Showing posts with label Elisha Cuthbert. Show all posts
Showing posts with label Elisha Cuthbert. Show all posts

Movie Review: Captivity

Captivity (2007)

Directed by Roland Joffe 

Written by Larry Cohen 

Starring Elisha Cuthbert, Daniel Gillies, Laz Alonzo 

Release Date July 13th, 2007

Published July 13th, 2007

Director Roland Joffe made a splashy Hollywood debut with back to back Best Director Oscar nominations for 1984's The Killing Fields and 1986's The Mission. From there his career has been a precipitous freefall. He followed up The Mission with 1989's bloated cold war drama Fat Man and Little Boy and 1992's dull Patrick Swayze drama City of Joy.

Then Joffe really hit the skids. In 1996 Joffe teamed with then hot star Demi Moore for a remake of The Scarlett Letter that is now a legendary debacle. Joffe has worked only one other time in the past decade, a forgettable period piece called Vatel, and he returns to the big screen with yet another disastrous turn. His latest, Captivity , is an ugly little enterprise in brainless brutality.

Elisha Cuthbert stars in Captivity as Jenifer, a supermodel/actress who, as luck would have it for our central serial killer, travels the streets of New York with no bodyguard or boyfriend. Luckier still, she goes to a hot nightclub where she has no friends, acquaintances or hangers on of any kind, leaving her wide open to be drugged and carried off by some skeevy loser.

When Jenifer awakens, she finds herself locked in a cell where she will be repeatedly drugged and tortured. Thankfully, there is another captive next door, Gary (Daniel Gillies), who helps keep Jenifer sane and plan a way out of this situation. Along the way Jenifer and Gary fall for each other and more than just a little captive romance gets going, even as the two are tortured in tandem.

Rumor has it that director Roland Joffe crafted a more cerebral take on this material, less gore, more psychology. It is alleged that After Dark Films honcho Courtney Solomon rejected that cut and ordered re-shoots that eventually churned out this mind numbingly brutal exercise in torture porn ugliness. Whether that story is true or not, it's hard not to notice how some of the more disturbing, violent or just plain disgusting scenes in Captivity feel tacked on.

As this dopey plot unfolds, with one confoudingly ludicrous scene after another, it nearly becomes Ed Wood-ian in its overall ineptitude with director Roland Joffe not in the Ed Wood role but more like the sad, tragic, aged Bela Lugosi. Blissfully unaware of how awful the project is, Joffe plunges ahead with all the professionalism he can muster and does manage to keep the film looking as if it were directed with some talent.

However, the blundering storyline and ridiculous turns of plot undermine any attempt by Mr. Joffe to make Captivity anything more than an exercise in numbing sub-genre histrionics.

So what is the entertainment value of Captivity? Are we frightened? Not really, the flaws in the films logic remove much of any suspense. Are we disgusted? Yeah sure, but do you find that bubbling in your stomach as a character is force fed a human remains smoothie, entertaining? I don't. And so we are left with ogling star Elisha Cuthbert, something one could do in the privacy of their own home with an FHM Magazine and a far more satisfying result.

A quick disclaimer for you PETA members out there. There is a scene with a dog in Captivity that will have you rushing to the door to get a ticket refund. Save yourself the trouble of watching the scene, take my word for it, just start protesting now.

Captivity is really faux torture porn horror pic. The film is padded with extra gore and some disturbing images in the marketing to glom off the supposed cool of films like Hostel or Wolf Creek. In reality, Captivity is a bad movie tagged with extra violence and viscera as a marketing technique. Maybe that story about the reshoots is true but the logic was likely that Captivity is so bad as a psychological horror film that gory was the only way to give the film a pulse.

Whatever the reasoning, it didn't help. Gore or no gore, Captivity is simply a bad movie.

Movie Review The Girl Next Door

The Girl Next Door (2004) 

Directed by Luke Greenfield

Written by Luke Greenfield, Stuart Bloomberg, 3 Other Screenwriters

Starring Emile Hirsch, Elisha Cuthbert, Timothy Olyphant, James Remar, Paul Dano 

Release Date April 9th, 2004 

Published April 10th, 2004

When do you think Hollywood ran out of original ideas? It's been awhile I know that, but I never imagined just how bad things were until I saw the latest commercial campaign for the teen sex comedy The Girl Next Door. The ad campaign actually touts the film’s lack of an original idea, calling the film American Pie meets Risky Business. This isn't the first unoriginal idea but it's the rare example of a film that doesn't try to hide it in some way. The Girl Next Door comes right out and admits that it has not one original idea and watching the film reinforces just that.

Emile Hirsch stars as Matthew. He’s class president, valedictorian and on his way to law school at Georgetown University. That is until he meets the titular girl next door, Danielle (Elisha Cuthbert). The two kids meet cute as Matthew spies on Danielle from his bedroom window. She catches him and turns the tables on him, taking him out for some public humiliation, the funniest moment in the film.

From there begins a rather dull movie courtship where the straight-laced Matthew comes out of his shell with the help of the wild child Danielle. Like every romantic comedy, there is a roadblock and this one is a doozy. It seems that in a previous life, Danielle was a pornstar and her past is catching up with her in the form of her former director Kelly (Timothy Olyphant). Kelly wants her back in front of the camera and will do anything to get her back. It's up to Matthew and a pair of his high school buddies to help her find a way out.

I will give the ad campaign of the film a little credit, it doesn't lie. The film does indeed lift liberally from both American Pie and Risky Business. In fact, Risky's writer-director Paul Brickman should be seeking a writing credit and some compensation for the direct rip-offs employed by director Luke Greenfield and writers David Wagner and Brent Goldberg. Simply switch the film’s porno storyline with Risky's hooker storyline and you have nearly the same film. 

Whereas Tom Cruise's character becomes a pimp in order to pay off Rebecca Demornay's debt to Joe Pantoliano, Emile Hirsch's Matthew directs a porn film with the help of Danielle's porn star friends to pay off her debt to Timothy Olyphant’s Kelly. Where Cruise and Demornay have sex on the subway, Hirsch and Cuthbert have sex in a limousine. And on and on.

There was one good thing about Girl Next Door and that was the lovely Elisha Cuthbert who, despite a weak script that does her few favors, manages to shine with a sweet and sexy performance. Cuthbert helps Hirsch's rather weak performance when they are on screen together, but when it's just Hirsch, the star of the terrific indie film The Secret Lives Of Altar Boys, he and the film struggle mightily. Hirsch may have a bright future ahead of him but he needs to choose his scripts better. More Alter Boys style stuff and no more teen sex comedies.

The Girl Next Door is yet another example of cynical Hollywood filmmaking that puts demographics ahead of actual filmmaking. This is a film that was approved in the pitch meeting by executives who didn't care if there was a good script as long as they had the right amount of T&A; to parade in front of the camera and enough familiar elements to lull audiences into mindless nostalgia. I can't register honest surprise about this film but I can lament it and decry it.

Documentary Review Fallen

Fallen (2017)  Directed by Thomas Marchese  Written by Documentary  Starring Michael Chiklis  Release Date September 1st, 2017 Published Aug...