Showing posts with label Michaelangelo Antonioni. Show all posts
Showing posts with label Michaelangelo Antonioni. Show all posts

Movie Review: Eros

Eros (2004) 

Directed by Steven Soderbergh, Michaelangelo Antonioni, Wong Kar Wai

Written by Wong Kar Wai, Steven Soderbergh, Torino Guerra

Starring Gong Li, Chang Chen, Alan Arkin, Robert Downey Jr, Regina Nemni 

Release Date April 8th, 2005 

Published August 18th, 2005 

Three brilliant directors come together for a series of short films under the title Eros. Wong Kar Wai, Steven Soderbergh and Michaelangelo Antonioni contribute short films to a trilogy that via the title Eros are about sex... or are they.

The Hand, Mr. Wong's contribution, is sexual in subtext but seems more about an unusual and somewhat disfunctional connection between two strangers. Chang Chen plays a tailor, a mere apprentice when we first meet him, who is assigned to make a dress for a high class prostitute, Ms. Hua played by Gong Li. In their first meeting Li's prostitute sexually humiliates the tailor. She claims it will make him a better tailor and she's right.

Soon he is inspired and continues for a number of years crafting beautiful outfits for the prostitute. The nature of the relationship is mostly business but as time passes and the prostitute falls on hard times she finds that the tailor, though he has never touched her, is the only man who has ever really known her body. The two have an erotic connection through the clothing that is more powerful than other relationship either has ever had.

I love the way Wong Kar Wai uses slow motion. By simply slowing the frames by a fraction and showing his actors moving at just slightly slower rate of speed he gives the impression of a montage without edits. The slow motion marks the slow passage of time. The film covers this relationship over a number of years and they pass in dreamlike fashion.

The Hand is unquestionably the best of the three films in Eros.

Steven Soderbergh's contribution to Eros is called Equilibrium and it stars Robert Downey Jr. as an ad executive and Alan Arkin as his shrink. Shot mostly in black and white the film has the look of a noir detective story with rascotro lighting, Downey wearing the traditional private dick garb, the fedora and trenchcoat and there is a mystery albeit one from a dream.

In the dream there is a beautiful naked stranger, a nondescript hotel room and a ringing phone. Dream analysts I'm sure could have a field day with this scenario however neither we nor Mr. Soderbergh is as interested in the dream as we are in the bizarre behavior of Arkin as the shrink. While Downey lays on the couch with his back turned and his eyes closed, Arkin is frantically trying to get the attention of someone outside his office window. What was the point of this film? I have no idea. I know it's exceptionally well shot. The look is beautiful and every angle Soderbergh chooses is very eye catching, often distracting from the somewhat meandering plot.

Equilibrium is an interesting exercise in filmmaking technique and maybe if you are more observant than me you can glean some hidden meaning from it. On that basis I recommend checking it out.

You however might as well skip Michaelangelo Antonioni's contribution to Eros, an Italian exercise in softcore porn called  The Dangerous Thread. The film is a pointless and painfully protracted exercise in female exploitation. As a couple argues about the end of their relationship, they pass a beautiful woman in a restaurant. The man asks if his soon to be ex knows the woman and she does. The woman lives in a castle just a few miles away. The man visits this beautiful stranger and with a few words they are in bed. Then the beautiful woman and the ex girlfriend each go for a walk on the beach in the nude. They meet somewhere in the middle and simply regard each other for a moment and the film ends.

I must say that Mr. Antonioni is a legend. I have seen his L'Avventurra and was blown away by its beauty. But now at more than 90 years old the master has become nothing more than an ogling old man. That is fine in private but on film it's rather tedious.

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