Movie Review Blade Runner 2049

Blade Runner 2049 (2017) 

Directed by Denis Villeneuve

Written by Hampton Fancher, Michael Green 

Starring Ryan Gosling, Harrison Ford, Dave Bautista, Ana De Armas, Mackenzie Davis 

Release Date October 6th, 2017

 “Sometimes, to love someone, you have to be a stranger.”

Out of context, the above line of dialogue from Blade Runner 2049 doesn’t seem so profound. But when it lands in the context of the story being told by director Denis Villeneuve, the line plays as remarkably poignant. I won’t spoil the context in this review. Indeed, I will venture to avoid any spoilers whatsoever. What I can tell you about Blade Runner 2049 is that it has all of the atmosphere of cool that the 1982, Ridley Scott-helmed original had but with even better characters and deeper meanings, and yes, genuinely poignant moments.

K (Ryan Gosling) is a Blade Runner in Los Angeles circa 2049, 30 years after the time of the original movie. K is tracking down a new generation of Replicants and on his latest job, retiring a hulking replicant played by Guardians of the Galaxy star Dave Bautista, K stumbles into a long-running conspiracy with implications that could rock the foundations of society as he knows it. The secret involves a body, and you will get no more than that from me.

Blade Runner 2049 is rich with questions that the film takes its time to reveal the answers to—not that director Villeneuve is screwing around and playing keep away with the truth. Rather, the story of Blade Runner 2049 is a classic noir mystery ala the original Blade Runner and that kind of story requires patience. The big difference between the new Blade Runner and the original is that this time the questions are bigger and more destructive when answered. There is a remarkable power in steadily unraveling each layer of Blade Runner 2049 and while some might have a hard time with the film’s leisurely pace, I found it riveting.

The key to Blade Runner 2049 is cinematographer Roger Deakins and the way he and Denis Villeneuve have expanded upon the smoky, grimy, and constantly wet streets of Los Angeles of 2049. Noir is best made in the dark with light dancing in puddles and Blade Runner 2049 evokes the old masters of noir while still allowing the movie to look sleek and modern. The noir comes from the atmosphere, as much as the look and the languid pace of the film is matched by Deakins’ visual style which posits a world encased in fog and doused in implacable rain.

Even a trip to the desert is fraught with smoggy gray that blocks out what should be a bright, unyielding sun. The lighting of the desert is remarkably logical and expands on the original movie’s thoughts on the future of the environment, a bleak, ever-worsening landscape of soot and sogginess. It’s dreary and yet a marvel to look at. The look of Blade Runner 2049 is easily as evocative and eye-catching as the original, a film that was tragically overlooked when it came to awarding the Oscar for Cinematography back in 1982. Here’s hoping the sequel doesn’t get the same mistreatment.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Dune 2

Dune 2 (2024) 

Directed by Denis Villeneuve 

Written by Denis Villeneuve, Jon Spaihts 

Starring Timothee Chalamet, Zendaya, Austin Butler, Rebecca Ferguson, Javier Bardem, Dave Bautista

Release Date March 1st, 2024 

Published March 4th, 2024 

Dune 2 is the epic and awesome follow-up to the triumphant 2021 extravaganza that manages to top the spectacle of the first while never losing sight of the characters at the heart of both films. The scope, the scale, the spectacular action and special effects, all come together to make Dune 2 a film experience not to miss. Co-written and directed by Denis Villeneuve, Dune 2 demonstrates what can happen when a visionary filmmaker is given the resources and the time to explore their vision and realize that vision in full. It's a staggering work. 

Dune 2 picks up the story of the first Dune by fully revealing the conspiracy at hand. Not only was House Atreides attacked by House Harkonnen, the attack came at the best of the Emperor of the known universe, Shaddam IV (Christopher Walken). The Emperor believed that Duke Leto Atreides (Oscar Isaac, from Dune 1), was becoming a threat to his rule so he secretly supported and influenced House Harkonnen to take over the spice trade and destroy House Atreides. 

Unfortunately for the Emperor, the Harkonnen's failed to finish off House Atreides. Rumors are spreading fast regarding a leader having emerged among the Fremen, a warrior that many see as a possible messiah. The rumor goes further in stating that this supposed messiah is Paul Atreides, son of Leto and Lady Jessica (Rebecca Ferguson). Having been taken in by the Fremen, Paul and Lady Jessica have become members of the Fremen people with Paul taking on the name Paul Muad'Dib, and Lady Jessica accepting the role of the Reverend Mother of the Fremen, a challenge to her Bene Gesserit elder, played in both films by Charlotte Rampling. 

As the story picks up, Paul's place among the Fremen is assured just as his romance with Chani (Zendaya) is taking hold. The relationship between Paul and Chani is at the heart of Dune 2 as the script sets up a natural and heartbreaking conflict between the two, Chani's defiance over the idea of Paul as this messiah like figure and Paul's having to accept the role of messiah if he is to gain revenge against the Harkonnen's and the Emperor while securing the safety of the Fremen amid the growing conflict. This conflict between the freedom of the soul versus the notion of God's will is a terrific conflict and Chalamet and Zendaya make you feel every inch of that conflict in their dueling performances. 

Read my full length review at Geeks.Media 

Movie Review Guardians of the Galaxy Vol. #3

Guardians of the Galaxy Vol. #3 

Directed by James Gunn 

Written by James Gunn

Starring Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Pom Klementieff, Karen Gillan, Sean Gunn, Will Poulter, Vin Diesel, Chukwudi Iwuji 

Release Date May 5th, 2023 

Published May 3rd, 2023 

Guardians of the Galaxy Vol. #3 arrives at a strange time for a Marvel movie. The Marvel film universe appears, in many ways, to be in decline in relevance and popularity. The biggest stars such as Robert Downey Jr, Scarlett Johansson, and Chris Evans, have left the MCU and the fan base is growing impatient with how the latest phase of this universe is unfolding. Add to that, Guardians writer-director James Gunn who has already abandoned Marvel to take over the leadership of the D.C Film Universe even as his final MCU movie is only now arriving in theaters. 

Guardians of the Galaxy Vol. #3 is feeling like a bit of an afterthought. Intended as a coda to James Gunn's little corner of the Marvel Universe, the film has the feel of an afterthought as well. The villain pales in comparison to Kurt Russell's towering Ego in Volume 2, the lack of the Peter Quill-Gamora dynamic feels like a pivot that no one in the Guardians universe wanted to make but were forced into, and what has replaced that dynamic here feels quite slapped together and unwelcome. 

The story of Guardians of the Galaxy Vol. 3 picks up on an outpost called Knowhere. The Guardians and their allies are regrouping for their next gig, saving the universe when someone brings the fight to them. Adam Warlock (Will Poulter), glimpsed in a post-credits sequence in Volume 2, comes to Knowhere with the intent of kidnapping Rocket (Bradley Cooper). He's here on the orders of the Grand High Evolutionary (Chukwudi Iwuji), the man who created Rocket many years earlier. 

The Guardians turn back Warlock but not before he nearly kills Rocket. The rest of the plot will center on the gang having to enact a heist to steal the plans they need to save Rocket's life. This will involve a reunion with Gamora (Zoe Saldana), now a member of The Ravagers, who has no memory of her other life as a member of the Guardians. She's a completely different person than the Gamora the Guardians knew and she angrily asserts just how much she doesn't know the family she'd had in another life. She's willing to help out of sympathy for her sister, Nebula (Karen Gillan), but she'd rather killer Peter than listen to any of his memory of who she might have been before. 

Find my full length review at Geeks.Media 

Spoiler Alert: Character Arcs and Functionality in Knock at the Cabin

Knock at the Cabin (2023)

Directed by M. Night Shyamalan 

Written by M. Night Shyamalan 

Starring Dave Bautista, Nikki Amuka Bird, Kristin Cui, Rupert Grint, Jonathan Groff, Abby Quinn, Ben Aldridge 

Release Date February 3rd, 2023 

Published February 3rd, 2023 

Knock at the Cabin is a horror thriller about the apocalypse. Four characters, played by Dave Bautista, Abby Quinn, Rupert Grint, and Nikki Amuka Bird, travel to a cabin in Pennsylvania where they hope to avert a worldwide apocalypse. To do this, they must convince a family of three, played by Jonathan Groff, Ben Aldridge and their daughter played by Kristin Cui, to willing sacrifice one member of their family. The four visitors have had a shared vision of the future and received a vague prophecy related to this specific cabin and whoever lives there. 

In this article we are going to examine the character arcs and how they function in M. Night Shyamalan's nightmare fantasy of the end of the world. To do that, there will be spoilers. If you are wanting to see Knock at the Cabin, you should see the movie first and then come back and engage with this article. 

Leonard - Played by Dave Bautista, over the course of Knock at the Cabin we learn that Leonard is a schoolteacher and that he coaches middle school sports. Leonard is big and imposing but has a gentle quality as he demonstrates upon meeting Wen, the young daughter of Eric and Andrew. As he joins Wen to catch Grasshoppers for a school project, Leonard gently works to make Wen comfortable before he is compelled to reveal why he has come to this mostly empty stretch of Pennsylvania forest. 

Leonard is the de-facto leader of the four people who come to the cabin. It's Leonard who reveals the prophecy and the details of the apocalypse and that each of his fellow visitors will die until Eric and Andrew make a decision about which of them should die to save humanity. And that's pretty much it. Leonard appears wise and Dave Bautista invests him with a particular passion that is very compelling but, he doesn't change much as we see him. The biggest change in Leonard's life happens entirely off-screen. 

By the time that Leonard has arrived at the cabin, he's a devotee of this apocalypse plan and doesn't waver. Perhaps his arc is coming to accept his own fate, dying by his own hand, but again, it's not an arc. Instead of having an arc where he starts at one point of an emotional or physical journey, Leonard is a functional character. Leonard exists to motivate change in Eric and Andrew. I am not saying this as a negative critique, I'm just establishing how he functions in this story. 

Abby - Abby is a line cook and a mother of a son named Charlie. She enjoys cooking and likes making people happy. Like Leonard, the biggest arc of her life happened off screen. Finding Leonard and the rest via a message board and going to Pennsylvania to carry out their role in trying to prevent the apocalypse, happens before we meet Abby. What we see of Abby is that she is manic, anxious, and a little panicked. And that never changes until her character is killed to set off another plague of the apocalypse. Like Leonard, she functions as a motivator for Andrew and Eric. 

Sabrina - Sabrina is a nurse and a supremely kind woman. Though she uses a weapon to break into the cabin in violent fashion, when Eric is injured during the home invasion, Sabrina tends to him and cares for him. She goes out of her way to make Eric comfortable as he has suffered a concussion during the brawl. It's likely just how she was as a nurse, a caring, loving presence. Like her fellow visitors, her arc happened offscreen as she went from a full time nurse with a family to someone who drove 6 hours to be at this place, at this time, to try and stop the apocalypse. Her death doesn't go as planned but she seems prepared to accept it when it comes. 

Redmond - Redmond is the last of our foursome and the only one who gets a scene outside of the main narrative. Redmond is belligerent and agitated but that's explained by the fact that he knows he's the first to die if Andrew and Eric fail to make a choice. It will come about through the arguing back and forth between Eric and Leonard, that Redmond knew Eric and Andrew before coming to the cabin. As Eric recalls, Redmond approached him and Andrew at a bar in Boston and assaulted Eric with a beer bottle after having overheard the two men professing their love to each other. 

Find my full length Spoiler Alert Article at Geeks.Media. 

Movie Review Glass Onion A Knives Out Mystery

Glass Onion A Knives Out Mystery (2022) 

Directed by Rian Johnson 

Written by Rian Johnson 

Starring Daniel Craig, Janelle Monae, Edward Norton, Kate Hudson 

Release Date November 23rd, 2022 

Netflix Release Date December 23rd, 2022 

Years ago, movies were home to terrific detective characters. For whatever reason, the character of the independent investigator fell out of favor. Perhaps its because independent detectives have rarely been relevant in real life since the days of Humphrey Bogart, or the rise of television gave detectives a more generous home, movie detectives had been in decline for years until 2019 when filmmaker Rian Johnson reminded us how much fun the detective genre can be with his ingenious mystery, Knives Out. 

With the release of Glass Onion A Knives Out Mystery, we have proof positive that the detective genre is back with a vengeance. This mystery finds the world's greatest detective Benoit Blanc languishing in the boredom of the pandemic before having his intellect revived with a new case that gets him back into the world. Delivering another career best performance, Daniel Craig gives Benoit Blanc a life and charm that echoes through the history of detectives on film, a brand new colorful icon for this beloved sub-genre. 

A group of 'friends' have received an invitation to the private island of a billionaire named Miles (Edward Norton). All of the guests are Miles' long time friends but they are also people whose livelihoods and financial well being are linked to the benevolence of Miles and his bank roll. In this group is a regularly cancelled former model, Birdie Jay (Kate Hudson), a superstar Twitch Streamer turned Mens Rights Advocate, Duke (Dave Bautista), his model girlfriend Whiskey (Madelyn Cline), a liberal Gubernatorial candidate, Claire (Kathryn Hahn), and a boundary pushing scientest, Lionel (Leslie Odom Jr.) who may have completely solved our environmental crisis or may be about to blow up the planet. 

Interestingly, and quite unexpectedly, another guest for this murder mystery party is Miles' former business partner and best friend, Cassandra (Janelle Monae). This is quite surprising as Cassandra had just sued Miles after ending their business partnership. Miles stole her idea and used his vast army of lawyers to destroy Cassandra while convincing their mutual friends, the other guests at this party, to lie for him in court. So that's awkward. 

Even more interestingly, who invited Benoit Blanc? Benoit received the same strange puzzle box invitation that everyone else did and yet, Miles did not know that the world's greatest detective had been invited to his murder mystery themed weekend. This adds to the layers upon layers of mystery and intrigue that writer-director Rian Johnson has built into this exquisite mystery. But this is no mere mystery, Glass Onion A Knives Out Mystery is also hilariously funny. This group of brilliant actors get laughs effortlessly and organically, never too broad or unrealistically. 

Click here for my full length review at Geeks.Media. 

Movie Review: Escape Plan 2 Hades

Escape Plan 2 Hades (2018) 

Directed by Steven C. Miller

Written by Miles Chapman 

Starring Sylvester Stallone, Jesse Metcalf, Dave Bautista, Curtis Jackson

Release Date June 29th, 2018

Published June 29th, 2018 

I have seen amateur movies on YouTube, shot on an IPhone, that have better special effects than the cheeseball fluff featured in the new movie Escape Plan 2: Hades. This Sylvester Stallone starring sequel to the not-so-great to begin with, 2013 feature, Escape Plan starring Sly and Arnold Schwarzenegger, is among the worst movies of 2018. Bad special effects, inept direction, and abysmal editing make Escape Plan 2: Hades, nearly impossible to endure.

Once again Stallone is playing the character of security expert Ray Breslin. Here Ray and his team, including Jesse Metcalf, Curtis “50 Cent” Jackson and Jamie King, are hired to rescue hostages in a foreign country by developing an executing an ‘escape plan,’ get it? When the escape plan goes bad, Ray is forced to part ways with two members of his team, Jasper (Wes Chatham) and Shu (Xiaming Huong).

After firing Jasper, Ray let’s Shu take  a leave of absence and from there, Shu goes home to Thailand and reunites with his cousin, a tech millionaire. The cousin is wanted for his deus ex machina technology and when he’s kidnapped, Shu gets taken as well. The two end up in Hades, a state of the art prison, said to be inescapable. Naturally, when Ray finds out his buddy is missing he knows what he needs, as escape plan.

My plot description is intentionally snarky but the movie deserves it. Little care is taken by director Stephen C. Miller to make Escape Plan 2: Hades watchable so the film deserves my condescending descriptors. Miller’s direction is borderline haphazard, as if we’re lucky when he’s able to plant his camera in the direction of the actors. The editing is employed to try and hide the directorial and storytelling deficiencies, using quick cuts to try and distract from the bad production design and bored acting.

Sly Stallone looks as if he’s not getting enough sleep these days. His speech has always been a tad slow but here, words fall from his mouth as if pushed with great effort but little energy or life. He doesn’t appear to care much about what he’s saying and comes off as content to deliver the minimum effort needed for his check. Director Miller tries to cover for his star’s disinterest by giving newcomer Xiaming Huong most of the heavy lifting but his martial arts can’t overcome Miller’s inability to capture martial arts in a visually interesting fashion.

The fight scenes in Escape Plan 2: Hades are nearly as sloppy as the special effects are laughable. Huong appears to be a capable fighter but the slapdash camera work and quick cut editing do more to hide his abilities than to exploit them. There are times during major fight scenes where it was impossible to even locate the lead characters amid the chaos of the staging of these scenes.

The CGI of Escape Plan 2 is camp level bad. The effects rendering on something as routine as muzzle flair from a handgun are laughably inept with tiny fireballs that look like cotton candy popping out of a gun. A big explosion in the opening of the film looked like an effect from the legendary modern bad movie Birdemic: Shock and Terror. That film however, at the very least, was entertainingly terrible, Escape Plan 2: Hades is merely embarrassingly cringe inducing.

Just what the heck was Dave Bautista thinking when he accepted this role? Was he desperate to share the screen with Sly Stallone? Bautista is billed as the second star of Escape Plan, equal to Stallone and yet he’s barely in the movie. Bautista doesn’t even have a fight scene, content to just hold a gun in one scene and fire the gun while lightly jogging toward danger later in the movie. Bautista matches Stallone’s lack of energy with his own barely there performance.

Escape Plan 2: Hades was supposed to be released theatrically, nationwide this weekend but someone thought better of that idea. Instead, this abysmal effort will haunt the DVD and Blu Ray racks as of Friday, tempting Stallone completists and those who can be tricked into thinking Bautista is doing another Drax like character. Don’t be fooled, Bautista is barely there and Stallone, in a sense, is barely there as well in one of the worst movies of 2018.

Movie Review Stuber

Stuber (2019) 

Directed by Michael Dowse

Written by Tripper Clancy 

Starring Kumail Nanjiani, Dave Bautista

Release Date July 12th, 2019 

Published July 12th, 2019 

Sometimes the appeal of a movie has nothing to do with what the movie is about but how the movie is about its subject. Stuber is a good example of this phenomenon. Judging Stuber by its cover the first thing you notice is a terrible title, a pun on the main character’s name and his part time profession as an Uber driver, and a rather generic, mismatched buddy comedy with fish out of water characters. 

That judgemental, surface perception of Stuber is pretty on the nose about what the movie is but thankfully, in execution, there is something slightly more to Stuber. In executing the same old cliches of the past, Stuber director Michael Dowse has upcycled those cliches via his two terrific stars. Kumail Nanjiani and Dave Bautista may be enacting the familiar tropes of mismatched buddies past but they are having so much fun doing it that they make those tropes feel fresh again. 

Stuber stars Kumail Nanjiani as Stu, a part time sporting goods store employee who moonlights as an Uber driver. Stu’s routine, mundane life is about to be upended by his latest rideshare customer, Vic (Dave Bautista). Vic is a police detective on the trail of the drug dealer who murdered his partner. On this particular day, Vic gets a tip from an informant that may lead to the killer but unfortunately, Vic has just gotten lasik surgery and cannot see to drive. 

Vic’s daughter, Nicole (Natalie Morales) happens to have just hooked her dad up with the Uber app, mostly so that she won’t have to haul him anywhere herself. Thus how Vic meets Stu and eventually takes him hostage and makes him his unlikely partner in a night filled with mayhem including gun fights, car chases and near death experiences. Along the way, naturally, Stu and Vic will become friends and that is the true heart of Stuber. 

The first act of Stuber plays on the cliches of the masculine, man’s man Vic and the consummate metrosexual millennial Stu, butting heads over their view of what makes a man a man. For Vic, manhood is having been left in a forest overnight by his father as a pre-teen child with only a pen knife to get him through the night. Stu clocks that story as a form of abuse while rejecting the notion that manhood has anything to do with physical trials. 

So yeah, the story of Stuber isn’t particularly special. Thankfully, Kumail Nanjiani is special for his dynamic with the burly and brusque Bautista. These two are clearly having a great deal of fun butting heads with each other and riffing great jokes off of what are otherwise well worn cliches of the action comedy genre. I could sit here for a while and describe the plot failings of Stuber but I was too busy laughing to catalog the film’s issues. 

The jokes come fast and furious in Stuber with Nanjiani throwing everything at the wall and director Michael Dowse keeping up a breakneck comic pace that covers for the few jokes that don’t land. The jokes aren’t memorable or brilliant, more often I found myself laughing despite myself. The speed and timing of Stuber matter as much or more than the actual content of the joke. Kumail Nanjiani is one of the funniest people on the planet right now and Stuber takes full advantage of his remarkable talent, 

Stuber isn’t going to win any awards or be remembered long after it is in theaters but while you are there, it’s pretty entertaining. The makers of Stuber don’t try too hard to make the film memorable, they just want to make you laugh and for the most part, they succeed. Stuber is really funny even as the plot is so predictable that you could set your watch by the cliches on hand. Kumail Nanjiani is perhaps my favorite comic presence in movies today. Even his Men in Black International alien was entertaining and that movie was a steaming pile. 

I do hope that Kumail dedicates himself to better material in the future but for now, I am glad to see him having fun in a big, silly, action movie. Not every movie has to be a transcendent work of humanity, humor and art like Kumail’s The Big Sick. Sometimes, a movie is just a big piece of cake, a rich, not so good for you, sugary mess that tastes delicious, even as it isn’t exactly good for you. Stuber is a piece of cake.