Movie Review Godzilla X Kong: The New Empire

Godzilla x Kong: The New Empire (2024) 

Directed by Adam Wingard 

Written by Terry Rossio, Simon Barrett, Jeremy Slater 

Starring Rebecca Hall, Bryan Tyree Henry, Dan Stevens Kaylee Hottle 

Release Date March 29th, 2024 

Published April 2nd, 2024 

My apathy towards Godzilla x Kong The New Empire knows no bounds. I saw the film a little before the release and was so unmoved by the movie that I forgot to write a review of it prior to the release. It's such a nonexistent movie for me that I have had to read through the Wiki description of the plot, more than once, to recall the plot of the movie. It's so boringly slick and stupidly loud that the only lasting impact Godzilla x Kong The New Empire had on me was a slight damage to my hearing in my right ear, I think I was too close to the speakers on the right side. 

Godzilla x Kong: The New Empire takes Godzilla and King Kong and makes them partners. It's a team up movie in the monster-verse. You can hear the marketing buzzwords bouncing off the walls. King Kong is struggling to adjust to life in Middle Earth, sorry, The Hollow Earth, the inside of the Earth where he hopes to find more giant apes like himself. Thus far, he's made no progress and has spent his time in pain from a toothache. Indeed, the opening act of Godzilla x Kong: The New Empire spends most of its time dealing with Kong's bad tooth. 

Rebecca Hall, gritting her teeth while picking up a big budget paycheck, returns to the franchise as Dr. Ilene Andrews, Monarch Corporation's leading expert on King Kong. It was Dr. Andrews who helped discover the hollow earth and helped get Kong there and away from Godzilla who remains on the surface of the Earth, protecting it by destroying large swaths of it when fighting other 'titans' for dominance. In a moment the movie sure thinks is cute, Godzilla uses the Colisseum in Rome as a Godzilla sized doggy bed. 

The plot kicks in when Godzilla becomes agitated by a signal coming from the hollow Earth. 

Find my full length review at Geeks.Media 

Movie Review: Colossal

Colossal (2017) 

Directed by Nacho Vigalondo 

Written by Nacho Vigalondo 

Starring Anne Hathaway, Jason Sudeikis, Dan Stevens, Tim Blake Nelson, Austin Stowell 

Release Date April 7th, 2017 

Published April 7th, 2017

As metaphors go, Godzilla has seen his fair share of interpretations. While most often Godzilla is a stand in for nuclear age mismanagement, the big guy has also been used to further environmental messages, anti-war messages and in his latest and most unique incarnation, in the comic-drama “Colossal,” Godzilla stands in for the emotional trauma people can inflict on others. As unique as “Colossal” is in the interpretation of the legendary movie monster it does adhere with the idea that the humans are nearly as monstrous as the monster we created.

Gloria (Anne Hathaway) is a mess. She has no direction, no job and few prospects. Oh, and Gloria has a serious problem with alcohol. Gloria’s issues finally come to head when her live-in boyfriend Tim (Dan Stevens) kicks her to the curb. With nowhere to go, Gloria returns to her childhood home, recently abandoned by her parents, and squats on mom and dad’s dime, eventually finding a job at a bar owned by her childhood friend Oscar (Jason Sudeikis).

I say that Oscar is Gloria’s friend but as the story of “Colossal” plays out the dynamic between Oscar and Gloria will evolve in some very unexpected ways. Unexpected is a hallmark of “Colossal” which comes to find that Gloria’s many, many issues have manifested through some sort of portal that links her thoughts and actions to a Godzilla like creature that wreaks havoc in South Korea each time Gloria goes a little too far in her self-centered partying.

This is no dream sequence in “Colossal.” The story here, crafted by veteran Spanish filmmaker Nacho Vigalondo, manifests Godzilla as a real monster that does attack South Korea and mimics the actions of Gloria who decides to turn her life around so that she can avoid killing thousands of people each time she gets drunk and rowdy. Oscar has his own connection to this unique manifestation but that would be far too spoiler heavy to reveal here.

“Collossal” is not at all the movie it appears to be in advertisements and trailers. The marketing for “Colossal” plays up the comic aspects of this story despite the comedy being almost incidental to the psycho-drama that the film becomes as it goes along. There is a darkness and complexity to “Colossal” that producers have apparently been attempting to hide from audiences on the assumption that people aren’t interested in a unique premise, they just want to think they are going to laugh.

As insulting as the marketing of “Colossal” unquestionably is, the film itself is rare and authentic, a work of a wonderfully inventive filmmaker. I am, in all honesty, not familiar with the work of Nacho Vigalondo. That said, “Colossal” is a fantastic introduction to a filmmaker with a unique vision and approach to storytelling. This is just the kind of original and exciting filmmaking that I hope we can encourage more of in the future.

Movie Review Vamps

Vamps (2012) 

Directed by Amy Heckerling 

Written by Amy Heckerling 

Starring Alicia Silverstone, Krysten Ritter, Sigourney Weaver, Dan Stevens, Richard Lewis, Wallace Shawn, Justin Kirk

Release Date November 2nd, 2012 

Published November 5th, 2012 

I could watch Krysten Ritter in just about anything. As the star of ABC's under-appreciated sitcom "Don't Trust the 'B' in Apartment 23" Ritter's acerbic wit sets the series apart from other shows that wish they could be as edgy and funny. Ritter has a fearlessness that never feels like an act. It's the same fearlessness Ritter brings to her role in the modest but pleasant living dead comedy "Vamps."

Don't Trust the Vamp

Goody (Alicia Silverstone) and Stacy (Ritter) seem like any other nightlife loving New Yorkers. The only difference is that they've loved the nightlife for a great deal longer than the kids they party with. Goody and Stacy are vampires; Goody for more than 100 years and Stacy since the 90's. The same 'Stem' Vampire played with devilish wit by Sigourney Weaver turned both.

"Vamps" turns on an unexpected and inconvenient romance. Stacy falls in love with Joey (Dan Stevens), a slightly tragic circumstance because Joey happens to be Joey Van Helsing, heir to the vampire hunting legend currently held by his father, played by the brilliant Wallace Shawn. In the course of events, it is revealed that Stacy could return to human form, thus offering her the chance to be with Joey, if her stem vampire is killed.

Alicia Silverstone and Richard Lewis?

Circumstances are much more complicated for Goody. You see, if the stem vampire were killed the girls would return to their real ages. For Stacy that means her early 40's. Goody however is over 100 years old and thus will herself die. There is also a complex romance for Goody who stumbles on a former lover played by Richard Lewis with a sad tale of his own.

Don't worry fans of director Amy Heckerling, the proceedings of "Vamps" are not nearly as bleak, or dramatic as my last paragraph makes them seem. "Vamps" maintains a lighthearted tone throughout and while I won't say the film is wall to wall laughs, it is as consistently amusing as you would expect from the director of "Clueless."

Hopping the Vampire Bandwagon

Many critics have accused Heckerling of jumping the Vampire bandwagon, citing the popularity of the 'Twilight' franchise as the inspiration for "Vamps." There is an element of truth to that but "Vamps" has enough juice in it's own story to stand well apart from the glum, goofy characters of Stephanie Meyers' money train.

Heckerling may be forcefully attempting to capture the zeitgeist but she also invests in this story, in both the laughs and the difficult choices her characters have to make and the unlikely dramatic circumstances they find themselves in. Also, let's credit Heckerling with her faithfulness to classic vampire lore, unlike the shiny ones of 'Twilight,' these "Vamps" avoid sunlight.

"Vamps doesn't approach the wit or charm of Heckerling's twin teen comedy masterworks, "Fast Times at Ridgemont High" or "Clueless," but it has an ease and good humor that many modern comedies can't muster. Add to that a terrifically game cast, especially the radiant Ms. Ritter, and you have a movie more than worth a stop at the Redbox.