Showing posts with label Damian Lewis. Show all posts
Showing posts with label Damian Lewis. Show all posts

Movie Review: Your Highness

Your Highness (2011) 

Directed by David Gordon Green 

Written by Danny McBride, Ben Best 

Starring Danny McBride, James Franco, Natalie Portman, Zooey Deschanel, Justin Theroux, Damian Lewis

Release Date April 8th, 2011

Published April 8th, 2011

In "Your Highness" Danny McBride stars as Thaddeus, the loathsome younger brother of Fabious (James Franco), a heroic Knight and heir to the throne of Mourn. Thaddeus spends his days getting high and bedding chambermaids and is content to continue this lifestyle until Fabious returns from his latest quest with a new bride to be, Belladonna (Zooey Deschanel).

Dragons, Knights and Minotaur's oh my

Thaddeus is supposed to be his brother's best man at the wedding but he fails to show up, choosing to get high instead. While Thaddeus is M.I.A the wedding is attacked by the evil sorcerer Leezar (Justin Theroux) who takes Belladonna hostage with the intent of impregnating her as part an ancient ritual.

Now, Thaddeus will be forced by his father the King (Charles Dance) to join Fabious and his Knights on a quest to retrieve Belladonna or lose his part of the family fortune. Along the way there will be betrayals and dangerous detours into unfriendly kingdoms and a maiden, Isabel (Natalie Portman) who will join the quest and prove herself more than equal to Fabious and his Knights and of course very superior to Thaddeus.

Satire Fail

The plot of "Your Highness" is a derivative satire cum appreciation of cheesy period action movies like "Dragonslayer" and "Krull." "Your Highness" is pitched to a level of poking fun at these movies but in reality, "Your Highness" plays far less sarcastically than was, I believe, the original intent. It's not that "Your Highness" ever takes its adventure plot seriously but rather that the satire is less pointed than it should be.

That could also be a function of the complete lack of invention in all of the humor of "Your Highness." Random four letter words, penis jokes, bare breasts and marijuana are all alluded to and shown in "Your Highness" and yet none of it earned a laugh. Star Danny McBride, who also co-wrote the script for "Your Highness" with Ben Best, falls for the classic trap of thinking the mere presentation of the outrageous is funny.

Franco and Portman

James Franco is engagingly game as the heroic Fabious. The "127 Hours" Academy Award nominee is at times the only actor in "Your Highness" who understands the high satiric tone the film should be striving for; hitting his hero lines with the perfect mix of self awareness and pomposity. Unfortunately, the friendly chemistry Franco and McBride demonstrated in "Pineapple Express" is greatly lacking in "Your Highness."

Natalie Portman is the greatest victim of "Your Highness." Portman's Isabel fails as satire of comic book warrior chicks or as a send up of any recognizable movie character. Her comic delivery is stiff and her action heroine moments are so competent and believable that it fails as a satire of anything other than an idiot's notion of what women can or cannot do.

In the post-Ripley/Sarah Connor world it's simply not surprising or funny to see a woman kick ass and in the wake of overkill like "Sucker Punch" it's barely even titillating. So, one is left to wonder what function does Portman's character serve? If you have a good idea, I wouldn't mind hearing it.

Danny McBride has shown that he can be very funny in supporting roles in movies like "Pineapple Express" and "Tropic Thunder," among other films. Unfortunately, called upon to be a leading man he falls desperately flat. Worse yet, the satire of medieval adventure movies are just as flat and unfunny as McBride's lead performance.

"Your Highness" simply fails in every fashion.

Movie Review: Dreamcatcher

Dreamcatcher (2003) 

Directed by Lawrence Kasden

Written by William Goldman 

Starring Morgan Freeman, Thomas Jane, Jason Lee, Damian Lewis, Timothy Olyphant, Donnie Wahlberg

Release Date March 21st, 2003

Published March 20th, 2003 

For once Stephen King is publicly saying he likes a movie made from one of his books. Always his work’s harshest critic, King claims to never have been fully satisfied with any screen adaptation. However, the newest King adaptation, Dreamcatcher, has earned his seal of approval. That is likely because it is the most too-the-word adaptation of any of King's work. Dreamcatcher seems to go out of it's way to be faithful to King's vision, some might say that’s a good thing, some like myself disagree.

In Dreamcatcher we meet four guys, friends since childhood, who share the unique ability to communicate telepathically and read people’s minds. This ability stems from a childhood incident when they saved a retarded boy nicknamed Duddits from a group of bullies. Now adults, the four friends, Henry (Thomas Jane), Jonesy (Daniel Lewis), Beaver (Jason Lee) and Pete (Timothy Olyphant) planning a trip to a shared cabin in the woods. The trip is called off when Jonesy is nearly killed in a sick looking car accident.

Cut to six months later and the friends finally make it to the cabin. Jonesy, having survived the accident, seems normal but tells his friends that the accident was caused by a vision of their childhood friend Duddits. He doesn't blame Duddits for the accident but cannot explain the strange vision and especially how he survived the horrific accident.

This setup is very intriguing with good chemistry among the four actors and the character development and the use of the telepathy is very engaging. It entices the audience into what one hopes is an examination of these characters and theie abilities. Unfortunately, this is where Dreamcatcher flies off the rails and turns into yet another sci-fi/ horror schlockfest.

It is at this point that we meet Morgan Freeman and his insane General Kurtz. Kurtz is tracking the crash of an alien ship that contains aliens intent on spreading a virus that could wipe out humanity. As Kurtz searches for the ship, our four friends are witnesses to some freaky stuff. While Henry and Pete go on a beer run, Jonesy and Beaver take in a hunter who was lost in the woods. The hunter is very ill, as the number of loud farts coming out of him attest. It's not long before Jonesy and Beaver find out what's wrong with the guy, in a scene that makes John Hurt's ET indigestion in Alien look tame.

Now with Morgan Freeman in the film it would seem impervious to being bad, but oh how wrong you are. In fact, it is Freeman who provides many of the unintentionally funny moments of the film. Woefully miscast as a crazy man, Freeman should be playing the good guy role that went to Tom Sizemore. After all, who could possibly play crazy opposite Tom Sizemore? It’s worth noting that naming Freeman's General Kurtz is a cute little allusion to Apocolypse Now.

I mentioned just how faithful Dreamcatcher is to it's source material and though I haven't read it, I'm sure it is. What so many people don't realize about Stephen King's writing is, is how blatantly uncommercial it is. Oh sure it sells millions of copies, but that doesn't tell you how many people bought the book and were unable to make it all the way through it. This is the problem in faithfully adapting a King novel because most of his novels are far more gruesome than anyone would ever want to film.

Dreamcatcher, in being faithful to the original, took a risk that the disgusting elements of the writing and the outrageous plot twists would cause audiences to turn away or even walk out. Props for taking the risk, however it failed miserably.

Apparently Dreamcatcher isn't one of King's best because if this is a faithful adaptation it's an absolute mess. From ridiculous looking rejects from the Alien movies, to the cringe inducing dialogue, Dreamcatcher is at times a painful moviegoing experience. Schlocky sci-fi/horror on par with Resident Evil and Jason Goes to Space, or whatever the hell they called that Friday the 13th dud.

It's a real shame because the opening 35-40 minutes are pretty good and Director Lawrence Kasdan does a good job of building suspense throughout the beginning of the film. Why he drifted into horror movie cliches and sci-fi nastiness at a certain point in the film is maddening. It's a shame Kasdan decided to remain faithful to King when a director of his skill could have taken the strong start and taken the story in a more interesting direction.

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