FYI This post contains what you might call spoilers for the plot of the film A History of Violence. If you wish to watch that film with the mystery in place do not read until after you watch the film. Happy reading and please post your responses.
One unique trend in modern film is the link between sex and violence. In horror films and thrillers these two disparate acts are now often found at a crossroad. In horror films sex is often punished with a bloody violent death, see Friday the 13th as an example. Sexuality or sensuality is similarly punished, consider films like Slumber Party Massacre (not exactly a brilliant subject of serious discourse but follow me here) where beautiful woman are brutally and viciously murdered for the simple fact that they are beautiful. The camera spends ample time exploiting the beauty of the women in the film with copious nude scenes and scenes of woman in various states of undress. And then the film sets about destroying that beauty with hardcore violence.
In the thriller genre take an example like Steven Speilberg's Munich which transposes a scene of a husband making love to his wife, a reunion after a long absence by the husband who has been compromising his morals out of duty to his country. The conflicted husband cannot escape thoughts of horrific violence as he is going about the loving act of intercourse with his wife. The sex scene is edited to a chorus violent images of Israeli athletes being brutally killed.What is the purpose of the sex and violence link in Munich? I believe it was the demonstration of the husband's conflicted conscience. On the one hand he is engaged in a pure act of love. On the other he cannot escape the horror of the violence he has been set to avenge. He cannot escape the horror of violence even as he is experiencing the ultimate in pure human goodness and joy.
In Sin City sex and violence are uniquely linked by the prostitutes of Sin City. Led by Rosario Dawson's character the prostitutes are unlikely representations of justice and righteousness. They mete out the punishment of corruption with violence and reward perceived goodness with sexual favors. Thus, Michael Clark Duncan's corrupt detective is punished with violence while Mickey Rourke's Marv is rewarded for his good intentions with the sexual favors of Goldie.
The innocent but oh so provocative sexuality of Jessica Alba's character is protected by the righteous violence of Bruce Willis' cop character. He would be rewarded with sexual favor if he were so inclined. Sex and violence are linked in Sin City in a cause and effect fashion. The good receive sexual favors the evil are punished with violence. All is right with the world.
In A History of Violence the sex violence link is a narrative function. The film features the extremes of both sex and violence. The films central action involves a pair of psychotically violent killers who are first glimpsed having murdered the staff of an anonymous roadside motel and a small child of one of the staffers. They come to the small town Indiana diner of Viggo Mortenson's Tom Stahl with the intent of more violence and are met with a viciously violent reaction from the seemingly mild mannered Mr. Stahl. The violence of this scene is extreme. Tom shoots one killer in the head sending him flailing through a plate glass window. Tom is graphically stabbed in the foot by the other killer who is then shot in the head by Tom. Director David Cronenberg gives us a closeup look at the damage of the bullet through the killer's skull in all of it's gory glory.
Meanwhile at home, prior to the violence at the center of the plot Tom makes love to his wife played by Mario Bello. The first sex scene is tender and loving but with more than a little hint of kink. Tom's wife has chosen to dress as a cheerleader and the two role play as a high school couple entering their first sexual experiment. The sex then becomes more graphic as oral copulation becomes central to the scene before we fade to the next morning and the establishing of the films central plot. Oddly the first sex scene features no nudity. The only link between the sex and violence at this point is Tom. He is an attentive and gentle lover who later shows himself capable of terrific physical violence. This is central to the dichotomy that is Tom who is revealed to have a violent secret past.
The second sex scene takes place after further violence has established Tom as a dangerous figure. An argument between Tom and his wife becomes physical as Tom attempts to stop his wife from walking away from their argument. Tom grabs her forces her to the ground, they are fighting on the stares leading to their bedroom, she slaps and kicks to break away from him. He forces her beneath him. After seeming to subdue her the violent confrontation suddenly begins to become sexual. The wife becomes turned on as does Tom and the two engage in angry, violent sex right there on the staircase. The scene, I believe, demonstrates the wife's tacit acceptance of her husbands true nature. She is telling him at once that she is unhappy with his lie but accepts it and will eventually be able to put it behind her. It's a brilliant form of shorthand that eliminates the need for a merely melodramatic scene of a couple arguing.
None of what I've written however truly gets at the heart of the sex/violence link in modern film. I have demonstrated the link but not the reason. This is where you come in dear reader. What is your theory of why Hollywood has so directly linked sex and violence. Post your responses please.
