Ali (2001)
Directed by Michael Mann
Written by Eric Roth, Michael Mann, Christopher Wilkinson
Starring Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles, Ron Silver, Jeffrey Wright
Release Date December 25th, 2001
Published April 15th, 2002
The life of Mohammed Ali is one of the most fascinating ever lived, a life that should be dramatized for the big screen and make for a great film.
Unfortunately, this is not that film.
The film covers a ten-year span of Ali's life from his victory over Sonny Liston in 1964 to his dramatic victory over George Foreman in Zaire in 1974. Michael Mann gives us a feel of Ali's personal life, his battle with his father over his conversion to Islam, his relationships with his wives and his relationship with Malcolm X. However all of these scenes feel disjointed. Director Michael Mann seems to keep the audience at a distance instead of allowing us into the mind of Ali. With dialogue, Mann uses the film's soundtrack of 60's R & B tunes to deliver the emotion and at times even replace actual dialogue.
It's likely that Mann knows many of us are already quite familiar with Ali's many public challenges and doesn't feel the need to go into much detail. But why then does he muddle the timeline of the champ's career? If Mann believed the audience to be overly familiar with Ali's story, why does he leave out important moments of the champ's career such as the infamous phantom punch in the second Liston fight and his two rematches with Joe Frazier?
The boxing scenes in Ali are quite good with Mann getting in the ring with a handheld camera and putting the audience right in the match. The camerawork in the boxing scenes is phenomenal and star Will Smith is surprisingly credible, trading punches with real boxers including former middleweight champion James Toney who plays Smokin' Joe.
As for Will Smith he's very good, not quite Oscar good in my opinion but good. Smith evokes many of Ali's most recognizable attributes such as his brashness and vocal cadence. He also handles the emotional elements very well, especially the difficulties in Ali's personal life. Unfortunately, Smith is let down by director Mann who forgoes Smith's dialogue in favor the film's soundtrack as I described earlier.
