Flags of Our Fathers (2006)
Directed by Clint Eastwood
Written by William Broyles Jr, Paul Haggis
Starring Ryan Phillippe, Jesse Bradford, Adam Beach, Paul Walker, John Slattery, Barry Pepper
Release Date October 20th, 2006
Published October 18th, 2006
Clint Eastwood has always been one of our most beloved and respected artists. However, it wasn't until recently; with the release of Mystic River and Million Dollar Baby that Eastwood rose to the rank of auteur alongside men like Scorsese and Altman, directors whose work is awaited, debated and more often than not breathlessly praised.
Clint Eastwood's latest effort is the most ambitious of his career. A two part film series that takes on the extraordinary battle of Iwo Jim from the perspective of both the Americans, in Flags of Our Fathers and the Japanese, in Letters From Iwo Jima. First up is Flags of Our Fathers, an epic of heroism, sacrifice, sadness and war.
When his father passed away James Bradley -on whose book and real life experiences the movie is based-began searching thru his things and found that his father was one of the flag raisers at the battle of Iwo Jima. The artifacts lead James Bradley to seek out Iwo Jima veterans and tell his father, Doc Bradley's (Ryan Phillippe) story.
Ostensibly, Flags of Our Fathers is the story behind, arguably, the most famous photo ever taken; the raising of the flag atop mount suribachi during the battle of Iwo Jima. What many may not realize is that the flag raising was not a gesture of having won the battle. The flag was raised a mere five days into what would become a 35 day conflict.
The photo was not what it seems either. The first flag raising wasn't captured well and when a politician who saw the photo requested to have the original flag a col, played by Robert Patrick, asked to have the original flag brought to him and a new flag raised. That second flag raising is what Joe Rosenthal immortalized but that was not the story that was sold to the American people.
Of the men who raised the flag; only three survived the remaining battle. The fame of the photo leads the three survivors, Doc, Rene (Jesse Bradford) and Ira (Adam Beach) to a modicum of celebrity. Plucked from the pacific theater and plopped into the middle of the war machine ad campaign, the so called 'heroes of Iwo Jima' became a rallying point for renewed American support for the war.
In 1945 support for the war was flagging. The economy was reeling from the expense and the treasury needed to raise 13 billion dollars to fund the war or risk giving in to Japanese demands. That was when Joe Rosenthal's iconic photo landed on the front page of every newspaper and reassured a weary country that this war was being won.
Becoming spokesman for the war and being hailed as heroes wherever they went was not as easy for the flag raisers as it might seem. Each man is haunted in their own way by what they witnessed and what they did during the battle. Most troubled of all is Irv who slowly comes apart at the seams over the horrors he witnessed.
Adam Beach gives a heart rending performance in Flags of Our Fathers. In war he was brave but overwhelmed. On the tour to raise funds for the war the horrors, combined with heavy drinking, begin to catch up with him. He eventually is given the chance to return to what is left of his unit but nothing could ever relieve him of the nightmares and his life is a tragic one. Beach's performance is nuanced and heartbreaking and the stuff Academy awards are made of.
The rest of the cast struggles to be separated from one another. Ryan Phillippe does a credible job as Doc Bradley, however, during the battle scenes you struggle to tell doc from any of the other soldiers on the field. The same could be said of Jesse Bradford as Rene who never saw much in the way of action as he was more often kept to the rear of the battle as a runner.
Rounding out the cast are a few more recognizable faces. Jaime Bell gives another riff on the clueless but loyal manchild he played in King Kong as Doc's loyal pal Iggy. Paul Walker and Barry Pepper give effective performances simply for showing up and being so recognizable. Because the battle scenes are so chaotic there is no time to meet everyone. Our psychic connection to these men is sympathy for their basic humanity but it is deepened by these recognizable faces.
Structurally Flags of Our Fathers bounces around time periods from modern times, where veterans recall the battle, to scenes prior to and during the battle that are intercut with scenes from the heroes tour of America. The lurching about can be confounding but this is not fatal flaw. Clint Eastwood's work is far too extraordinary to be damaged by some minor editing choices.
The battle scenes in Flags of Our Fathers rival the carnage and heroics of Speilberg's Saving Private Ryan, and Speilberg is a producer on Flags. The carnage, the torn and tortured bodies of thousands of American soldiers who gave their lives for this sliver of land, no bigger than New York City, is exceptionally and stunningly rendered.
Clint Eastwood's calm and assured direction of Flags Of Our Fathers helps us settle in to an unsettling and violent experience. Brilliantly balancing honoring our heroes while not overly sentimentalizing them, Eastwood crafts a film that pays tribute without begging for your love and your sympathy. Never falling back on patriotic asides, Flags of Our Fathers earns your admiration by telling a true story in a most compelling and heartbreaking fashion.
Letters From Iwo Jima, Eastwood's Japanese based follow up to Flags of Our Fathers will be released in February. Ken Watanabe stars as the leader of Japanese forces in the battle. The verisimilitude of this venture only serves to deepen the stories being told. On it's own Flags of Our Fathers is a powerful, moving even heartbreaking story. Imagining what it will be like once we see it from the other side makes Flags of Our Fathers even more fascinating.
Flags of Our Fathers is a must see movie.
