John Grisham novels and the movies made from them are a guilty pleasure for millions. I say guilty pleasure because the work is often merely melodramatic potboilers that adopt legal and political stances that the author bends to his melodramatic will. Indeed, the law in a Grisham novel is often specious and more often than not inaccurate, but necessarily inaccurate to fit the story.
That said, the novels are also tightly plotted and populated by colorful Southern characters and terrific dialogue. It's easy for the non-lawyer crowd to forgive Grisham of his factual indiscretions because his work is just so damn entertaining. The latest of Grisham's work easily transplanted to the screen is Runaway Jury, a look at a trial from the jury's perspective.
John Cusack stars as Nick Easter, a seemingly normal video game store clerk. When Nick is called for jury duty, he reacts like most Americans, utter contempt and annoyance. However, that is merely a cover. Nick has been trying for jury duty and the opportunity to sit in on a huge lawsuit against gun manufacturers. Nick, along with his girlfriend Marlee (Rachel Weisz), are rigging the jury in a scam to soak either side to pay them $10 million dollars.
On one side is the noble Southern gentlemen Wendell Rohr (Dustin Hoffman), representing the wife of a stockbroker who was killed in an office shooting by a disgruntled employee with an illegally purchased semi-automatic weapon. It is Rohr's contention that gun manufacturers were aware of and rewarding the illegal sales of their guns by company owned gun stores.
On the opposing side, representing the gun manufacturers is Durrwood Cable (Bruce Davison). He however is merely the legal mouthpiece for a shady jury consultant named Rankin Fitch (Gene Hackman). Fitch is the gun manufacturer’s hired gun for rigging a favorable jury by any means necessary. With the help of his team of investigators, Finch compiles blackmail information against potential jurors.
That sets the tables for a number of clever twists and turns, but not so clever that they wink at the audience. Clever in the sense that they play directly to audience expectations. The twists don't surprise the audience, but they aren't insultingly predictable. Screenwriter Brian Koppelman does a great job of adapting Grisham's tight pacing and colorful characters, even as he is forced to change the trial from Grisham's tobacco companies to gun companies. I say forced to change because lawsuits against tobacco companies aren't exactly a fresh topic.
My favorite part of Runaway Jury however is the film’s unquestionably liberal politics. Where so many films shy away from taking a stand on an issue, Runaway Jury is clearly sympathetic to the liberal cause of gun control. The gun manufacturers are the most thinly drawn characters and their smoke-filled private meetings in which all the major gun companies discuss their conspiracy is so blatantly conspiratorial you marvel at the filmmaker’s brazenly malevolent portrayal.
Director Gary Fleder is the perfect director for Grisham. His last directorial outing was the non-Grisham Grisham movie High Crimes. Both films have a mere gloss of real law and are heavy on the melodrama. Both films cleverly cast their films with actors whose audience cache get us past minor plot holes and specious legal wrangling. Fleder has the same talent for pacing as Grisham and while the story is somewhat unwieldy with a number of small supporting characters that get lost occasionally, Runaway Jury is still a very entertaining legal thriller.