Despicable Me 3
Directed by Kyle Balda, Pierre Coffin, Eric Guillon
Written by Cinco Paul, Ken Daurio
Starring Steve Carell, Kristen Wiig, Trey Parker
Release Date June 30th, 2017
Despicable Me 3: A Study in Mediocrity
Despicable Me 3 is a film that embodies mediocrity. It's so unremarkable, so devoid of any distinguishing characteristics, that it's challenging to find the motivation to write about it. The film's mediocrity is so profound that it's more taxing to find the energy to articulate words about it than to analyze its lackluster qualities.
The story picks up with Gru, the former supervillain turned hero, and his wife Lucy, as they pursue the latest supervillain, Balthazar Bratt, a washed-up child star stuck in the 80s who uses bubble gum and Rubik's cubes as weapons. The premise is mildly amusing for a few minutes but quickly becomes tiresome and forgettable.
As if one uninspired plot wasn't enough, the film introduces Gru's twin brother, Dru. The humor surrounding Dru relies on the fact that he's physically fit, has a full head of hair, and is inept at villainy. The film also attempts to mine humor from Gru's mother's cruel decision to conceal the existence of his brother and her blatant favoritism. The addition of a creepy subplot involving Gru's mother and her inappropriate behavior towards her male swim coaches further contributes to the film's lack of comedic success.
The Minions, those ubiquitous yellow creatures, are relegated to their own subplot. They abandon Gru to return to a life of crime, which leads to their imprisonment and a couple of musical numbers. Their inclusion feels obligatory, driven by the need to maintain their marketability and ensure the continued production of Minion-related merchandise.
The original Despicable Me possessed a certain charm that stemmed from the heartwarming story of a villain's redemption through his love for a group of adorable orphans. The film featured compelling characters, clear stakes, and a nuanced perspective on Gru's character, who was ultimately a good person in need of affection.
However, the sequel squandered its potential by prioritizing the commercialization of the Minions over meaningful storytelling. By the third film, any semblance of charm or heart has vanished, leaving behind mere competence. Despicable Me 3 isn't actively offensive, but it's not funny either. The animation is passable but unremarkable.
The film's most significant flaw is its sheer existence. The Despicable Me franchise has devolved into a cynical marketing ploy, a vehicle for selling toys and other merchandise. The immense talent and resources involved in the film's production are now dedicated to peddling low-quality products.
In contrast, even when Pixar succumbs to commercialism, there's a sense of effort and artistry in their work. Cars 3, despite its flaws, demonstrates a genuine care for its characters and boasts masterful animation. In the world of Illumination, the studio behind Despicable Me, characters are reduced to mere commodities, while animators and voice actors labor to deliver a product that meets the bare minimum of acceptability.