Showing posts with label Mariah Carey. Show all posts
Showing posts with label Mariah Carey. Show all posts

Movie Review Precioius Based on the Novel Push by Sapphire

Precious Based on the Novel Push by Sapphire (2009) 

Directed by Lee Daniels

Written by Geoffrey S. Fletcher 

Starring Gabourey Sidibe, Mo'Nique, Paula Patton, Mariah Carey, Lenny Kravitz

Release Date November 6th, 2009

Published November 5th, 2009

The last time I had a feeling like this was after watching the 9/11 movie United 93. That film left me with a mixture of awe and emptiness. On the one hand it is a remarkable film. On the other hand I could not imagine recommending the experience to anyone. People-watching the day the film was released; as audiences lined up with pop and popcorn in hand was a surreal and dispiriting experience. How could anyone eat popcorn while watching an accurate recreation of the horror of 9/11?

Precious left me with that same empty sadness. Do I appreciate aspects of the film? Yes, the acting in Precious is top notch. The problem is an overwhelming sadness and sense of despair that suffocates while the movie plays and lingers afterward. Like United 93, regardless of what's good about Precious, how can I recommend it?

At just 16 years old Clarice 'Precious' Jones (Gabourey Sidibe) is pregnant with her second child. Both children are born of rape; rape by Precious's own father, an abuse witnessed by her mother Mary (Mo'nique). Precious deals with these horrors by escaping into fantasies of fame where she walks the Hollywood red carpet with her light skinned boyfriend.

At school Precious can hardly read. She has like far too many American students been passed along by a system ill-equipped to deal with her level of trauma, abuse and an almost genetic trait of ignorance and despair. When she finally arrives at an alternative school, where she belonged all along, it's almost too late.

At this new school Precious finds uncommon kindness from her new teacher Ms. Rain (Paula Patton) and acceptance from her fellow alternative school classmates. Ms. Rain, like anyone else, is incapable of dealing with the Jovian hills heaped upon poor Precious but unlike so many others; she doesn't try and pass the buck. The film gets its most painful, emotional moments out of Precious and Ms. Rain's scenes.

Outside of the scenes between the newcomer Ms. Sidibe and Ms. Patton, Precious plays like a horror film with Mo'nique as a strange sort of villain who begs for our sympathy in the end for the horrors she brings, an Eli Roth ‘Hostel’ villain but with scruples. There is nothing wrong with Mo'nique's performance, it is effective and memorable, the issue is the amount of her time spent committing heinous abuse.

I understand wanting to demonstrate what Precious is up against but the repeated horrors contribute to a suffocating air of depression that does not allow audiences to feel anything else. Do you sympathize with Precious? I guess, but not in the way I'm sure is intended.

Precious is meant to elicit our sympathy and like a victim in a horror movie she has our sympathy on a basic human level. Once the horrors are piled on our sympathies deepen because Ms. Sidibe is a fine actress, but at a certain point the sadness, indignity and despair suffocate any and all feelings other than severe depression. I'm not saying lighten up, I'm saying there has to be a more effective way of making the point about Precious's circumstances than bludgeoning the audience with sorrow.  

I think the point that director Lee Daniels is trying to make in Precious is that there are girls like Precious out there and something needs to be done about it. That is an unquestionable fact. However, the movie is far from the most effective tool for doing something about it. The series of horrors depicted in Precious will not send audiences home with thoughts about fighting poverty and abuse; rather they will want to rid themselves of the experience of so much forlornness and melancholy.


Movie Review: Wisegirls

Wise Girls (2002 

Directed by David Anspaugh 

Written by John Meadows

Starring Mira Sorvino, Mariah Carey, Melora Waters

Release Date January 13th, 2002

Published February 12th, 2002

With all due respect to those of you with a marketing degree, there is no greater scourge in modern Hollywood than marketing. Say what you will about a film's marketing having nothing to do with the film's quality, the fact is that commercials, trailers and posters shape a viewer's point of view when seeing a film. The new-to-video Lions Gate release WiseGirls is a perfect case in point.

Everything in it's marketing would lead you to believe that Wisegirls is a comedy starring Mariah Carey, when in fact the film is a drama and Carey is merely a supporting character to Mira Sorvino's lead. I went in expecting a lame comedy and another chance to rip Mariah Carey's acting skills. Instead, I got a somewhat gripping mob drama from a female perspective that, because of it's marketing, will turn away many potential viewers.

Sorvino stars as Meg Kennedy, a former med school student who has moved to Long Island to live with her ailing grandmother and run away from her tragic past. With the help of her grandmother's caretaker. Meg finds work in an Italian restaurant that is run by the mob. At first Meg has no clue who she is working for, but her new friend Raychel (Carey) is quick to clue her in after one of their special clients accidentally shoots himself and needs Meg's medical training to save his life. 

Meg's first inclination is to quit but once she is clued into how much money she can make and how she would be able to care for her ailing grandmother, she puts aside her moral objections and keeps the job. In the meantime she and Raychel and another waitress named Kate (Melora Walters) bond and become close friends. That bond is tested after Meg witnesses her new boss murdering a man who attacked her. The authorities begin to close in on the restaurant, with particular interest in the things Meg witnessed, which include the murder and the drugs being funneled through the restaurant's kitchen.

WiseGirls is a rather surprising movie in it's first hour and twenty minutes. The film builds three very believable lead characters thanks to the strong performances of Sorvino, Waters and, I can't believe I'm saying this, Mariah Carey. Yes, its true, Mariah doesn't suck in WiseGirls. In fact, supporting character work seems to suit her. Her performance is relaxed and engaging, she makes Raychel a girl we all think we've met before.

It is Sorvino's performance that nearly pushes WiseGirls into being a good movie. Sorvino does a sensational job of earning the audiences sympathy. There's help from the script by John Meadows that allows her character to evolve in ways that are logical, if somewhat misguided. Sorvino's Meg shows the slippery slope that many of us could find ourselves on if we don't keep good company. Admit it, we all have that drug dealer friend that we only hang with in public for fear of being there when the cops bust him. The fact is that, much like six degrees of Kevin Bacon, we all have some connection to crime, organized or otherwise, and this film shows what happens when you allow those relationships to go to far.

Many reviews of this film have referred to the film's stereotypical mobster characters played by Arthur J. Nascarella and Christian Maelan amongst others. I honestly didn't think the stereotypes were as pronounced as most reviewers thought. The problem was the actors who seemed to be just going through the motions of their characters.

The biggest problem with WiseGirls is a serious one, it's ending. This film has possibly the worst ending of any film released in the last year. The ending is a total cop out and ruins any emotional crescendo that had risen into a strong cathartic moment. The ending ruined the movie for me.

That said, if you stop watching with maybe five or ten minutes left, you might walk away with a pleasant view of WiseGirls. But stay for those final moments, and you will be very disappointed.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...