Showing posts with label Julie Andrews. Show all posts
Showing posts with label Julie Andrews. Show all posts

Classic Movie Review Mary Poppins

Mary Poppins (1964) 

Directed by Robert Stevenson

Written by Bill Walsh, Don DaGradi 

Starring Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns 

Release Date September 24th, 1964 

Published June, 3rd, 2024 

Mary Poppins was my first love at the movies. I fell head over heels in love with Julie Andrews at just 7 years old. It wasn’t just Julie Andrews though, it was Dick Van Dyke, who, for a 7 year old, was the single funniest human being on the planet. His silly accent, mocked by many for years, was an absolute wonder to a child. His penguin dance in Mary Poppins was the first big laugh I can remember from my childhood, the first time I laughed so hard that I remember the moment. 

For years, when I was working on my snobby critic credentials, I pretended that Mary Poppins was beneath me, a trifle only for children. I pretended that I didn’t know the words to every song and that the movie didn’t make me happier than any movie ever, aside from maybe, Legally Blonde. This was a long time ago when I was still wet behind the ears and thought that the opinions of other men regarding my masculinity mattered. I was a moron.

Find my full length review at Geeks.Media, linked here. 



Movie Review Despicable Me 3

Despicable Me 3 (2017)

Directed by Pierre Coffin, Kyle Balda

Written by Cinco Paul, Ken Daurio 

Starring Steve Carell, Kristen Wiig, Trey Parker, Miranda Cosgrove, Jenny Slate, Julie Andrews 

Release Date June 30th, 2017 

Despicable Me 3 is so wildly mediocre, so achingly adequate, and so puzzlingly prosaic, I can barely bring myself to write about it. In all honesty, I have spent more research time for this review googling synonyms for mediocre than I have considering anything related to the production of Despicable Me 3. The latest bit of barely above average animation from the company Illumination is so very much just OK that just trying to find the energy to type words about it is taxing.

Despicable Me 3 picks up the story of former super-villain Gru (Steve Carell) as he continues his career as a newly formed hero. Alongside his now wife Lucy (Kristen Wiig), Gru is hot on the trail of the newest super-villain, a stuck in the 80’s former child star named Balthazar Bratt (Trey Parker), who uses gum and rubix cubes as super-weapons. It’s a clever idea for about 5 or 6 minutes and then it becomes tiresome and then forgettable.

Ah but don’t worry, Despicable Me 3 has a second uninspired plot. In this one we find that Gru has a twin brother named Dru. The joke of Dru is that he’s in good shape, has hair, and is bad at crime. That’s it, that’s the joke. On top of that, we’re supposed to find it hilarious when Gru’s mother cruelly hides his brother from him before telling him that he was her second pick. Hilarious familial cruelty you guys! Oh, and Gru’s mom is an old perv with two male swim coaches she leers at creepily, you know, to entertain the kids. (Yes, I remember that joke has been in the other films; it was creepy and unfunny then as well.

Read my full length review at Geeks.Media 



Movie Review Shrek 2

Shrek 2 (2004) 

Directed by Andrew Adamson, Kelly Asbury, Conrad Vernon

Written by Andrew Adamson, Joe Stillman, David N. Weiss

Starring Mike Myers, Cameron Diaz, Eddie Murphy, Julie Andrews, Antonio Banderas, Rupert Everett

Release Date May 19th, 2004 

Published May 18th, 2004 

In 2000, Shrek came out of nowhere and became a box office phenomena. While only spending one weekend at the top of the box office, the film’s buzz sustained it at the box office to the tune of $267 million domestically.

More important than the film’s box office was its quality. One of the rare and wonderful examples of what is possible when animation technology meets talented voice actors, producers and writers. An animated film with as much appeal to adults as to children. The sequel cannot be asked to meet that same lofty standard. That it doesn't spoil our memory of the first film is good enough.

As we rejoin our friends shortly after their wedding, Shrek (Mike Myers) and Fiona (Cameron Diaz) are on their honeymoon. The opening of the film is a terrific sendup of those romantic comedy montages set to some silly pop song with Shrek and Fiona cavorting in a meadow, running toward each other both being chased by pitch fork toting mobs.

Once back in the swamp, they are reunited with Donkey (Eddie Murphy). They are informed that they have been invited to the kingdom of Far Far Away where Fiona's parents King Harold (John Cleese) and Queen Lillian (Julie Andrews) wish to throw them a royal ball to celebrate their marriage. Shrek is convinced it's a bad idea but Fiona insists they go, even allowing Donkey to join them for the long journey that is best described "Are we there yet?”

No surprise to Shrek, when they arrive and are not greeted with open arms by the King and Queen. There is more to this story than the King's objecting to his daughter marrying an Ogre. It seems the King had cut a deal with the Fairy Godmother (Jennifer Saunders) that promised Prince Charming (Rupert Everett) would save Fiona from her castle and marry her, thus becoming heir to the throne. The King owes Fairy Godmother for some yet to be revealed reason and so he must get rid of Shrek and allow Charming to take his place.

For this, the King buys the services of a legendary Ogre killer named Puss in Boots (Antonio Banderas) whose efforts are less than successful. From there, Shrek and Fiona are separated and various miscommunications and mistaken identities serve to keep them apart. Shrek, Donkey and their new friend Puss in Boots must find a way to get Fiona back.

It's not a complicated story, it's a simple setup for the scatological humor that drips from every scene. Each computer-generated frame of Shrek 2 has some kind of satirical jab, even more than the original film. It almost reeks of desperation as if the producers and writers of Shrek 2 felt something was missing from the first film and were going to cover it up with excess jokes.

There is something missing from the sequel though I can't quite explain what it is. Part of the problem is that Shrek's look and animation isn't as special as it was back in 2000. Since then we have seen Monsters Inc., Finding Nemo and Ice Age and even live action films like Van Helsing and Spider-man that have made us comfortable with computer animation. It's not that special anymore, it's still impressive but not as mind blowing as the original.

Shrek 2 is not as funny as the first film but it is still funnier than most. Credit the terrific voice cast who project every line of dialogue all the way to the back wall of the theater. Especially good is Antonio Banderas who really tears into the role of Puss In Boots with tremendous comic fervor. Banderas sends up his Mask Of Zorro titular role and the script hints at something that other Zorro movies have used as subtext, something that the kids in the audience won't get but parents will likely pick up.

The other new voices are also well cast. John Cleese picks up the pompous, overblown King role where his good friend John Lithgow left it in the original. Jennifer Saunders makes a terrific villain and even knocks out a rousing showstopper tune near the end. Sadly, Julie Andrews is underused with little to do in the underwritten role of the Queen.


The film’s best assets are still Mike Myers, Cameron Diaz and Eddie Murphy. These terrific comics know how to deliver a punchline and the way the animators incorporate the actors' physical traits into the animated characters adds to the feeling that they are really inhabiting these characters. Listen closely however and you might hear Myers dropping out of his Scottish accent, but that is a minor quibble.

To ask Shrek 2 to recreate the magic of the first film is asking way too much. The best it could do was not taint our memory and that it does it justice with funny references to everything from Spider-man to The Wizard Of Oz to Raiders of The Lost Ark. That it does not fall to sequels and exist merely to capitalize off the original’s success is a testament to the creative team behind it. They put forth an effort to tell a story rather than slapping together a money machine meant to print money off our fondness for the first film.

Relay (2025) Review: Riz Ahmed and Lily James Can’t Save This Thriller Snoozefest

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