Movie Review Operation Fortune Ruse de Guerre

Operation Fortune Ruse de Guerre (2023) 

Directed by Guy Ritchie 

Written by Ivan Atkinson, Marn Davies, Guy Ritchie 

Starring Jason Statham, Cary Elwes, Aubrey Plaza, Hugh Grant 

Release Date March 3rd, 2023 

Published March 5th, 2023 

Operation Fortune Ruse de Guerre is not unlike every other super-team of spies movie you've seen before. The mission is the same as any Mission Impossible and the silly traps and pitfalls are very similar to a Fast and Furious flick. So, that being said, why am I still recommending it? Because it's so much fun, of course. Operation Fortune: Ruse de Guerre takes the familiar tropes of Spy movies and gives them a kick in the pants courtesy of an unbelievably fantastic cast, clever incident, and fast paced direction from a master of the genre action flick. 

Operation Fortune: Ruse de Guerre begins by creating a MacGuffin, the Hitchcock term for that thing that everyone in the movie wants. It doesn't matter what it is, it only matters that EVERYONE wants it and everyone has a reason to want it. In this case, the people who want it are an independent paramilitary outfit, the world's most charismatic arms dealer, and a British Government who knows what is at stake if either of the baddies vying for the prize manage to get their hands on the MacGuffin. 

The British Government has a specific plan in place for when things like this happen: They call Oscar Fortune (Jason Statham). Oscar Fortune is the world's greatest spy, and its most expensive and demanding. Via his handler, Jasmine (Cary Elwes), Fortune has a team and a series of demands that must be met before he will go into action mode. Fortune requires a large private plane, he's claustrophobic, he needs wine from very specifically expensive years and brands, and he needs his team. Once this price is met, he will take on a mission. 

This time around, not all of Oscar's demands are being met. It seems that his usual tech sidekick has sold out to the highest bidder and thus is not available for this job. Oscar is forced to settle for American newcomer, Sarah Fidel (Aubrey Plaza). She's a good fit, despite constantly taking the piss out of Oscar's cool guy spy persona. On the bright side for Oscar, he does have his usual muscle, J.J (Bugsy Malone). J.J is a smooth, soulful, rather brilliant man who happens to be a hulking mass of a man who is incredible with weapons of any kind. 

Read the full length review at Geeks.Media 

Movie Review Playing it Cool

Playing it Cool (2015) 

Directed by Justin Reardon 

Written by Chris Shafer, Paul Vicknair

Starring Chris Evans, Michelle Monaghan, Anthony Mackie, Aubrey Plaza, Ioan Gruffudd, Topher Grace

Release Date May 14th, 2015 

Published June 25th, 2015

For years Chris Evans made bad movie after bad movie. He was seemingly settled into being a handsome, bland, leading man, who would take any role that a star with better taste had passed on. Then he became Captain America and things changed. Something about Steve Rogers brought Evans to a place of comfort with his work.

With “Snowpiercer” a more serious and focused Chris Evans emerged and myself as a critic I saw the actor in a very different light. Now, with the charming romantic comedy “Playing it Cool,” Chris Evans seems fully formed as a performer. Is the movie great? No, but it’s not terrible. More importantly, as a vehicle for its star it is a fine showcase for his seemingly increasing talent.

In “Playing it Cool” Chris Evans plays a screenwriter who does not believe in love. Traumatized by his mother leaving him at a young age, Evans is left with an inability to connect with women. He does however, have an active fantasy life. He envisions his heart as living outside his body in the form of a sad, romantic, character in the range of Bogart in “Casablanca.”

Evans also has the tendency to project himself into other people’s stories. When friends played by an all star supporting cast including Topher Grace, Luke Wilson, Aubrey Plaza and Martin Starr, tell stories, Evans projects himself as the lead in the story regardless of the gender of the lead character. This imaginative device becomes important after Evans meets Michelle Monaghan and for the first time falls in love. Suddenly, she is the co-lead in all of these fantasies.

“Playing it Cool” is strange in a number of ways. The first comes in the fact that Evans and Monaghan’s character don’t have names. In the IMDB credits Evans is referred to as Narrator and Monaghan as Her. This is, I think, meant to comment on how the clichés of romantic comedies play out, the characters don’t really matter as much as character beats and human type people. The structure of “Playing it Cool” has Evans struggling to write a romantic comedy screenplay because he doesn’t believe in love and is well aware of the common tropes of the genre as they begin to play out in his real life.

The meta aspects of “Playing it Cool” play alright but the heart of the film is Evans and his interplay with the cast. I enjoyed the camaraderie of Evans and his small band of fellow artists. There is a real sense of friendship, history, and fun among this group and the interplay is strong enough that it doesn’t matter so much that each individual character is really only a sketch of a person.

Then there is the central romance. Michelle Monaghan is incredibly beautiful. Truly, I am not sure I can objectively assess her performance as I was thunderstruck by how photogenic she is, the camera truly loves her. Monaghan is something of a male fantasy as she is endlessly accepting and she gets all of Evans’ jokes and seems to like the things he likes, and she even has his commitment issues.

There is nothing particularly surprising about the way “Playing it Cool” plays out but I don’t think there is meant to be. This is a romantic comedy where the end is pretty well telegraphed. The key is then how to find interesting and funny things to do on the way to the predictable finish and what “Playing it Cool” has is a charming lead performance and strong supporting ensemble whose sense of fun that makes the predictable palatable.

The maturation of Chris Evans as an actor is likely that of a performer becoming more confident. “Captain America” has given Evans the star power to relax a little and be more than just a handsome face. In “Snowpiercer” the new found confidence led to a dark, violent thriller with an incredible resonance. In “Playing it Cool” that confidence emerges in a heretofore unseen charm and playfulness that seemed forced in previous performances.