Showing posts with label Phil Joanou. Show all posts
Showing posts with label Phil Joanou. Show all posts

Movie Review Three O'Clock High

Three O'clock High (1987) 

Directed by Phil Joanou 

Written by Richard Christian Matheson, Thomas Szollosi 

Starring Casey Siemaszko, Anne Ryan, Richard Tyson, Jeffrey Tambor, Phillip Baker Hall

Release Date October 9th 1987 

Three O’Clock High is a movie about toxic masculinity. It may not have been seen that way in 1987 when the film arrived in theaters, but today there is no denying it. Toxic Masculinity is defined in modern social science as traditionally male behaviors in relation to the expression of dominance. Such behaviors are detrimental to mental health and often times are expressed in actions or behaviors that are sexist, misogynistic, racist, or homophobic. Three O’Clock High ticks almost all of those hateful behaviors in just over 90 minutes of screen time.

It’s not a great day to be Jerry Mitchell (Casey Siemaszko). Jerry woke up late for school, nearly has a devastating car accident with his little sister (Stacy Glick) and best friend (Ann Ryan) in the car and when he arrives at school, his problems are only beginning. A new kid is starting school on this day, a guy named Buddy Revell (Richard Tyson). The stories about Buddy are legendary and range from him having decked a football coach to him having broken a kid’s neck just for touching him.

Jerry, meanwhile, just wants to get through the day but that becomes a challenge when he attempts to engage the new kid, forgetfully pats the new kid on the shoulder and is subsequently challenged to a fight at 3 PM in the school parking lot. The rest of the day is centered on Jerry’s vain attempts at getting out of the fight which include hiring a big tough football player to fight on his behalf, to getting detention for kissing a teacher, to helping the bully cheat on a math test.

None of Jerry’s schemes work because, of course, without the fight at the end of the movie, there isn’t much of anything for the movie to do. Buddy has no nuance to explore, he's just a bully with no real motivation. Jerry, on the other hand, is a dweeb who happens to be the lead in the movie thus giving him secret movie underdog powers that will come in handy during the big fight scene at the end of Three O’Clock High.

That’s your plot and it’s surrounded on all sides by the signposts of Toxic Masculinity. The beef between Jerry and Buddy has the basic hallmarks of gay panic with Jerry making the mistake of trying to start a conversation with Buddy while the two stand at a urinal leading Buddy to ask, in typically 80s fashion, “are you a faggot?” Buddy is quick to deny being gay but then as he attempts to brush past the faux pas, he touches Buddy on the arm and Buddy reacts by calling for the fight.



Movie Review Gridiron Gang

Gridiron Gang (2006) 

Directed by Phil Joanou

Written by Jeff Maguire

Starring Dwayne The Rock Johnson, Xhibit, Leon Rippy, Kevin Dunn

Release Date September 15th, 2006

Published September 14th, 2006

Gridiron Gang is yet another formula sports flick with all of the beats, lyrics and tear jerker elements the genre is known for. So how does it manage to be better than most similar formula sports flicks? It's all about the star power. Dwayne 'The Rock' Johnson is a rising star whose massive wrestlers frame is matched by a thousand watt smile, a self deprecating sense of humor, and the kind of charm only seen in the biggest movie stars. The Rock's presence turns the simplistic, slightly tacky, recycled plot of Gridiron Gang into an inviting, entertaining piece of formula filmmaking.

At Camp Kilpatrick, on the outskirts of affluent Malibu, California, guard Sean Porter (The Rock) is fighting a losing battle. Year after year he watches in futility as his teenage prisoners repeat the mistakes that got them to Camp Kilpatrick after they get released. Kilpatrick is a youth facility where criminal teens kill time till they turn 18 and are returned to the street. The stats say that nearly 80 percent of the kids released from Kilpatrick will either find themselves in adult prisons or dead.

One day, as Porter is visiting his sick mother, he passes a High School football practice and is struck with a slightly crazy idea. He thinks he can start a football team at Camp Kilpatrick. In pitching the idea to his boss, Paul Higa (Leon Rippy), Porter points out that the problems these kids have with discipline and working well with others can be addressed by playing football.

Higa is dubious but allows Porter and fellow guard Malcolm Moore (rapper Xzibit) to go ahead with forming a team. Porter takes it a step further by approaching a league of Christian High Schools about allowing the newly formed Kilpatrick Mustangs to play a full schedule of games in their league. Can he get the team to come together in a very short time? Can he get these mostly gang affiliated criminals to put aside their street affiliations and play as a team? These are the questions that drive the plot of Gridiron Gang.

Gridiron Gang is based on a television documentary from the husband and wife team of Lee and Linda Stanley who discovered the story of Sean Porter while researching a documentary on juvenile detention facilities. The story they discovered was one of the few true success stories in the often heart rending system of juvenile detention. As the film explains, the football program at Camp Kilpatrick managed to help 75% of the kids who played on that team to avoid returning to their criminal ways after leaving the camp. That is an extraordinary accomplishment, worthy of having made a movie about it.

Director Phil Joanou, best known for his work on some innovative U2 music videos, brings a documentary feel to Gridiron Gang. The aesthetic is often difficult to square with football scenes that go right inside the huddle and on the field (places where obviously documentary cameras could not go) but it is nevertheless an eye capturing visual approach that does work in non-football scenes.

The most important element of Gridiron Gang however, is the lead performance of Dwayne 'The Rock' Johnson. The former WWE superstar is an imposing physical presence, more than filling the intimidating presence of a prison guard, but it is his charm that really makes this role so surprising and entertaining. Coming from the often meat headed world of professional wrestling; it is quite extraordinary to find someone like The Rock with such natural charisma, presence and talent.

Rather than just be intimidating The Rock also shines in his dramatic scenes in Gridiron Gang. The Rock has a natural rapport with his young co-stars and their obvious admiration for him comes through in their performances. Amongst the strong group of young actors Jade Yorker stands out as Willie Weathers a roughneck young gangster who lost his cousin in a drive by and lives for the chance at revenge. Forced to play football with members of the rival gang involved in his cousins death, Willie becomes a difficult charge. His transformation is slow and painful and the film makes good use of this dramatic device.

I've said it before and I will say it again; there is nothing wrong with formula filmmaking. The key is how the formula is applied. The creators of Gridiron Gang apply this formula with eye catching documentary style camerawork and most importantly; by taking advantage of the star power and charisma of Dwayne 'The Rock' Johnson. The Rock is a true star in the making whose obvious physicality is made even more impressive by his jovial expressiveness and terrific sense of humor. The Rock raises the formula of Gridiron Gang from typical to entertaining.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...