Showing posts with label Meagan Goode. Show all posts
Showing posts with label Meagan Goode. Show all posts

Movie Review: The Unborn

The Unborn (2009) 

Directed by David S. Goyer 

Written by David S. Goyer 

Starring Odette Yustman, Gary Oldman, Meagan Goode, Cam Gigandet, Idris Elba

Release Date January 9th, 2009 

Published January 10th, 2009

The Unborn is one of the more challenging moviegoing experiences I have had in my less than a decade as a film critic. It's not the films content that was challenging, the content is far too goofball to be challenging. No, the challenge was trying to keep a straight face as the desperate, sad cast made their paces through this slog of utterly ludicrous horror cliches.

Odette Yustman, one of the last people killed in J.J Abrams 2008 hit Cloverfield, stars in The Unborn as Casey, a pretty but bland teenager haunted by visions of a ghostly child. One night, as she is babysitting for a neighbor, the little boy she is watching bashes her over the head with a small mirror and tells her that Jumby (Yes, that isn't a typo, JUMBY) wants to be born now.

Jumby was the nickname that mom and dad gave to the twin who died in the womb next to Casey when she was born. Casey was unaware that she was supposed to be a twin and while that could be intriguing or dramatic, I was left wondering what Casey's embarrassing nickname was? Bumby? Tumby? That question is more interesting than any question posed in The Unborn. 

Casey comes to find that her grandmother also had a twin brother who died at Auschwitz, oh yes they drag the holocaust into this goofy plot. According to family lore, that twin died and was replaced by an evil spirit, a Dybbuk, a Jewish legend about an evil spirit. Granny killed her brother after his possession and the spirit has haunted her ever since.

Now the evil spirit wants Casey and she pins her hopes on an exorcism to save her. Gary Oldman plays a skeptical Rabbi who takes up the exorcism after he is visited by Spuds McKenzie, the former beer spokesman, only his head is upside down and he's lost that ridiculous Hawaiian shirt. You have to see it for yourself perhaps, but I assure it's as funny as my description of it. 

The Rabbi calls on a priest friend played by Idris Elba for help and several cannon fodder volunteers who will helpfully die on command once the spirit is unleashed. We know these characters are DOA at the exorcism because they don't even get names, they may as well have victim 1, victim 2 and so on, written on name tags.

Cam Gigandet, an actor who betrays fratboy douchebaggery with his every douchebag mannerism in both Never Back Down and Twilight brings that malevolent maleness to the good guy role of Casey's boyfriend who may as well also just line up as potential victim number 4. I'm being harsh about Gigandet, I can assume he is a nice person. His performances however, lead me to my insulting conclusions about his characters, if not the man playing them. 

The Unborn was written and directed by David S. Goyer who wrote the script for the first 2 awesome Blade movies and then directed the abysmal 3rd one. He co-wroter script of The Dark Knight. Can you see the pattern? Maybe Mr. Goyer should stick with the pen and leave the directing to someone else? Then again, even the writing stinks in The Unborn. 

The evil spirit inhabits a neighbor child, a friend, an upside down headed dog, the priest, and several others in the film but for some reason beyond explanation, the evil spirit cannot get his hands on Casey. This is purely due to Goyer's inability to come up with a logical reasoning behind any of the decisions he makes in this movie. Leaving the audience asking too many questions is a surprisingly typical writing failure from a usually more talented writer. 

Unwelcome logical question number 1: If the evil spirit can inhabit anyone it wants, why does he need Casey? Number 2: If he gets her, what does he do then? I realize these questions are entirely unwelcome, especially in a movie where the director is more interested in his choice of creepy looking bug -potato bug instead of the traditional cockroach, for those of you scoring your horror cliches at home- than in actually crafting an engaging horror thriller.

Watching The Unborn, it was a chore to keep from bursting out into gales of laughter at the ill logic of the terrifically awful staging and most unfortunately at the performance of Ms. Yustman who amounts to little more than a pout and a hair style. Yustman is not a bad actress, she's just unfortunately stuck in this silly, poorly thought out plot that undermines anything good she might bring to this movie. 

The Unborn is a movie that the folks at the sadly defunct Mystery Science Theater would have loved. It has that perfunctory B-list star, the slumming Gary Oldman, and the overall air of attempted atmosphere and self seriousness that Crow T. Robot and company so successfully took the air out of. The Unborn will make you long for The Crawling Eye or This Island Earth with its awfulness. By the way, I'm told that members of MST3K have new incarnations of the MST brand online. Maybe someone can sneak them a copy of The Unborn. One can only wish.

Movie Review: Deliver Us from Eva

Deliver Us from Eva (2003) 

Directed by Gary Hardwick 

Written by James Iver Mattson

Starring Essence Atkins, Robinne Lee, Meagan Goode, L.L Cool J, Duane Martin

Release Date February 7th, 2003 

Published February 6th, 2003 

The Dandridge sisters hit the genetic lottery; four unbelievably beautiful girls in just one family. Unfortunately, their parents passed away when they were young, leaving the oldest sister Eva (Gabrielle Union) to take care of her younger sisters Kareena (Essence Adkins), Bethany (Robinne Lee) and Jaqui (Meagan Goode).

Eva has spent so much time taking care of her sisters that she has never made much time for a personal life, and now that the sisters are older, she spends her time meddling in their personal lives. Both Kareena and Bethany are married--Kareena to Darrell, a businessman who would like to have a baby; however, Eva tells her sister that she doesn't think they are ready. Bethany is married to Tim, a postal worker who can't get any love because Bethany spends all her time studying at the behest of Eva. Meanwhile, Jaqui is dating a cop named Mike who would like nothing more than to spend the night after they make love but Eva says that good girls don't live with a man before they get married. (But apparently it's okay to sleep with him?)

With Eva in the way, the guys hatch a plan to get her off their backs. The plan involves a friend of Mike's who he claims is the ultimate player. LL Cool J is Ray who, for a fee of five grand, agrees to seduce Eva and convince her to leave town with him, then dump her and leave her wherever they leave to. It's a stupid plan of course with flaws that are quite evident to an intelligent moviegoer, but these guys aren't rocket scientists. So the guys introduce Ray and Eva and the two connect quickly.

Their first date is like a nightmare episode of the show Blind Date. Dinner at a fancy restaurant goes badly after Eva's job as a health inspector lands her in an uncomfortable situation with the restaurant manager.

After that horrible first date, Ray is ready to give up and give the guys their money back. Of course, if he did that there wouldn't be a movie. Of course, fate intervenes and Ray and Eva get another chance. Their next date goes very well and the relationship moves quickly but, because Eva likes Ray and Ray likes Eva the boys plans for getting rid of Eva go wrong. You see, before she met Ray, Eva was going to accept a job in another city, but now that she is with Ray she isn't going anywhere.

Well, as in most romantic comedies, it doesn't take much thought to figure this one out, though director Gary Hardwick does do some unusual and unexpected things. Unfortunately, what he does is so outlandish and over the top and the resolution of this over-the-top twist is so unsatisfying that it undermines the little the film has going for it.

What Deliver Us From Eva has going for it is a fiery romance between Union and Cool J that melts the screen. Their post-coital cuddle conversation is smart, fresh, and sweet and their attraction and chemistry is off the charts. Unfortunately, the supporting players and story is a letdown. The boys played by Duane Martin, Mel Jackson, and Dartanyan Williams are interchangeable parts that leave little impression. As for the younger sisters Meagan Goode, who was so hot in Biker Boyz, is again so very hot in this film though she has little time to make an impression. The same goes for Atkins and Lee who look great but are unmemorable.

Deliver Us From Eva is yet another formula romantic comedy. By the numbers, with a slight charm, it relies too heavily on its lead actors to make a bad script interesting, something very few actors can do and a challenge that is too overwhelming for even actors as talented as Union and LL.

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