Classic Movie Review Sleepaway Camp 2 & 3

Sleepaway Camp 2: Unhappy Campers (1988) and Sleepaway Camp 3: Teenage Wasteland (1989) 

Directed by Michael A. Simpson 

Written by Fritz Gordon 

Starring Pamela Springsteen 

Release Date August 26th, 1988 and August 13th 1989 

Published July 19th, 2023 

I notably did not care for 1983's Sleepaway Camp when I watched it recently and said so, loudly, in a review, linked here. I found the film unpleasant, awkwardly crafted, and acted with all of the energy and life of your average commercial for a local funeral home. There are few if any redeeming qualities to the original Sleepaway Camp and if it didn't have it's shock ending, the reveal of Angela being a teenage boy who'd been abused into playing the role of a shy teenage girl, Sleepaway Camp would have ended up on the ash heap of horror history. 

That schlocky, exploitative and gross ending appealed to the low tastes of many more forgiving slasher fans and thus, we still talk about Sleepaway Camp 40 years after it was released. I guess I could also credit the film for the bizarrely watchable, high camp performance of Desiree Gould as Angela's wildly over the top Aunt and abuser, but that's a very minor bit of enjoyment amid the misery that is Sleepaway Camp. There again though, I must pause to offer one more positive regarding Sleepaway Camp; it gave us Sleepaway Camp 2 and 3 and the glorious performance of the sadly forgotten, Pamela Springsteen. 

Yes, Bruce Springsteen's little sister, Pamela, starred in Sleepaway Camp 2 & 3, taking over the role of Angela from young Felissa Rose. It's a major upgrade. Springsteen's chipper slasher killer is a dark comic delight. With her big toothy grin and unhinged dedication to the goodness of going to camp, Springsteen's Angela is a complete refresh of the summer camp horror movie. Springsteen's take on the character is absolutely delightful, a bizarre combination of blood soaked violence and the eager enthusiasm of the ultimate apple polishing, teacher's pet. 

The story of Sleepaway Camp 2 is incredibly basic. A new camp has opened not far from the former Camp Arawak and the campers and counselors are eager to share the legend of Angela/Peter and her bloody rampage. Just as a new group is sharing Angela's story, Angela just shows up and immediately sets about punishing those that fail to live up to her standard as a happy camper. There is no attempt to hide Angela's villainy from us while the cluelessness of the campers is another fun bit of either intentional meta-comedy or poignant bad movie acting. 

The film rides the line between knowing and too knowing incredibly well, especially in Springsteen's performance. Springsteen plays every scene with the same chipper dedication and her wild-eyed nuttiness is the key to taking throwaway horror cliches and refreshing them with new, for the late 1980s, energy. We'd simply never seen a performance quite like that of Pamela Springsteen's smiling, wacky, comic energy take on a horror villain. It felt fresh and new and it still stands out all these years later. I find her to be completely hilarious and it appears to be entirely intentional while still maintaining a level of gore that befits the genre. 

Find my full length review at Horror.Media 

Classic Movie Review The Adventures of Baron Munchausen

The Adventures of Baron Munchausen (1989)

Directed by Terry Gilliam 

Written by Charles McKeown, Terry Gilliam 

Starring John Neville, Sarah Polley, Eric Idle, Robin Williams 

Release Date March 10th, 1989 

Published January 3rd, 2023 

Terry Gilliam's delirious, chaotic, and fantastic, The Adventures of Baron Munchausen, is now part of the Criterion Collection. Released in 1989, this wildly over the top, sensory overload inducing film remains, 34 years after release, as alive and full of imagination as ever. Even as special effects and cinematography have evolved past the somewhat aged looking Munchausen, Gilliam's dedication to practical effects gives his masterpiece a timeless look. 

The story of The Adventures of Baron Munchausen begins on the stage where an acting troupe is acting out the supposedly fictitious adventures of Baron Munchausen. The story kicks into gear when the real Baron Munchausen (John Neville), charges the stage and demands to be allowed to tell the story of his adventures correctly. Thus, the Baron launches into a fantastical story about his conflict with the Grand Turk, one that began with a reasonable wager and ended with the Baron and his men leaving with all of the wealth of the empire. 

The Baron's remarkable and vivid tale is interrupted when that same Grand Turk and his army begin to bombard the English city where this tale had been told. Caught off guard, it appears that the English are to be overrun by the Turks until the Baron makes a big movie, creates for himself an airship on which he will fly across the galaxy to gather his servants to help fight the Turks. Stowing away on the Baron's airship is Sally Salt (Sarah Polley), a plucky youngster who is one of the few who believes that the Baron's fantasies are real. 

And boy are they real as, indeed, the Baron takes Sally to the Moon where The King of the Moon (Robin Williams), imprisons them. There they are able to recover The Baron's top assistant, played by Eric Idle. Naturally, there is an amazing escape that leads to another remarkable adventure that includes a brief bit of romance wherein The Baron is smitten with the wife of a dangerous bandit king. Uma Thurman is luminous as the Queen while the inimitable Oliver Reed chews the very large and practically crafted sets. 

The Adventures of Baron Munchausen is a wildly imaginative masterwork. It's pure chaos but in the best possible way. The flights of fantasy and the visual delights never rest while the extraordinary cast provides even more color with big, broad, and hilarious performances. Star John Neville grounds the story with elegant dignity and roguish charm, while Sarah Polley never succumbs to the cliches of a plucky child sidekick. Her Sally is an urgent part of the plot as she plays the part of the Baron's conscience. 

Find my full length review at Geeks.Media. 

Movie Review: Who's Harry Crumb

Who's Harry Crumb (1989) 

Directed by Paul Flaherty

Written by Robert Conte, Peter Martin Wortmann

Starring John Candy, Jeffrey Jones, Annie Potts, Shawnee Smith

Release Date February 3rd, 1989

Published February 3rd, 2019 

Who’s Harry Crumb is a childhood guilty pleasure for me. This 1989 John Candy goof-around hit my 13 year old sensibilities square in the bullseye. Dorky, awkward and deeply silly, this detective spoof, for me, was peak John Candy. And that is saying something considering that John Candy was the defining comic face of my childhood. While others worshipped at the altar of the SNL crowd or Steve Martin or Eddie Murphy, John Candy was my comedian. 

Admittedly, much of John Candy’s work hasn’t aged well and Harry Crumb is a good example of that. Much of what John Candy did was variations on the big guy falls down style of humor, before Chris Farley picked up that mantle, but Who’s Harry Crumb at least wasn’t all humor based on Candy’s size. Most of Harry Crumb was based on the pure silliness of Candy’s persona, his talent for goofball antics and comic mimicry.

Who’s Harry Crumb stars John Candy as the titular detective, Harry Crumb. Hired to investigate the kidnapping of a millionaire’s daughter, Harry doesn’t know that he’s been hired specifically to screw up the case. Harry’s boss at the Crumb & Crumb detective agency, Eliot Draisen (Jeffrey Jones), specifically gave the case to Harry because Harry is the least competent detective in the agency. Eliot himself is behind the kidnapping of fashion model Jennifer Downing (Renee Coleman) and Eliot assumes that Harry can't possibly solve the case. 

Harry’s style is bizarre as he enjoys wild and elaborate costumes that he believes fool everyone when in reality, he’s fooling no one. Harry’s saving grace is Nikki (Shawnee Smith), the sister of Jennifer, the kidnapped model and the one person who believes that Harry can crack the case, if only with her help. The duo gets on the trail and despite Harry’s bizarre ways, they manage to crack a couple of leads.

No, as an adult viewer of Who’s Harry Crumb, I cannot defend this goofball nonsense. But, as a piece of loopy, childish, nostalgia, I still can’t get enough of this movie. It’s like fatty food, I know it’s not good for me, but Who’s Harry Crumb is really great junk food. It all comes back to John Candy who was among the most lovable lugs ever on the big screen. Candy, for a kid, was comic gold. His anything for a laugh approach never failed to hit me right in the funny bone. 

A scene set to Bonnie Tyler’s Holding Out for a Hero with Candy riding atop an airport staircase vehicle, chasing down the duo of Tim Thomerson and Annie Potts, is such a dumb and cliched scene but I could not stop laughing at it as a kid and the nostalgia makes it hold up for me today. If a movie today featured a similar scene I would probably complain but because it is Candy and it is Who’s Harry Crumb, I find it completely hysterical. 

A new edition of Who’s Harry Crumb is coming to DVD and Blu Ray on Tuesday and if you have young kids who love truly goofy humor based on daft characters falling down and dressing up in strange costumes, I kind of recommend this movie. It’s rated PG. Some of the costumes probably don’t hold up to modern standards of Political Correctness, but it’s hard to hold that against the movie and especially against the late Mr Candy who was always a good hearted goof.

Movie Review Lean on Me

Lean on Me (1989) 

Directed by John G. Avildsen 

Written by Michael Schiffer 

Starring Morgan Freeman, Beverly Todd, Robert Guillaume, Tony Todd 

Release Date March 3rd, 1989 

Published August 7th, 2002 

Morgan Freeman is one of the most commanding screen presences in film history. In great movies like Glory and Seven and even bad movies like Along Came A Spider and Deep Impact, Freeman's sharp intense stare gave his characters the respect and dignity that most characters have to earn.

In 1989's Lean On Me, Freeman took on the role of another commanding presence, that of the principle of New Jersey's ugliest High School, Eastside High. Crazy Joe Clark made national headlines with his promise too carry a baseball bat in the halls of the school and chain the schools exits to keep out the drug-dealers.

For over 10 years, Joe Clark was an elementary school principal chafing at his ineffectual position when school superintendent Dr. Napier (Robert "Benson" Guilliaume)offers Joe his dream job as principal at the school where he got his start, Paterson New Jersey's Eastside High School. Oh but things have changed a lot in the near 20 years since Joe had been at Eastside. Drug dealers now run the halls selling their product locker to locker. Gang members fought in class and teachers hid in the teacher’s lounge, too afraid to go to class.

While Eastside's staff is terrified by the students around them, there is no intimidating Joe Clark whose first act as principal is to expel the students who caused the most trouble. The expulsions touch off a firestorm of criticisms lead by Leona Barrett (Lynn Thigpen), the mother of one of the expelled students.

Clark's unusual tactics using bullhorns, baseball bats, and chains on the doors made national headlines in the mid 1980's. Those headlines are what inspired this film and may be the reason why the film feels disjointed at times. The editing of the film jumps the timelines ahead so quick that entire subplots are introduced and quickly discarded.

That criticism aside, Lean On Me is all about Freeman and his perfectly pitched performance. Using his unique vocal cadence, constantly annoyed and always near screaming, his voice and soul crushing gaze create an intimidating but charismatic character that makes you wonder what the real Joe Clark is like.

Joe Clark left Eastside in the early 1990's to accept a position at New Jersey's Essex County Youth Facility where once again his disciplinary style made national headlines. We will have to wait and see if that will be good enough for a sequel.

Movie Review Heathers

Heathers (1989) 

Directed by Michael Lehmann 

Written by Daniel Waters 

Starring Winona Ryder, Christian Slater, Shannen Doherty, Kim Walker, Lisanne Falk 

Release Date March 31st 1989 

Published March 31st 2009 

In the late 1980's, as the John Hughes boom began to wane, a film came along that exploded the teen movie genre and changed the way teen movies are seen forever. With it's twisted violence and sick humor, Heathers was a kick in the ass to any and all teen movies that came before it.Though it wasn't a huge hit in the moment, it worked to cement a budding legend in Winona Ryder while establishing Christian Slater as a heartthrob and a budding leading man in the Nicholson-Brando mold. 

The film stars Winona Ryder as Veronica, a member of the popular clique in her school, the Heathers, named for the other three girls in the group whose names were all Heather. Veronica, being the only member of the clique not named Heather, is a bit of an outcast leaving one to wonder why is she even in the group, a question she often asks herself. Veronica goes through the motions of watching her friends play cruel tricks on classmates and generally being obnoxious until she meets JD (Christian Slater).

JD is a misanthropic outcast with an intense dislike of the Heathers. Veronica falls for JD and the two set about avenging the misdeeds of the Heathers. Veronica's idea of vengeance is slightly different than JD's though. With Heather #1 (Kim Walker), Veronica just thinks they are going to make her sick with a combination of milk and orange juice, JD, however, wants to use Drano and various other household items. After eliminating Heather #1, Veronica and JD make Heather #1's death look like suicide.

Just how trendy are the Heather's, Heather 1's suicide makes the uber-bitch into a saint and makes suicide another trendy teen accessory. Veronica is horrified by what happened but equally horrified by the reaction of others to what happened. JD then convinces Veronica to undertake another staged suicide, this time it's two asshole jock football players who are dispatched as if they were a lovers suicide pact.

Once again the suicides turn the jerks into hero's and Veronica realizes JD's romantic notion of saving the school from the cliques and the jocks is actually a psychotic obsession. Winona Ryder is spectacular in what may be the best role of her career. Her delivery and timing is flawless, not to mention her chemistry with Slater who also swings for the fences and nails it. Slater's slow boil from broody boy-toy to Jack Nicholson in The Shining levels of kooky psychotic behavior is a dark comic delight. 

Heather's is cynical ironic and endlessly quotable. Nowadays, with political correctness being what it is this movie would be hard to make. That's not to say it can't be done but that it would take a great deal of savvy to find the right twisted buttons to push in this seemingly more sensitive time. Thankfully, Heathers exists as it is so who cares about whether it could be made again. The original is sharp, nasty, and completely hilarious today, yesterday and will remain so for years to come.