director arrives with a whole lot of buzz and delivers a thrilling piece of magical storytelling. While the films shifting timeline can be confusing from time to time, it is essential to Nolan's way of telling this story. In demonstrating the magic of film-making, the ability to craft your own time and space, he honors real magic.
Adding to the prestige of this story is one sensational cast. Hugh Jackman, Christian Bale, Scarlett Johannsen and Michael Caine are exceptional, that you know. What you may not know though is just how brilliant David Bowie can be. Showing up almost unrecognizable as the legendary inventor Nikola Tesla, Bowie dazzles us with a deft turn that steals a few very good scenes.
Christopher Nolan is unlikely to win awards with movies like Batman Begins and The Prestige but that is certainly not his fault. Both films are sensational works that deserve award consideration. But, Nolan is fighting an academy mindset that is against anything that appeals too young or too mainstream. You can forget the academy ever giving a fair shake to something like Batman Begins, simply out of bias toward it's source material.
But most shockingly, even a period piece like The Prestige, no matter how ingenious and well crafted, will never earn awards attention. It's a thriller, with youth appeal, and a young, unproven cast. The academy may not love The Prestige, but you just might. This is simply a terrific film, who can't enjoy that.
