Showing posts with label Without a Paddle. Show all posts
Showing posts with label Without a Paddle. Show all posts

Movie Review: Without a Paddle (2004) – Lost in the Woods and in the Script

Movie Review: Without a Paddle (2004) – Lost in the Woods and in the Script 


Tags Without a Paddle review, Dax Shepard movies, Seth Green comedy, Matthew Lillard film, 2000s buddy comedies, Steven Brill, Burt Reynolds cameo, D.B. Cooper movies, road trip comedies, Hollywood formula films 

 

 Overview

*Without a Paddle* (2004) is a road trip comedy that leans heavily on formula and familiarity. Directed by Steven Brill (of *Little Nicky* and *Mr. Deeds* infamy), it stars Matthew Lillard, Dax Shepard, and Seth Green as three childhood friends reunited by tragedy and launched into a backwoods misadventure that borrows liberally from better films like *City Slickers*, *Road Trip*, and *Deliverance*. The result is a forgettable comedy that coasts on clichés and cameos rather than clever writing.

Plot Summary

Following the death of their adventurous childhood friend Billy, Jerry (Matthew Lillard), Tom (Dax Shepard), and Dan (Seth Green) reunite to fulfill a long-abandoned dream: a canoe trip in search of D.B. Cooper’s lost fortune. What starts as a tribute to friendship and youthful dreams quickly devolves into chaos as the trio gets lost in the Oregon wilderness. Along the way, they face off with an angry bear, a pair of cartoonish redneck drug dealers (played by Ethan Suplee and Abraham Benrubi), a crooked sheriff, and nature itself. Helping—or possibly hindering—them is a grizzled backwoods recluse played by Burt Reynolds, whose appearance seems to serve more as a pop culture wink than an acting choice.

Highlights
  • D.B. Cooper premise: A great idea buried beneath lazy gags and flat execution. The legend of Cooper deserved a better movie.
  • Comedy trio chemistry: While the characters are written as caricatures, Lillard, Shepard, and Green do their best with what little they’re given.
  • Nature scenes: Some of the outdoor cinematography is pleasant—when it’s not being used for slapstick bear chases.
What Doesn’t Work
  • Generic script: The film follows a strict comedy formula, with little originality and no risk-taking.
  • Unseen backstories: The more intriguing lives of the characters—especially the deceased Billy and wild-child Tom—are told, not shown.
  • Burt Reynolds cameo: Played for laughs, but the movie gives him nothing to do except remind you of better films.
  • Lazy writing: Characters are broad stereotypes (the neurotic nerd, the slacker ladies' man, the directionless nice guy) used in place of real development or clever dialogue.
Final Thoughts

While *Without a Paddle* isn’t offensively bad, it’s the kind of comedy that feels engineered by committee rather than inspired by creativity. Screenwriters Mitch Rouse and Jay Leggett crib elements from more successful films without adding anything original to the mix. It’s mildly amusing at times—mostly thanks to reflexive laughs from remembering better movies—but ultimately forgettable. This is the cinematic equivalent of fast food: easy to consume, completely disposable, and barely satisfying.

Rating

Rating: 1.5 out of 5 stars

 Call to Action

Do you think *Without a Paddle* deserves cult status or should it stay forgotten? Leave your thoughts below!

Check out our reviews of early 2000s comedies right here.

Movie Review: Without a Paddle

Without a Paddle (2004) 

Directed by Steven Brill 

Written by Jay Leggett, Mitch Rouse 

Starring Seth Green, Matthew Lillard, Dax Shepard, Ethan Suplee, Burt Reynolds 

Release Date August 20th, 2004

Published August 19th, 2004 

Despite what many screenwriters will tell you, writing a screenplay is not that hard. Not hard at all if you're not interested in writing a good script. Simply follow the formula used by the writers of Without A Paddle: take three successful films, say City Slickers, Road Trip, and Deliverance, extract the most basic elements from each, and combine them into your movie. Be sure to read Screenplay Writing for Dummies to fill out your screenplay into the proper salable length and you’re done.

Without A Paddle stars Matthew Lillard, Dax Shepard, and Seth Green as three childhood buddies confronting life as adults after a friend’s death. Lillard is Jerry, a computer programmer who hates his job and can't decide whether or not to settle down with his girlfriend; for you screenwriters looking for character development shorthand, Jerry is a surfer with all of the stereotypical attributes of a surfer to fill out his character. That saves you having to write him witty dialogue or anything that might resemble an interesting character; he is a placeholder for a stereotype.

Dax Shepard is Tom, a part-time criminal, gambler, and full time ladies man. Again, a little screenwriter shorthand, the writers here use other characters’ conversations to establish Tom's colorful background (prison stays, casino trips, orgies). This is helpful because now you don't have to write the character anything interesting to do, simply tell the audience he is wacky and you’re done. Tom is a placeholder for a backstory far more interesting than the character that is written.

Finally, there is Seth Green as Dan, a doctor ,and by far the most successful of the three friends. Now, screenwriters, pay attention to the Dan character because he is an example of a modern comic rule that states that any comedy with more than one male lead must have one of those male leads be super-neurotic. Establish various fears and phobias and then add the nerd accouterments, asthma inhaler, pocket protector, bad glasses and a general fear of women. Again, you save yourself having to write an interesting, funny character.

The plot finds our intrepid trio paying tribute to their dead buddy by taking the canoe trip they had always dreamed of. The trip is special because it involves searching for the lost loot of D. B Cooper, the urban legend who robbed passengers on an airplane and leaped from the plane at an altitude that could only have killed him. It is an intriguing legend -- neither his body nor his loot have never been found -- that has inspired more than one film. If only it had inspired a better film than this.

From there, the boys head for the backwoods of Oregon where they quickly lose their way while fighting off a bear, a crooked sheriff and a pair of redneck dope dealers played by Abe Benrubi and Ethan Suplee. Both Suplee and Benrubi have seen better days. Also on the trip the guys commune with a pair of nutty environmentalist chicks and a backwoodsman played by Burt Reynolds who may hold the key to the Cooper legend.

One rather unique problem in Without A Paddle is one I mentioned briefly earlier in this review and that is the back stories given to key characters. Both the dead friend Billy and Dax Shepard's Tom have back stories that are way more interesting than the story we are forced to watch. Billy has climbed Everest, dated supermodels, and rafted the most difficult rapids in the world. Tom has been in and out of prison with all sorts of oddball encounters with criminals, scam artists, and beautiful woman. We see almost none of that and instead are treated to a very mundane road movie.

Mundane is a rather kind description for a film made by guys who think it's funny to have Burt Reynolds in their movie. Not that they have written anything funny for Mr. Reynolds, they just think that Burt Reynolds is funny. Is it kitsch? Is it ironic in some way? I have no idea and I doubt that poor Mr. Reynolds knows either, or cares as long as the check clears. Reynolds long ago surrendered his likeness to parody and now only acts for the dollars.

We should not be surprised that such a hack movie would be Directed by Steven "Adam Sandler's bitch" Brill. Brill was lenser on both Mr. Deeds and Little Nicky as well as the wretched Disney kids flick Heavyweights with Ben Stiller. Brill may have actually written the book Screenplay Writing for Dummies, he wrote Little Nicky as well as the wrestling comedy (tragedy?) Ready To Rumble and two Mighty Ducks movies. To his defense, however, he is not credited on Without A Paddle; that dubious honor goes to TV veterans Mitch Rouse and Jay Leggett.

The three leads Lillard, Shepard, and Green don't do themselves any favors but they don't embarrass themselves. Lillard, to his credit, is becoming less and less abrasive and off-putting with each role. Green will always have a place as a second or third banana and he will always have endless goodwill for his voicework on TV's Family Guy. As for Shepard, the former Punk'd star, he has a little charm. I like how he bites into a punchline but he never had a chance with this poorly written role. Based on this it's difficult to pass any kind of judgment on Dax Shepard.

I must admit that I laughed during Without A Paddle more than once. However it was mostly a reflex action from remembering funnier jokes from Road Trip or City Slickers and one quick reference that a character makes to Ned Beatty's moment of truth in Deliverance. This film is a perfect example of the kind of assembly line comedy that Hollywood executives excel at making. It's relatively inoffensive, not entirely inept but utterly unmemorable comedy that you will forget as soon as the credits roll.

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