Movie Review Phantom Thread

Phantom Thread (2017) 

Directed by Paul Thomas Anderson 

Written by Paul Thomas Anderson

Starring Daniel Day Lewis, Lesley Manville, Vicky Krieps 

Release Date December 25th, 2017 

Phantom Thread is incredible. I’m not surprised by this; P.T Anderson has proven to be one of the most remarkable and consistently inventive directors of his era. Nothing surprises me about P.T Anderson crafting an incredible film. What did catch me off guard was the strange and fascinating way in which Phantom Thread is incredible. There is no predicting where this study of obsession and genius is headed.

Reynolds Woodcock, a name that could only belong to a character played by Daniel Day Lewis, is a famed London designer. Woodcock has dressed queens, princesses, movie stars, and many of the world’s moneyed elite. His attention to detail and peculiar sense of style is unmatched by designers of his day. This peculiar and obsessive manner, however, comes at the price of his relationships.

Woodcock can’t stand to be around anyone other than his sister, Cyril (Leslie Manville), who manages the House of Woodcock. Cyril’s duties include managing Reynolds’ business affairs and his personal affairs, such as when Reynolds tires of a female companion and cannot be bothered to be rid of them himself. Any early scene has Cyril sending a soon-to-be-former companion on her way barely batting an eye.

So averse to conflict or disruption is Reynolds that he takes off for his country home while Cyril clears out this latest affair. It’s not long, however, before Reynolds’ well trained eye has fallen on a new subject. While having breakfast at a country inn, Reynolds is smitten with Alma (Vicky Crieps). At first he is charmed by her awkward beauty but soon we find that he wishes to dress her, seeing her frame as perfect for his work.

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Movie Review Hostiles

Hostiles (2017) 

Directed by Scott Cooper 

Written by Scott Cooper 

Starring Christian Bale, Rosamund Pike, Wes Studi, Jesse Plemons, Ben Foster

Release Date December 22nd, 2017 

Scott Cooper is one of the most focused and intense filmmakers working today and the proof of that comes in his latest film, the western, Hostiles. Hostiles stars Christian Bale as military officer in the New Mexico territory who has spent over a decade fighting against Indians and securing the new American west from the people who rightfully owned that land.

Bale’s Captain Joseph Blocker is at the end of his military career when he’s told he has one more mission. The President of the United States has decided that Indians held as prisoners in the territories are to be freed and specifically, an Indian Chief named Yellow Hawk (Wes Studi) is to be returned to his native home in Montana. Because the Chief is in poor health and the passage from New Mexico to Montana is lengthy and dangerous, Blocker must assemble a group and accompany his former enemy.

The early scenes of Blocker protesting the assignment given to him by his commanding officer, played with imperious glee by Stephen Lang, are the lowpoint of Hostiles. Cooper mistakenly shoehorns a reporter from Harper’s Magazine, played by Bill Camp, who acts as Captain Exposition, calling out Blocker for his cruelty on the battlefield and reputation for brutally murdering innocent and warring Indians alike.

When Blocker’s pension is threatened, he finally relents but only after getting his best friend, Master Sgt. Metz (Rory Cochrane) as a member of his team. Metz had his guns taken away after their last mission and was headed toward retirement after being diagnosed with Melancholia, what we would recognize today as suicidal ideation. Giving him his guns back is Blocker’s misguided attempt at giving his friend purpose again.

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Movie Review Sheikh Jackson

Sheikh Jackson (2017) 

Directed by Amr Salama

Written by Amr Salama, Omar Khaled

Starring Ahmed El Fishawy, Ahmed Malek, Maged El Kedwany

Release Date September 11th, 2017 

Sheikh Jackson is a rare and wonderful movie. This Egyptian production directed by Amr Salama and co-written by Salama and Omar Khaled, tells the unique and touching story of a Muslim cleric who has a crisis of faith related to the death of Michael Jackson. The story is about a man confronting his faith, his past, his family and his very self and each step of the way, this measured and thoughtful drama rarely misses a beat.

Sheikh Jackson stars Ahmed El Feshawy as Sheikh, that’s what people call him anyway, a cleric, a prayer leader, who has found himself unable to cry recently. Tears are urgent reminders for Sheikh that he is in loving fearful worship of God. That he is finding himself unable to reach tears during burial ceremonies and daily prayers is a significant crisis; so significant that he seeks medical attention from a psychiatrist.

The story of Sheikh Jackson shifts back and forth in time with the modern Sheikh a deeply serious and pious man in crisis and the young Sheikh who was rebellious and came to idolize Michael Jackson as a way of getting closer to a girl he liked. There is also a connection between his love of The King of Pop and his late mother, but you will have to see the movie to find out more about that.

Sheikh’s crisis of faith happens to coincide with the death of Michael Jackson on June 25th, 2009. He doesn’t want to believe that something as superfluous and decadent as a teenage appreciation of an American pop star could cause the very foundation of his faith to be shaken but the journey, he goes on isn’t nearly that simple. It’s a journey home to memories of his mother and his brutish, bullying but loving father.

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Movie Review Insidious The Last Key

Insidious The Last Key (2018) 

Directed by Adam Robitel

Written by Leigh Whannell

Starring Lin Shaye, Angus Sampson, Leigh Whannell, Bruce Davison, Caitlin Gerard, Spencer Locke

Release Date January 5th, 2018 

I’ve finally figured out why I love the 'Insidious' franchise so much. It’s not that the franchise is all that better than most modern horror films, it still has the clumsiness and exposition laden dialogue and awkward humor that mark most low budget horror of the era. But, what 'Insidious' has over other modern horror movies is great characters. Genuinely likable, funny, and strong characters that we can really root for, especially Lyn Shaye’s brilliant Elise Rainier.

Insidious: The Last Key stars Lyn Shaye as Elise Rainier. Elise is a psychic who can speak to the dead and she’s made a business of it with her partners, Specs (Leigh Whannell, also the series screenwriter) and Tucker (Angus Simpson). Together they battle demons but their latest investigation is one that hits close to home, quite literally for Elise; this haunting is in her childhood home in Five Keys, New Mexico.

In an exceptional opening scene we are introduced to Elise as a child, played by Ava Colker). We find that Elise has always had the ability to speak to the dead, an ability that her mother encouraged and her father punished, quite violently. The opening scene finds Elise locked in her basement by her abusive father and suffering an immense tragedy in the fallout. The opening is exceptionally well-staged with a terrific jump scare and a genuinely moving bit of tragedy that only deepens our connection to Elise our franchise heroine.

Cut to Elise awakening from a dream in her home in California. Each dream for Elise is a piece of a puzzle she can use when she goes into 'The Further' that place between life and death where she battles demons for the souls of those who are taken. It is then that Elise receives a call from a man in New Mexico who has a haunting that happens to be in Elise's childhood home. The demons are calling her back to the place where her gift first took hold.

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Movie Review The Post

The Post (2017) 

Directed by Steven Spielberg

Written by Josh Singer, Liz Hannah

Starring Meryl Streep, Tom Hanks, Bob Odenkirk, Sarah Paulson, Tracy Letts, Bradley Whitford

Release Date December 22nd, 2017 

The Post is an of-the-moment history lesson about the important role of the media in America. Steven Spielberg has made arguably the most relevant movie of our political moment, given the way that President Trump has made attacking the media a staple of his public discourse. Casting two of America’s most beloved and respected actors in the lead roles only deepens the importance of The Post.

The title The Post refers to the Washington Post, which in 1971 battled the Nixon White House over the so-called Pentagon Papers. The Pentagon Papers refers to a study commissioned by then Secretary of State MacNamara, who tasked members of the Pentagon, including young genius, Daniel Ellsburg (Matthew Rhys), to study the state of the Vietnam War.

After not getting the positive returns that they had hoped to get, MacNamara lied to the media and tried to bury the report. Ellsburg then stole a copy of the report from Pentagon partners, The Rand Corporation, and made copies which he leaked to the New York Times. The Times began publishing the report in early 1971 in pieces before the Nixon White House took the Times to court to stop them.

This is where the Washington Post comes in. Spielberg picks up the story with a desperate Ben Bradlee (Tom Hanks) hammering his reporters to find out where the New York Times is getting their information. He wants a copy of the report so that the Post can publish them as well. While his reporters are scouring their sources, Bradlee’s boss, Katherine Graham (Meryl Streep) is battling with the board of directors over her position as owner of the company.

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Movie Review Raw

Raw (2017)

Directed by Julia Ducournau

Written by Julia Ducournau

Starring Garance Marillier, Ella Rumpf, Laurent Lucas 

Release Date March 15th, 2017

I hate the movie Raw. I hate every second of the movie Raw. This challenging cannibalistic French horror movie put me through the ringer for 99 challenging minutes and I hated it. And yet, I can’t say it isn’t a damn brilliant film. Director Julia Ducornau directs this movie with such surety, such confidence and with such undeniable wit that I have to admit my appreciation of the film as a work of art, even as I will never watch Raw ever again.

Raw stars Garance Marillier as Justine, an innocent young girl headed off to veterinary school. There, she is immediately subjected to hazing as the students are pulled from their beds by the upper classmen and are dragged through the halls before being taken to an all-night rave. There, Justine finally finds her older sister Alexia (Ella Rumpf) who was supposed to meet her earlier but left her to be found by the upper classmen, per the annual school ritual.

We are told that every freshman goes through a Hell Week like this where they are forced into all-night parties, must follow bizarre dress codes, and are covered in a substance that looks like blood. One of the hazing rituals requires the previously vegetarian Justine to eat the raw kidney of a rabbit. She refuses, but her sister steps in with force and she eats it. This sets off a series of shocking events that rise as the narrative rises and begins to turn your stomach.

I haven’t had an experience like Raw since I first saw Eli Roth’s Hostel. That film, however, lacks this movie’s precise tone and remarkable artistry. Where Hostel was shock for the sake of shock with the intent of making audiences vomit, Raw has a serious point on its mind, with allusions to women’s sexual awakening and freedom to the ways in which our society grinds up those who can’t compete to be consumed by those more prepared for a cutthroat world.

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Movie Review In the Fade

In the Fade (2017) 

Directed by Faith Akin

Written by Faith Akin

Starring Diane Kruger

Release Date November 23rd, 2017

Fatih Akin’s In the Fade was among the contenders for the Palme D’or at the 2017 Cannes Film Festival and is now the German entry for nomination for Best Foreign Film at the Academy Awards. It’s a well-accomplished film centered on a strong, emotional performance from Diane Kruger of Inglorious Bastards fame. I’m left to wonder unfortunately, if the film gets more attention for its shock ending than for much of what takes place in the narrative.

Diane Kruger stars in In the Fade as Katja. We meet Katja on her wedding day via shaky cam footage of her inside the prison where her fiancée, Nuri (Numan Acar) is being held on drug charges. Cut to several years later, Nuri is out of prison and owns his own accounting business. The couple now has a son named Rocco who Mom drops off with Dad before heading to a spa date with her sister.

When she returns to the office, it is surrounded by police and the offices is in flames. Someone bombed the office and police want to know if it is related to Nuri’s past as a drug dealer or perhaps due to ties with Kurdish Muslims from his home country, Turkey. What police fail to look into initially is a young, German, blonde who left a bicycle unattended outside the office that day. Katja saw her and remarked on her obvious Aryan heritage. The implicit answer is Nazi.

In the Fade starts at something of a crawl but picks up speed when we arrive at the trial which is tense and well filmed. Director Akin has well cast every part of this courtroom drama and I found it impossible not to become riveted, especially when Katja takes the stand and finds herself under the intense scrutiny of the Defense Attorney, played by Johannes Krisch.

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Movie Review Pitch Perfect 3

Pitch Perfect 3 (2017) 

Directed by Trish Sie

Written by Kay Cannon, Mike White

Starring Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Elizabeth Banks

Release Date December 22nd, 2017

Low expectations are sometimes key to enjoying a particular kind of movie. For example, the third movie in a franchise that was only barely capable of supporting one sequel. The trailer for Pitch Perfect 3 turned out to be the perfect introduction to the supposed finale of the Pitch Perfect trilogy. The trailer was so bad that I expected the characters in the movie to walk on screen, fart, and give me the finger before walking off. That would have been only a slight improvement over that trailer.

What a nice surprise then to find that Pitch Perfect 3 is way better than the trailer indicated. Sure, the film is yet another iteration of the comedy of the awkward pause which has come to plague modern comedy since its introduction in the mid-oughts, but those jokes really only hang around the first half of the film. In the second half we get actual funny jokes and a bizarre plot that works even as it has no business working.

We pick up the story of The Bellas, the A Cappella singing group at the center of this franchise, struggling to find their place in the real world. Becca (Anna Kendrick) has her dream job as a music producer turning into a nightmare when she deals with a talentless rapper who dislikes her changes to his terrible song. Fat Amy (Rebel Wilson) is out of work except for her street show performances as Fat Amy Winehouse and the rest of the Bellas are either bored or merely dissatisfied.

When the group mistakes an invitation to a party for an invitation to perform together at a party, they throw on their Bellas gear only to find humiliation and embarrassment waiting for them. Drowning their sorrows, they concoct a plan to get themselves on a USO Tour where they can at least spend time performing together. That the USO Tour also carries the opportunity to perform and tour with rap god D.J. Khaled makes it all the more exciting.

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Movie Review Molly's Game

Molly's Game (2017) 

Directed by Aaron Sorkin

Written by Aaron Sorkin

Starring Jessica Chastain, Idris Elba, Michael Cera, Jeremy Strong, Chris O'Dowd, Kevin Costner 

Release Date December 25th, 2017

Can one scene demonstrate why Aaron Sorkin’s directorial debut, Molly’s Game starring Jessica Chastain falls flat? Probably not, but in this article, I am going to demonstrate how one scene can shed light on the Aaron Sorkin style, why Idris Elba is not really an Aaron Sorkin kind of actor and just who is the Aaron Sorkin style of actor; here’s a hint, they were on The West Wing.

Molly’s Game stars Jessica Chastain in the somewhat true to life role of Molly Bloom, a woman the tabloids came to call ‘The Poker Princess.’ Molly was on her way to the Salt Lake City Olympics as a skier when she suffered a devastating crash injury and was sent into retirement. Instead of going to law school and starting her life, Molly decided to move to Los Angeles, where she goes to work for a high roller who runs a high stakes poker game.

Eventually, Molly takes over the game and begins a multi-million dollar run that came to an abrupt end when the Russian mob began invading her game and leading to the FBI raiding the game and arresting Molly. After Molly wrote a book about her time running high stakes poker games for celebrities, politicians, and tycoons, the FBI raided her again and arrested her.

All of this leads up to the scene we are going to discuss in this article. Molly needs a lawyer, and her fifth choice is Charley Jaffy, played by Idris Elba. Charlie doesn’t want to be Molly’s lawyer, but after a tense interview he can’t help but be intrigued enough to, at least, accompany her to her first hearing. Being that the Russian mob is involved, Charley brings along security and sits one of the beefy guards between himself and Molly.

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Movie Review Jumanji Welcome to the Jungle

Jumanji Welcome to the Jungle (2017) 

Directed by Jake Kasdan

Written by Chris McKenna, Erik Sommers, Scott Rosenberg, Jeff Pinker

Starring Dwayne The Rock Johnson, Karen Gillan, Jack Black, Kevin Hart, Nick Jonas

Release Date December 20th, 2017

I was not a fan of the noisy, roiling cacophony of special effects and sound that was Jumanji. Director Joe Johnson seemed to throw everything but the kitchen sink at the screen while Robin Williams whooped and hollered and obvious metaphors about family and fathers and sons occasionally forced their way through the chaos. Jumanji 1995 isn’t a terrible movie, but it just wasn’t my taste.

Jumanji: Welcome to the Jungle, however, is right in my sweet spot. The newest iteration of Jumanji from director Jake Kasdan and five screenwriters, may not be the best example of classic cinema, but it is a surefire spectacle. A great cast, solid special effects and solid direction of a chaotic story all come together to create a year-end blockbuster good for just about any audience.

Dwayne 'The Rock’ Johnson stars in Jumanji: Welcome to the Jungle as Dr. Smolder Bravestone, the videogame avatar of a nerd named Spencer (Alex Wolff). Spencer happened to be in detention when a fellow student and former friend from grade school, Fridge (Ser’Darius Blaine), found an old video game and the two decide to play it. Joining them is popular girl Bethany (Madison Iseman) and outsider Martha (Morgan Turner).

A prologue has shown us that the Jumanji game is capable of evolution. After being given as a gift to Alex (Joe Jonas), sometime in the late nineties, the game somehow turned itself into a video game from a board game and sucked Alex into the game. Now, Spencer and his detention friends are also sucked into the game and, as a group, they must use their avatars to navigate the game and stay alive in Jumanji.

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Movie Review Father Figures

Father Figures (2017) 

Directed by Lawrence Sher

Written by Justin Malen 

Starring Owen Wilson, Ed Helms, J.K Simmons, Katt Williams, Terry Bradshaw, Ving Rhames, Glenn Close, Christopher Walken

Release Date December 22nd, 2017

Was there a gun to someone’s head forcing them to make the movie Father Figures? I am struggling to understand how this movie exists. Father Figures stars Ed Helms and Owen Wilson as twins, we’ll get to that, who go on a road trip to visit men who may or may not be their biological father. The film seems to have been slapped together without much thought or care or with any semblance of humor.

Father Figures stars Owen Wilson as Kyle and Ed Helms as Peter. Kyle is a surfer bum who did some modeling as a younger man and lucked into a long-term gig as a beer spokesman. Life has always come quite easily to Kyle but not so much to his brother, Peter. Though he was always a good student, he was also geeky and shy and instead of pursuing the life he wanted he settled for becoming a proctologist. To give you an idea of the humor of Father Figures, apparently just saying the word proctologist counts as a joke.

So, Peter is jealous of Kyle, Kyle’s life isn’t the paradise he makes it out to be, lather, rinse, repeat. You’ve seen these characters in a dozen other similar comedies. The brothers don’t get along so their mother, Helen (Glen Close), concocts a scheme to bring them closer together. On the day she is getting married she tells her sons that she doesn’t know who their biological father is.

This angers both men causing them to rent a car and investigate mom’s sexual history to figure out who their biological father might be. Naturally, this is a very sensitive subject that can be very emotional and lead to many questions about personal identity and the makers of Father Figures just want to use it is as a poor excuse for a raunchy road comedy.

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Movie Review The Greatest Showman

The Greatest Showman (2017) 

Directed by Michael Gracey

Written by Bill Condon, Jenny Bicks

Starring Hugh Jackman, Zendaya, Zac Efron, Michelle Williams, Rebecca Ferguson

Release Date December 20th, 2017

The Greatest Showman is a musical with some inventive visuals and mostly brainless story. Were it not purporting to conflate P.T Barnum of all people to sainthood, I could probably watch it and dispose of it in due course. However, because this is P.T Barnum, one of the world’s foremost charlatans and con men, well, let’s just say that the idea of venerating him, sticks in my craw. Already this year, Hollywood has pretended that Winston Churchill was an inspiring, cuddly granddad and frankly, P.T Barnum is, for me, a bridge too far when it comes to revisionism.

Fans of the comedy/history podcast The Dollop know the real P.T Barnum. In a live recorded episode in Barnum’s adopted home of New York City, hosts Dave Anthony and Gareth Reynolds laid bare the legend of P.T Barnum in all of his phony, humbuggery, glory. As Dave wove the tale of P.T Barnum, from his time taking advantage of an aged, black woman whom he purchased from a fellow con man, to the time he fooled people into believing he’d procured a mermaid which turned out to be a horrifying combination of a monkey sewn to the body of a large fish, P.T Barnum is revealed in The Dollop to be a villain over and over again, no matter how willing and even entertained his victims may have been.

So, yes, I went to The Greatest Showman with a chip on my shoulder and one that remained there throughout the faltering run of witless pop anthems passing off mediocre messages of empowerment centered on a man who would have sooner been caught dead than be seen as anything other than above the people who bought tickets for his own show and especially above those who were performing for the price of that ticket.

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Movie Review Last Flag Flying

Last Flag Flying (2017) 

Directed by Richard Linklater

Written by Richard Linklater, Danny Ponicsan

Starring Steve Carell, Laurence Fishburne, Bryan Cranston

Release Date November 3rd, 2017

Last Flag Flying is a rare movie. It’s a daring depiction of the aftermath of death in a modern war. It’s an exploration of the hearts and minds of the people left behind. It’s also a movie that feels at times as if it isn’t going particularly anywhere and manages past fits and starts to reach a deeply affecting end. It’s the kind of mainstream drama that you expect Richard Linklater’s idiosyncratic style might render inert in the same neutered manner of his mainstream take on The Bad News Bears.

At times early on in Last Flag Flying, I found myself miffed at the trite nature of the characters. The ways in which Steve Carell’s sadsack Doc, Bryan Cranston’s obnoxious Sal, and Laurence Fishburne’s cranky priest Mueller fall so easily into sitcom type characters got on my nerves very early in the film and I prepared myself to write a review of the film that was not going to be fun to write. Then something began to change. Slowly but surely, the film began reeling me in and when it reached the end, I was a little teary-eyed as Bob Dylan’s warm tones flowed over the end credits.

Last Flag Flying tells the story of Doc, who attempts to reunite with his friends, Sal and Mueller. The three fought in Vietnam together and while Sal and Mueller remember taking on the much younger Doc, they also consider it a stretch of the term to call the kid a friend. Something happened near the end of the war that sent Doc to a military prison and prematurely ended their friendship, but Doc never forgot about his buddies. Now that he is facing the biggest crisis of his life with no family at home, his thoughts go back to his only friends.

For his part, Sal has been drinking away the memories of Vietnam for more than 30 years. Doc finds him at a bar in Virginia that he owns and somehow operates through his various stupors. Doc had already found Mueller and collects Sal to take him to see the sight of their formerly hellraising friend, now a Baptist Preacher. Doc soon after explains why he’s tracked down his army pals. His son was killed in action in Iraq, and he wants his only friends on hand to help him lay Larry Jr. to rest.

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Movie Review Good Time

Good Time (2017) 

Directed by Josh Safdie, Benny Safdie 

Written by Josh Safdie, Benny Safdie

Starring Robert Pattinson, Benny Safdie 

Release Date August 11th, 2017

Why don’t I love Good Time? So many of my critical colleagues adore the film and yet I can’t see the full appeal. I love the look of the film, a grimy, color saturated chase through the underbelly of small-time Brooklyn crime, but the story just leaves me cold. Scene after scene I keep waiting for the film to find another gear and kick into the movie that so many of my colleagues have raved about and it just never comes. What I am left with is a fine-looking movie with a terrific score that relies far too heavily on a contrivance-filled plot to get from one scene to the next.

Good Time stars a properly de-glammed Robert Pattinson as Connie. Connie is the overly protective brother of Nick, a troubled and mentally handicapped young man who we meet as he is perhaps being committed to a mental facility, the film isn't clear on this. Connie rescues his brother from this meeting, but his rescue is quickly revealed to have an ulterior motive. Connie has Nick join him in a low stakes bank robbery that unfolds with no sound, just a passing of notes.

This is one of several terrific sequences in Good Time but like so much of the film; it stands alone as a great piece of stage craft but not necessarily a great piece of film storytelling. Connie and Nick pull off the robbery, but they’re upended when a dye pack stuffed in their loot bag goes off and foils their getaway. Covered in pink dust they have to improvise but that only leads to more disaster as they are pegged by the cops and paranoid Nick decides to make a run for it, leading to his capture.

The rest of the narrative stems from Connie’s attempt to obtain bail money. With most of his stolen money unusable thanks to the dye pack he needs $10,000 more to free Nick from Riker’s Island. Here, he turns to a friend named Corey and played by Jennifer Jason Leigh in a rather needless cameo. Corey is a space cadet who could care less about Connie’s brother, she wants Connie to whisk her away on a vacation she’s deluded herself into thinking that Connie could afford or even be interested in.

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Movie Review Ferdinand

Ferdinand (2017) 

Directed by Carlos Saldanha 

Written by Robert L. Baird, Tim Federle, Brad Copeland 

Starring John Cena, Kate McKinnon

Release Date December 15th, 2017

Blue Sky Animation is the home of the truly mediocre in modern animation. The house that the awful Ice Age movies built is back again and apparently attempting to hide their latest bit of sub-par animation by opening Ferdinand opposite Star Wars: The Last Jedi. Smart move, Blue Sky. Burying Ferdinand is definitely the right call. No, the movie isn’t terrible, it’s just mediocre. And in a world where Pixar still rules, it’s not a bad idea to drop your more modestly ambitious products where few audiences will see it.

Ferdinand tells the story of a young bull, voiced by WWE legend John Cena. Young Ferdinand has decided at a very early age that he wants nothing to do with being a bullfighter. Ferdinand, you see, dear reader, loves flowers. That’s all the explanation you are going to get about young Ferdinand’s nature: he loves flowers. When his father, voiced by Jeremy Sisto, doesn’t return to the stable after facing down a matador, Ferdinand decides his best bet in making a run for it.

Through luck and guile, Ferdinand manages to get aboard a train and winds up outside of town and on the farm of a local gardener known for his fantastic flowers. Ferdinand is adopted and loved by Nina (Lily Day) and grows up with her until he becomes a 2,000 pound behemoth. No longer able to hide, Ferdinand gets himself captured when he can’t resist attending the local flower festival and ends up back on his old farm where he is now the biggest bull in the yard, and the one that the new matador has his eye on.

The animation in Ferdinand is good. It’s not Pixar good, but it’s good. The characters have a rubbery exterior that thankfully doesn’t press into the uncanny valley, but it’s also not particularly pretty, either. It’s just OK. The best animation is likely the three hedgehogs, voiced by Gina Rodriguez, Daveed Diggs and Gabriel Iglesias. The spiky hedgehogs are beautifully rendered, but they’re also underwritten and rarely ever funny, which is surprising given the talented voices behind them.

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Movie Review Star Wars: The Last Jedi

Star Wars The Last Jedi (2017) 

Directed by Rian Johnson 

Written by Rian Johnson 

Starring Carrie Fisher, Daisy Ridley, Adam Driver, Mark Hamill, Oscar Isaac, John Boyega 

Release Date December 15th, 2017 

The nostalgia is no longer mine when it comes to Star Wars. A new generation of fans has picked up the mantel and while I still have strong feelings for my childhood favorite film series, it no longer belongs to me and my generation. Star Wars: The Last Jedi affirms the fact that the franchise has transcended what George Lucas created and morphed into something new. Does that mean I didn’t enjoy it? No, it just means that all things pass and while Star Wars: The Last Jedi is a fine movie, it’s no longer something I have deep feelings about.

Star Wars: The Last Jedi picks up the story of the battle between The First Order, led by Supreme Emperor Snoke and his apprentice Kylo Ren (Adam Driver), and the Resistance led by General Leia Organa. As we join the story, the Resistance is in grave danger. A First Order destroyer ship is on the tail of the Resistance and preparing to blow Leia and her army out of the universe. This opening scene is shockingly funny and smart and exciting with an outstanding performance from Oscar Isaac as resistance pilot Poe Damron.

From there, the story will branch out into three narratives. The first is the Resistance eluding the Empire, I mean The First Order. The second finds our former storm-trooper turned hero, Finn (John Boyega), teaming with a newcomer named Rose (Kelly Marie Tran) to try to find a hacker who could provide them the key to helping the Resistance escape from the encroaching First Order. The final thread in this triple narrative follows Rey (Daisy Ridley) as she tries to convince Jedi Master Luke Skywalker (Mark Hamill) to return to the Resistance.

The third thread of the narrative is the most powerful with Rey exploring the light and the dark of The Force while Luke tries to overcome his fear after having lost Ben Solo to the dark side. Mark Hamill is Oscar caliber, I kid you not, as the wise and conflicted Luke, still impetuous and still with much to learn even as he has become a master. Daisy Ridley brings out the best in Hamill, and I can’t wait to see where this arc goes.

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Movie Review Just Getting Started

Just Getting Started (2017) 

Directed by Ron Shelton 

Written by Ron Shelton 

Starring Morgan Freeman, Tommy Lee Jones, Rene Russo, Joe Pantoliano, Glenn Headly 

Release Date December 8th, 2017 

Why does the movie Just Getting Started exist? Having seen this ghastly comedy, I can’t for a moment divine why anyone involved thought making this movie was a good idea. The jokes are creaky and unfunny; the story is past its sell by date and the direction is clumsy, bordering on amateurish? What type of blackmail was required to draw Morgan Freeman and Tommy Lee Jones to appear in this film? What kind of blackmail was required to get movie theaters to make space for this movie in the same month in which Star Wars The Last Jedi is being released?

Just Getting Started stars Morgan Freeman as Duke, the manager of a high end retirement home in Palm Springs. Duke is living the high life with numerous elderly girlfriends, a loyal coterie of cronies and a seemingly endless pile of cash that he takes out of the company till. But that isn’t even Duke’s biggest secret. He’s also a former mob lawyer who was installed at the retirement home as a cover for his witness protection.

Duke’s idyllic lie is interrupted by the arrival of Leo (Tommy Lee Jones). Leo moves in to the retirement community and immediately takes the attention of Duke’s lady friends. Then, he takes all of Duke’s ill-gotten cash in Duke’s weekly underground poker game. Leo even takes Duke on the golf course, though to be fair, their showdown was cut short by a cobra hidden in Duke’s bag. It appears that Duke’s secret has been uncovered and someone is trying to kill him and make it look like an accident.

Now you might think from my straightforward description that Leo’s appearance in the retirement community would not be coincidental to Duke’s being found by the mob but you would be wrong. I know, it seems like the perfect set up to perhaps have Jones be the hitman and the two battling wits perhaps? Nope! Or maybe Leo would be an undercover agent sent to infiltrate the home and keep Duke from getting wacked, but nope!

Find my full length review in the Geeks Community on Vocal 

Movie Review The Darkest Hour

The Darkest Hour (2017) 

Directed by Joe Wright 

Written by Anthony McCarten 

Starring Gary Oldman, Kristen Scott Thomas, Lily James, Stephen Dillane, Ben Mendelsohn 

Release Date November 22nd, 2017 

With the release of the movie Darkest Hour starring Gary Oldman, there has been a new reckoning with the legacy of Sir Winston Churchill, one that has brought to light some of Churchill’s more horrific qualities. On his podcast Revisionist History, journalist Malcolm Gladwell reflected on Churchill with specific criticisms about the legendary Prime Minister’s policies toward India, policies that many feel were driven by Churchill’s Hitler-like disdain for the Indian people. Then there was the policy of strategic bombing in Germany which may have actually extended the war by two more years even as Churchill is recalled as that war’s great, heroic leader.

There is also talk of Churchill’s treatment of black people and women, none of it flattering. These revelations have cast a pall over the legacy of one of largest and most vaunted figures of the 20th Century. Thus, the release of a movie which chooses to focus on making the Prime Minister's legacy more suitably entertaining, it’s natural to cast a side eye at such a movie. Or one may be driven to madness trying to balance the notion that Darkest Hour is a very good film but one which aims its greatness at a figure who may not be so great, or at the very least, not worthy of such historic hagiography.

May 1940

Darkest Hour stars the inimitable Gary Oldman in the role of Prime Minister Winston Churchill. The story picks up in May of 1940 in first days in which Mr. Churchill inherited the office of Prime Minister from the deposed Neville Chamberlain. Churchill was no one’s first choice, a suspicion confirmed by King Edward (Ben Mendelsohn) early in the film when he asks why Lord Halifax (Stephen Dillane), his choice for Prime Minister, had passed on the job.

Churchill is the only candidate that both parties in Parliament will accept as a war time Prime Minister, despite what the King describes as a litany of military failures dating back to World War 1. Even with Churchill being offered and accepting the position, it’s barely a day before backbiting and jockeying for position to replace him begins, all the while Europe is falling quickly as German Panzer tanks decimate Holland and Belgium and begin an assault on France that will eventually lead to the beaches of Dunkirk and England’s "finest hour."

Find my full length review on the Geeks Community on Vocal 

Movie Review Downsizing

Downsizing (2017) 

Directed by Alexander Payne 

Written by Alexander Payne, Jim Taylor 

Starring Matt Damon, Christoph Waltz, Hong Chau, Kristen Wiig 

Release Date December 22nd, 2017 

The soulful Alexander Payne has ventured into new territory with his part sci-fi, part romance, Downsizing. Starring Matt Damon, Downsizing tells the story of Paul Safranek, a Midwestern schlub dealing with the daily grind of a job he doesn’t love, a home he can’t afford, and a wife, Audrey, who may or may not love him, played by Kristen Wiig. Paul’s typical Midwestern domesticity is upended by the discovery of Downsizing which gives humanity the chance to shrink to about 5 inches tall and help save the environment by consuming less.

Paul and his wife are not immediate adapters to Downsizing. In fact, the process of Downsizing is nearly a decade old when Paul decides that he is interested in the process. Paul is particularly intrigued when he’s told by a friend played by Jason Sudeikis, that downsizing means living like a millionaire on the salary of a middle class nobody. Paul and his wife’s savings turn into millions of dollars in assets if they choose to downsize.

Where the film goes from there is a real trip. Paul undergoes the procedure and is set to live out his life at 5 inches tall. Audrey pulls out at the last possible moment and Paul is left to fend for himself in this strange new world called Leisureland. Losing half his mini fortune in the divorce (I have no insight as to why Kristen Wiig was cast for such a small role), Paul is forced to take on another job he doesn’t like and begins dating another woman he doesn’t particularly like and seems content to live the same life he lived at regular size.

Thankfully, Paul’s neighbor Dusan, played with charm by two-time Academy Award winner Christoph Waltz, has other plans for his new best friend. At a party at his neighbors' home Paul drops acid and has his first trip. Then in the aftermath he meets Ngoc Lan (Hong Chau) and the two become friends. At the behest of Ngoc Lan, Paul begins following his long ago dream of being a doctor, he was a physical therapist before Downsizing, treating those who may or may not have willingly downsized, a relatively minor but intriguing plot point.

Find my full length review in the Geeks Community on Vocal 

Movie Review Princess Cyd

Princess Cyd (2017) 

Directed by Stephen Cone

Written by Stephen Cone 

Starring Rebecca Spence, Jesse Pinnick, Ro White 

Release Date November 3rd, 2017 

Princess Cyd is a movie that may make you uncomfortable, but it will also charm you and make you laugh. The film is a frank discussion of a teenage girl discovering her sexuality and for many, me included, this is not an easily digestible subject. That said, Princess Cyd happens to be a remarkably sensitive, smart and funny coming of age story with fully realized and charming characters. It’s a film that reminds us all how important it is to talk about and explore topics we may find awkward or uncomfortable.

Cyd (Jesse Pinnick) is a 16-year-old girl who loves soccer and is perhaps a little too eager to start the adult portion of her life. When she is offered the chance to get away from her often-depressed father and stay with her Aunt Miranda (Rebecca Spence) in Chicago for several weeks she jumps at it. Miranda doesn’t know what she’s getting herself into. That’s not to say that Cyd is some bad girl troublemaker, but being middle-aged and childless, Miranda may not be ready for the challenge of a 16-year-old girl.

For her part, Miranda is a successful bestselling author who finds her love and fulfillment in her books and her many friendships. She’s happy to take Cyd on for a few weeks but when Cyd starts to challenge her life choices, things begin to get uncomfortable. Here, a lesser movie would set the stage for dramatic confrontations, big teary, showy arguments and some sort of dramatic falling out that leads to some stock reunion over string laden score. Thankfully, Princess Cyd is not that movie.

Written and directed by rising filmmaker Stephen Cone, Princess Cyd sets Cyd and Miranda at odds and then uses sensitivity, listening and understanding to carry the way toward a resolution. That may not sound exciting but when you’ve grown used to big, giant emotions in mainstream Hollywood movies, it’s nice to watch smart, sensitive characters work through their issues by having an intelligent and emotional conversation.

Find my full length review in the Geeks Community on Vocal