Leap Year (2010)
Directed by Anand Tucker
Written by Harry Elfont
Starring Amy Adams, Matthew Goode, Adam Scott
Release Date January 8th, 2010
Published January 8th, 2010
The women's liberation movement in the universe of film consists of empowering women economically; they all get fabulous jobs in fashion or real estate or owning uncommonly successful restaurants. The liberation stops however once they have found a man. Such is the case of the new romantic comedy Leap Year starring the plucky Amy Adams.
Adams stars in Leap Year as Anna whose job is setting up apartments for sale. She doesn't sell the apartments; she merely dresses them for sale and makes fabulous amounts of money doing it. In a rare twist, Anna has already met a man, Jeremy (Adam Scott), who shares her love of status symbols and just the right apartment.
Anna and Jeremy have been together four years and just before he leaves for Ireland on a business trip Anna gets in her head that he is finally going to propose to her, so convinced that she and a friend actually practice being surprised when he asks. No surprise to anyone who's seen the film's trailer, Jeremy doesn't ask and Anna is briefly devastated.
After Jeremy's left a plan is hatched, Anna will fly to Ireland just in time for Leap Day, February 29th, a day in Irish tradition when a woman can ask a man to marry her. Now, the liberated woman of today might ask why a holiday is needed for a woman to ask a man to marry her. The makers of Leap Year ladies are unconcerned with such questions.
The leap day thing is merely a device to propel Anna on a madcap dash to Dublin. First her plane is diverted to Scotland then she gets stranded in an Irish village called Dingle where she seeks a ride from one of the locals. The only driver available is also the local pub and hotelier, Declan (Matthew Goode).
Surprise, surprise, Anna and Declan immediately choose to dislike each other. She's a shrewish, entitled bitch and he's easygoing, handsome charmer with a secret reason for not trusting women. If your eyes weren't rolling through the back of your head as you read that you have more self control than I.
So, off they go on a trip across the Irish countryside arguing and uh-oh falling in love with all of the requisite dopey rom-com roadblocks checked off like a shopping list at a cliché outlet. No surprise then to learn, the script comes from the makers of Made of Honor and Josie and the Pussycats.
We all know how this will end, anyone who’s seen the trailer for Leap Year knows how it will end. It's a romantic comedy and experience tells us that it is the journey and not the destination when it comes to the modern rom-com. Sadly, the journey in Leap Year is mostly tedious.
I say mostly tedious because along the way, though all the predictable beats are there, somehow a few grace notes sneak in. A script polish by Oscar winner Simon Beaufoy likely brought the scene where Anna and Declan clash at a wedding and then share a romantic walk in Dublin before she meets up with Jeremy.
These few good scenes however cannot make up for the inept series of clichés that precede them. Add to that the anti-feminist vibe of the whole thing. In the end, after all of the predictable crap plays out Anna throws everything away, the job she loved, the things she worked hard for just so that she can live the life of a doting wife. Yes, she's in love but why does that require her to give up all that she was.
Leap Year is yet another movie that falls back on supposed traditional values, the lazy notion that true fulfillment for a woman can only come in a traditional marriage, their hopes and dreams be damned. . Don't be mistaken, choosing to be a wife and mother is as feminist as getting into the rat race but when a character is presented like Anna as having her own life and job, a genuine career that she appears to love and be quite good at, that the movie simply has her chuck aside for the desperate pursuit of traditional marriage, is this movie lazily reinforcing traditional stereotypical and anti-feminist values.
I don't think the makers of Leap Year set out to undermine the notion of a working woman. Rather, I think Leap Year is a dimwitted comedy that lazily falls back on traditional gender roles because it's easier than trying to create fully fleshed out characters with lives of their own who have to choose to make compromises and sacrifices if they want to have a family and a marriage. Leap Year has no time for complexity or even a modicum of depth. And since the film also fails at being funny, there is little else to think about than how the movie lazily reinforces stereotypes.
I realize that I am not supposed to care. I get that the filmmakers don't want to talk about this but the ignorance of these facts is a plague that infects far too many modern so-called romances. Leap Year is just the latest symptom of said plague.
