Showing posts with label Ellen Barkin. Show all posts
Showing posts with label Ellen Barkin. Show all posts

Classic Movie Review The Big Easy

The Big Easy (1987) 

Directed by Jim McBride 

Written by Daniel Petrie Jr. 

Starring Dennis Quaid, Ellen Barkin, Ned Beatty 

Release Date August 21st, 1987 

Published August 21st, 2017 

This week in 1987 The Big Easy starring Dennis Quaid and Ellen Barkin and directed by Jim McBride was released nationwide following a brief run on the awards circuit in late 1986. The film tells the story of a corrupt New Orleans Police Detective named Remy McSwain, played by Quaid, who’s about to learn that corruption doesn’t really pay. Ellen Barkin is a District Attorney tasked with investigating Remy’s corruption and that of his fellow New Orleans brothers in Blue.

Director Jim McBride is best remembered for his 1982 remake of Jean Luc Godard’s iconic Breathless, with Richard Gere in the Jean Paul Belmondo role, Valerie Kaprisky in the Jean Seberg role and Las Vegas standing in for Paris. McBride, it seems, had a longstanding fascination with the French New Wave as not only did he remake Breathless, but in The Big Easy he tells the kind of American crime story that directors like Godard, Truffaut and Melville cite as their earliest influences.

Does that make The Big Easy good? Eh, it gives it a perspective, I guess. The problem with The Big Easy isn’t necessarily the movie, it’s time. Time has not been kind to movies in the crime genre. In the last 30 years’ dozens of films have trod upon similar ground, enough to make The Big Easy feel like just another copycat. That McBride may have been attempting an homage to his French New Wave influences is nice, but the only thing French about The Big Easy is its locational relation to the French Quarter.

Mr. McBride directs The Big Easy not like the dispassionate French crime stories but rather exactly like the old 40’s Hollywood pictures that the New Wave ate up. When the New Wave remade those pictures their French-ness made the stories feel fresh and innovative. In 1987 when McBride crafted his crime movie homage his only innovation was R-Rated sex and violence. Nothing about The Big Easy feels fresh anymore as a zillion other pictures have come along and were better at portraying corruption, sex, and violence.

Find my full length review at Geeks.Media 



Movie Review Ocean's 13

Ocean's 13 (2007) 

Directed by Steven Soderbergh 

Written by Brian Koppelman, David Levien 

Starring George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Al Pacino, Ellen Barkin 

Release Date June 8th, 2007 

Published June 7th, 2007 

The breezy filmed cocktail party atmosphere of the first two Ocean's pictures continues to charm in Ocean's 13. However, even as the stars remain witty and charismatic and director Steven Soderbergh's direction becomes more confident and experimental, there is a fatigued quality setting in. Like a party beginning to wind down, Julia Roberts and Catherine Zeta Jones have already left, Ocean's 13 has drifted late into the night and it's time to lock the doors and send everyone home. But, hey, we did have a good time.

Al Pacino sets the plot of Ocean's 13 in motion as a jerky hotel financier named Willy Bank. Having entered into a deal with our old friend Reuben (Elliott Gould) to open the biggest new resort on the strip, Willy has decided to renege on the deal. Reuben is out, his steak of several million dollars is gone, but mostly he has lost his pride. Not long after Willy rips him off, Reuben has a heart attack that leads to severe depression and a nearly comatose state.

Enter Reuben's old pals Danny (George Clooney) Rusty (Brad Pitt) and Linus (Matt Damon) seeking vengeance. Reuben was a surrogate father to Rusty and Danny and after helping the Ocean's crew in each of their largest ventures, Reuben is family and so the plan is set in motion to ruin the casino and find a way for Reuben to get his cash back.

The plot set in motion is... complicated. It involves kidnapping a group of high roller gamblers, putting down a workers revolt in Mexico, and generating an Earthquake in Nevada. If that isn't complicated enough, how about throwing in Super Dave Osbourne as an FBI agent ready to throw the whole scheme into uproar, seeming to trip his way into Danny and Rusty's deeply complicated con. 

Director Steven Soderbergh is one of the busiest, most involved directors in the game. Even in the slick trifle that is Ocean's 13; Soderbergh not only directs, he slaps the camera on his shoulder and shoots the picture (the credits say Peter Andrews but that is just Steven Soderbergh's alias). Soderbergh is also the executive producer on the film and is seemingly involved in every aspect of the film down to the dice chosen for a pivotal scene.

It is Soderbergh's attention to detail that keeps this bloated cast party from becoming just a star vehicle. Don't get me wrong, this is still predominantly a star vehicle, but Soderbergh's herculean efforts lend the production a little artistic credibility.The film doesn't need it but it doesn't hurt to have it. Soderbergh crafts a dynamic look for Ocean's 13 that is perfectly fitting of the Vegas setting. It's what he's done throughout this franchise but it remains a notably positive element. 

Ocean's 13 is a charm factory. The glint in the eyes of this group of actors is why we turn out and why we have such a good time. When Clooney, Pitt, Damon and the gang are obviously having a great time the vibe is infectious and it radiates from the screen. Whether it's Pitt and Clooney's clowning on one another or the way Matt Damon is very much the little brother of the three, we can't help but feel like we are being let into the inner circle of our favorite stars, even for just a moment.

It's unfortunate that neither Julia Roberts or Catherine Zeta Jones could not stick around for the end of the extended cocktail party that are the Ocean's movies. Those knockout stars are replaced in Ocean's 13 by Ellen Barkin, a beautiful actress whose career has languished in B-movie leads the last few years. Reunited with her Sea Of Love co-star Al Pacino, Barkin's role is sadly underwritten and she plays things overly broad to cover.

As for Mr. Pacino; he seems invigorated by this role. He gets into the spirit right away with good humor and quick wit. If only his casino owner character were a more formidable foe for Danny and company. Despite what we are told is the most sophisticated security system in the world, Willy Bank's casino gets knocked over by the most outlandish scheme imaginable. It reduces Pacino's villain to merely a plot hanger, a reason why things happen and little more. 

Keep in mind however, dear reader, the scheme is not the point of Ocean's 13. Rather, the heist just provides the setting for the charm assault of this exceptional group of actors. Whether it's Casey Affleck and Scott Caan leading a worker revolt in Mexico or Bernie Mac flashing that sneaky bright white smile undercover as a domino dealer, every actor in the Ocean's crew has at least a moment where they delight the audience. And then there is David Paymer as a Hotel critic who gets wrapped up in the Ocean's 13 scheme. Keep an eye on him because his few moments of sad sack humor are priceless. Paymer is a small but welcome addition to the Ocean's canon. 

Ocean's 13 is yet another superfluous, throwaway blockbuster; entertaining in exactly the ways that all throwaway blockbusters are. Perfectly aware of its charm and good looks, Ocean's 13 proceeds from one scene to the next with supreme confidence and great humor. The good vibes are infectious and while you are unlikely to remember much of what you saw later, you will be entertained in the moment and with this kind of blockbuster, that's all you can ask.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...