Showing posts with label Rupert Everett. Show all posts
Showing posts with label Rupert Everett. Show all posts

Movie Review Shrek 2

Shrek 2 (2004) 

Directed by Andrew Adamson, Kelly Asbury, Conrad Vernon

Written by Andrew Adamson, Joe Stillman, David N. Weiss

Starring Mike Myers, Cameron Diaz, Eddie Murphy, Julie Andrews, Antonio Banderas, Rupert Everett

Release Date May 19th, 2004 

Published May 18th, 2004 

In 2000, Shrek came out of nowhere and became a box office phenomena. While only spending one weekend at the top of the box office, the film’s buzz sustained it at the box office to the tune of $267 million domestically.

More important than the film’s box office was its quality. One of the rare and wonderful examples of what is possible when animation technology meets talented voice actors, producers and writers. An animated film with as much appeal to adults as to children. The sequel cannot be asked to meet that same lofty standard. That it doesn't spoil our memory of the first film is good enough.

As we rejoin our friends shortly after their wedding, Shrek (Mike Myers) and Fiona (Cameron Diaz) are on their honeymoon. The opening of the film is a terrific sendup of those romantic comedy montages set to some silly pop song with Shrek and Fiona cavorting in a meadow, running toward each other both being chased by pitch fork toting mobs.

Once back in the swamp, they are reunited with Donkey (Eddie Murphy). They are informed that they have been invited to the kingdom of Far Far Away where Fiona's parents King Harold (John Cleese) and Queen Lillian (Julie Andrews) wish to throw them a royal ball to celebrate their marriage. Shrek is convinced it's a bad idea but Fiona insists they go, even allowing Donkey to join them for the long journey that is best described "Are we there yet?”

No surprise to Shrek, when they arrive and are not greeted with open arms by the King and Queen. There is more to this story than the King's objecting to his daughter marrying an Ogre. It seems the King had cut a deal with the Fairy Godmother (Jennifer Saunders) that promised Prince Charming (Rupert Everett) would save Fiona from her castle and marry her, thus becoming heir to the throne. The King owes Fairy Godmother for some yet to be revealed reason and so he must get rid of Shrek and allow Charming to take his place.

For this, the King buys the services of a legendary Ogre killer named Puss in Boots (Antonio Banderas) whose efforts are less than successful. From there, Shrek and Fiona are separated and various miscommunications and mistaken identities serve to keep them apart. Shrek, Donkey and their new friend Puss in Boots must find a way to get Fiona back.

It's not a complicated story, it's a simple setup for the scatological humor that drips from every scene. Each computer-generated frame of Shrek 2 has some kind of satirical jab, even more than the original film. It almost reeks of desperation as if the producers and writers of Shrek 2 felt something was missing from the first film and were going to cover it up with excess jokes.

There is something missing from the sequel though I can't quite explain what it is. Part of the problem is that Shrek's look and animation isn't as special as it was back in 2000. Since then we have seen Monsters Inc., Finding Nemo and Ice Age and even live action films like Van Helsing and Spider-man that have made us comfortable with computer animation. It's not that special anymore, it's still impressive but not as mind blowing as the original.

Shrek 2 is not as funny as the first film but it is still funnier than most. Credit the terrific voice cast who project every line of dialogue all the way to the back wall of the theater. Especially good is Antonio Banderas who really tears into the role of Puss In Boots with tremendous comic fervor. Banderas sends up his Mask Of Zorro titular role and the script hints at something that other Zorro movies have used as subtext, something that the kids in the audience won't get but parents will likely pick up.

The other new voices are also well cast. John Cleese picks up the pompous, overblown King role where his good friend John Lithgow left it in the original. Jennifer Saunders makes a terrific villain and even knocks out a rousing showstopper tune near the end. Sadly, Julie Andrews is underused with little to do in the underwritten role of the Queen.


The film’s best assets are still Mike Myers, Cameron Diaz and Eddie Murphy. These terrific comics know how to deliver a punchline and the way the animators incorporate the actors' physical traits into the animated characters adds to the feeling that they are really inhabiting these characters. Listen closely however and you might hear Myers dropping out of his Scottish accent, but that is a minor quibble.

To ask Shrek 2 to recreate the magic of the first film is asking way too much. The best it could do was not taint our memory and that it does it justice with funny references to everything from Spider-man to The Wizard Of Oz to Raiders of The Lost Ark. That it does not fall to sequels and exist merely to capitalize off the original’s success is a testament to the creative team behind it. They put forth an effort to tell a story rather than slapping together a money machine meant to print money off our fondness for the first film.

Movie Review The Importance of Being Earnest

The Importance of Being Earnest (2002) 

Directed by Oliver Parker 

Written by Oliver Parker

Starring Rupert Everett, Reese Witherspoon, Colin Firth, Frances O'Connor, Dame Judi Dench

Release Date May 17th, 2002

Published May 17th, 2002 

When considering the works of Oscar Wilde one should wonder what this most quotable of writers would say of our current culture. Wilde believed that art should not be popular, and when you consider modern American cinema you might say that we have achieved Wilde's belief. Indeed art in modern American cinema is not popular. Popular as defined as gaining widespread viewership and appreciation. Think of the best filmmaking in this day and age, the most artistic works are very often the least seen. Such is the case with the most recent of Oscar Wilde's works adapted for the screen The Importance Of Being Earnest, artistically brilliant but by previous definition not popular.

The film was adapted and directed by Oliver Parker who previously adapted Wilde's An Ideal Husband to great artistic and little popular success. Parker here re-teams with his Ideal Husband star Rupert Everett, who takes the role of Algernon. One of those brilliant cads who seems to have endless charm and wit yet never a job or responsibility. Algernon's closest friend is Earnest or rather Jack depending on who he is speaking to. Earnest-Jack is played by Colin Firth as an English nobleman who keeps up the appearance of class by taking the name Earnest when in the city and the more respectable name of Jack when at his country estate. Complications arise when as Earnest he meets the woman of his dreams Gwendolyn (Frances O'Connor). Gwendolyn knows him only as Earnest and has a particular affinity for the name that makes confessing his real identity very difficult.

Back at Jack's country estate his new ward Cecily (Reese Witherspoon) is nursing a small crush on the man she only knows as Jack, that is until a visit from Algernon. Of course this too has complications as Jack has warned Algernon to stay away from the country house and especially Cecily. So while Jack is in the city trying to win the hand of Gwendolyn, Algernon travels to the country to meet Cecily. Of course he cannot go as Algernon because the staff would send him away so HE takes on the name Earnest and poses as Jack's brother. Meanwhile Jack as Earnest is trying to convince Gwendolyn's mother Lady Bracknell (Dame Judi Dench) that he is of proper breeding to marry her daughter. Unfortunately his family history is conspicuous at best.

Well everyone knows where this story is going as similar more recent stories have populated films for years. With Oscar Wilde it is never about where the story is going but how it gets there. Getting there in a Wilde story is all about witty repartee and The Importance of Being Earnest overflows with quotable dialogue and farce. Dame Judi Dench especially gets on with the witty dialogue, it seems every line from her character is memorable. Indeed each character's dialogue is so good the story becomes superfluous.

Director Oliver Parker perfectly captures the spirit of Wilde's text, just as he did in An Ideal Husband and he surprisingly tops that film’s sly humor. The performances by Colin Firth and Rupert Everett are superb, especially Everett who seems to have been born for this material. Reese Witherspoon puts on a strong English accent and wears it well. She has a couple of brilliant scenes with Frances O'Conner, likely the funniest in the film.

If I had any complaints about the film they would be that the story goes beyond meaningless. There really is no meaning in the film whatsoever, which may actually have been Wilde's aim, but it strikes a false chord. In fact at the very end of the film Wilde's dialogue calls the whole film’s story into question with a subtle reference to the film’s title that implied an entirely different story altogether. To explain it would ruin the surprise, but it was a reference that in Wilde's time was a scandalous aside despite now having less meaning and impact. See it for yourself if you can figure out the meaning let me know.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...