Showing posts with label Gary Fleder. Show all posts
Showing posts with label Gary Fleder. Show all posts

Movie Review Runaway Jury

Runaway Jury (2003) 

Directed by Gary Fleder

Written by Brian Koppelman, David Levien, Matthew Chapman

Starring John Cusack, Gene Hackman, Dustin Hoffman, Rachel Weisz, Jeremy Piven, Bruce McGill

Release Date October October 17th, 2003 

Published October 16th, 2003

John Grisham novels and the movies made from them are a guilty pleasure for millions. I say guilty pleasure because the work is often merely melodramatic potboilers that adopt legal and political stances that the author bends to his melodramatic will. Indeed, the law in a Grisham novel is often specious and more often than not inaccurate, but necessarily inaccurate to fit the story.

That said, the novels are also tightly plotted and populated by colorful Southern characters and terrific dialogue. It's easy for the non-lawyer crowd to forgive Grisham of his factual indiscretions because his work is just so damn entertaining. The latest of Grisham's work easily transplanted to the screen is Runaway Jury, a look at a trial from the jury's perspective.

John Cusack stars as Nick Easter, a seemingly normal video game store clerk. When Nick is called for jury duty, he reacts like most Americans, utter contempt and annoyance. However, that is merely a cover. Nick has been trying for jury duty and the opportunity to sit in on a huge lawsuit against gun manufacturers. Nick, along with his girlfriend Marlee (Rachel Weisz), are rigging the jury in a scam to soak either side to pay them $10 million dollars.

On one side is the noble Southern gentlemen Wendell Rohr (Dustin Hoffman), representing the wife of a stockbroker who was killed in an office shooting by a disgruntled employee with an illegally purchased semi-automatic weapon. It is Rohr's contention that gun manufacturers were aware of and rewarding the illegal sales of their guns by company owned gun stores.

On the opposing side, representing the gun manufacturers is Durrwood Cable (Bruce Davison). He however is merely the legal mouthpiece for a shady jury consultant named Rankin Fitch (Gene Hackman). Fitch is the gun manufacturer’s hired gun for rigging a favorable jury by any means necessary. With the help of his team of investigators, Finch compiles blackmail information against potential jurors.

That sets the tables for a number of clever twists and turns, but not so clever that they wink at the audience. Clever in the sense that they play directly to audience expectations. The twists don't surprise the audience, but they aren't insultingly predictable. Screenwriter Brian Koppelman does a great job of adapting Grisham's tight pacing and colorful characters, even as he is forced to change the trial from Grisham's tobacco companies to gun companies. I say forced to change because lawsuits against tobacco companies aren't exactly a fresh topic.

My favorite part of Runaway Jury however is the film’s unquestionably liberal politics. Where so many films shy away from taking a stand on an issue, Runaway Jury is clearly sympathetic to the liberal cause of gun control. The gun manufacturers are the most thinly drawn characters and their smoke-filled private meetings in which all the major gun companies discuss their conspiracy is so blatantly conspiratorial you marvel at the filmmaker’s brazenly malevolent portrayal.

Director Gary Fleder is the perfect director for Grisham. His last directorial outing was the non-Grisham Grisham movie High Crimes. Both films have a mere gloss of real law and are heavy on the melodrama. Both films cleverly cast their films with actors whose audience cache get us past minor plot holes and specious legal wrangling. Fleder has the same talent for pacing as Grisham and while the story is somewhat unwieldy with a number of small supporting characters that get lost occasionally, Runaway Jury is still a very entertaining legal thriller.

Movie Review Impostor

Impostor (2002) 

Directed by Gary Fleder 

Written by Caroline Case, Ehren Kruger, David Twohy

Starring Gary Sinise, Madeline Stowe, Vincent D'onofrio, Mekhi Phifer, Tony Shalhoub

Release Date January 4th, 2002 

Published January 3rd, 2002 

Four years ago, Dimension films began work on a science fiction film called The Light Years Trilogy. The film was to be 3 short films based on three separate Philip K. Dick stories. The project never fully came together though two of the three short films were produced. One of those was Impostor starring Gary Sinise and Vincent D'onofrio. The suits at Dimension liked the 30-minute version so much they ponied up the dough to turn it into a full-length feature.

They were better off with the half hour version.

Impostor takes place 75 years in the future, with Gary Sinise as scientist Spencer Oldham. Oldham is working on a top-secret weapon in the war against aliens called the Centaurians. Arriving at work after a weekend vacation, Spencer is arrested by the military police headed by Vincent D'onofrio. D'onofrio claims that Oldham is not who he appears, that he is in fact an alien cyborg with a bomb in his chest.\

In a scene reminiscent of the Salem Witch trials, Oldham is to be tied to an operating table while a laser drills into his chest. The theory is to get the bomb out and diffuse it. Essentially, if Spencer is an alien bomb they kill him and if he's not, the test will have proven he wasn't alien. Spencer will be dead but at least he's not an alien. Well of course Spencer escapes, there wouldn't be a move if he didn't, and thus begins a series of dull chase scenes through your typically post-apocalyptic cityscapes.

Sinise is well cast as is D'onofrio but they were likely better served in the original 30 minute version.

There are some interesting scenes in Impostor. For example, the first interrogation scene with D'onofrio questioning Oldham while his friends and coworkers look on has the feeling of a futuristic version of the 1950's communist witch hunts, and as I previously mentioned the Salem Witch trials. The ending does build some palpable suspense with a fun little twist.

But in the end, Impostor is, to paraphrase the band Sum 41, all filler no killer.

Documentary Review Fallen

Fallen (2017)  Directed by Thomas Marchese  Written by Documentary  Starring Michael Chiklis  Release Date September 1st, 2017 Published Aug...