Showing posts with label Francisco Rabala. Show all posts
Showing posts with label Francisco Rabala. Show all posts

Classic Movie Review Sorcerer

Sorcerer (1977) 

Directed by William Friedkin 

Written by Walon Green

Starring Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou 

Release Date June 24th, 1977 

Published August 16th, 2023 

In our final tribute to famed director William Friedkin, myself and my co-hosts on the Everyone's a Critic Movie Review Podcast watched and talked about Friedkin's much maligned and recently reconsidered 1977 thriller Sorcerer. When it was released, Sorcerer was written off by many critics and it was considered a failure for not reaching the box office heights of Friedkin's twin classics The Exorcist and The French Connection, a standard that was desperately unfair to this far more challenging movie. 

Sorcerer was a remake of The Wages of Fear, a challenging, cynical, and deeply uncommercial French movie that was based on an equally bleak and unrelenting book. Sorcerer thus was never designed as a typical blockbuster with the kind of wide appeal that creates box office success. It's a tribute to Friedkin's dedication as an artist and his hubris as a businessman that he would try use his clout to make a deeply uncommercial movie into a success. It didn't work, but he did make one hell of a great movie. 

But don't ask my why it was called Sorcerer, that title is complete nonsense. The story of Sorcerer introduces us to four desperate men fleeing from what is likely an early death. Each has a criminal background that was a recipe for dying before their time. Wanting to prolong their miserable lives, each man escapes to South America where work is scarce and survival is a struggle. There are few jobs and the one potentially well paying gig is so ludicrously dangerous it may not be worth doing. 

Oil companies are destroying the natural beauty of the South American jungles. When one of their oil rigs catches fire the only way to stop it is to blow it up. For that, they need nitroglycerin, a volatile explosive, one that is deeply unstable. The slightest jostling could set off the explosive and destroy anyone in the vicinity of it. Nevertheless, the oil company is offering good money to transport nitroglycerin via truck over the uneven ground of the jungle to their oil well fire. They need four men for the job and, of course, the four desperate men we've met before are the men for the job. 

With nothing to lose, these four lost souls must rebuild trucks that are capable of running smoothly enough not to set off the nitroglycerin while sturdy enough to make it over the mountainous jungle terrain where paved roads are a non-existent luxury and dirt paths are often covered over by landslides due to the rainy season. It's a fool's errand that only men at the very end of their tether would attempt to take on. That's the backdrop of Sorcerer that sets us on a path of intense, grim, nasty scenes that you watch through your fingers as you gasp for every tension filled breath. 

Sorcerer is like Ice Road Truckers on steroids. If you've never seen that History Channel reality series, it follows truckers who carry supplies across the most perilous terrain in the world as they risk dropping their giant semi-trucks through ever more perilous and icy terrain. Sorcerer may not be on ice but the landscape of loose dirt and gravel feels just as perilous. Add to that the nitroglycerin in the back of the two trucks on this journey and you get the sense of the pressure cooker of suspense that is Sorcerer. Where the thought that a TV show can't necessarily film and share the death of its protagonists, removing a little of the suspense of Ice Road Truckers, a movie is not bound by this and it feels as if we could lose any one of our main characters in Sorcerer at any moment. 

One of the reasons that Sorcerer was a bad bet to be a big hit was Friedkin's decision to cast actors not familiar to American audiences. Aside from Roy Scheider, fresh off the success of The French Connection and Jaws, the cast is almost entirely unknown to American audiences. This was a calculated choice by Friedkin as because we don't know these actors, we can't assume which one might survive and which one might die. A movie star provides a comfort that they will be around for a while in a movie they are the star of. Hiring unknown actors however, creates doubt that has a big role to play in the breathtaking suspense of Sorcerer. 

Find my full length review at Geeks.Media 



Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...