Directed by: Chris Columbus

Written by: David Simkins

Starring: Elisabeth Shue, Keith Coogan, Anthony Rapp, Penelope Ann Miller

Release Date: July 3, 1987

⭐️⭐️⭐️½ (3.5 out of 5)

Revisit Adventures in Babysitting (1987), Chris Columbus’s charming directorial debut starring Elisabeth Shue. This 80s cult favorite blends teen comedy, suburban satire, and pure heart for an unforgettable night out in Chicago. A Lovable Relic of 80s Teen Comedy

 

When Adventures in Babysitting hit theaters in 1987, few could have guessed that this modest teen comedy would become such a beloved 80s relic. Directed by Chris Columbus in his feature debut and starring the effortlessly appealing Elisabeth Shue, the film captures both the reckless fun and innocent sweetness of a bygone era of studio comedies.

Now nearly four decades later, the movie remains a charming time capsule — a story about a young woman thrust into chaos, navigating danger, city lights, and clueless boys with the poise of a true hero. It’s not perfect, but it’s bursting with personality, humor, and a big, silly heart.

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Elisabeth Shue Shines as the Ultimate Babysitter

Elisabeth Shue plays Chris Parker, a suburban teen whose fancy date night gets canceled by her no-good boyfriend (a smarmy Bradley Whitford). With nothing better to do, she agrees to babysit the Anderson kids — Sara (Maia Brewton), an imaginative little girl obsessed with Thor, and her older brother Brad (Keith Coogan), who secretly adores Chris.

When Chris’s best friend Brenda (Penelope Ann Miller) calls in a panic from a Chicago bus station, Chris does what any self-respecting babysitter shouldn’t: she loads the kids into her mom’s station wagon and heads downtown to rescue her friend. Along for the ride is Brad’s wisecracking buddy Daryl (Anthony Rapp), who blackmails his way into the adventure.

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A Night in the City — and One Misadventure After Another

From a flat tire on the expressway to a run-in with car thieves, mobsters, and blues musicians, Adventures in Babysittingunfolds as a whirlwind of absurd urban escapades. The tone is pure slapstick adventure, but what makes the movie sing is how earnestly it commits to the fun.

There’s even an unforgettable scene in a blues club where the gang is forced to perform a song about — you guessed it — babysitting. It’s utterly ridiculous, yet somehow delightful, especially with legendary bluesman Albert Collins on guitar.

Chris Columbus’s direction is rough around the edges, but that scrappiness gives the film its charm. The Chicago streets are grimy and chaotic, yet Columbus’s camera treats them with affection and humor. You can already sense the filmmaker who would go on to craft Home Alone and Mrs. Doubtfire, using suburban order clashing against urban chaos as the source of comedy.

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A Sweet and Surprisingly Sincere Coming-of-Age Story

What elevates Adventures in Babysitting beyond its genre peers is its sense of sincerity. Beneath the gags and goofy peril lies a story about responsibility, growing up, and self-belief.

The standout emotional moment comes late in the film, when young Sara meets a mechanic who looks just like her hero Thor (played by a pre-Law & Order Vincent D’Onofrio). When he snaps at her, Sara insists he’s only acting that way because he doesn’t have his magic helmet — and then offers him hers. It’s a simple, touching gesture that captures the film’s earnest belief in the magic of kindness and imagination.

Columbus has always been gifted at moments like these — small, sincere beats in the middle of chaos — and this scene remains one of the sweetest of his career.

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How It Holds Up Today

It’s true that Adventures in Babysitting contains a few outdated moments, particularly in its racial and gender politics, a common issue with many 80s comedies. But the film’s missteps feel more naïve than malicious. At its core, this is a movie about decency — about a young woman trying to do the right thing in an impossible situation.

Judged by the standards of its day, it’s a delightfully silly, often hilarious teen comedy that never forgets its heart. The performances are loose and joyful, the pacing brisk, and the city feels like a wild playground where danger and laughter exist side by side.

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Final Thoughts

Adventures in Babysitting may not have the layered wit of Ferris Bueller’s Day Off or the rebellious edge of The Breakfast Club, but it doesn’t need to. Chris Columbus set out to make a fun, fast-paced urban adventure, and he succeeded.

Nearly 40 years later, it’s still an endlessly rewatchable crowd-pleaser — a film that reminds us that being a “babysitter” can be as heroic as being a superhero, especially when you’re played by Elisabeth Shue.

Chasing Mavericks' and the Sad History of the Surfer Movie

Chasing Mavericks (2012) 

Directed by Curtis Hanson, Michael Apted

Written by Kario Salem

Starring Gerard Butler, Jonny Weston, Elisabeth Shue, Abigail Spencer

Release Date October 26th, 2012 

Fact, there has never been a great surfing movie. For all the popularity of the sport of surfing, Hollywood has never been able to take it seriously or treat with comic distance in any memorable. Sure, a few documentaries have approached the subject and come away watchable but when you have to go back to the late sixties hippy surfer doc "Endless Summer" to cite an example of a modestly entertaining surf movie, you're really proving the point of this article.

With the surfer drama "Chasing Mavericks" riding the curl into theaters this month it's a good time as any to reflect on the forgettable history of the surfer movie.

Frankie and Annette

The first inklings of surfing on the big screen came in the Frankie Avalon-Annette Funnicello beach movies of the early 1960's. Granted, it's a stretch to call these surf movies, as surfing as only glimpsed and not truly the subject, we can see the surfer archetype taking shape in these films and for that they are notable here.

Point Break

There is a fair argument to be made that "Point Break" starring Patrick Swayze and Keanu Reeves is the best-known surfing movie of all time. Yes, the film is really about bank robbers who happen to be surfers but ask a modern movie fan about surfing in movies and you will inevitably raise the topic of "Point Break." That "Point Break" is also best known as the smelliest of B-movie cheese only serves to underline my point about surfing movies.

Maudlin Drama

While I can't say for sure that "Chasing Mavericks" falls into the category of maudlin drama, the film's trailer does hue in that direction. The maudlin drama is a popular form for the surfing movie yielding the 1987 tear-jerker "North Shore" and the 2011, based on a true story, heart-tugger "Soul Surfer as well as the least interesting parts of the Kate Bosworth eye candy flick "Blue Crush." Notice that none of these movies rises immediately to mind even as they are the rare movies to take surfing seriously.

The Best Surf Movie?

The one film that ever approached being a good surfing movie happens to be an animated movie about penguins. "Surf's Up" featuring the voices of Shia Le Beouf as a wannabe surfer and Jeff Bridges as his grumpy yet goofy mentor is at the very least fun to look at with bright colors and fluid animation (pun intended). "Surf's Up" is probably the best surfing movie since "Endless Summer," even as that doesn't ring up as high praise. "Surf's Up" is achingly conventional and eye-rollingly predictable but in the surf genre it's not hard to set the bar.

Classic Movie Review Adventures in Babysitting

Adventures in Babysitting (1987) 

Directed by Chris Columbus 

Written by David Simkins

Starring Elisabeth Shue, Keith Coogan, Anthony Rapp, Maia Brewton 

Release Date July 3rd 1987

This weekend a minor 80’s gem turns 30 years old with little fanfare but plenty of positive memories, especially for young girls. Adventures in Babysitting is a lovely little 80’s nostalgia piece that, though some of its unintended politics haven’t aged well, the film’s silly little heart was always in the right place and that’s more than can be said about most 80’s teen comedies.

Adventures in Babysitting casts the winning and refreshing young Elizabeth Shue who gets roped into babysitting for The Anderson family after her no-goodnik boyfriend (Bradley Whitford) breaks off their date to a fancy restaurant. Having nothing better to do, Chris accepts the babysitting money to sit with Sara (Maia Brewton) and Brad (Keith Coogan), a boy two years younger than Chris and nursing a years long infatuation with her.

Read my full length review at Geeks.Media 

Movie Review Hamlet 2

Hamlet 2 (2008) 

Directed by Andrew Fleming

Written by Andrew Fleming 

Starring Steve Coogan, Catherine Keener, Amy Poehler, David Arquette, Elisabeth Shue 

Release Date August 22nd, 2008

Published August 22nd, 2008

Since his splashy stateside debut as Alan Partridge in the indie hit 24 Hour Party People I have been left waiting for Steve Coogan to become a big star. His latest, Hamlet 2, was expected to be the launching pad. Unfortunately, a funny idea takes too long to get going and a flimsy, flailing effort only comes together for a few big chuckles at the end, after most of the audience has already checked out.

Dana Marsh (Steve Coogan) wanted to be an actor and for a time he was in a number of commercials. Unfortunately, his career never took off and now he finds himself teaching theater at a high school in Tucson Arizona. There his musical stagings of Hollywood movies like Erin Brockovich are universally panned by audiences, especially the whip smart freshman drama critic Noah (Shea Pepe).

When he is assigned a group of students whose other classes have been canceled by budget cuts, Dana has to come up with a way to reach them. Inspired by the young critic to write something of his own, Dana crafts Hamlet 2 and the students have a full on production to mount. The students take quite readily to the bizarre, offensive production, yes a sequel to the Bard's classic, co-starring Jesus and a time machine.

The description is unfortunately, funnier than the movie itself. Directed by Andrew Fleming, Hamlet 2 flails about for the first two thirds, finding only a few laughs here and there. Especially unfunny are the brief looks at Dana's personal life where Catherine Keener essays the least interesting performance of her career.

In the last third of Hamlet 2 things actually pick up. With the personal story shuffled off the stage, we get down to this ludicrous, ballsy, utterly offensive play and some actual laughs arrive. With Jesus and his time machine bringing Hamlet back to life and rescuing Ophelia before she drowns, as the gay men's choir of Tucson sings "Someone Saved My Life Tonight" the craziness of it all is enough to induce a giggle fit.

Then there is the big musical number. "Rock Me Sexy Jesus" is blasphemy of the highest form but also a jaunty, catchy, high energy pop tune that you cannot get out of your head. Arguably, the best musical moment of any movie in 2008, "Rock Me Sexy Jesus" is everything that Hamlet 2 should be but isn't. The song comes along in the funny final third of Hamlet 2 and those audience members who didn't check out during the sluggish first two thirds will absolutely love it.

If all of Hamlet 2 had the ludicrous, satiric edge of "Rock Me Sexy Jesus" it would be the funniest movie of the year. As it is, it's a slog to get through the first two thirds of Hamlet 2 and that flattens some of the admittedly funny third act. Steve Coogan still has not found the right vehicle to demonstrate his talent. Thankfully, this fall Coogan is mounting a standup comedy tour and a rumored documentary about said tour. Here's hoping this is the form he needs to break out.

Movie Review Piranha 3D

Piranha 3D (2010) 

Directed by Alexandre Aja 

Written by Peter Goldfinger, Josh Stolberg 

Starring Elisabeth Shue, Ving Rhames, Adam Scott, Jessica Szohr, Jerry O'Connell 

Release Date August 20th, 2010 

Published August 20th, 2010 

I don't understand the appeal of a 3D penis destroyed by flesh chomping fish. Call me a buzzkill if you wish but I cannot understand why this is funny. As for it being frightening, it's certainly frighteningly poor taste but not frightening as presented in “Piranha 3D” which is, I'm assuming, supposed to be some kind of comic send up.

I assume this is comedy because the audience I watched it with were laughing far more than they were covering their eyes or ducking their heads to the shoulder of their dates. This audience cackled at the penis eating scene and roared approval during the underwater, nude, lesbian synchronized swimming scene. They roared again during the centerpiece gore-athon in the lake when the Piranha's swarmed the spring breakers leaving behind boney carcasses. I was left perplexed and a little depressed.

A lake that is home to a Sodom and Gomorrah of Spring Break debauchery is hit with a massive earthquake just before the partygoers arrive. The quake opens a crevasse that had been sealed for millions of years. Inside is a fully evolved and deadly species of Piranha seeking to quench a million years worth of bloodlust.

On land Sheriff Julie Forrester (Elisabeth Shue) and her top deputy Fallon (Ving Rhames) are readying for the arrival of drunken revelers when they get a call about a missing fisherman (Richard Dreyfuss). As we have seen in the film's opening minutes, the fisherman was the first victim of the piranhas and when the cops find him well, they catch on quicker than your usual movie cops.

Opting to try and close the lake, they also call in a team of scientists lead by Novak (Adam Scott). The scientists are the ones who find the piranhas, but not before two of them are turned into piranha food. The closing of the lake meanwhile isn't happening as the tiny police force are no match for the drunken partiers about to become Piranha meat.

Meanwhile, Sheriff Julie's son Jake (Steven R. McQueen) takes a job as an assistant to Derrick Jones (Jerry O'Connell) the creator of Wild Wild Girls. Derrick plans on filming girls taking their tops off and even tries to recruit Jake's crush Kelly (Jessica Szohr) to star alongside his protégé Danni (Kelly Brook) in his latest video, much to Jake's consternation. Naturally, all will end up face to face with piranhas, who survives and who has their penis torn off I will leave you to discover.

It's supposed to be camp right? Kitschy, over the top, Herschel Gordon Lewis, Roger Corman stuff right? I get that, I do. But, as directed by Alexandre Aja with a surprising amount of skill and directorial touch, I found “Piranha 3D” more in poor taste than campy and fun. I know, it's supposed to be in poor taste and I understand that appeals to some but I have a hard time enjoying this type of bad taste.

There is something nihilistic about the approach to the gore of “Piranha 3D.” Directors like Alexandre Aja and his protégé Eli Roth, who has a cameo in “Piranha 3D” as a wet T-shirt contest host, enjoy their violence and gore so much that the humans lose their value. Aja has the wrong kind of rooting interest at heart in each of his films. Rather than placing a good person in peril and asking the audience to root for their survival, Aja crafts awful human beings for the purpose of watching them be comically destroyed. It's ugly and brutal and I fear for those who find this kind of thing appeal. 

This is an ugly, inhuman perspective that I find impossible to get behind. I find the approach depressing and the enjoyment that so many seem to take in the destruction of their fellow man, no matter how fake or outsized it may be, just makes me sad. Say what you will about the quality of movies like “Halloween” or the original “Nightmare on Elm Street,” the characters mattered in each of those films, especially those played by Jamie Lee Curtis and Heather Langenkamp who always had our sympathies and were held above the evil they faced. 

When those films became hits and “Friday the 13th” started showing off Jason, things began to turn. When Freddy, Michael Myers and Jason became the stars, horror began to change and the rooting interests turned ugly. That leads us to where we are today with people cheering for human suffering, rooting for the gore and delighting in the degradation.

Yes, it's just an over the top horror film. Yes, it's not at all realistic. If that’s enough excuse for you to delight in watching people shredded limb from limb then enjoy. Just don’t ask me to join you. I’m going to find a movie where characters are held above their use as gory props and sex toys. By the way, if this is your kind of movie, I don’t think you and I should hang out. Just saying.