Movie Review: X-Men The Last Stand

X-Men The Last Stand (2006) 

Directed by Brett Ratner 

Written by Simon Kinberg, Zak Penn 

Starring Hugh Jackman, Halle Berry, Patrick Stewart, Kelsey Grammer, Elliot Page, Shawn Ashmore

Release Date May 26th, 2006

Published May 25th, 2006 

Director Brett Ratner is a hack. That is the reputation he has earned over a career of nine features including two Rush Hour films (and soon a third), Red Dragon, The Family Man and After The Sunset. Each of these are examples of the basic mainstream formula pictures that few would call innovative or relevant. Ratner is a mainstream showman who works only from studio approved genre templates and thus, the label of hack, is appropriate. 

Ratner's style is safe, conventional and boring. So it was quite understandable that when Ratner was hired to direct the third film in the X-Men series, X-Men The Last Stand, longtime fans gnashed their teeth and prayed to whatever mutant god that controls such matters that Ratner not be allowed to screw up their beloved franchise too much. The fans prayers have been answered, for the most part. Though X-Men: The Last Stand has plot holes you could drive a truck through and cringe inducing moments unsuitable to the franchise, Ratner has not screwed the thing up too bad. Actually it's not that bad at all.

X3 turns on the idea that a wealthy industrialist has discovered a cure for the mutant X gene. It's a revelation that rocks the burgeoning mutant community at a time when a tentative peace had come between mutants and humans. The President of the United States (Josef Summer) even has created a dept. of mutant affairs headed up by a mutant, Dr. Hank McCoy aka Beast (Kelsey Grammer). The cure while good for some mutants is a divisive and even deadly issue for others.

Standing against the cure is Magneto (Ian McKellen) who, with his brotherhood of mutants, including Mystique (Rebecca Romijn) and Pyro (Aaron Stanford), plans to use the cure as a rallying cry for mutants to renew the war against humanity. Then there are our heroes the X-Men. Conflicted and confused, most are opposed to the idea that mutants are in need of a cure but against any kind of war with humanity, the X-Men are caught dead set in the middle.

In the midst of the controversy the X-Men face an even bigger crisis. Jean Grey (Famke Janssen), thought dead after the last major X-Men conflict, is alive but she is no longer the Jean Grey the team once knew. Her near death experience has released her secondary personality known as the Phoenix, a being of unimaginable and uncontrollable power and rage. With war on the horizon and Jean Grey an even greater danger than that war, X-Men The Last Stand is bursting at the seams with plot. 

Throw in the introductions of several long awaited X-Men characters and you can understand the herculean task that Director Brett Ratner endured in making X-Men The Last Stand. That X3 is as coherent as it is with all of that plot and so many characters is a credit to Ratner. Not that I can let him off the hook completely for the films many flaws but even the biggest Ratner hater out there must cut the guy some slack for the sheer massiveness of X-Men The Last Stand.

Where Ratner succeeds in X3 is in crafting some serious blockbuster action scenes. A fight with Wolverine (Hugh Jackman) and Storm (Halle Berry) facing down Magneto's brotherhood, including Pyro and new members including the super strong Juggernaut (a massively muscled up Vinny Jones) and the empathic speed demon Callisto (Dania Ramirez), is terrific, fast paced action and a terrific lead up to the films most shocking moment.

The ending is the films strongest moment as Wolverine is forced to face off with Jean Grey/Phoenix as she prepares to destroy the entire planet. The scene is exciting and emotional incorporating massive special effects and the entwined histories of these two characters into one powerhouse scene. Predominant amongst the films flaws however, are the younger X-Men, especially Shawn Ashmore as Iceman. The dewey eyed teenage Iceman is an emotional cypher who lacks power and presence. Iceman's main plot function is as the opposing element to Aaron Stanford's Pyro but since Stanford is also an underwhelming presence their time together onscreen is forgettable at best.

The less said about Iceman's romantic triangle subplot with Anna Paquin's Rogue and Elliot Page's Kitty Pride (the girl who can run through walls) the better. I could go on for several more paragraphs picking apart the flaws of X-Men The Last Stand even though I honestly believe that the good outweighs the bad. Brett Ratner's work is not exactly a masters class in direction but it is competent and professional and even thrilling when it really needs to be. The performances of the leads Hugh Jackman and Halle Berry are as good as they have been in the first two films with Jackman's wit becoming more prominent each time out. His work here makes talk of a Wolverine stand alone franchise something to look forward to.

Kelsey Grammer even cuts a surprisingly strong action hero figure as Beast. Fans of the comics have long looked forward to seeing the blue haired monster Dr. Hank McCoy with his unique combination of super strength, agility and erudite intelligence. Embodied by Kelsey Grammer, Beast has the gravitas of Dr. Frasier Crane combined with agility and strength of a classic comic book character. If you can put aside the flaws and concentrate on the terrific performances and often exceptional action scenes and shocking surprises of X-Men The Last Stand you will have a great time. X-Men The Last Stand is big time summer blockbuster entertainment.

Movie Review: The Ruins

The Ruins (2008) 

Directed by Carter Smith 

Written by Scott Smith 

Starring Jonathan Tucker, Jena Malone, Shawn Ashmore, Laura Ramsey, Joe Anderson 

Release Date April 4th, 2008

Published April 3rd, 2008 

For the past couple of years we have been saddled with horror porn assaulting moviegoers across the country with the ugliest possible images sick minds could think to film. This has served to both cause many critics to wretch uncontrollably and to distract critics from the other forms of junk horror being dumped onto the other screens. Take for instance The Ruins a goofball horror flick too squeamish to be horror porn but not smart enough or wild enough to be in the intellectual vain of Saw or the freewheeling thrills of Nightmare on Elm Street. Rather, The Ruins settles in to that awkward middle ground inhabited by junk horror like The Ring and The Grudge and other such ’The’ horror films.

Jonathan Tucker stars in The Ruins as Jeff a med student on vacation with his girlfriend Jenny (Jena Malone), her best friend Stacy (Laura Ramsey), and Stacy's boyfriend Eric (Shawn Ashmore). Together they have spent the week lounging by the pool and getting drunker and drunker. On their last day at this Mexican resort they have been enticed by a fellow traveler named Mathias (John Anderson) to get away from the drinks and the pool and get some culture. Mathias has a map to some ancient ruins that is not on any of the sanctioned maps of the countryside.

They will journey deep into the jungle where Mathias expects his brother will be waiting for them. The trip is not all that arduous, they find the ruins with little challenge. However, once they arrive at the ruins the tourists find themselves surrounded by locals who won’t let them leave. Their only option is to climb to the top of the ruins and hope the locals will leave. When the locals refuse to follow them and instead begin to quarantine the area, our heroes quickly realize there is something very wrong with these ruins. The vines and weeds that surround the the giant temple are coming to life and soon the ancient curse will reveal itself.

If we wanted to try and apply a meaning to The Ruins, perhaps, we could infer that he weeds that surround the ruins and begin sucking bodies into them, hissing at our heroes, crawling into and out of their bodies, could be seen as some kind of drug metaphor. The movie kind of reminded me of those extremely lame and heavy-handed ONDCP ads that show kids burning their possessions or building weed cocoons and emerging as middle aged fat guys. It's possible that the makers of The Ruins could be positing an anti-pot message that says if you smoke weed it invades your entire body, eating you from the inside out but that's a big stretch. Nothing in the movie indicates that anything means anything beyond being kind of gross. 

The Ruins is based on a novel by Scott B. Smith, and directed by Carter Smith and is typical of the junk horror genre that has delivered movies like Turistas or Cabin Fever. It features some of the same cardboard characters, the same shallow anti-American stereotypes, and the same Clearasil splashed teen heartthrobs who seem to gravitate toward death by serial killer or supernatural force in movies like this. There is absolutely nothing special, memorable, or remotely interesting in The Ruins. The film enacts a familiar plot in the most basic way, provides a couple of grossout moments and is over so fast you will likely forget you saw it before you get to your car.