Movie Review: War Horse

War Horse (2011) 

Directed by Steven Spielberg 

Written by Lee Hall, Richard Curtis

Starring Emily Watson, David Thewlis, Peter Mullan, Jeremy Irvine 

Release Date December 25th, 2011 

Published December 25th, 2011

There is one truly great scene in Steven Speilberg's "War Horse." The scene involves the hero horse escaping from torture minded German soldiers, racing through a field covered in barbed wire. The horse manages to break through much of the barbed wire but eventually is taken down and looks to be dying a horrible death wrapped in barbed wire.

As the sun comes up British and German soldiers from opposite ends of this World War 1 battlefield see something moving in the middle of the battlefield and assume it may be a wounded soldier. White flags go up from both sides and a sentry is dispatched from each.

For a moment a tenuous peace is forged as two enemy soldiers work together to free the horse from the barbed wire. The dialogue, the acting and director Steven Speilberg's calm, observant style give this centerpiece scene in "War Horse" energy and excitement that is lacking in the rest of the film.

A Horse Named Joe

"War Horse" stars Jeremy Irvine as Albert, a farm boy with a loutish, drunken father (Peter Mullan) who brings home skinny horse more suited for racing than the plow horse he was supposed to purchase. Albert takes to the new horse and names it Joey.

When Albert's father sobers enough to realize what he's done he wants to shoot Joey. Albert and his mother (Emily Watson) manage to stop him at least long enough for Albert to try to teach Joey how to draw the plow over the rocky shoals of the family farmland.

Albert's task becomes a spectacle as their landlord, Mr. Lyons (David Thewlis) brings a crowd to watch what he expects will be a major failure. The plowing scenes are a solid piece of cinema; rousing and sympathetic but they are merely killing time until the major plot kicks in.

Separated by War

The major plot is World War 1 and Peter's father giving up Joey, against Albert's wishes, to the military cause. Joey becomes the property of Captain Nicholls (Tom Hiddleston) who promises to return Joey to Albert after the war. Sadly, Captain Nicholls underestimates the toll of the war ahead.

Will Joey be able to find his way back to Albert? Will Albert join the cause and search for Joey? Can either survive the horrors of the First World War? Good questions all and each has the potential to be very moving and entertaining.

"War Horse" is filled with potential mostly unrealized. Steven Speilberg's approach here is almost entirely homage with little of anything new or exciting. Individual scenes of "War Horse" capture Speilberg at his best but most of the film is a droning bore of tributes to War movies past.

Old School Meets New School

"War Horse" is the first film that Steven Speilberg edited digitally rather than with a traditional editing suite on the back of a flatbed truck. This move toward a more modern approach is somewhat ironic in that it is applied to one of the most old school movies of Speilberg's long and illustrious career.

"War Horse" is certainly not a bad movie but it's not a great movie either. The film will appeal to fans of old war movies as well as to fans of horse movies, a genre all its own. I recommend "War Horse" for the very particular group of fans I just mentioned; for everyone else "War Horse" shouldn't be your first choice until it arrives on DVD in 2012.

Movie Review The Woman in Black 2 Angel of Death

The Woman in Black 2 Angel of Death (2015) 

Directed by Tom Harper 

Written by Jon Croker 

Starring Phoebe Fox, Jeremy Irvine, Helen McCrory, Leanne Best 

Release Date January 2nd, 2015 

Published January 2nd, 2015 

If the ghost villain of “The Woman in Black: Angel of Death” can kill at will then why didn’t she just kill the hero characters when she had the chance? The answer to that seems to be that if she had simply killed the people attempting to thwart her plan to kidnap a little boy, there would not have been a movie. That, to me, is the worst possible answer to that question.

“The Woman in Black 2: Angel of Death” is a sequel to 2013 film that starred Daniel Radcliffe which was legitimately creepy and compelling. The sequel is set in the same rundown haunted mansion and is equally dark and foreboding as it was in the Radcliffe movie but the resultant film is far less compelling.

Unknown Phoebe Fox stars in “The Woman in Back 2: Angel of Death” as Eve Parkins, a teacher in World War 2 era England. With bombs falling on London children are being evacuated and Eve, along with veteran schoolmarm Mrs. Hogg (Helen McCrory), have been tasked with accompanying a group of children to a home in the remote countryside.

Unfortunately, the home located in the midst of rising and falling tides surrounding a barren island and muddy road, is already inhabited by the dangerous specter of a dead Governess. The evil presence in the home quickly chooses Edward (Oaklee Pendergast) as her target and thus begins a battle for the child between the ghost and Eve. Along for the ride is a World War 2 pilot, Harry (Jeremy Irvine) who provides Eve with a love interest and protector.

The only thing “The Woman in Black 2: Angel of Death” accomplished in its 98 minute runtime was to convince me to watch the first “Woman in Black” again. That film was filled with surprises including Daniel Radcliffe’s unpretentious starring performance. I went into “Woman in Black” referring to him as Harry Potter and came out respectfully using his actual name; a minor symbol of newfound respect.

The central issue I have with “The Woman in Black 2: Angel of Death” is that it never justifies its own existence. On top of being an unnecessary sequel, the plot fails to create a believably frightening scenario. The villain as established about midway through the film, can kill at will but does not do so because the plot needs her not to.

There are no rules established for this ‘Angel of Death.’ The ‘Angel of Death’ has a back story but the plot seems to assign her a child to fixate upon instead of giving a solid, logical reason for her choice. And then there is the simple matter of why the ‘Angel of Death’ allows Eve and her love interest to get in her way. Why doesn’t she just kill everyone? She clearly has the power as demonstrated by the modest body count on display.

The ‘Angel of Death’ doesn’t kill the plot protagonists simply because the muddy plot requires her not to and that is simply bad plotting. Even if the filmmaking had been more dynamic, the characters more memorable or the production design more ominous looking, the lack of a well reasoned plot would doom “The Woman in Black 2: Angel of Death.” Taken all together and you have a truly shoddy effort.